New York's School of Visual Arts plans to debut
a new curatorial studies program next month that will be chaired by art journalist Steven Henry Madoff and count such big names among its instructors as White Columns director Matthew Higgs, Drawing Center curator Claire Gilman, and supercurator Hou Hanru.
Not exact matches
2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa,
Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye,
Curatorial Associate,
New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral
Program in Visual Culture
Studies at State University of
New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery
Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Presented by Tom Eccles executive director Center for
Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016
New Leadership Award Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read the
Program Journal To view our week of events, click here To watch videos of the event, click here.
And you're likely to run into other art - world heavy hitters on campus, as Bard continues to enrich its larger
program, appointing former
New Museum curator Lauren Cornell as director of its
Curatorial Studies graduate
program and chief curator of its Hessel Museum of Art this year.
Katrin Heichel, born 1972 in Leipzig, 2000 — 2005 Academy of Fine Arts Leipzig at the class of Arno Rink, 2005 — 2008 «Meisterschülerin» (postgraduate) at the class of Neo Rauch; 2011 Scholarship of the International Studio and
Curatorial Program New York, 2013
study visit in Catania, Sicily, 2014 Artist in residency at Bejing Cultural Development Co. Ltd., China.
Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and
New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu,
program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance
Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum
Studies at the University of San Francisco Meredith George Van Dyke,
curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International
Studies at the University of San Francisco
Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and
New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu,
program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance
Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum
Studies at the University of San Francisco Meredith George Van Dyke,
curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International
Studies at the University of San Francisco
Whitney Independent Studio
Program Location:
New York, NY The Independent
Study Program (ISP) consists of three interrelated parts: Studio
Program,
Curatorial Program, and Critical
Studies Program.
Mobile Observation (Transmitting and Receiving) Station is a
new project by Lisi Raskin commissioned by the Center for
Curatorial Studies as part of it's first artist - in - residence
program.
A Helena Rubinstein
Curatorial Fellow at the Whitney Museum Independent
Study Program (2008 - 09), he has organized exhibitions for venues including Malmö Konstmuseum, Sweden, GAM Torino, Italy; Museo Marino Marini, Florence, Italy; Kunsthalle Helsinki, Finland; Pori Art Museum, Finland; ISCP,
New York City; Prague Biennale, Czech Republic.
Curated for 2018 by Tom Eccles (Executive Director, Center for
Curatorial Studies, Bard College,
New York) and Amy Zion (curator,
New York), this year's
program explores the written word.
Defining Structures: History of Exhibitions Tuesday, April 1, 6:30 pm A conversation exploring exhibition history through
curatorial practice, featuring Jens Hoffmann, Deputy Director, Exhibitions and Public
Programs and curator Germano Celant, moderated by Bruce Altshuler, Director,
Program in Museum
Studies, Graduate School of Arts and Science,
New York University.
Independent curators Cecilia Alemani (High Line Art,
New York), Tom Eccles (Center for
Curatorial Studies, Bard College), Clara M Kim (Tate Modern, London), Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago) and Fabian Schöneich (Portikus, Frankfurt), are devising special sections of the fair and a
program of ambitious artist commissions and talks.
Independent curators Cecilia Alemani (High Line Art,
New York), Clara M Kim (Tate Modern, London), Jacob Proctor (Neubauer Collegium for Culture and Society at the University of Chicago), Fabian Schöneich (Portikus, Frankfurt) and Tom Eccles (Center for
Curatorial Studies, Bard College,
New York) will curate sections dedicated to innovative solo shows and a
program of ambitious artist commissions and talks.
Part of Frieze's non-profit
program and featuring today's most influential artists, thinkers and cultural figures, Frieze Talks is curated by Tom Eccles (Executive Director, Center for
Curatorial Studies, Bard College,
New York).
Mr. Stout is also active in various roles with charitable institutions and non-profit organizations, including the following: President of The Robert Mapplethorpe Foundation (Mandated to fund AIDS and HIV - related medical research, to support photography
programs of arts institution); and a member of: Board of Directors, The Robert Mapplethorpe Residential Treatment Facility at Beth Israel Medical Center,
New York; Visiting Committee — The Robert Mapplethorpe Laboratory for Medical Research at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for
Curatorial Studies Board of Governors.
In his role as an adjunct professor in the
curatorial studies program at California College of the Arts, Leiber inspired a
new generation of curators, many of whom are still locally active and influencing the course of our cultural climate.
From 2007 - 2009 she was Whitney Lauder
Curatorial Fellow at the Institute of Contemporary Art at the University of Pennsylvania, and has organized exhibitions and
programs at venues including the
New York Center for Art and Media
Studies; FLAG Art Foundation; The Armory Show; the Museum of Modern Art,
New York; and Tyler School of Art, Philadelphia.
Commissioned as part of CCS Bard's
new Artist - in - Residence
Program, this installation in progress is on view daily through September 7 ANNANDALE - ON - HUDSON, N.Y. — The Center for
Curatorial Studies at Bard College presents Mobile Observation (Transmitting and Receiving) Station, a
new commission by Lisi... read more →
Frieze Talks: Curated by Tom Eccles (Executive Director, Center for
Curatorial Studies, Bard College,
New York) for the sixth year, Frieze's
program of Talks will also return this year, providing visitors an opportunity to delve into a discourse on critical issues in the contemporary art world with some of today's most significant artists, cultural figures, and thought - leaders.
No Windows, on view at Satellite Gallery from November 27, 2010 to January 23, 2011, is the result of a unique collaboration between the departments of Anthropology, Art History and
Curatorial Studies at the University of British Columbia, as graduate students in each of these
programs have joined forces to curate this
new and exciting exhibition.
Although the Swedish state has not yet chosen a
new director, several possible names are already circulating in the Swedish press, including Maria Lind, director of the graduate program at the Center for Curatorial Studies at Bard College in New York; Daniel Birnbaum, rector of Frankfurt's Städelschule; and Sara Arrhenius, the director of Bonniers Konsthall in Stockho
new director, several possible names are already circulating in the Swedish press, including Maria Lind, director of the graduate
program at the Center for
Curatorial Studies at Bard College in
New York; Daniel Birnbaum, rector of Frankfurt's Städelschule; and Sara Arrhenius, the director of Bonniers Konsthall in Stockho
New York; Daniel Birnbaum, rector of Frankfurt's Städelschule; and Sara Arrhenius, the director of Bonniers Konsthall in Stockholm.
For an international perspective, artist and writer Eldon Garnet reports from Italy on an international conference about
new university
programs in
curatorial studies.
She holds a BA in Economics for the Arts, Culture and Communication from Luigi Bocconi University, Milan (2005), an MFA in Curating from Goldsmiths College, London (2008) and was a
Curatorial Fellow of the Whitney Independent
Study Program,
New York (2010).
She then moved to
New York City to attend the Whitney Museum of American Art's Independent
Study Program, where she was a Helena Rubinstein
Curatorial Fellow, and
New York University's Institute of Fine Arts, where she received a master's degree in art history.
The AS - AP Steering Committee is: David Platzker, AS - AP project director; Linda Earle, executive director, Skowhegan School of Painting and Sculpture; Milan Hughston, chief of library and museum archives, The Museum of Modern Art; Maria Lind, director of the graduate
program, Center for Curatorial Studies; Elizabeth Merena, director, Visual Arts Program, New York State Council on the Arts; Andrew Perchuk, Contemporary Programs and Research, Getty Research Institute; Marvin Taylor, faculty, Collections and Research Services, Fales Library, New York University Libraries; Martha Wilson, Franklin Furnace Archives; and revolving participants from the College Art Assoc
program, Center for
Curatorial Studies; Elizabeth Merena, director, Visual Arts
Program, New York State Council on the Arts; Andrew Perchuk, Contemporary Programs and Research, Getty Research Institute; Marvin Taylor, faculty, Collections and Research Services, Fales Library, New York University Libraries; Martha Wilson, Franklin Furnace Archives; and revolving participants from the College Art Assoc
Program,
New York State Council on the Arts; Andrew Perchuk, Contemporary
Programs and Research, Getty Research Institute; Marvin Taylor, faculty, Collections and Research Services, Fales Library,
New York University Libraries; Martha Wilson, Franklin Furnace Archives; and revolving participants from the College Art Association.
He teaches in the Graduate
Studies Program,
New Genres Area, and Critical &
Curatorial Studies.
ICI maintains a long - standing relationship of collaboration with
New York University (NYU) on educational and training
programs and initiatives in the area of
curatorial studies and research, including an Internship
Program to provide curriculum - related professional training to NYU students.
ABOUT THE CURATORS Elisa R. Linn is a curator and writer based in Berlin and
New York, where she is currently attending the Whitney Independent
Study Curatorial Program.
Ms. Gangitano has taught at the Center for
Curatorial Studies at Bard College, fine arts
programs at
New York University, the School of Visual Arts in Gramercy Park and Hunter College.)
Natasha Rosenblatt lives in
New York City, where she is a Masters student in Columbia University's Modern Art: Critical &
Curatorial Studies program.
Helena Rubinstein
Curatorial Fellow, Whitney Museum of American Art, Independent
Study Program,
New York, NY, 2015