Sentences with phrase «new edit of the film»

Not exact matches

this is IN SPITE of Michael Bays constant attempts to ruin it through overly cheesy lines and rubbish editing which makes the film appear to lurch towards new revelations in the plot and then sink into boredom again.

Warren Buckland, by contrast, picks up exactly these aspects which do not fit and argues that these films do indeed represent something new, something that is not classical at all; his edited collection, Puzzle Films: Complex Storytelling in Contemporary Cinema, offers a number of interesting perspectives on just what is new about these films (2).

Winner of the 2015 Grand Jury Documentary prize at Sundance this past January, this film — produced and edited by women, and with a mostly - female crew — tells the story of the six young Angulo brothers, who were raised in New York City with little to no contact with the outside world.

A new edit of the Fox film is pegged for release next summer on Blu - ray and DVD, adding 10 minutes of footage featuring Rogue and other characters.

The French New Wave directors were responsible for taking a lot of rather experimental film editing techniques, and using them in otherwise traditional stories.

In exchange for contributing, backers can receive IN THE SOUP swag, one - of - a-kind artifacts from the making of the film, one - on - one editing, casting, and script supervision sessions from industry experts, or lunch in New York City with the director and Steve Buscemi.

Disc Two features Grains of Sand (the building of the Sandman), Re-Imagining the Goblin, Covered In Black (creating Venom), On Location in New York and Cleveland, Inside the Editing Room & Science of Sound and a behind - the - scenes look at some of the film's stunts.

EXTRAS: In addition to an audio commentary by co-directors Pete Docter and Ronnie del Carmen and producer Jonas Rivera, there's a behind - the - scenes look at the movie's evolution, featurettes on sound design, film editing and creating the emotions and the inside of Riley's mind, as well some deleted scenes, the short film «Lava» and an all - new short titled «Riley's First Date?»

Heder has most recently been writing and story editing on Orange Is The New Black, and Tallulah marks her feature writing / directing debut, after a couple of short films.

But as Josh labours over the umpteenth edit of his cerebral new film, it's plain that he has hit a dry patch and that something is still missing.

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Jackson makes fine use of the New Zealand scenery (to the extent that its tourist industry has ballooned out of all proportion) and John Gilbert's film editing ensures that despite its gargantuan length, the film never seems either to be dragging or rushed.

We also discuss the new film - related books: Farber on Film: The Complete Film Writings of Manny Farber edited by Robert Polito, Mickey Mouse: Emblem of the American Spirit by Garry Apgar and the novelization of Crouching Tiger, Hidden Dragon: Sword of Destiny (now on Netflix) by Justin Hill.

Now, HBO Go and HBO Now are entering into a new wrinkle of streaming by releasing The Godfather Epic, a 7 - and - a-half hour, chronologically re-sequenced edit of the first two Godfather films.

You can help by signing the petition to help get recognition for film editors by asking these organizations to add the Film Editing category to their annual awards: Sundance Film Festival Shanghai International Film Festival, China San Sebastian Film Festival, Spain Byron Bay International Film Festival, Australia New York Film Critics Circle New York Film Critics On Line National Society of Film Critics We would like to thank the organizations that have recently added the Film Editing category to their Annual Awards: Durban International Film Festival, South Africa New Orleans Film Festival Tribeca Film Festival Washington DC Area Film Critics Association Film Independent - Spirit Awards LA Film Critics Association Chicago Film Critics Association Boston Film Festival The International Animated Film Society — Annie Awards Academy of Science Fiction, Fantasy & Horror - Saturn Awards

This film is controversial because it's not an accurate depiction of the events or history of Bruce Lee, and had a white main character but this new edit is apparently much better.

Finally allowing frequent travelers to recreate the sanitized, cocoon - like viewing experience of watching a movie on an airplane in their own home, Sony has announced a new initiative that will place the «clean» versions of some of its films, edited for broadcast or airplanes, onto home video releases.

However, the constant globe - hopping can also be rather tiring in terms of editing as the generic sound of planes taking off and landing is used as an announcement that we are someplace new, with film - to - comic transition cards also inserted.

THE BLU - RAY DISC Aptly, the new Blu - ray Disc from Blue Underground has to be described as the quintessential version of The New York Ripper, delivering a mind - bogglingly good, negative - sourced HD transfer that's apparently free of censorship or any of the other editing shenanigans that have resulted in reported alterations to the film over the yeanew Blu - ray Disc from Blue Underground has to be described as the quintessential version of The New York Ripper, delivering a mind - bogglingly good, negative - sourced HD transfer that's apparently free of censorship or any of the other editing shenanigans that have resulted in reported alterations to the film over the yeaNew York Ripper, delivering a mind - bogglingly good, negative - sourced HD transfer that's apparently free of censorship or any of the other editing shenanigans that have resulted in reported alterations to the film over the years.

Special Features New 4K digital restoration New interview with cinematographer John Bailey about director of photography Conrad Hall's work in the film New interview with film historian Bobbi O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins about Quincy Jones's music for the film New interview with writer Douglass K. Daniel on director Richard Brooks Interview with Brooks from a 1998 episode of the French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris Fujiwara

And in his feature film debut, Sean Durkin takes full advantage of his chosen medium's advantages, making «Martha Marcy May Marlene» one of the most immaculately edited new films we can remember.

From the film's opening passage, Lubitsch demonstrates his new facility with the norms of Hollywood editing: following a humorous inter-title stating that «Lady Windermere faced the grave problem — of seating her dinner guests,» Lubitsch opens with an establishing shot of a voluminous interior with the woman seated at a desk; the director dissolves to a medium - close - up of the woman arranging her placards; and then to point - of - view close - up as she places Lord Darlington's carefully beside her own, her fingers softly tapping the folded paper.

Firestorm This 2013 Hong Kong feature was nominated for a slew of native film awards including Best Action Choreography, Best Editing, Best Visual Effects and Best New Director and with my penchant for violent Asian cinema, I have trouble believing that this won't be a surprise victory for SIFF.

This 2013 Hong Kong feature was nominated for a slew of native film awards including Best Action Choreography, Best Editing, Best Visual Effects and Best New Director and with my penchant for violent Asian cinema, I have trouble believing that this won't be a surprise victory for SIFF.

While films like Jean - Luc Godard's Breathless and François Truffaut's The 400 Blows were being celebrating for their use of real locations, arrhythmic editing, live sound and hand - held camerawork, Cassavetes had already been there and done that on the streets of New York City with Shadows.

Special Features Restored 4K digital transfer, with 7.1 surround DTS - HD Master Audio soundtrack on the Blu - ray, both supervised by director David Lynch 7.1 surround DTS - HD Master Audio soundtrack on the Blu - ray, supervised by Lynch Alternate original 2.0 surround soundtrack, presented in DTS - HD Master Audio on the Blu - ray The Missing Pieces, ninety minutes of deleted and alternate takes from the film, assembled by Lynch Interview from 2014 by Lynch with actors Sheryl Lee, Ray Wise, and Grace Zabriskie New interviews with Lee and composer Angelo Badalamenti Trailers PLUS: Excerpts from an interview with Lynch from Lynch on Lynch, a 1997 book edited by filmmaker and writer Chris Rodley

DVD Features: New Line would have been better off not even bringing this film on DVD at all, but the single - disc release does include a 60 - minute making - of featurette, perhaps to explain why it took so long for director Terrence Malick to edit the damn thing.

Foreign Language Film: Two Days, One Night Best Director: Richard Linklater, Boyhood Best Picture: Boyhood Best Ensemble: Boyhood Best Actor: Michael Keaton, Birdman Best Actress: Marion Cotillard, Two Days, One Night and The Immigrant Supporting Actor: JK Simmons, Whiplash Supporting Actress: Emma Stone, Birdman Screenplay: TIE Birdman, Boyhood Cinematography: Birdman Documentary: CitizenFour Animated Film: The Tale of The Princess Kaguya Best New Filmmaker Award: Dan Gilroy, Nightcrawler Music in a film: Inherent Vice Editing: Boyhood

Imagery so lush and intense, matched with the most beautiful Morricone score, make this Malick film — found and made in the editing room — a breathtaking ninety - four - minute montage of early twentieth - century rural life that remains unsurpassed as an example of a searching New Hollywood mastery.

As for the second film, director Marc Webb today tweeted a new image from behind the scenes of post-production as a certain web - slinger showed up to visit Pietro Scalia's editing suite.

Tags 2016 oscar predictions 2016 oscars beasts of no nation best actor best actress best adapted screenplay best animated film best cinematography best costume design best director best documentary best film editing best foreign language film best makeup & hairstyling Best Original Score best original screenplay Best Original Song best picture best production design best sound editing best sound mixing best supporting actor best supporting actress best visual effects bridge of spies brooklyn carol happy new year inside out mad max fury road oscar predictions room spotlight star wars the force awakens the big short the hateful eight the martian the revenant

Jenny McCormack is a New York - based film editor, experienced in all styles of editing: shorts, features, commercials, documentary and scripted.

In the main gallery, Waters will premiere a 74 - minute filmed table reading of Kiddie Flamingos, a new, baby - proofed edit of his filthy cult classic, reimagined for and read by an all - child cast.

Most recently he has edited a film for the Berlinale on Skype from his studio in Beijing, and in February, via a video link, participated in a conference on freedom of expression in New York.

That's the sentiment, writes Antonino D'Ambrosio, that inspired his film Let Fury Have the Hour, and it also inspired the new special issue of The Nation, which he guest - edited.

A highlight of the program will pair Charles Atlas's 1986 film Ex Romance, and a new Miami Beach - specific edit of Parker Ito's Wipeout XL.

In the film's imagery, performers and set pieces have been removed through photo - editing to expose architectural elements and to create new readings of these theatrical spaces.