Sentences with phrase «new curatorial department»
Lowry's major initiatives include the creation of a new curatorial department, Media and Performance Art; the establishment of the research program Contemporary and Modern Art Perspectives in a Global Age Initiative (C - MAP); and the merger of The Museum of Modern Art and PS1 Contemporary Art Center (now MoMA PS1).
http://www.artagencypartners.com/ Not exact matches
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
This exhibition is curated by Eva Respini, Barbara Lee Chief Curator, The Institute of Contemporary Art / Boston, with Katerina Stathopoulou, Curatorial Assistant, Department of Photography, The Museum of Modern Art, New York.
In her new role at the Hammer, Hodge will provide management and guidance to the curatorial department, including assuming oversight of projects and administrative responsibility for the department's staff and budget.
Margaret Ewing is Curatorial Assistant in the Department of Painting and Sculpture at The Museum of Modern Art, New York.
Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
Respini has been a champion of photographic and new media practices since the early years of her career in MoMA's curatorial department, when she organized the 2012 blockbuster mid-career retrospective of Cindy Sherman.
Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America
The exhibition is curated by Eva Respini, Barbara Lee chief curator at the ICA, and Katerina Stathopoulou, curatorial assistant in the Department of Photography, at MoMA, New York.
Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco
Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco
Martin will lead the curatorial department as well as oversee the collections, exhibition programming, and the acquisition of new works.
The 2017 NLE Curatorial Lab is supported in part by an award from the National Endowment for the Arts, public funds from the New York City Department of Cultural Affairs, the Laurie M. Tisch Illumination Fund, and Isambard Kingdom Brunel of North America.
In 2013, prior to coming to the Birmingham Museum of Art, he was selected as the Andrew W. Mellon Curatorial Fellow at the Metropolitan Museum of Art in New York City and worked in the Department of Medieval Art and The Cloisters.
Prior to arriving in Los Angeles in 1995, Zelevansky was a curatorial assistant in the Department of Painting and Sculpture at the Museum of Modern Art, New York where she organized Projects shows for artists such as Gabriel Orozco (1993) and Cildo Meireles (1990), and curated Sense and Sensibility: Women Artists and Minimalism in the Nineties (1994).
«With Douglas at the helm of the curatorial department, I am confident that the Hammer is entering a new and exciting chapter.
The 2017/2018 NLE Curatorial Lab is supported in part by the National Endowment for the Arts, the New York City Department of Cultural Affairs, the Laurie M. Tisch Illumination Fund and Isambard Kingdom Brunel of North America.
The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Art.
His professional background consists of time spent in the curatorial department at the Museum of Modern Art in New York and one can't help but notice that it must have been time well spent.
David C. Terry is the Senior Program Officer / Curator in the Programs and Awards Department, and manager of the Fellowship and Curatorial Programs at the New York Foundation for the Arts (NYFA).
In his new role at the Hammer, Douglas Fogle will oversee the Hammer's curatorial and education departments — developing and organizing exhibitions, supervising the educational and public programs, building the Hammer Contemporary Collection, and overseeing the Hammer's artist residency program and artist council.
The winner was determined by an outside panel of three jurors: Polly Apfelbaum, a New York - based artist; Isolde Brielmaier, an independent curator and writer; Lucy Gallun, a curatorial assistant in the Photography department of The Museum of Modern Art; and Tina Kukielski, a member of the team curating the 56th Carnegie International, a leading global survey of contemporary art.
This exhibition is the second phase of the project, in which the DMA's Curatorial Department supplemented existing information with new research that places the mural series within the historical context surrounding its creation.
She previously worked at Outset Contemporary Art Fund, and in the curatorial departments at The National Gallery in London and the Metropolitan Museum of Art in New York.
Pujan Gandhi has assisted in the curatorial departments of the British Museum, Middlebury College Museum of Art, High Museum of Art ad other galleries in New York and Mumbai.
The NLE Curatorial Lab 2016 was supported, in part, by public funds from the New York City Department of Cultural Affairs and the Dedalus Foundation.
From this perspective, they are realizing that no matter how avant - garde their new buildings, their most cutting - edge department is education, which connects with the community in a way the curatorial staff rarely does.
No Windows, on view at Satellite Gallery from November 27, 2010 to January 23, 2011, is the result of a unique collaboration between the departments of Anthropology, Art History and Curatorial Studies at the University of British Columbia, as graduate students in each of these programs have joined forces to curate this new and exciting exhibition.
She has also worked in the curatorial departments of the Dallas Museum of Art and the Museum of Modern Art, New York.
Sirmans, former curator of modern and contemporary art at the Menil Collection in Houston and curatorial advisor at P.S. 1 Contemporary Art Center in New York, is coming to the Los Angeles County Museum of Art beginning Jan. 1; he will be department head and curator of contemporary art, succeeding Lynn Zelevansky, who left in July to direct the Carnegie Museum of Art in Pittsburgh.
Based between Austria and Dublin, ongoing curatorial projects include (External) The Centre For Dying On Stage, an online research and commissioning body; Department of Ultimology, a new department established in 2016 in Trinity College Dublin; and RGKSKSRG, the paired curatorial practice of Rachael Gilbourne and KaDepartment of Ultimology, a new department established in 2016 in Trinity College Dublin; and RGKSKSRG, the paired curatorial practice of Rachael Gilbourne and Kadepartment established in 2016 in Trinity College Dublin; and RGKSKSRG, the paired curatorial practice of Rachael Gilbourne and Kate Strain.
She has worked as an education intern at the Guggenheim Museum, New York, and a curatorial intern at the Studio Museum in Harlem and the Metropolitan Museum in the Arts of Africa department.
Based between Austria and Dublin, ongoing curatorial projects include The Centre For Dying On Stage, an online research and commissioning body; Department of Ultimology, a new department established in 2016 in Trinity College Dublin; and RGKSKSRG, the paired curatorial practice of Rachael Gilbourne and KaDepartment of Ultimology, a new department established in 2016 in Trinity College Dublin; and RGKSKSRG, the paired curatorial practice of Rachael Gilbourne and Kadepartment established in 2016 in Trinity College Dublin; and RGKSKSRG, the paired curatorial practice of Rachael Gilbourne and Kate Strain.
Before moving to New Orleans, Shaw was Research Manager at David Zwirner Gallery in New York, and she has worked in curatorial departments at the Yale Center for British Art in New Haven, the J. Paul Getty Museum in Los Angeles, and the National Gallery of Art in Washington, D.C. Photo: Andres Gonzalez
CURATOR: Dr. Deborah Willis, University Professor and Department Chair at Tisch School of the Arts, New York University VMFA COORDINATING CURATOR: Dr. Sarah Eckhardt, Assistant Curator of Modern and Contemporary Art ORGANIZER: The exhibition is organized by the Department of Photography & Imaging at New York University, Tisch School of the Arts and traveled by Curatorial Assistance Traveling Exhibitions NUMBER OF WORKS: 90 ITINERARY: This exhibition has traveled internationally since 2010 SPONSORS: Sponsored by Dominion.
Jodi Roberts is a scholar of Latin American art, and is currently a Curatorial Assistant in the Department of Painting and Sculpture at The Museum of Modern Art, New York.
In this key leadership position, crucial to the museum's new strategic plan, Taylor will oversee the division of art and education, which encompasses VMFA's curatorial, exhibition, and education departments, as well as the library and statewide programs.
After receiving degrees from Harvard University and Oxford University, she held curatorial positions at The Museum of Modern Art, New York in The Department of Photography and The Department of Painting and Sculpture, and is a guest curator for exhibitions at the Woodruff Arts Center and the Wadsworth Athenaeum.
As Chief, Stoops will represent the curatorial department in the overall restructuring of the museum and contribute to the creation of a new strategic plan.
Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, of the Department of Painting and Sculpture, the exhibition delves deeply into the historical period, bringing forth unknown, ravishing works while casting familiar ones in a startling new light.
The Hammer curatorial team regularly reviews submissions to the curatorial department and always welcomes being introduced to new work.»
Anne Ruygt (The Netherlands) worked with the photography team within the Tate Modern curatorial department to conduct an analysis of the way the photography collection has changed and grown since the new strategy began to be implemented in 2009.
Ersoy worked in the curatorial departments of various nonprofits in New York, Istanbul, and Cairo, and combined this experience with her work at foundations that aim to support the growth and stability of the arts field through resource creation and capacity building in the U.S. and the Middle East.
Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who has taught the undergraduate course History and Theory of Curatorial Practice, part of the new Concentration in Museum Theory and Practice, a collaboration between the Nasher Museum and Duke's Department of Art, Art History & Visual Studies.
Ersoy worked in the curatorial departments of various nonprofits in New York, Istanbul, and Cairo, and combined this experience with her work at foundations that aim to support the growth and stability of the arts field through resource creation, capacity building, and networking in the US and the Middle East.
We gratefully acknowledge the support of the Alvin Balkind Fund for Student Curatorial Initiatives; The Department of Art History, Visual Art and Theory, the Faculty of Arts, and the Museum of Anthropology at The University of British Columbia; Andrea Rosen Gallery and The Felix Gonzalez - Torres Foundation (New York City); The Andy Warhol Museum (Pittsburgh); Jack Shainman Gallery (New York City); Tracey Lawrence Gallery (Vancouver); and Peres Projects (Los Angeles).
The 2014 Whitney Biennial on March 7 — May 25, 2014, will take a bold new form as three curators from outside the Museum — Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and Professor in the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor, representing a range of geographic vantages and curatorial methodologies.
This exhibition is organized by James W. Alsdorf Chief Curator Michael Darling, Museum of Contemporary Art Chicago; former Chief Curator Sabine Breitwieser, Department of Media and Performance Art, and Curator Laura Hoptman, Department of Painting and Sculpture, the Museum of Modern Art (MoMA), New York; and Hoffman Family Senior Curator of Contemporary Art Jeffrey Grove, Dallas Museum of Art, with Curatorial Assistant Stephanie Weber, Department of Media and Performance Art, MoMA.
Her PhD in Curatorial / Knowledge - Department of Visual Cultures at Goldsmiths, University of London - investigates contemporary affects and the aesthetics of the «new» of the Portuguese revolution through militant, documentary and essay cinema.
Since 2013, Liebert has served as a Curatorial Assistant in the Department of Painting and Sculpture at the Museum of Modern Art, New York.