Sentences with phrase «new exhibition planned»

The New Situation, Art in London in the Sixties is a new exhibition planned for Autumn 2012.

Not exact matches

Wolfprint 3D plans to mass produce its distinctive booths and expand beyond existing sites in New York, Finland and Estonia to theme parks and exhibitions on the U.S. East Coast.

Many coaches apparently agree with Allen, but there are prominent exceptions, such as Weeb Ewbank of the Jets (the only exhibition he cares about is the one against the Giants, which he classifies as a game for «the bragging rights to New York»), John Madden of the Raiders («We want to experiment — we are not going to allow the scoreboard to affect our plans») and Tommy Prothro of the Rams.

As the Statue of Liberty nears its 130th anniversary, a new free - standing 20,000 - square - foot museum is being planned that would accommodate far more people than the current exhibition space in the statue's pedestal.

August will bring us many great news developments — cross-selling, exhibition plans and new promo tools, so watch this space!

The superhero blockbuster trend shows no signs of slowing down, with upcoming releases of Thor: The Dark World, Captain America: The Winter Soldier, X-Men: Days of Future Past and dozens of other planned films, including the much - anticipated sequel to Avengers Assemble, and new television series such as Agents of S.H.I.E.L.D. Superheroes are everywhere, from shirts to toys to exhibitions like the Marvel Super Heroes 4D experience at Madame Tussauds.

Aston Martin has a surprise in store at the upcoming Geneva Motor as it plans to showcase a range of new products at Europe's biggest automotive exhibition.

The company also plans to announce new tablet computers (not clear whether they'll also do so in the MWC exhibition or at a later date)- new Galaxy Tabs.

«The region has seen phenomenal growth in online engagement in the last two years, transitioning from a traditional face - to - face booking model to a new virtual reality where 24/7 updated information is a basic expectation and speed of access is essential when it comes to planning, researching and booking,» said Nadege Noblet - Segers, exhibition manager, Arabian Travel Market.

We plan to open the new space to the public in 2017 with an exhibition of paintings by Resnick and Passlof.

The gallery is planning a solo exhibition of Mitchell's work for 2019 in New York.

In addition to its traditional booth layout, SCOPE New York will feature an open - plan exhibition design.

When we were planning their exhibition, they would travel over to Paris all the way from New York to study the gallery's interior to be sure their art would work in the exhibition space.

«Borrowed» Art Gets Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the show).

The gallery is planning its first exhibition of Polke's work in collaboration with the Estate, which will take place in New York in May 2016.

In 2009 the organization announced plans to build a new space on West 22nd Street, on the footprint of one of two exhibition spaces it used to occupy in Chelsea.

Lambert, who has a personal art collection, 650 works from which were donated to the French nation in 2012, is to devote himself to his other bobby of bibliophilia and plans to open a new venue entirely specialised in artistic books, rare prints and exhibition catalogues.

When planning a trip to an art mecca like New York City, one tries to fit as many gallery and museum exhibition visits into a few short days.

The artist and philosopher Adrian Piper's direct and subtly intellectual approach to unpacking the tangled issues of race, gender, identity, and belonging has inspired a generation of socially - conscious artists across all media, although her impact is just now being fully recognized: she was the recipient of the Golden Lion for best artist at this year's Venice Biennale, and MoMA has recently announced plans for, in the words of Robin Pogrebin in the New York Times, «the most comprehensive exhibition to date on the conceptual artist,» set to open in 2018.

The new building, designed by Adjaye Associates, with Cooper Robertson as executive architects and program planning consultants, will enable the Studio Museum to better serve its growing and diverse audiences, provide additional educational opportunities to museumgoers from toddlers to seniors, expand its world - renowned exhibitions of art by artists of African descent and influenced and inspired by black culture, and effectively display its singular collection of artwork from the nineteenth century to the present day.

The plan to link its Burlington House and Burlington Gardens sites will make room for a new lecture theatre, exhibition and education spaces.

At the Swiss Institute in New York, where he served as Director from 2000 - 06, Wahler curated large - scale exhibitions with artists including Urs Fischer, Takashi Murakami, Jim Shaw, and Jutta Koether, and established initiatives to encourage collaboration amongst artists and leaders in fields as disparate as urban planning, chemistry, and sociology.

Jointly organized by Safdie Architects and UQAM's Centre de Design with curatorial direction from independent curator Donald Albrecht, the exhibition opens with archival images and objects from the project's origins with conceptual drawings, models, bringing them together with plans for unbuilt iterations of Habitat that Safdie designed soon after for New York, Puerto Rico, and Israel.

When the Whitney's curators planned the museum's first exhibitions in its new home, they postponed the biennial a year to concentrate on the permanent collection.

The museum recently held a press conference, announcing plans to bring exhibition space square footage up to 250,000 square feet, and in the process, introduce a largely new model of exhibiting art.

It had been our plan to put news on our website today of the new exhibition of work by Edith Schloss and her life - long friend Alvin Curran, which opens tomorrow 21 December.

Curated by the Whitechapel Gallery in partnership with Crossrail, the exhibition showcases nine internationally renowned artists and their plans to create major public artworks for London's newest railway, the Elizabeth line: Spencer Finch, Darren Almond, Douglas Gordon, Richard Wright, Simon Periton, Yayoi Kusama, Conrad Shawcross, Chantal Joffe, and Michal Rovner.

The gallery plans to use the new space to mount more historical exhibitions and it will inaugurate the new location with a show that pairs Andy Warhol's «Oxidation Paintings» with Yves Klein's «Fire Paintings.»

Plus: New York City Cultural Plan focuses on underserved communities Neil MacGregor to remain at Humboldt Forum until it opens artworks vandalised at Domme contemporary exhibition

Recent exhibitions include Harlem: Found Ways, Cooper Gallery at Hutchins Center, Harvard University, Cambridge, MA (2017); Urban Planning: Contemporary Art and the City 1967 - 2017, Contemporary Art Museum St. Louis, MO (2017); Only When It's Dark Enough Can You See The Stars, The Contemporary, Baltimore (2016); Puddle, pothole, portal, SculptureCenter, Queens (2014); Outside the Lines, Contemporary Arts Museum Houston (2014); Fore (2012), The Studio Museum in Harlem, New York, NY (2012); Future Generation Art Prize, the Pinchuk Art Centre, Kiev, Ukraine (2012); and The Ungovernables, New Museum, New York, NY (2012), among others.

As Curator - at - Large, she will work with the Tang's team to plan and implement exhibitions and artist projects, produce inventive programs at the Tang and in New York City, expand interdisciplinary research and scholarship, advise the Museum on key acquisitions, and share her expertise with Skidmore faculty, staff, and students.

New York's James Cohan Gallery is to represent sculptor Kathy Butterly and painter Grace Weaver with simultaneous exhibitions planned for its New York spaces in September 2018.

Procedural Matters — Artforum (Summer 2008; note: registration required) Thinking Space — Frieze (March 2008) How Art is Framed: Exhibition Floor Plans as a Conceptual Medium — New York Times (March 2008) Critic's Picks: Michael Asher — Artforum (March 2008; note: registration required)

This seems to be a breakout year for digital fabrication in art: a number of inexpensive 3D printers have hit the retail market; the 3D Printshow — a fair founded in London in 2012 showcasing the commercial and creative applications of this technology — held its first event in New York this past February (with plans for other venues around the world); and «Out of Hand: Materializing the Postdigital» — touted as the «first in - depth exhibition exploring digital fabrication in contemporary art» — is on view at the Museum of Arts and Design (MAD) in New York through June 1.

Selected exhibitions include; Kunstraum, London (forthcoming); The Things We Talked About, group exhibition at St PAUL St Gallery, Auckland (forthcoming); Wilderness, group exhibition at New Shelter Plan, Copenhagen (forthcoming); instead to meet strangers who might change our minds, solo exhibition at the Swiss Church, London (2014); A Space of No Exception, group exhibition at Sokol Space, Moscow (2014).

SELECTED GROUP EXHIBITIONS 2017 Glut Data, ASC Chaplin Centre, London 2017 ESTELLE THOMPSON & ERNESTO CÁNOVAS: In Colours where we Meet, Ambachar Contemporary, Munich 2017 Pelé: Art Life Football, National Football Museum, Manchester 2017 Clouded Lands, Fundación Caja Burgos (CAB), Burgos, Spain 2016 Summer Exhibition, Halcyon Gallery, London 2016 Colectiva Monopatin 3, Museo de Arte de Puerto Rico (Part of the Puerto Rico Triennale 2016), Puerto Rico, USA 2016 Le Dessous des Recits, Galerie Gourvennec Ogor, Marseille, France 2016 Non-Profit Observations, Kir Royal, Valencia, Spain 2015 Pelé: Art, Life, Football, Halcyon Gallery, London 2015 The Art of Creating, Halcyon Gallery, London 2014 From Cocoanut Grove to Soho Nights, Paul Smith, London 2014 Summer Exhibition, Royal Academy, London 2014 Landshapes, Gallery Kir Royal Valencia, Spain 2014 Open Dialogues — Generation 14, Royal Academy, Edinburgh, Scotland 2013 Threadneedle Prize, Mall Galleries, London 2013 Summer Exhibition, Halcyon Gallery, London 2013 Essence of Things, Ambacher Contemporary, Munich, Germany 2012 Transfigurative, Pariothall Gallery, Edinburgh 2012 Choice White Space, McClure Art, Edinburgh 2012 (De) Constructions, Rollo Gallery, London 2012 The Open West Prize 2012 exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,Exhibition, Halcyon Gallery, London 2016 Colectiva Monopatin 3, Museo de Arte de Puerto Rico (Part of the Puerto Rico Triennale 2016), Puerto Rico, USA 2016 Le Dessous des Recits, Galerie Gourvennec Ogor, Marseille, France 2016 Non-Profit Observations, Kir Royal, Valencia, Spain 2015 Pelé: Art, Life, Football, Halcyon Gallery, London 2015 The Art of Creating, Halcyon Gallery, London 2014 From Cocoanut Grove to Soho Nights, Paul Smith, London 2014 Summer Exhibition, Royal Academy, London 2014 Landshapes, Gallery Kir Royal Valencia, Spain 2014 Open Dialogues — Generation 14, Royal Academy, Edinburgh, Scotland 2013 Threadneedle Prize, Mall Galleries, London 2013 Summer Exhibition, Halcyon Gallery, London 2013 Essence of Things, Ambacher Contemporary, Munich, Germany 2012 Transfigurative, Pariothall Gallery, Edinburgh 2012 Choice White Space, McClure Art, Edinburgh 2012 (De) Constructions, Rollo Gallery, London 2012 The Open West Prize 2012 exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,Exhibition, Royal Academy, London 2014 Landshapes, Gallery Kir Royal Valencia, Spain 2014 Open Dialogues — Generation 14, Royal Academy, Edinburgh, Scotland 2013 Threadneedle Prize, Mall Galleries, London 2013 Summer Exhibition, Halcyon Gallery, London 2013 Essence of Things, Ambacher Contemporary, Munich, Germany 2012 Transfigurative, Pariothall Gallery, Edinburgh 2012 Choice White Space, McClure Art, Edinburgh 2012 (De) Constructions, Rollo Gallery, London 2012 The Open West Prize 2012 exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,Exhibition, Halcyon Gallery, London 2013 Essence of Things, Ambacher Contemporary, Munich, Germany 2012 Transfigurative, Pariothall Gallery, Edinburgh 2012 Choice White Space, McClure Art, Edinburgh 2012 (De) Constructions, Rollo Gallery, London 2012 The Open West Prize 2012 exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek, Amsterdam

When we meet, though, on a drizzly February morning in east London, he's deep in planning mode for his first major solo show in China, which opens in late March at the slick new Fosun Foundation exhibition space in the Bund Finance Center, Shanghai.

A haunting concert on a riverbank orchestrated by Kara Walker, a field station for an imaginary marine biologist designed by Mark Dion, and nearly a dozen portraits by the late Barkley L. Hendricks are among the projects planned for Prospect.4, the fourth edition of the New Orleans triennial exhibition, which is scheduled to open on November 18 -LSB-...]

Selected exhibitions include; Beyond the Nation Station State I want to Dream, solo exhibition, Decad, Berlin, 2018; A Farewell to Progress, performance, South London Gallery, London, 2018; A Farewell to Progress, performance, KW, Berlin, 2017; Ideology Meets Implementations, group exhibition, W139, 2017; Gentle Dust, group exhibition, Showroom MAMA, Rotterdam, 2017; Southern Summer School, summer school and public programme, BAK, Utrecht, 2017; Northern Winter Workshops, collective events programme across, the Netherlands, South Africa and the UK, 2017; duo exhibition at Kunstraum, London; The Things We Talked About, group exhibition at St PAUL St Gallery, Auckland; Wilderness, group exhibition at New Shelter Plan, Copenhagen;... instead to meet strangers who might change our minds, solo exhibition at the Swiss Church, London (2014); A Space of No Exception, group exhibition at Sokol Space, Moscow (2014).

For the exhibition, Argote has created a new series of monochromatic sculptures that echo formal qualities found in architectural floor plans and domestic structures used for folding laundry.

New works conceived for this exhibition consider how the formal designs of modernist architecture and planning, and the aggressive, deeply politicized modernization of Newark, have impacted the everyday lives of residents and their communities.

Philippe Parreno: May at Kunsthalle Zürich is the first episode from a planned series of «retrospective» exhibitions that will be shown at Kunsthalle Zürich, the Centre Pompidou, the Irish Museum of Modern Art in Dublin, and the CCS, Bard College, New York.

She is also beginning to plan for the new installations of PEM's American art collections and collaboratively developing two new co-curated exhibitions: an exhibition on Jacob Lawrence's Struggle Series of 1954 - 56 and

Students from across New Mexico meet weekly to plan an exhibition theme, create calls for artwork, jury submissions, and install the exhibition.

Recent exhibitions / projects / events; Kunstraum Bernsteiner, Vienna, Austria; Marianne Boesky Gallery, New York, USA; Hybrid So + Ba Gallery, Tokyo, Japan; BOICE Planning, Tokyo; Japan, Ǻrhus Kunstbygning, Center for Contemporary Art, Ǻrhus, Denmark; Gallery Roentgenwerke, Tokyo, Japan; Thailand 3rd New Media Arts Festival, Bangkok, Thailand; Nicolaj Copenhagen Contemporary Art Center, Denmark; Künstlerhaus Wien, Austria; Suntory Hall, Tokyo, Japan; Fuchu Art Museum, Tokyo, Japan; etc..

She is also beginning to plan for the new installations of PEM's American art collections and collaboratively developing two new co-curated exhibitions: an exhibition on Jacob Lawrence's Struggle Series of 1954 - 56 and In American Waters, which will reevaluate the importance of the sea to American painters.

2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International

¬ † As a result of the ongoing renovation of the Miami Beach Convention Center (MBCC) «Äì due to be completed in 2018 «Äì the 2017 show featured a completely redesigned exhibition layout, comprising a new floor plan, 10 percent more exhibition space, wider aisles, a broader range of booth sizes and larger lounge areas.

Direct Expenditures U.S. Biennial (the organization that produces Prospect New Orleans) and the Contemporary Arts Center (a key exhibition venue) reported a combined $ 2,847,497 million in exhibition expenditures in New Orleans, including payments to permanent and temporary staff, contracts with both New Orleans and New York companies for design, promotional services, construction, and event planning.

The Philadelphia Art Alliance (PAA) underwent exhibition planning with artist collective the Miss Rockaway Armada for a new project, exploring the PAA's relationship to Rittenhouse Square and the history of Philadelphia.