Sentences with phrase «new curatorial studies»

New York's School of Visual Arts plans to debut a new curatorial studies program next month that will be chaired by art journalist Steven Henry Madoff and count such big names among its instructors as White Columns director Matthew Higgs, Drawing Center curator Claire Gilman, and supercurator Hou Hanru.

Not exact matches

Lia Gangitano, of New York City, is the recipient of the 2018 Audrey Irmas Award for Curatorial Excellence from The Center for Curatorial Studies, Bard College.

This selection of archival documents, compiled from the collections of the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, originally accompanied the essay «What Remains: Art and Archives,» by Ann Butler and Marvin J. Taylor.

I am Yours is a new project by Bernd Krauss, the fall 2008 artist - in - residence at the Center for Curatorial Studies.

Previous group exhibitions include: The Rabbit as King of the Ghosts, Mitchell - Innes & ash, New York; Uncertain States of America, The Astrup Fearnley Museum for Modern Art, Oslo, The Center for Curatorial Studies, Bard College, and Serpentine Gallery, London; Plain of Heaven, Creative Time and Friends of the Highline, New York.

She has received fellowships for performance art from the National Endowment for the Arts and the New York Foundation for the Arts; Bessie and Obie awards for commitment to artists» freedom of expression; a Yoko Ono Lennon Courage Award for the Arts; a Richard Massey Foundation - White Box Arts and Humanities Award; a Lifetime Achievement Award from Women's Caucus for Art; and the Audrey Irmas Award for Curatorial Excellence from the Center for Curatorial Studies, Bard College.

To see selections from the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, visit the Research section of this digital archive.

Recent exhibitions include the Santiago de Compostello, Spain, the Weatherspoon Art Museum, Greensboro, NC, the Institute of Contemporary Art, Cleveland, OH, the Miami Art Museum, FL, the Institute of Contemporary Art, Boston, the Kempner Museum of Contemporary Art, Kansas City, Site Santa Fe, New Mexico, the Fabric Workshop and Museum, Philadelphia, the Center for Curatorial Studies, Bard College, NY, P.S. 1 Contemporary Art Center, Long Island City, NY, the Whitney Museum, NY, MASS MoCA, North Adams, Mass., the Worchester Museum of Art, Worchester, MA, the Portland Institute for Contemporary Art, Portland, OR, the Museum of Modern Art, NY, the San Francisco Museum of Art, CA, the Hirschhorn Museum and Sculpture Garden, Washington, DC, the Virginia Museum of Fine Arts, Richmond, VA, the Centre d ¹ Art Contemporain, Geneva, Switzerland, the Bellevue Art Museum, Bellevue, WA, and the Museum of Contemporary Art, Los Angeles, among many others.

2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery

He has taught at the CUNY graduate center and the Bard Center for Curatorial Studies as well as the Rhode Island School of Design, Tyler School of Art, New York Studio School and Harvard University, and has been a frequent lecturer in this country and abroad.

Ngcobo co-curated «Rope - a-dope: to win a losing war» (2010) at Cabinet, New York, «Second Coming, a curatorial collaboration» at Center for Curatorial Studies, Bard College, and «Just How Cold Was curatorial collaboration» at Center for Curatorial Studies, Bard College, and «Just How Cold Was Curatorial Studies, Bard College, and «Just How Cold Was It?»

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Read more about our honoree here Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Read more about our NLA awardee here Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read more about our keynote presenters here

Mohebbi is a graduate of the Center for Curatorial Studies at Bard College, New York.

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read the Program Journal To view our week of events, click here To watch videos of the event, click here.

Group exhibitions include: Space 1026 Gallery Show, The Institute for Contemporary Art, Philadelphia, Pennsylvania; Play's The Thing, The Whitney ISP Curatorial Studies Exhibition, New York; The Sunshine Show, Alleged Galleries, New York; Fashion Takes Action, New York; God Bless America, Alleged Galleries, New York; Art In Bloom, The New Orleans Museum of Art, New Orleans, Los Angeles; Elevated, The Lincoln Center, New York (1996).

Alemani holds a BA degree in Philosophy from the University of Milan (2001) and an MA in Curatorial Studies (2005) from the Center for Curatorial Studies, Bard College, Annandale - on - Hudson, New York.

AS - AP, as collaborative project of the Center for Curatorial Studies in association with the New York State Council on the Arts (NYSCA) provides funding assistance for the publication, Show and Tell: A Chronicle of Group Material, edited by Julie Ault and published by Four Corners Books in 2010.

And you're likely to run into other art - world heavy hitters on campus, as Bard continues to enrich its larger program, appointing former New Museum curator Lauren Cornell as director of its Curatorial Studies graduate program and chief curator of its Hessel Museum of Art this year.

Inés Katzenstein received a masters degree from the Center for Curatorial Studies, Bard College, New York (2001).

Katrin Heichel, born 1972 in Leipzig, 2000 — 2005 Academy of Fine Arts Leipzig at the class of Arno Rink, 2005 — 2008 «Meisterschülerin» (postgraduate) at the class of Neo Rauch; 2011 Scholarship of the International Studio and Curatorial Program New York, 2013 study visit in Catania, Sicily, 2014 Artist in residency at Bejing Cultural Development Co. Ltd., China.

On the banks of New York's Hudson River, about two hours north of Manhattan, Bard College's Center for Curatorial Studies is one of the oldest focused curatorial researcCuratorial Studies is one of the oldest focused curatorial researccuratorial research centers.

As such, the anthology offers valuable new contributions to the fields of art history, media studies, philosophy, curatorial studies, and design.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

World Music and Dance; Art, Technology and Culture; New Media Theory; Contemporary Arts and Music; Cultural Studies; Gender and Race Studies; Curatorial Studies;

The Center for Curatorial Studies and the Hessel Museum of Art are located in Annandale - on - Hudson, New York, about 90 miles north of New York City.

Gagosian Gallery, «Fit to Print», New York NY Radio Bologna, «Radio Danièle», Bologna, Italy Hessel Museum of Art, Center for Curatorial Studies, Bard College, «Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection», Annandale - on - Hudson NY Museum of Contemporary Art, «Sympathy for the Devil: Art and Rock and Roll Since 1967», Chicago IL Peres Projects, «Beyond Zero», Athens, Greece Mireille Mosler, Ltd., «Tease», New York NY Zentrum fur Kunst und Medientechnologie, «Between Two Deaths», Karlsruhe, Germany Roberts & Tilton, «Other Scenes», Los Angeles CA

The Center for Curatorial Studies & Hessel Museum of Art, Bard College, Annandale - on - Hudson, New York.

Ronay has also been in notable group exhibitions at the Astrup Fearnley Museum for Modern Art, Oslo; ARoS Aarhus Kunstmuseum, Århus, Denmark; Center for Curatorial Studies, Bard College, Annandale - on - Hudson, New York; Serpentine Gallery, London, England and the 2004 Whitney Biennial, New York.

The artist received his B.F.A from the University of Texas at Austin and his M.F.A. from the Center for Curatorial Studies at Bard College in New York.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Since the early 1990s, Roberts has exhibited internationally, including group exhibitions at Artists Space, New York; Helsinki Kunsthalle and the Museum of Contemporary Art, Helsinki, Finland; The Museum of Modern Art, Oxford, England; P.S. 1, Long Island City, NY; Bard College Center for Curatorial Studies, Annandale - on - Hudson, NY; and Bildmuseet Umeå, Umeå, Sweden.

Organized by first - year graduate students at the Center for Curatorial Studies, Lost & Found City is a site specific installation at three locations in New York City.

The installation to which Feher refers in the anecdote above was reconfigured for UCLA's Hammer Museum following its run at Bard College's Center for Curatorial Studies Museum in upstate New York last year.

Selected clients Academy of American Poets * Aggregate * Bard College Center for Curatorial Studies Bard Graduate Center * Bklyner Carnegie Museum of Art Center for Architecture New York Commercial Type * Common Field * Container Artist Residency 01 * Cooper Robertson * David Zwirner Diller Scofidio + Renfro Dorothea Dix Park * Everlane Eyebeam Field Operations Freshkills Park Frieze Foundation FRONT International * FXFOWLE * George Kaiser Family Foundation Grey Room * Guggenheim Museum Bilbao ICA Boston James Cohan Jewish Museum New York Kadist Art Foundation * Knoll, Inc..

Minisymposium: The Headless Conference FRIDAY, MARCH 19, 7 — 9 P.M. NEW MUSEUM, 235 BOWERY, NEW YORK Featuring Angus Cameron, lecturer in human geography at the University of Leicester and emissary for Goldin + Senneby; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor of architecture at Yale University; Ginny Kollak, director of the Office for Parafictional Research and second - year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University

LE MAGASIN, GRENOBLE De 199C à 199D 6 June 2014 — 7 September 2014 The exhibition is the second part of a collaborative process started between the artist and students of the Center for Curatorial Studies du Bard College (New York) in 2012.

The TMT has been exhibited internationally at venues including: CAC, Vilnius (2003); Art in General, New York (2004); M.I.T., Boston (2005); IASPIS, Stockholm (2006); Kulturezone06, Frankfurt (2006); INSA Art Space, Seoul (2006); and the Design Academy / Van AbbeMuseum, Eindhoven (2007), and the Center for Curatorial Studies at Bard College, Annandale - on - Hudson (2011).

A native New Yorker, Thomas holds degrees in Africana Studies and Art History from Brown University and Columbia University and in 2015 was awarded the Walter Hopps Award for Curatorial Achievement.

Warhol x 5 is a presentation of five overlapping exhibitions at the following university art museums: the Neuberger Museum of Art at Purchase College; the Samuel Dorsky Museum of Art at SUNY New Paltz; the University Art Museum at the University at Albany; the Frances Lehman Loeb Art Center at Vassar College; and the Center for Curatorial Studies, Bard College.

Fawz has participated in panels and presented lectures at The Center for Curatorial Studies; Asia Contemporary Art Week, New York; Power Talks, Toronto; and NYU AD, New York.

Recent exhibitions include: Looking Back / The 11th White Columns Annual, New York, NY; You Are Looking at Something That Never Occurred, Zabludowicz Collection, London, UK (both 2017); We are the Center for Curatorial Studies, CCS Bard Hessel Museum, Annandale - on - Hudson, NY; L'Image Volée, Fondazione Prada, Milan, Italy (both 2016); Greater New York, MoMA PS1, Queens, NY (2015 - 16); If You Leave Me Can I Come Too?

He has also taught at the CUNY Graduate Center, Bard Center for Curatorial Studies, Rhode Island School of Design, Tyler School of Art, New York Studio School, and Harvard University, and has been a frequent lecturer in the United States and abroad.

In conjunction with the exhibition, the Center for Curatorial Studies and Booth - Clibborn Editions, London, are very pleased to publish Keith Edmier 1991 - 2007, a new book exploring Edmier's work in remarkable depth.

ANNANDALE - ON - HUDSON, N.Y. — The Center for Curatorial Studies at Bard College presents Mobile Observation (Transmitting and Receiving) Station, a new commission by Lisi Raskin, CCS Bard's first artist - in - residence.

First - Year Students at Bard's Center for Curatorial Studies Present «Re-Shuffle: Notions of an Itinerant Museum» at New York City's Art in General from February 24 through March 18

Whitney Independent Studio Program Location: New York, NY The Independent Study Program (ISP) consists of three interrelated parts: Studio Program, Curatorial Program, and Critical Studies Program.

The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Art.

Montserrat Albores Gleason studied visual arts at the ESMERALDA, Mexico City, and obtained her M.A in Curatorial Studies at the CCS, Bard College, New York.

The new Advanced Certificate in Curatorial Studies builds on that tradition and the curatorial interests and ambitions of Hunter faculty and students — and our commitment to exhibitions whose themes, theses, and checklists have been developed and honed by ourCuratorial Studies builds on that tradition and the curatorial interests and ambitions of Hunter faculty and students — and our commitment to exhibitions whose themes, theses, and checklists have been developed and honed by ourcuratorial interests and ambitions of Hunter faculty and students — and our commitment to exhibitions whose themes, theses, and checklists have been developed and honed by our students.