Sentences with phrase «new exhibition concepts»

In fact we are working on two new exhibition concepts at the moment, also incorporating 3D - installation and animation.

«Project 35» showcases a new exhibition concept for ICI, with an eclectic compilation of works that reveal the global reach that video have achieved as a contemporary art medium.

New exhibitions concepts arise from trends and themes that surface through the open call.

Showcasing a new exhibition concept for ICI, this eclectic compilation of works reveals the global reach that video has achieved as a contemporary art medium today.

Not exact matches

Deglise also launched new exhibitions in Tokyo (2014) New York (2018) and Paris (scheduled in 2020) as well as Vinexpo Explorer, a business convention concept in the vineyarnew exhibitions in Tokyo (2014) New York (2018) and Paris (scheduled in 2020) as well as Vinexpo Explorer, a business convention concept in the vineyarNew York (2018) and Paris (scheduled in 2020) as well as Vinexpo Explorer, a business convention concept in the vineyards.

During the exhibition, BENEO will exhibit at Booth # 6M5 and present new product concepts highlighting this health benefit.

(Beijing, 23 April 2012) Bentley is offering a vision of the future with a dramatic new Sport Utility Vehicle concept, EXP 9 F, at the 2012 Beijing International Automotive Exhibition.

Renowned exhibition designer Dagmar Von Wilcken is responsible for the concept development and design of the museum route, and Bierman Henket Architects for the new entrance.

Renowned exhibition designer Dagmar Von Wilcken will be responsible for the concept development and design of the museum route, and Bierman Henket Architects for the new entrance.

Also creating new work for the exhibition is Adam Pendleton, whose Black Dada works draw on traditions of absurdist poetry with minimal compositions based on letters, lines and shades of black, both abiding by and resisting historical concepts of language as image or material.

In this multi-part exhibition of new sculptures, photoworks and the premiere of a new film, Shonibare explores the concept of destiny as it relates to themes of -LSB-...]

The inaugural exhibition BAMPFA's landmark new building, Architecture of Life explores the ways that architecture — as concept, metaphor, and practice — illuminates various aspects of life experience.

This exhibition in Gallery 1 runs alongside a solo show featuring new paintings by artist Faye Wei Wei as part of CFCCA's «Concepts of Gender» season.

Thanks to this research, works that have never been shown in public have been discovered and integrated into the concept, so that the exhibition provides a new perspective of the oeuvre of this avant - garde modernist, who still remains largely unknown in Germany.

Indeed, Liu, who will open a new solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for working within a variety of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner of materials, letting the concept dictate the form a piece will ultimately take.

Architecture of Life, the inaugural exhibition in BAMPFA's landmark new building, explores the ways that architecture — as concept, metaphor, and practice — illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of reality, and the power of the imagination to reshape our world.

The exhibition concept was devised by Elena Filipovic and initiated by WIELS Contemporary Art Centre, Brussels in collaboration with the Foundation Beyeler, Riehen / Basel, the MMK Museum für Moderne Kunst Frankfurt, and the Felix Gonzalez - Torres Foundation, New York.

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

«One knows that, by some accidental brushmarks, suddenly appearance comes in with a vividness that no accepted way of doing things would have brought about» — Francis Bacon This, according to Francis Bacon, is «the mystery of appearance in the mystery of making» — the title and structuring concept for the major new exhibition of -LSB-...]

The Spatial Analysis and Visualization Initiative (SAVI) at Pratt Institute, along with co-organizers Carto and Enigma, will bring the concept of «Data through Design» to life in a dynamic visual exhibition as part of NYC Open Data Week in March, a city - wide initiative led by the New York City Mayor's Office of Data Analytics to celebrate the access to, and benefits of, open data for all.

Beginning where earlier Morgan exhibitions had left off, New York Collects examined the ways in which the concept of drawing changed over the past century and emphasized the important role it continued to play in the artistic process.

This exhibition will showcase a new concept, where specially designed light effects are mapped and then projected in accordance with a static image.

Surface Survey is a new solo exhibition by Clement Valla, comprised of digital prints and 3D printed sculptures that are structured around concepts of archaeology, computer software, meaning - making, and images that are not meant for human consumption.

At the core of the group exhibition «Mirror Cells», curated by Christopher Y. Lew and Jane Panetta at the Whitney Museum of American Art in New York, are two primary concepts.

His April - May 2009 exhibition at Postmasters Gallery presented five projects based on the same concept (one of them a video), and made over the last several years, with the selection of sites alluding to Thomas Cole's series of allegorical landscape paintings (at the New - York Historical Society), «The Course of Empire.»

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

In exhibitions as well as in discussions with artists we got excited about new concepts and experiences.

Bourgeois began producing her first sculptural forms in the mid-1940s, and in 1949 she pioneered the concept of environmental installation in a solo exhibition at the Peridot Gallery in New York.

The artist makes sure to push himself not only creatively but moreover, mindfully — constantly presenting and addressing new ideas and concepts to the viewer, resulting in a diverse and complex yet energetic body of work, turning each art ashow and gallery exhibition into a new experience while staying impressively and consistently recognizeable.

In her current exhibition at the Surf Lodge in Montauk — developed as part of her artist - in - residence stint there and on view through June 28, 2015 — the artist takes her ideas in new directions, playing with concepts of space, depth and reflection.

KW Institute for Contemporary Art's educational and mediation program tests together with artists and different communities new spatial, thematic, and political constellations, that investigate KW in its function as a public institution and react to the current exhibition program and its concept with flexible feedback processes.

Select group exhibitions featuring her work include Regarding Spirituality, The Nelson - Atkins Museum of Art, Kansas City, KS (2018, forthcoming); Phantom Bodies: The Human Aura in Art, John and Mable Ringling Museum of Art, Sarasota, FL (2016); Reductive Minimalism: Women Artists in Dialogue, 1960 - 2012, University of Michigan Museum of Art, Ann Arbor, MI (2014); 50 Years of Collecting Islamic Art, Metropolitan Museum of Art, New York (2013); Summer Exhibition, Royal Academy of Arts, London (2012); Without Boundary: Seventeen Ways of Looking, The Museum of Modern Art, New York (2006); Happiness, Mori Art Museum, Tokyo (2003); and Thinking Big: Concepts for Twenty - First - Century British Sculpture, Peggy Guggenheim Collection, Venice (2002).

Continuing the concepts embedded in her recent solo exhibition, Smell the Roses at the California African American Museum in Los Angeles, Gaignard's new body of work employs exaggeration and camp to explore social constructions that relate to her identity as a biracial woman.

Select exhibitions include: Martí Cormand, Galería Cayón, Madrid (2014); «Formalizing Their Concept» Galería Casado Santapau, Madrid, (2014); Formalizing their concept, Josée Bienvenu Gallery, NY (2013); Algo de esto, Jugada a 3 bandas (Ja3b), Galeria etHall, Barcelona (2013); False Documents and Other Illustrations, Portland Museum of Art, Portland, Maine (2010 - 2011); Arranz - Bravo Foundation, Hospitalet de Llobregat, Barcelona (2010); Galerie Lelong, New York (2010); Aldrich Emerging Artist Award Show, Aldrich Contemporary Art Museum, Ridgefield, CT (2007); Villa Arson, Nice (2006).

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

an exhibition showcasing work by the Art Center's own teaching artist faculty exploring a new concept, and / or by established artists who have discovered new techniques in our studio art classes

For his exhibition at the Bass Museum of Art in Miami, Dzine created a new custom lowrider tricycle inspired by the concept of Ghost Bike memorials.

To coincide with the exhibition, kurimanzutto will produce a publication which pays homage to the original format and concept of Signals London's Newsbulletin, which documented its exhibitions, and included critical essays, images, experimental poetry, and reports on new art and new science from home and abroad.

With the aim to experiment with new formats for exhibition concepts, insitu takes a risk and will develop group exhibitions as fictional characters.

The Barnes has also commissioned New York - based artist Man Bartlett to create a microsite and digital artwork exploring themes related to the exhibition and the concept of «cyberflânerie.»

Adrian Piper: Concepts and Intuitions, 1965 - 2016 is a selection from the most comprehensive exhibition to date of the work of Adrian Piper (b. 1948, New York), the result of a four - year collaboration between Piper, the Hammer Museum, Los Angeles, and The Museum of Modern Art's Department of Drawings and Prints.

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or -LSB-...]

From the studio as a site of labor, to one that blurs production, performance, and spectacle, to a concept that defines the artist's own identity, the exhibition features artists who, in response to changing socio - economic influences, represented new modes of working and living that would subsequently spread across society.

The concept of «the gift» was a central source of inspiration for Pia Camil's new installation in her exhibition «A Pot for a Latch.»

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale.

Healing the broken and preserving the unbroken are the basic concepts of Yoko Ono's new artworks for illy Art Collection, exclusively released today on the occasion of the artist's upcoming exhibition Yoko Ono: One Woman Show, 1960 — 1971; May 17 - September 7, 2015 at The Museum of Modern Art (MoMA), New Yonew artworks for illy Art Collection, exclusively released today on the occasion of the artist's upcoming exhibition Yoko Ono: One Woman Show, 1960 — 1971; May 17 - September 7, 2015 at The Museum of Modern Art (MoMA), New YoNew York.

The title of Los Angeles - based artist Analia Saban's new exhibition at Sprüth Magers, Los Angeles — FOLDS AND FAULTS — is based on Gilles Deleuze's concept of an «origami universe» that is forever expanding and unfolding.

The architect transformed some of the concept sketches for the IAC Headquarters in New York and the Guggenheim Museum in Bilbao into the etchings and lithographs featured in the exhibition.

Hiroshi Sugimoto (Metropolitan Museum of Art, New York, 1995 — 96) The decade's most sublime exhibition of photography showcased Sugimoto's rigorous application of concept in the service of visual pleasure.

Having just returned from abroad and immersed himself in the New York art scene, he found himself in a cauldron of ideas about action, process, concept, and nothingness, navigating an artistic landscape that was being redefined through influences such as Cage's intellectual Zen advances, Rosenberg's painting as an action, the Janis Gallery Dada show, and the Stable Gallery exhibition of his very own White Paintings.