Sentences with phrase «new curatorial perspectives»

In the Autumn we present a major exhibition of artist Emily Jacir, whose work explores silenced historical narratives, movement and resistance, and in a new invited curators initiative Indian curator Sumesh Sharma and Irish curator Kate Strain will present projects at IMMA that reflect their individual practices and bring new curatorial perspectives into IMMA's programme»

September — early 2017 This new invited curators initiative will see Indian curator Sumesh Sharma and Irish curator Kate Strain presenting projects at IMMA that reflect their individual curatorial practices and bring new curatorial perspectives into IMMA's programme.

Not exact matches

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Exquisite Corpse: Moving Image in Latin American and Asian Art embodies the exquisite corpse model as a curatorial framework between three institutions — Asia Society Museum, Mana Contemporary, and Smack Mellon — using video and new media work by contemporary artists who represent perspectives from across Latin America and Asia as the variable contributions.

Looking to reinvigorate the biennial model, in 2011, SITE reimagined SITE's biennial exhibition to focus on the Western Hemisphere, bring new perspectives to the curatorial table, and build a new infrastructure at SITE to support long - term research and new artist commissions.

Their varied and curatorial «takes» on Britain provide new perspectives and illuminate key moments in the nation's journey from the post-war period to the present day.

Arranged chronologically, it approaches Burchfield's work with a new perspective facilitated in part by the curatorial sensibilities of Robert Gober.

Over the years, students, visiting curators and scholars have tested out new cultural and art historical perspectives, evolving their sense of what curatorial practice might become.

From this perspective, they are realizing that no matter how avant - garde their new buildings, their most cutting - edge department is education, which connects with the community in a way the curatorial staff rarely does.

For an international perspective, artist and writer Eldon Garnet reports from Italy on an international conference about new university programs in curatorial studies.

Lowry's major initiatives include the creation of a new curatorial department, Media and Performance Art; the establishment of the research program Contemporary and Modern Art Perspectives in a Global Age Initiative (C - MAP); and the merger of The Museum of Modern Art and PS1 Contemporary Art Center (now MoMA PS1).

In Independent Curators International (ICI) «s second curatorial talk series at the New Museum, independent curator Bisi Silva joins ICI Executive Director Kate Fowle for The Curator's Perspective: A Conversation with Bisi Silva.

Situated in the coastal town of Llandudno, it is Wales» foremost contemporary gallery and visual arts centre, serving as a place to form and share new perspectives through artistic / curatorial practice and audience engagement.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

««Parrish Perspectives: New Works in Context» reflects the curatorial decision - making involved in the process of building a collection, and demonstrates the museum's commitment to bringing together works that enhance the appreciation of art and the artist's practice,» stated Alicia Longwell, the Lewis B. and Dorothy Cullman Chief Curator, Art and Education, in the exhibition announcement.

«Ron brings an exciting new dimension and perspective to our distinguished curatorial team, which is led by our Chief Curator David R. McFadden and includes Dorothy Globus, Ursula Ilse - Neuman and Lowery Stokes Sims,» said Ms. Hotchner.

The Solomon R. Guggenheim Museum in New York present Urgency and Relevance: A Curatorial Perspective on Tuesday, March 11, 2014, 6:30 pm.

The exhibition demonstrates a variety of curatorial perspectives while simultaneously revealing new trends and young artists from the art scenes of both cities.

Along with the increasing development of publications on exhibition history, the overlooked phenomenon of self - reflexive exhibitions has brought a new perspective distinguished from the nostalgic loss of curatorial memory.

2014 - 2017 G - 60 Certificate of Fitness holder, torch use and flamable gas, Queens, New York 2014 Panelist, «Ephemeral,» 102nd Annual CAA Conference, Chicago, Illinois 2013 Panelist, «Loud, Expensive and Potentially Dangerous,» FATE Conference, Savannah, Georgia Curatorial project: Value Added: Artists» Perspectives on Worth, The College of New Jersey, Ewing, New Jersey 2011 Organized This.

In March 2015, Kaoud's work was part of the group exhibition ArtLab2 / FamaFame at the ASC Gallery in London, UK, and the first exhibition Sculptural Perspectives in her new curatorial project CollaCurating was showing at Tashkeel AlFahidi Galleries.