Sentences with phrase «new essay titled»
Marco Livingstone has contributed a new essay titled A perfect world, just out of reach which situates Craig - Martin's practice within a wider art historical perspective.
https://shop.serpentinegalleries.org/ Not exact matches
This book contains the proceedings of a conference of the same title sponsored by the New York Academy of Sciences, and includes forty - two essays by a distinguished group of scholars in the sciences and humanities.
As Jacobs wrote several years ago in an essay titled «Christianity and the Future of the Book» for The New Atlantis, «There is an intimate connection between the Christian message, the Christian scriptures, and the codex.»
The new book of essays updates the twenty - year sojourn of the argument that Peter and I set forth in the original tract, also titled To Empower People.
Two months after the terrorist attacks of September 11, 2001, Turkish author Orhan Pamuk published an essay in the New York Review of Books (titled «The Anger of the Damned») in which Pamuk, who is often mentioned as a contender for the Nobel Prize, tried to explain the violent resentment that Muslim societies feel towards the West.
The title of Irving Greenberg's collection of essays» For the Sake of Heaven and Earth: The New Encounter between Judaism and Christianity» neatly captures the thrust of the book.
This essay was reprinted under the title «Brightman's Theory of the Given and His Idea of God,» in Hartshorne's Creativity in American Philosophy (New York: Paragon House, 1984), 196 - 204.
$ 20 paper The title of Irving Greenberg's collection of essays» For the Sake of Heaven and Earth: The New Encounter between Judaism and....
The essay by the distinguished jurist and constitutional scholar Robert H. Bork on «lawless law» was an important part of that symposium, and he returns to that subject in a comprehensive and devastating article in the New Criterion, titled «Adversary Jurisprudence.»
Raymond Brown begins an essay titled «Does the New Testament Call Jesus God?»
Our beloved former executive editor James Nuechterlein offered an insightful essay titled «Getting Right With Niebuhr» in the May issue of the New Criterion.
Miriam Aczel, Imperial College London Essay Title: «Fracking and Human Rights: Using a Rights - Based Framework to Regulate a New Technology»
Two years after attending that guest lecture, Taylor had formulated a new theory, in the form of an essay published in Psychological Review titled «Behavioral Responses to Stress in Females.»
Earlier this month, terminally ill author Amy Krouse Rosenthal penned an essay for the New York Times titled You May Want To Marry My Husband that touched millions of people.
The New York Times Modern Love column published Rosenthals essay, titled You May Want to Marry My Husband, on Friday.
PLUS: A new essay by film scholar Ginette Vincendeau, a 2001 interview with Breillat, and a piece by Breillat on the title
Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqNew audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqnew introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqnew interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqnew video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»
Special Features New 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom GunnNew 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom GunnNew audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunnnew video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunnnew program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunnnew score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunning
1977 • 127 minutes • Color • 5.1 surround • In English, French, and German with English subtitles • 1.66:1 aspect ratio DIRECTOR - APPROVED SPECIAL EDITION FEATURES • New, restored 4K digital transfer, supervised by director Wim Wenders, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray • Audio commentary from 2002 featuring Wenders and actor Dennis Hopper • New interview with Wenders • New interview with actor Bruno Ganz • Deleted scenes with audio commentary by Wenders • Trailer • New English subtitle translation • PLUS: An essay by author Francine Prose TITLE: THE AMERICAN FRIEND (BLU - RAY EDITION) SRP $ 39.95 PREBOOK 12/15/15 STREET 1/12/16 CAT.
In March, The New York Times published a startlingly beautiful and heartbreaking essay in its Modern Love column, titled «You May Want to Marry My Husband.»
Last week, Dave Eggers and Ninive Clements Calegari, founders, according to their official ID, of the 826 National tutoring centers and producers of the documentary «American Teacher,» wrote an essay for the New York Times titled The High Cost of Low Teacher Salaries.
According to Ravitch, writing in a recent New York Times op - ed essay, titled, of course, Waiting for a School Miracle, all these high - powered education reformers, from President Obama to Arne Duncan to Jeb Bush to Michael Bloomberg, are claiming «miracles» for their reform efforts; and Ravitch is there, a one - woman Congregation for the Causes of Saints, the Devil's Advocate, to throw some almighty holy water on the hype fires.
It is a privilege for me to be asked to provide this blog post to you as a way of introducing you to a new resource from LDC — a new essay and teaching resource, titled Argumentation Across the Disciplines, authored by myself (P. David Pearson) and colleagues Vicki Griffo, Catherine Miller, and Barrie Olson.
The first reminder began with an essay titled, «My school district hires too many white teachers,» by Glenn Sullivan, a 19 - year - old recent high school graduate from New Orleans.
Her published works include two novels, two non-fiction titles and essays which have garnered her numerous awards including a 2009 Mature Media Awards, Merit Award and a 2009 New York Book Festival, Honorable Mention.
RACE AND DEMOCRACY The winner of the 2015 National Book Award for Between the World and Me, Ta - Nehisi Coates has produced a new book of essays — some new, some previously published in The Atlantic — titled We Were Eight Years in Power: An American Tragedy, which refers to a quote from a Reconstruction - era congressman but also, of course, to President Barack Obama's two terms as president.
Sloane Crosley's first book, a collection of essays titled I Was Told There'd Be Cake, because a surprise hit and a New York Times bestseller.
He is the author of The Great Cat Massacre and Other Episodes in French Cultural History and The Case for Books: Past, Present, and Future, as well as a New York Review of Books essay in October titled «Jefferson's Taper: A National Digital Library.»
It was in a fairly technical essay where Ebert explained why he prefers seeing films in celluloid prints (vs. newer digital projection systems), titled Why I'm So Conservative.
You can learn a lot during the paper writing process, and might see us incorporate many useful techniques, such as: analysing other essays on the topic that were well - written, defining an intelligent and impactful thesis statement, crafting the main body of the essay (with flexibility, allowing it to adapt to changing ideas as new research or concepts are discovered), producing an intriguing title and introduction (these are usually best left for the end of the drafting cycle), and lastly, formulating a conclusion that best summarises the entire body of work.
The graphic novel was originally inspired by Thompson's essay «Saving Zelda,» about why he felt that modern Zelda games were «broken at their core,» and the sense of discovery that he felt had been lost in newer titles like Skyward Sword.
Butler's title for the show is Precisionist Casual, which invokes the early American modernist movement, Precisionism, which was practiced by Charles Sheeler and Charles Demuth, as well as the New Casualists, a term she coined in an essay published in The Brooklyn Rail (June 2011):
The exhibition will have a companion catalog titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by writer Denise Frazier, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, Deborah Willis and Joan Mitchell Center Program Associate Tara Foster.
The Hayward Gallery also produced an accompanying catalog titled Blind Light that includes an essay by Anthony Vidler, the Dean of the School of Architecture at Cooper Union in New York.
Monograph titled Andrew Spence published by Art Press, New York, interview by Colin Thomson, essay by Richard Armstrong and edited by William S. Bartman.
In her catalog essay titled The Advantages of Obscurity Women Abstract Expressionists in San Francisco, Susan Landauer points out that after 1950, when Clyfford Still left San Francisco for New York, «[The California School of Fine Arts] entered an era of unparalleled opportunity, in which women were not just participants, but became leaders of artistic activity.»
Characterizing the qualities of this new work in a 1965 essay of the same title, Judd assessed the importance of the paintings of Jackson Pollock, Mark Rothko, Barnett Newman and Clyfford Still in the development of three - dimensional work and references the work of his contemporaries, such as Lee Bontecou, John Chamberlain, Dan Flavin, and Claes Oldenburg, among others, as examples of this new kind of art.
The latter includes both new works — an assemblage of photographs titled An Essay on Equivalents and the video Cornered — and a selection of the artist's earliest documentary production from the late 1970s and early 1980s.
Peripheral elements of the Biennial hosted by the website include the essay compilation titled «Fear of Content» — borrowing its name from the 2015 Rob Hornig essay of the same name — and Body Holes, a documentation of artworks exhibited inside actual human orifices by online exhibition platform New Scenario.
A catalog was produced on the occasion of the exhibition, titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by Joan Mitchell Center Director Gia Hamilton, curator Deborah Willis, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, writer Denise Frazier, and Joan Mitchell Center Program Associate Tara Foster.
The declaration was an immediate critical success, and Syms has continued a prolific literary career, writing essays, autobiographical fiction, and the pilot episode of a sitcom titled She Mad, the latter of which appeared in the 2015 New Museum Triennial.
The catalog includes an essay by former senior editor of Art in America, Raphael Rubinstein, titled New Models, Strange Tools.
In July, the museum will open «Brand - New & Terrific: Alex Katz in the Fifties,» the title taken from an old essay of Katz's that references the then - emerging consumer culture.
A grotesque neologism, the title of «Dereconstruction,» Matthew Higgs's recent curatorial effort for Gladstone Gallery, was — according to the catalogue essay — both «a hybrid term, one that conflates notions of «construction,» «reconstruction,» «deconstruction,» and «destruction,»» and a reference to «The New Reconstructions,» Pace Gallery's 1979 exhibition of work by Lucas Samaras.
By the end of the 1970s, when cultural critics began speaking of «the end of painting» (the title of a provocative essay written in 1981 by Douglas Crimp), new media art had become a category in itself, with a growing number of artists experimenting with technological means such as video art.
With a title drawn from an essay by Ralph Waldo Emerson, this exhibition of new works by the L.A. artist takes elements inspired by the transcendentalists (Emerson, Henry David Thoreau) and remixes them with objects drawn from the lives of African and African American thinkers.
Publications include Nihilistic Optimistic, published by Blain Southern London on the occasion of the inaugural exhibition at Hanover Square of the same title October 2012 with an interview by Hans Ulrich Obrist, an essay by Jon Savage and foreword by Gustav Metzger; Turning the Seventh Corner, published by Blain Southern, London, 2011, with texts by David Adjaye and James Putnam which comprehensively documents the conception and realisation of the artists» exhibition at Blain Southern, Berlin, 2011; British Rubbish, an updated survey of the artists» work from 1996 to 2010 with an essay by Jeffrey Deitch, and new texts by Michael Bracewell and Nick Cave, published October 2011 by Rizzoli, New York; Polymorphous Perverse, a documentation of works exhibited at the Freud Museum, London, providing a fascinating insight into Freud's theories and how they relate to art practice with critical essays from the distinguished American art historian Linda Nochlin and James Putnam, published by Other Criteria, London, 2008; and Wasted Youth, a survey of the artists» work from 1996 to 2006 with essays by Jeffrey Deitch and Sir Norman Rosenthal, published by Rizzoli, New York in 20new texts by Michael Bracewell and Nick Cave, published October 2011 by Rizzoli, New York; Polymorphous Perverse, a documentation of works exhibited at the Freud Museum, London, providing a fascinating insight into Freud's theories and how they relate to art practice with critical essays from the distinguished American art historian Linda Nochlin and James Putnam, published by Other Criteria, London, 2008; and Wasted Youth, a survey of the artists» work from 1996 to 2006 with essays by Jeffrey Deitch and Sir Norman Rosenthal, published by Rizzoli, New York in 20New York; Polymorphous Perverse, a documentation of works exhibited at the Freud Museum, London, providing a fascinating insight into Freud's theories and how they relate to art practice with critical essays from the distinguished American art historian Linda Nochlin and James Putnam, published by Other Criteria, London, 2008; and Wasted Youth, a survey of the artists» work from 1996 to 2006 with essays by Jeffrey Deitch and Sir Norman Rosenthal, published by Rizzoli, New York in 20New York in 2006.
To pay tribute to her father, Ilyasah Shabazz wrote an essay published in the New York Times titled «What Would Malcolm X Think?»
In a 2010 New Criterion essay titled «My Jerry Saltz Problem,» James Panero wrote, «On Facebook and now elsewhere online, Saltz regularly mixes portentous metaphysical questions with internet messianism, unctuous flattery of his followers, treacly self - doubt, and gaseous emissions of political cant.
The title essay of this collection is the key to Roussel's method, and it is accompanied by selections from all his major works of fiction, drama and poetry, translated by his New York School admirers John Ashbery, Kenneth Koch and Harry Mathews, and the painter and author Trevor Winkfield.