Sentences with phrase «new documentary photographs»

Not exact matches

The primary interview for this documentary is Steve's wife Barbra Minty McQueen who, as a New York model and amateur photographer, took hundreds of never - before - seen candid photographs.

Filmmaker Tony Zierra worked closely with his subject on this new documentary chronicling his extraordinary time spent with the late great filmmaker, featuring a treasure trove of private photographs, footage and never - before - seen documents.

Filmmaker James Marsh uses standard documentary techniques, combining new interviews with a satisfying pile of footage and photographs, but his film has the suspense of a caper movie.

This intriguing documentary shuttles from New York to France to Chicago as it traces the life story of the late Vivian Maier, a career nanny whose previously unknown cache of 100,000 photographs has earned her a posthumous reputation as one of America's most accomplished and insightful street photographers.

New York — On Thursday, October 19, Swann Auction Galleries» sale of Art & Storytelling: Art & Photobooks combined works spanning the lifetime of the medium into an auction intended to «highlight the interrelationships between fine art, documentary and vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swannphotographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at SwannPhotographs & Photobooks at Swann Galleries.

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

This documentary surveys his career and includes original footage shot on location in New York and Gloucester, Massachusetts; interviews with scholars and a musician; images of Davis's paintings; and archival footage and photographs of the artist.

The book also features new scholarship by Diedrich Diederichsen and Bob Nickas, an illustrated timeline for both cities and compelling archival material — from documentary photographs from the period and reproductions of Cologne's historic Spex Magazine to reviews of exhibitions from the period.

The latter includes both new works — an assemblage of photographs titled An Essay on Equivalents and the video Cornered — and a selection of the artist's earliest documentary production from the late 1970s and early 1980s.

I was inspired to make this photogram by two things: finding in the New York Times a documentary photograph of a house blown apart by a hurricane, and thinking about the notion of shape as form in high Modernist painting.

In these images, his painterly brushstrokes merge with the documentary clarity of the photographs, adding a new dimension to the scenes.

A project photographing on Ellis Island with students from the Ethical Culture School in New York galvanized his recognition of the value of documentary photography.

Hyperallergic reviews a new book and exhibition based around Mary Ellen Mark's documentary photographs.

The author of the new Phaidon book The Documentary Impulse and the man behind one of the most powerful photographs in the 20th century curates a collection for Artspace.

Other works record specific places, such as Rudy Burckhardt's documentary - style photograph of a gas - station in Astoria, New York taken in 1940 and Andrew Lenaghan's detailed landscape Off Route 52, Irvine, Kentucky (1998) painted on site during the artist's travels across the South.

Panelists include; Kael Alford, documentary photographer, writer, journalist, Deborah Bell, Vice President and Head of Christie's Photographs Department in New York, Dornith Doherty, 2012 Guggenheim Fellow, photographer, Professor of Photography at the University of North Texas, and Wendy Watriss, photographer, curator, journalist, writer, and a founder of FotoFest, Houston.

REBECCA COONEY Features Photo Editor, Newsday SEAN CORCORAN Curator of Photographs, Museum of the City of New York IVAR DAMERON Photo Editor, The Wall Street Journal SHAMINDER DULAI Director of Photography, Newsweek JAMES ESTRIN Co-Editor of New York Times Lens Blog NOELLE FLORES THEARD Program Associate, Magnum Foundation GENEVIEVE FUSSELL Senior Photo Editor, The New Yorker ADREES LATIF Editor in Charge, U.S. Pictures, Reuters BRENT LEWIS Senior Editor, ESPN KAREN MARKS Gallery Director, Howard Greenberg Gallery SABINE MEYERS Photography Director, National Audubon Society PAUL MOAKLEY Deputy Director of Photography and Visual Enterprise, TIME Magazine GRAHAM MORRISON Managing Editor for Visual Media, Bloomberg CHRISTINE NESBITT Senior Photography Editor, UNICEF AZU NWAGBOGU Director, African Artists» Foundation and LagosPhoto Festival KIRA POLLACK Director of Photography and Visual Enterprise, TIME Magazine SIOBHAN RIORDAN Exhibition Associate, Documentary Photography Project, Open Society Foundations GLENN RUGA Executive Editor, ZEKE Magazine BRENDAN WATTENBERG Managing Editor, Aperture Magazine JAMIE WELLFORD Senior Photo Editor, National Geographic DAMON WINTER Staff Photographer, The New York Times

Curated by Artistic Director and New York - based curator Kevin Moore, the Photography, the Undocument will address the alternative understandings of the documentary photograph, its claims to objectivity and the tendency toward subtle fantasy.

Featuring a dynamic blend of papers types, text, images of works, and documentary photographs, the accompanying fully illustrated catalog presents new scholarship on Basquiat by Dieter Buchhart, Christian Campbell, Thomas Sayers Ellis, Carlo McCormick, Jordana Moore Saggese, and Greg Tate.

Lavalette's photographs have been shown widely, including exhibitions at the High Museum of Art, Atlanta, GA; Center for Documentary Studies at Duke University, Durham, NC; Aperture Gallery, New York, NY; Montserrat College of Art, Beverly, MA; The Carpenter Center for Visual Arts at Harvard University, Cambridge, MA; The Center for Photography at Woodstock, Woodstock, NY; The Museum of Fine Arts, Boston, MA; Musee de l'Elysee, Lausanne, Switzerland, among others.

This series and other major paper pulp projects, including Frank Stella's Paper Reliefs (1975), Ellsworth Kelly's Colored Paper Images (1976), Kenneth Noland's Handmade Paper Project (1978 - 82) and James Rosenquist's Welcome to the Water Planet (1988 - 89), can be viewed online at The Kenneth Tyler Collection at the National Gallery of Australia, alongside numerous texts, documentary photographs and videos that give a sense of the extraordinary enthusiasm of Tyler and his willingness to go to any lengths to try something new.

Jacquette also creates new compositions and arrangements, however, aided by pastel studies and documentary photographs.

The exhibition also includes Six Miles Deep, a 2009 documentary filmed by Sarah Roque; new photographs of the surrounding Grand River area; and her own 2012 video Vumbi, filmed in Tanzania.

This book will be the only accessible, affordable survey of Auerbach's work on the market Including a new essay by art historian T. J. Clark, the book also features statements from the artist and previously unseen documentary photographs.

His comprehensive responses to Tinguely, including a new documentary film and a selection of his impressive series of drawings, are presented alongside photographs, films and relics of the original Homage to New York evenew documentary film and a selection of his impressive series of drawings, are presented alongside photographs, films and relics of the original Homage to New York eveNew York event.

On view will be a selection of documentary photographs from a series of installations the artist produced during a self - imposed residncy, creating in - situ installations using only found items along the Rockaways waterfont in Queens, New York.

An accompanying publication by David Zwirner Books will feature new scholarship by Julien Bismuth, an interview with Linda Norden, and comprehensive installation views and documentary photographs.

Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.