Sentences with phrase «new exhibition model»

In addition to the new exhibition model, the biennial will commission site - specific works that focus on the 1980 Gwangju Uprising, and the Pavilion Project, for which the Palais de Tokyo, the Helsinki International Artist Program, and the Philippine Contemporary Art Network will stage satellite exhibitions at historically significant locations across the city.

Not exact matches

We are especially interested in this exhibition on artists creating new business models, an open house at City Hall, a talk on craft, and a tour of public art in Lynn.

Trenton Duerksen, exhibition maintenance manager at the American Museum of Natural History in New York, does the yearly clean - up of the 94 - foot - long blue whale model April 24, 2018.

Tu also received numerous awards nationally which include «Award for Progress in Anti-malarial Research Achieved by Project 523 Scientific Team» honored by China National Congress of Science and Technology (1978); «National Scientific Discovery Award» for Anti-malaria Drug - Qinghaosu by the China Ministry of Science and Technology (1979); «Invention Award» (as the first inventor) by China National Congress for Awards in Science and Technology (1982); «Award of Young and Middle - aged Experts with Outstanding Contribution» by the Chinese Government (1984); «The Top Honorary Award» by China Academy of Traditional Chinese Medicine (1992); «The Top Ten National Achievements for Progress in Science and Technology» by China National Committee of Science and Technology (1992); «First - Class Award of National Achievements in Science and Technology» by China National Award Committee for Advances in Science and Technology (1992); «National Model» by China State Council (1995); «Award for Outstanding Achievement in Traditional Chinese Medicine» by Guangzhou Zhongjing Award Foundation for Traditional Chinese Medicine (1995); «Outstanding Scientific Achievement Award» by Qiu Shi Science and Technologies Foundation of Hong Kong (1996); «Top Ten Health Achievements in New China» by China Ministry of Health (1997); «Female Inventor of the New Century» by China National Bureau of Intellectual Property (2002); «Golden Medal of the 14th National Invention Exhibition» by China National Bureau of Intellectual Property (2003); «Award for Development of Chinese Materia Medica» by Cyrus Chung Ying Tang Foundation, (2009).

Nowadays, with technological innovation, new heavy - hitting players, like Netflix and Amazon, enter the lucrative cinema game and the classic model of production - distribution - exhibition is again tested and changed and we can ask the existential question: does a film have to also be available in theatres to be Cinema?

GMA's first all - new model will be a supercar inspired by the McLaren F1 at Murray's «One Formula» exhibition

Luxury British sports car maker Aston Martin Lagonda arrives at the world - renowned Beijing International Automotive Exhibition with an exceptional line - up of new models reinforcing the brand's commitment to the Chinese market.

Previewed by Kia in a special powertrain technology exhibition at Geneva in 2013, the new downsized engine is now fitted in a production model for the first time — the new Kia cee'd GT Line.

In this link explains the content of the New York international exhibition for the 2016 model Hyundai Tucson car.

Hyundai Motor unveiled a new strategic model for the Chinese market at the 2018 Beijing International Automotive Exhibition (Auto China 2018) today,...

Premium car maker BMW is presenting its current model range in a new exhibition area.

The entire exhibition area is surrounded by a circuit several hundred metres in length, where the public can experience the new models in action from 19 — 27 September 2015.

The four - door model, which Audi is presenting at the Beijing International Automobile Exhibition, adds an entirely new expression to the Audi design language.

Following the successful exhibition model that BolognaFiere has also developed for other leading global events, this year the Bologna Children's Book Fair has expanded its reach with new and important dates for the diary in the two of the most important markets for global publishing: the USA and China.

«The region has seen phenomenal growth in online engagement in the last two years, transitioning from a traditional face - to - face booking model to a new virtual reality where 24/7 updated information is a basic expectation and speed of access is essential when it comes to planning, researching and booking,» said Nadege Noblet - Segers, exhibition manager, Arabian Travel Market.

Jesus as a Weapon and a Tool» winks at the New Museum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the street.

Occupying every gallery in the new building, designed by Diller Scofidio + Renfro, the exhibition comprises over two hundred works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, made over the past two thousand years.

Fecteau's first solo exhibition at Galerie Daniel Buchholz presents eight new pieces significantly larger than his previous works, that seem to have abandoned the idea of the «model / non-model».

2018 Breaking Shells, The Koppel Project, London 2017 Lived In, Galleri Opdahl, Stavanger, Norway Ripe, Kingsgate Project Space, London Akh Milk Bile Threat, solo exhibition, Seventeen Gallery, London The Hive Mind, The Koppel Project, London The New Liquid Model, DUVE Berlin, Berlin Fondante, Museo della Frutta, Turin To Figure It Out, Sophie Tappeiner, Vienna Warm lights travel on my ghostly hands, Schwarzwaldallee, Basel Addams Outtakes, Roaming Projects, London Le Nouveau Voyeurisme, Hotel Contemporary, Milan Shahmaran, solo exhibition, Deptford X, London Shahmaran, solo exhibition, Clearview, London 2016 Europa and the Bull, LambdaLambdaLambda, Prishtina And I'll Promise you, Serpentine Gallery Park Nights, London Promise Me, solo exhibition, Jupiter Woods, Vienna Info Pura, Residence Gallery, London No!

The opening will be held from 6 - 9 pm on Saturday, March 12th at 8920 Melrose Ave, located on the corner of North Almont Drive, one block south of Santa Monica Blvd.. A full - color catalog with essay entitled «New Models, Strange Tools» by New York - based poet and art critic Raphael Rubinstein will accompany the exhibition.

Experimenting with a new model of inviting three separate curators who will each be responsible for a floor of the exhibition, the Whitney uncharacteristically reached outside New York City and, with the selection of Grabner, outside professional curators in an attempt to be less insular and more representative of the country at larnew model of inviting three separate curators who will each be responsible for a floor of the exhibition, the Whitney uncharacteristically reached outside New York City and, with the selection of Grabner, outside professional curators in an attempt to be less insular and more representative of the country at larNew York City and, with the selection of Grabner, outside professional curators in an attempt to be less insular and more representative of the country at large.

As well as allowing new work by emerging artists to reach new audiences, fig - futures will leave a legacy through a new collecting model for the acquisition of the artworks after the exhibitions have ended.

Based on the discovery of a new inhabitable planet outside our solar system visitors are invited to contribute to the exhibition with stories, information, architectural models and skills to help reflect on the past, present and future of MK.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

The gallery collaborates regularly with international institutions for the loan of works for temporary exhibitions, including the Magritte retrospective A to Z at Tate Liverpool and the Albertina in Vienna in 2011, the Magritte exhibition Mystery of the Ordinary 1926 - 1938 at MoMA in New York, the Art Institute of Chicago and the Menil Collection in Houston, in 2013 - 2014, as well as Lisette Model at the Jeu de Paume in Paris in 2009 - 2010.

Jointly organized by Safdie Architects and UQAM's Centre de Design with curatorial direction from independent curator Donald Albrecht, the exhibition opens with archival images and objects from the project's origins with conceptual drawings, models, bringing them together with plans for unbuilt iterations of Habitat that Safdie designed soon after for New York, Puerto Rico, and Israel.

In March / April 1961, the Knoedler gallery in New York produced Symbols, an exhibition of Callery works; it included Composition, The Letter S. Christian Zervos, writing in the catalogue and making an argument for Callery as an artist equally in thrall to «reality, sign and technique,» noted that «For Callery the sign has the same power as a living model of creating tension in the depths of the unconscious, of provoking unexpected stimulations, of containing a host of formal combinations.»

Published on the occasion of the exhibition A.R. Penck: Standart Weapons Standart Models, 7 June — 21 July 1990 at Michael Werner Gallery, New York.

Tolle, who's celebrated for his public art installation Irish Hunger Memorial in New York's Battery Park City, is presenting eleven of these poetic pieces, along with a whimsical model of the façade of a 17th - century Flemish canal house, in his current solo exhibition, BENT, at C24 Gallery in New York.

The museum recently held a press conference, announcing plans to bring exhibition space square footage up to 250,000 square feet, and in the process, introduce a largely new model of exhibiting art.

Looking to reinvigorate the biennial model, in 2011, SITE reimagined SITE's biennial exhibition to focus on the Western Hemisphere, bring new perspectives to the curatorial table, and build a new infrastructure at SITE to support long - term research and new artist commissions.

The exhibition features renderings, models, photographs, and video footage tracing the creation of some of New York's most loved public artworks from the last 5 decades by such artists as Red Grooms, Christo and Jeanne - Claude, and Kara Walker.

21c Museum, a pioneering new model for contemporary art institutions, is opening exhibitions at 21c venues around the country this summer and fall.

Focusing on feminism, race and sexuality in thematic sections, the author exposes disparities and exclusionary models of collecting and display, but at the same time examines and illustrates pioneering exhibitions and initiatives that show that new approaches and inclusive solutions are possible.

For example, paintingassupermodel, a recent solo - exhibition at Ameringer McEnery Yohe Gallery (New York) expanded upon three essays in Yves - Alain Bois» book, Painting as Model.

These events criticized the institutionalization and spectacularization of art as well as the public's passivity, encouraging new modes of critical engagement that defied and denied older exhibition models.

Recent solo exhibitions include Duncan Campbell, Carnegie Museum of Art, Pittsburgh, Pennsylanvia (2012); Arbeit, HOTEL, London; Make it New John, Artists Space New York (2011) and Chisenhale Gallery, London, touring to Tramway, Glasgow (2009 — 11); The Model, Sligo; Belfast Exposed, Belfast; Bernadette, Scottish National Gallery of Modern Art; HOTEL, London and Baltic, Gateshead (all 2008 — 9).

The new model is more like a commercial gallery crossed with Gertrude Stein's Paris salon of the 1920s, with artist organizers mounting curated exhibitions, neighborhood events, salon evenings, installations, and performances.

He prowls nervously around an architectural model in a corner, the maquette for his show at Hauser & Wirth, his first New York gallery exhibition in five years.

Barbara Pollack finds at PS1 / MoMA a new model of exhibition that reveals Africa's influence on western modernism

Major exhibitions include: Claes Oldenburg and Coosje van Bruggen: A History of Sculpture, Museo d'Arte Contemporanea, Castello di Rivoli, Turin, Italy (October 2006 - February 2007); Notebook Pages: A Dialogue, Chinati Foundation, Marfa, Texas (2003); Claes Oldenberg with Coosje van Bruggen: Drawings 1992 - 1998, Whitney Museum of American Art, New York (2002); On the Roof, Metropolitan Museum of Art, New York (2001); Claes Oldenberg, Coosje van Bruggen (sculptures, models and drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italy (1985).

While each of the groups in our exhibition had distinct aesthetic positions, they were united by a common interest in empirical investigations of color and new models for pictorial space.

A scholarly catalogue was published to accompany the exhibition, with a lead essay by Ann Dumas that chronicles Matisse's principal models and sheds new light on the artist's working process and the pivotal role his models played in the development of his art.

Through models, sketches, set designs, and archival images, the exhibition offers a view of Noguchi's vision for new experiences of art, education, and humanity through play.

His essay, «New Models, Strange Tools,» which details his personal experience visiting the studio of each artist, helps to shed light on the creative forces driving the exhibition.

As one entered Gagosian's fashionable new Chelsea space for his 2000 exhibition, one saw a huge anatomical model — male, of course — called Hymn.

Through drawings, photographs, video, installations, and architectural models drawn from MoMA's collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways.

This free month - long art happening will transform the rustic Model KE building in Ellensburg's SODO district into an exhibition that will highlight new media works in the form of projections and digital prints gathered from an international call to artists.

In 2001 this gallery presented a cycle of paintings from the 1980s based on Georges Seurat's Models, and in 2006 an exhibition of 4 constructions and new cast sculptures.

Recent group exhibitions include «Legacy: Highlights from the Roanoke College Permanent Collection,» Olin Gallery, Roanoke College, Salem, VA; «La lama di Procopio,» Nuovo Spazio di Casso, Casso, Italy; «2 Years of Looking,» New Art Projects, London, England; «Dynamic Pictorial Models,» 101 / EXHIBIT, Los Angeles, CA; «Rock, Paper, Scissors, and String,» Weatherspoon Art Museum, Greensboro, NC; «Abstraction,» Fondation pour l'art contemporain Salomon, Annecy, France; «Premio Lissone 2014,» Museo d'arte contemporanea di Lissone, Lissone, Italy; «Material Images,» Johannes Vogt, New York, NY; «Paint Things,» deCordova Sculpture Park and Museum, Lincoln, MA; «Decenter: An Exhibition on the Centenary of the 1913 Armory Show,» Abrons Arts Center, New York, NY; «Greater New York 2010,» MoMA PS1, Long Island City, NY; «Collision,» RISD Museum, Providence, RI; and «El Museo's Bienal: The (S) Files 007,» El Museo del Barrio, New York, NY.