Sentences with phrase «new education documentary»
The answers may be found in some of the bizarre and dismaying facts and stories recounted in a new education documentary entitled «The Cartel».
http://educationnext.org/ Not exact matches
It was around that time that Shahid watched a New York Times documentary about Malala, a then 11 - year - old girl who had been secretly blogging for the BBC about her day - to - day struggle to get an education in Pakistan.
In the documentary The Story of Content: Rise of the New Marketing, River Pools & Spas co-owner Marcus Sheridan shares the following about the company's turnaround from near bankruptcy to becoming the global leader in Fiberglass pool education (26:54 mark):
New York Times columnist Frank Bruni reflects on a new documentary about various crises in American higher educatiNew York Times columnist Frank Bruni reflects on a new documentary about various crises in American higher educatinew documentary about various crises in American higher education.
Yesterday I shared with you a list of news outlets that picked up Monday's Lunch Tray post exposing 540 Meals: Choices Make the Difference, a troubling new McDonald's documentary intended for use as «nutrition education» in schools.
On Monday, The Lunch Tray broke an exclusive story regarding a new and disturbing «nutrition education» documentary created by McDonald's for use in schools, 540 Meals: Choices Make the Difference.
As many of you know, just one week ago The Lunch Tray broke an exclusive story regarding 540 Meals: Choices Make the Difference, a new McDonald's documentary intended for use as «nutrition education» in middle and high schools.
She was already quite vocal in local media, and her passion for education under dire circumstances was captured in two documentaries made by New York Times reporters.
He has revamped undergraduate education programs and added a new public outreach venture, a nonprofit science documentary company.
As the pioneer of this new genre in the adult industry, Buck Angel Entertainment focuses on education through motivational speaking and award - winning documentary films, while striving to spread the message of empowerment through self - acceptance.
Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
, Ebert Gets His Voice Back 45:23 — Review: Cop Out 1:07:15 — Other Stuff We Watched: An Education, Michael Jackson's This Is It, The Men Who Stare at Goats, Wrong Side of Town, Anchorman, The Crazies, Bronson 1:30:37 — Junk Mail: New FJ Remix, Favourite Franchise, Documentary Villains, Larry Cohen / Tobe Hooper Recommendations, Canadian Multiplexes, Walk Hard, How We Watch What We Watch, Favourite DPs 1:59:40 — This Week's DVD Releases 2:01:24 — Outro
Related Reviews: New: You Will Meet a Tall Dark Stranger • America America • You Again • Middle Men • Paranormal Activity 2 • The Last Exorcism • Nowhere Boy Sundance 2010: Winter's Bone • Animal Kindgom 2010 Documentaries: Waking Sleeping Beauty • Oceans • The Crimson Wing Documentaries: Crumb (Criterion Collection) • America's Heart & Soul • Hearts of Darkness: A Filmmaker's Apocalypse • Earth • Shine a Light School: Glee: Season 2, Volume 1 • An Education • Easy A • High School Musical • The Twilight Saga: Eclipse For the Classroom: Schoolhouse Rock!
Also, after talking with one of their promoters, Franco Lacomella, Global Education Magazine and the new project emerged after the documentary, Reevo, will work together in the future to create opportunities for dissemination of alternative educational experiences worldwide.
Could a poem on the circumstances of deprived children or a documentary movie on the condition of homeless youths in New Orleans qualify as research in support of one or another education program?
The filmmaker Davis Guggenheim, who directed An Inconvenient Truth, has a new documentary about American education coming out this year.
Yet the petite 27 - year - old is the force behind «The Lottery» — an explosive new documentary about the battle over the future of public education opening nationwide this Tuesday.
A new documentary by a 27 - year - old filmmaker could change the national debate about public education.
In the opening minutes of the new education «reform» documentary Waiting For Superman, director Davis Guggenheim has a moment of candor about the charter schools he hails as a panacea for urban education — he admits that most of them are not exactly getting extraordinary results.
In his New York Times column today, Tom Friedman takes note of a documentary on education reform hitting theaters this fall.
David Brooks, an op - ed writer for the New York Times, examines the new documentary, Most Likely to Succeed and analyzes the claims it makes about the current state of the American Education system: Greg Whiteley's documentary, Most Likely to Succeed, argues that the American school system is ultimately built on a Prussian model designed over Read more about Most Likely to Succeed -LSB-.New York Times, examines the new documentary, Most Likely to Succeed and analyzes the claims it makes about the current state of the American Education system: Greg Whiteley's documentary, Most Likely to Succeed, argues that the American school system is ultimately built on a Prussian model designed over Read more about Most Likely to Succeed -LSB-.new documentary, Most Likely to Succeed and analyzes the claims it makes about the current state of the American Education system: Greg Whiteley's documentary, Most Likely to Succeed, argues that the American school system is ultimately built on a Prussian model designed over Read more about Most Likely to Succeed -LSB-...]
Whether you're catching a showing of the new education «documentary» Waiting for Superman or watching the latest special news report on education, don't expect to hear about Yolanda Porter, Marsha Grim and their fellow educators at Ella Grant Elementary School in Prichard, Ala..
A bunch of new APM Reports education documentaries are coming out, and the ones I've previewed have been great.
We are thrilled to be included in this new Harvard Political Review article about the advent and ongoing production of education reform documentary films that started about a year ago, Silver Screens and Blackboards.
When I started out to make TEACHED, little did I know that when it was finished, it would be born into a new and quickly - filling space of other fresh, mostly feature - length education documentaries.
By Kevin Hart In the opening minutes of the new education «reform» documentary Waiting For Superman, director Davis Guggenheim...
Through a television advertising campaign, screenings of an anti-testing documentary, and public testimony, the New Jersey Education Association has used significant resources to denounce PARCC as flawed tests that are stealing instructional time and proliferating an overemphasis on testing.
, screenings of an anti-testing documentary, and public testimony, the New Jersey Education Association has used significant resources to denounce PARCC as flawed tests that are stealing instructional time and proliferating an overemphasis on testing.
The award - winning documentary «Waiting for Superman» puts to shame the claims of excellence touted by the teachers» union and others in the New Jersey education establishment.
A group of New York City public school teachers and parents from the Grassroots Education Movement wrote and produced this documentary in response to Davis Guggenheim's highly misleading film, Waiting for «Superman.»
Capturing momentum from the new high - profile education reform documentary «Waiting for «Superman,»» Indianapolis - based charter school incubator, GEO Foundation, is using a $ 100,000 grant to fund a «Superman» fellowship to launch charter schools in Indianapolis.
Hoping to capture momentum from the new high - profile education reform documentary «Waiting for «Superman,»» the GEO Foundation is using a $ 100,000 grant to fund a «Superman» fellowship to launch charter schools in Indianapolis.
The new documentary, Waiting for «Superman, which hits theaters in L.A. on Sept. 24, is an opportunity to engage the public in education reform.
«Treasures of New York: Pratt Institute,» a PBS documentary now available for streaming, explores the great minds and bold ideas that have established Pratt as an art and design education powerhouse.
Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco
Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco
2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.
Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch