Inventing Downtown presents works from fourteen of these crucibles of experimentation, highlighting artists» efforts to create
new exhibition venues for innovative works of art — ranging from abstract and figurative painting, assemblage, sculpture, and works -LSB-...]
On the ground floor of
this new exhibition venue (and former power station), 20,000 Gun Shells (all works 2011) are scattered across the concrete ground, perfectly treacherous for visitors in high heels.
Osservatorio by Fondazione Prada is
a new exhibition venue dedicated to photography and visual languages, located at the 5th floor of the Galleria Vittorio Emanuele II in Milan.
Luc Tuymans was the inaugural participant in RESETHOME,
a new exhibition venue and artist residency in Belgium conceived by fellow artist Gert Robijns.
Not exact matches
Selected media attended a special viewing of the UK's Farnborough International
Exhibition & Conference Centre's brand -
new Hall 1, a 20,000 sqm, # 30m (US$ 42.97 m)
venue facility, 17 April.
SYRACUSE, N.Y. — Gov. Andrew Cuomo announced a push to build on a record - setting year at the
New York State Fair, describing a vision of a year - round event and
exhibition venue that could employ private companies for at least some of the services.
The original artwork and manuscripts in the
exhibition will be displayed using an entirely
new method inspired by touch and feel boards, a first for a British cultural
venue.
The
new campaign features 40 locations around the emirate and comprises two distinct television commercials running across TV networks, digital channels and in - flight entertainment systems, as well as five promotional videos, one of which is being shown throughout WTM on a giant digital screen by the entrance to the
venue, the Abu Dhabi - owned
exhibition centre, ExCel London.
Located in the heart of Pudong, Shanghai Marriott Hotel Pudong East is close to two major industrial parks which are home to the China headquarters of many Fortune 500 companies, and is just a five - minute drive from the Shanghai
New International Expo Center, a popular
venue of high - profile regional and domestic trade shows and
exhibitions in eastern China.
She has been included in numerous group
exhibitions at
venues such as Tate Modern, London; 53rd Venice Biennale, Venice; CCS Bard, Annendale on Hudson,
New York; Whitney Museum of American Art,
New York; Foundation Beyeler, Basel; and the Museum of Modern Art,
New York.
In 1949, she became the first designer to have a one - person show at The Museum of Modern Art,
New York; the
exhibition Anni Albers: Textiles subsequently traveled to 26
venues throughout the United States and Canada.
Since then Marden has been the subject of numerous solo
exhibitions at
venues such as the Dia Center for the Arts,
New York and the Fogg Art Museum, Cambridge, MA.
New York — Pace Gallery is honored to present Paradise Lost, a three -
venue exhibition of London - based Kashmiri artist Raqib Shaw.
His first solo
exhibition was in 1999 in Berlin, other
venues for solo
exhibitions include The Modern Institute in Glasgow, Galerie Almine Rech in Paris, Gavin Brown's enterprise in
New York, and The Tate Modern in London.
Massachusetts College of Art and Design's Bakalar & Paine Galleries are a
venue unlike any other, offering professionally and imaginatively curated
exhibitions featuring influential, emerging and well - known artists from throughout the world of contemporary art in the largest free contemporary art space in
New England.
Monographic
exhibitions of his work have since been hosted at various prominent
venues including Yale Center for British Art,
New Haven (1991) the Royal Academy of Arts, London (2001) and the Rijksmuseum, Amsterdam (2013 - 14).
Solo
exhibition venues include Basilico Fine Arts and Lehmann Maupin Gallery in
New York, Parra - Romero Gallery in Madrid, Charest Weinberg Gallery in Miami, and Galerie Richard in Paris.
She has exhibited internationally at
venues including the Liverpool Biennial, the San Francisco Museum of Modern Art; and P.S. 1,
New York; and has had notable solo
exhibitions at the University Art Museum at the University of Albany; the Center for Art, Design, and Visual Culture at the University of Maryland Baltimore County; and the Hirshhorn Museum and Sculpture Garden, Washington, DC.
Gaining early international recognition with her participation in Damien Hirst's Freeze
exhibition, Surrey Docks, London (1988), she has had numerous solo
exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin,
New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter,
New York, NY (2006), and Tate Britain, London (2002); and group shows at
venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation,
New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).
Since 2005, he has had twelve solo
exhibition in the United States and Europe and numerous group
exhibitions at
venues that include, among others: MoMA PS1,
New York, NY; Nevada Museum of Art, Reno, NV; de Cordova Sculpture Park and Museum, Lincoln, MA; DiverseWorks, Houston, TX; RISD Museum, Providence, RI; Weatherspoon Art Museum, Greensboro, NC; Futura, Prague, Czech Republic; El Museo del Barrio,
New York, NY; The Drawing Center,
New York, NY; Yerba Buena Center for the Arts, San Francisco, CA; Federico Luger, Milan, Italy; Sue Scott,
New York, NY.
After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in
New York about 10 years ago, first at small
venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory
exhibition 2007 traveling
exhibition «High Times Hard Times:
New York Painting 1965 - 1975.»
Recent group
exhibition venues include The National Academy Museum,
New York; Tribeca Fine Arts,
New York; and the White House, Washington, D.C.
Additionally, the Grey shows relatively few solo
exhibitions of contemporary artists since there are so many
New York
venues dedicated to this purpose.
In MASS MoCA's
new Building 6, Anderson will create a multi-functional environment that will serve as a working studio and
exhibition venue, highlighting both her creative process and over 10 years of archival work.
This body of work was featured in a major
exhibition organized by The Museum of Modern Art,
New York (by Kynaston McShine) in 1963 that traveled to 11
venues in the United States and 11
venues in Latin America.
After important
exhibitions during the most recent editions of the Venice Biennale, Roberto Sebastian Matta returns to Galleria d'Arte Maggiore g.a.m. with a
new show in its
venue in Bologna.
His work has also been shown in
exhibitions at
venues such as The National Gallery of Art Norway; ISCP,
New York, NY; Museum Quartier, Vienna, Austria; Frauenhofer Institut, Berlin, Germany; Astrup Fearnley Museum for Kunst, Oslo, Norway and many others.
Recent solo
exhibitions have been presented internationally at
venues including Embajada, San Juan (2016); Fondazione Pistoletto, Biella, Italy (2012); and with Creative Time,
New York (2012).
Museum
exhibition venues include IKON Gallery, Birmingham, UK; Savannah College of Art And Design, GA; Prospect
New Orleans, LA; Museum of Craft and Folk Art, San Francisco, CA; the Rose Art Museum, Brandeis University, Waltham, MA; Museum of Contemporary Art, Chicago; and the Institute of Contemporary Art, Philadelphia, PA..
Wright has exhibited extensively in England and Ireland since 1994, with solo
exhibitions at many
venues including, Prayer Project, The Davis Museum at Wellesley College, Massachusetts, 2017; Emotional Archaeology, R.H.A Gallery, Dublin, 2017 and The Arnolfini, Bristol, 2016, Where Do Broken Hearts Go, Douglas Hyde Gallery, 2002, Nonsense with Death, Sligo Art Gallery, 2001, and Daphne Wright, Limerick City Art Gallery, 2006, Cornerhouse, Manchester, 1994, The
New Art Centre Sculpture Park and Gallery and The Lowry, 2001.
She has organized numerous
exhibitions including The Comfort of Strangers (MoMA / PS1,
New York, 2010); boundLES (at numerous
venues in the Lower East Side,
New York); ONLYCONNECT (Bloomberg Headquarters with Art in General,
New York, 2008); and Things Fall Apart All Over Again (Artists Space,
New York, 2005).
Martin, born in San Francisco in 1973 and based in London since 2002, has had solo
exhibitions in international
venues such as the
New Museum,
New York, Museum of Contemporary Art, Chicago, Kunsthalle Zürich, and the Stedelijk Museum, Amsterdam.
In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the
New Provincetown Print Project; solo
exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight
venues).
Her work was included in High Times, Hard Times:
New York Painting 1967 - 75, an
exhibition that traveled to museum
venues in the United States, Germany and Mexico (2006 - 2008).
Tuttle has been the subject of numerous solo
exhibitions and retrospectives, at
venues including the Whitney Museum, Chicago's Museum of Contemporary Art, the Dallas Musuem of Art, the Drawing Center in
New York, the ICA London, the Musée d'art modern de la ville de Paris, among many others.
Group
exhibitions include
venues such as the Museum Moderner Kunst, Stiftung Ludwig in Vienna, Austria; and the Kunsthalle Helsinki in Helsinki, Finland and City Gallery Wellington,
New Zealand and the Sir Elton John collection at the High Museum of Art, Atlanta, USA.
Joe Zucker's solo museum
exhibitions include the Whitney Museum of Art and the Museum of Modern Art,
New York; Museum of Contemporary Art, Chicago, as well as numerous gallery shows in
New York (including Mary Boone, Leo Castelli, Nolan / Eckman, and Paul Kasmin) and in
venues worldwide.
The
new 6000 sq. ft. premises provides a further two gallery spaces, with the capacity to schedule multiple
exhibitions at one time between
venues.
She has had a range of solo
exhibitions at
venues such as White Columns,
New York, NY (2004); and Real Art Ways, Hartford, CT (2005).
Major solo
exhibitions of his work have been held at national and international institutional
venues including The
New Art Gallery Walsall (2017), the Whitworth Gallery, University of Manchester (2016 - 2017 and 2012); Sadler's Wells, London (2011); Gothenburg Konsthall, Sweden (2011); Museum of Contemporary Canadian Art, Toronto (2010); Kunsthaus Murz, Murzzuschlag, Austria (2010) and K20, Düsseldorf (2008).
The decision to split this
exhibition into two separate
venues for its
New York run complicates and confuses the message as well as the form of the show, which suffers as a result.
In Chicago, her work has been the subject of several solo
exhibitions at art
venues such as The Union League Club, Skestos Gabriele Gallery and 65 Grand, and Stux Gallery in
New York.
Venues for her solo
exhibitions include Englewood Art Center (Englewood, FL) The
New Britain Museum of American Art (
New Britain, CT), The Contemporary Museum (Honolulu, HI), Galerie L MD (Paris, France), Sam Lee Gallery (Los Angeles), Eight Modern Gallery (Santa Fe, NM) and Karin Weber Gallery (Hong Kong).
Her work has been included in national juried
exhibitions, at
venues such as Louisiana's Ogden Museum of Southern Art,
New Orleans Contemporary Art Center, River Oaks Art Center, and at LSU's Student Union Gallery, where she was awarded first place at the 20x20x20 National Compact
Exhibition.
He has had over 130 solo
exhibitions of paintings and prints, as well as presented his experimental theater pieces at such
venues as the Franklin Furnace,
New York City, Walker Art Center, Minneapolis, and The Smithsonian Institution, Washington, DC.
Prominent
venues which have held recent solo
exhibitions include the MoCA San Diego, La Jolla, California; and the Whitney Museum,
New York (both 2005).
The
new venue's two floors, Mr. Sanders said, could provide opportunities to «hybridize» the space, having an
exhibition on one level, for example, while hosting public events on the other.
Multiple
venues will host their own
new art
exhibitions and events on the same night, and all participating
venues will be cross-promoted on a printed map and flyer, and publicized in local newspapers.
Venues of recent group
exhibitions include John Connelly Presents,
New York, NY (2003); Hiromi Yoshii, Tokyo, Japan (2003); and Galerie du jour, agnès b., Paris, France (2003).
Lambert, who has a personal art collection, 650 works from which were donated to the French nation in 2012, is to devote himself to his other bobby of bibliophilia and plans to open a
new venue entirely specialised in artistic books, rare prints and
exhibition catalogues.