Sentences with phrase «new exhibition addressing»

The Zabludowicz Collection is pleased to present Emotional Supply Chains, a new exhibition addressing the construction of identity in the digital age.

The Zabludowicz Collection presents a new exhibition addressing the construction of identity in the digital age.

The Israel Museum, Jerusalem, continues its 50th Anniversary celebrations with a new exhibition addressing notions of individual and collective social identity within society.

For some days before typing this now I was wondering how to avoid writing this sentence: Wolfgang Tillmans's new exhibition addresses life on the planet now.

Not exact matches

Ventures to Address Global Challenges — Princeton, NJ Techonomy — Tucson, AZ Global Clean Energy Congress — Calgary, AB Mashable Social Good Summit — New York, NY Postcode Lottery Green Challenge — Amsterdam, The Netherlands COMMON Pitch — Boulder, CO Colloquium on Education, Science and Technology in African Development — Princeton, NJ National Collegiate Inventors and Innovators Alliance: Open Minds Exhibition — Washington, DC

Metalhead Software has addressed one of the biggest complaints of their original game by adding a brand new online multiplayer game mode called Pennant Race, offering head - to - head exhibition matches, tracking your statistics as you play.

ACAC commissioned the artists to develop their first exhibition addressing a Southern context and during the past several months they have visited Atlanta three times; Burns and Young engaged the Antioch Baptist Church North, New Horizon Baptist Church, Atlanta History Center, Hammonds House Museum, Margaret Mitchell House and Museum, Souls Grown Deep Foundation, The Wren's Nest, WonderRoot, and numerous antique stores, farmer's markets, and private homes.

When you walk through Richard Rezac's new exhibition, «Address,» it seems to make perfect sense.

The upcoming exhibition addresses the recurring themes throughout Fouts» work, such as time, nature, and religious iconography, and includes key pieces from the past decade, alongside new works on view for the first time.

The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the «paper of record» to address and reframe issues that impact our everyday lives.

First Floor Gallery Engages New York Artist NewsDay, November 3, 2012 As part of its educational programme designed to address the challenges facing young visual artists in Zimbabwe, First Floor Gallery has invited a senior New York - based artist and mentor, Janet Goldner, to conduct workshops and a collaborative exhibition with the local artists.

In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the New Provincetown Print Project; solo exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight venues).

The prints in Leah Beeferman's recent exhibition, «Cold Color,» at New York's Rawson Projects update time - honored conventions of landscape painting and photography to address our increasingly mediated relationship with nature.

Poetry parade for Site and Sight, Whitney Museum of American Art, September 26, 2015 This Poetry Parade responded to the inaugural exhibition America Is Hard to See, while also addressing the new building itself, its location and histories relating to the evolution of the Meatpacking District and the Whitney as an institution.

In addition to new works by artists including Margaret Honda, Yuri Pattison, and Frances Stark, a new suite of wire sculptures by Neïl Beloufa are featured in the exhibition, based on office and studio furniture and addressing the new material possibilities of the studio.

The 1993 Whitney Biennial was one of the most criticized exhibitions in history; incidentally, it was also one of the first times a prominent New York institution unapologetically addressed identity politics.

The artist Christopher D'Arcangelo — another mythic figure that Garcia Torres has addressed in earlier work — created another challenge in this regard, opting in 1978 to remove his name from the announcement and printed materials associated with an exhibition that he was asked to take part in at Artists Space in New York.

What / Why: «We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills the space in between with the blue of longing. - Rebecca Solnit GRIN is pleased to announce Pools of Fir, a solo exhibition of new painting and photography by Brooklyn based artist Caitlin MacBride.»

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

The artist makes sure to push himself not only creatively but moreover, mindfully — constantly presenting and addressing new ideas and concepts to the viewer, resulting in a diverse and complex yet energetic body of work, turning each art ashow and gallery exhibition into a new experience while staying impressively and consistently recognizeable.

The exhibition will offer a new perspective on these two artists, who, though strikingly different in their approach, each examine questions related to the context in which their works are shown, while addressing the art - historical debate on the politics of form.

First and foremost, we must thus express deep gratitude to Neal Benezra, Helen and Charles Schwab Director at SFMOMA, and to Ruth Berson, deputy museum director of curatorial affairs, for embracing the idea behind Soundtracks and suggesting the exhibition's timing and scale as a way to address our new building.

After bringing one of her classes to State of Deception: The Power of Nazi Propaganda, a traveling exhibition from the United States Holocaust Memorial Museum (USHMM), Liberal Arts and Sciences faculty member Perri Chasin decided to create a new course that would address the power that media can have in changing public opinion.

In this series, lecturers with diverse backgrounds and affinities will address the New Museum's current exhibition «Jim Shaw: The End is Here» in forty - five - to sixty - minute presentations taking place exclusively in the Museum's galleries.

The New York Times serves as the point of departure for the exhibition, featuring over 80 artists, artist duos, and collectives who use the «paper of record» to address and reframe issues that impact our everyday lives.

This site was the first address for The New Museum, where curator Marcia Tucker, at the invitation of Vera List, a lifetime trustee of The New School, was given space to mount her first exhibitions.

The exhibition «Vanitas vanitatum omnia vanitas» opens at the new address and runs from 6 October — 4 November.

Although the Getty exhibition directly addresses the controversy surrounding «The Perfect Moment,» Martinueau says it was important not to let the sensationalism of 1989 overpower this new show.

For the public symposium keynote address given on November 18, 2016, in conjunction with the exhibition Los Angeles to New York: Dwan Gallery, 1959 — 1971 at the National Gallery of Art, Pamela M. Lee revisits the history of the Dwan Gallery as a negotiator of two distinct but converging art cultures and the formative role Virginia Dwan played in bringing them closer together.

In this series, lecturers with diverse backgrounds and affinities will address the New Museum's spring exhibition, «Raymond Pettibon: A Pen of All Work,» in forty - five - to sixty - minute presentations taking place in the Museum's galleries.

The project addresses for the first time V - A-C's new approach to exhibition making, introducing a more fluid, transparent method of working collectively and engaging all disciplines equally.

Bryce's most recent exhibition, at Alexander and Bonin in New York this past fall, addressed the discourse of universal values during the 1940s and 1950s with three major works: The Book of Needs, Arte Nuevo, and ARTnews 1944 — 1947.

This exhibition addressed the widespread societal transformation, engendered by Japan's new openness to the outside world during the nineteenth century which greatly impacted the print culture known as Ukiyo - e that flourished in the theater and courtesan quarters of Edo (modern Tokyo).

This exhibition proposes a new reading, emphasizing that the achievements of her training in the field of abstract painting did not disappear when her work turned to textiles, and that the artist addressed pictorial abstraction in a unique way, manifesting itself very quickly through an openness to spatial concerns.

through 18 September, Bredgade 63 Günther Förg addresses the question of «humanness» through his new exhibition, whose title, Ubuntu, refers to a South African humanist philosophy.

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

A new exhibition, on view April 9 — August 21, 2011, entitled Unsettled: Photography and Politics in Contemporary Art, in the Julien Levy Gallery in the Ruth and Raymond G. Perelman Building of the Philadelphia Museum of Art presents work by nine artists who used photography to address some of the most salient political and social issues of the late 1970s through the early 1990s, including feminism, racism, the AIDS crisis, and gay activism.

The exhibition New Gravity / Interesting Thing includes video and performance works that address, in diverse ways, gender and sexuality as central elements of broader social issues.

Marc Bijl, who lives and works in Berlin, chose it as the title for his exhibition in which he shows new works that address our current cultural climate of information overload, and in which too many sources are undermining our view on truth and facts.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public art.

In my recent exhibition, titled Still..., at the Ben Maltz Gallery, Otis College of Art, I premiered eight new sculptures addressing the prevalence of racism, ageism and sexism.

The anniversary online exhibition encourages new scholarship on the original show and hopes to foster a renewed appreciation of how the digitization of art historical resources offer distinctive frameworks to address complex political, social, and cultural issues related to art history and museum practices.

His photographs address the American experience, landscape, and culture and have been showcased nationally in several exhibitions and galleries in San Francisco, Chicago, Philadelphia, Los Angeles, and New York.

By addressing certain issues that have both united and polarized the neighborhood over the last 30 + years, the exhibition will encourage artists and community members to become an active part of the conversation by focusing on the particular insights and experimental processes that artists bring to imagining new urban spaces.

30 x 40 inches April 14 — May 31, 2007 A solo exhibition by MINUS SPACE artist Soledad Arias presenting a body of new work that subtly addresses the relevance of remembering as a personal and social vehicle to responsibility, healing and awareness.

The Harn Museum of Art will display photography, prints, sculpture and video by 30 international artists addressing the intersections of biology, technology and art in the new exhibition Art, Technology and the Natural World.

In this series, lecturers with diverse backgrounds and affinities will address the New Museum's fall exhibition, «Pipilotti Rist: Pixel Forest,» in forty - five - to sixty - minute presentations taking place in the Museum's galleries.

The resulting exhibition is arranged around three main themes addressed by the artistic investigations: ecology and environment, spatial awareness and emotions, and explorations of new technologies.

Using the building's address — Oskar - von - Miller Strasse 16 — as the name for their new space, they created an experimental laboratory where they restaged cultural events held at other locations throughout the city, including readings, film screenings, exhibitions and concerts — sometimes days or weeks after the original event.

The artist's current solo exhibition Almost Touching at New York gallery The Rubber Factory is an exciting collection of new works in which Malka address intimacy, language, and cultuNew York gallery The Rubber Factory is an exciting collection of new works in which Malka address intimacy, language, and cultunew works in which Malka address intimacy, language, and culture.