Sentences with phrase «new fabric sculptures»

The South Korean artist Do Ho Suh has joined the London - based dealer Victoria Miro, who is presenting three of his new fabric sculptures at Frieze London (FL, B3).

Victoria Miro featured three new fabric sculptures by acclaimed Korean artist Do Ho Suh in a special presentation at Frieze London 2015.

For his first solo exhibition at Victoria Miro Gallery, the South Korean artist: «-LRB-...) will feature new fabric sculptures conceived especially for the galleries, including a walk - through configuration of «Hubs», and a range of his works on paper.

Do Ho Suh's first exhibition with Victoria Miro will feature new fabric sculptures conceived especially for the galleries, including a walk - through configuration of Hubs, and a range of his works on paper.

Not exact matches

Recently renovated, the Carlemany Hotel offers a new concept of city accommodation; it has been decorated paying attention to details, using high - quality materials, splendid fabrics, sculptures, paintings and warm colours in order to create a refined atmosphere, while the latest technology and contemporary design blend to offer an ultimate comfort.

Recent exhibitions include the Santiago de Compostello, Spain, the Weatherspoon Art Museum, Greensboro, NC, the Institute of Contemporary Art, Cleveland, OH, the Miami Art Museum, FL, the Institute of Contemporary Art, Boston, the Kempner Museum of Contemporary Art, Kansas City, Site Santa Fe, New Mexico, the Fabric Workshop and Museum, Philadelphia, the Center for Curatorial Studies, Bard College, NY, P.S. 1 Contemporary Art Center, Long Island City, NY, the Whitney Museum, NY, MASS MoCA, North Adams, Mass., the Worchester Museum of Art, Worchester, MA, the Portland Institute for Contemporary Art, Portland, OR, the Museum of Modern Art, NY, the San Francisco Museum of Art, CA, the Hirschhorn Museum and Sculpture Garden, Washington, DC, the Virginia Museum of Fine Arts, Richmond, VA, the Centre d ¹ Art Contemporain, Geneva, Switzerland, the Bellevue Art Museum, Bellevue, WA, and the Museum of Contemporary Art, Los Angeles, among many others.

At MASS MoCA VanDerBeek presents a group of new works, including photographs and two cast - concrete sculptures, which are influenced by the museum's history as a producer of printed and dyed fabrics.

For her second solo exhibition in the gallery, and in Belgium, Louise Bourgeois has made a selection of recent sculptures in fabric, screen prints on vintage cloth and a completely new series of wall hangings, entitled «The Woven Drawings».

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitalism.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

Solo exhibitions of his work have been organized at the Institute of Contemporary Art, Boston (2017); Socrates Sculpture Park, New York (2017); The Barnes Foundation, Philadelphia (2016); Pérez Art Museum Miami (2015); Savannah College of Art and Design Museum of Art, Savannah, GA (2015); Louisiana State University Museum of Art, Baton Rouge, LA (2014); The Fabric Workshop and Museum, Philadelphia (2011); Massachusetts Museum of Contemporary Art, North Adams, MA (2011); Isabella Stewart Gardner Museum, Boston (2002); and Walker Art Center, Minneapolis, MN (2001, 2000).

Recent solo exhibitions include; «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, USA (2014); «Yinka Shonibare MBE», Royal Museums Greenwich, London (2013 - 2014); «FABRIC - ATION» Yorkshire Sculpture Park, Wakefield, UK (2013); «Yinka Shonibare, MBE,» Museum of Contemporary Art, Sydney (2008); touring to Brooklyn Museum, New York, and National Museum of African Art Smithsonian Institution, Washington D.C, USA (2009).

In «Petrit Halilaj: RU,» Halilaj presents a new video work, several large fabric sculptures, and an extensive environment that draws on his research into the flight patterns and habitats of migratory birds.

The Tenth of Always will consist of eleven new sculptures in the varied media for which the artist is known, including raw wood, gold chain, mirrors, appropriated photographs, light, fabric, naturally - shed animal antlers, rhinestones and blown glass.

Tristin Lowe will be unveiling his newest work - a 52 foot long sculpture of a sperm whale at the Fabric Workshop and Museum's newly renovated galleries.

Although she merges her photographic and sculptural practices in immersive installations, she conspicuously transfers the qualities of materials such as fabric and marble sculpture, into photography, and in the process offer a new, and specifically intermedial, way of framing the past.

Mel Chin (b. 1951, Houston) has exhibited extensively across the United States and Europe, including solo exhibitions at the Hirshhorn Museum and Sculpture Garden, Washington D.C., 1989; the Walker Art Center, Minneapolis, Minnesota, 1990; the Menil Collection, Houston, Texas, 1991; Storefront for Art and Architecture, New York, 1991; the Fabric Workshop, Philadelphia, Pennsylvania, 1992; and the Station Museum, Houston, Texas, 2006.

The artist's sculpture has been shown in numerous solo exhibitions, including the Museum of Contemporary Art, San Diego; the St. Louis Art Museum; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; The Fabric Workshop, Philadelphia; Palazzo delle Papesse, Centro Arte Contemporanea, Siena; and Sikkema Jenkins & Co., sculpture has been shown in numerous solo exhibitions, including the Museum of Contemporary Art, San Diego; the St. Louis Art Museum; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; The Fabric Workshop, Philadelphia; Palazzo delle Papesse, Centro Arte Contemporanea, Siena; and Sikkema Jenkins & Co., Sculpture Garden, Smithsonian Institution, Washington, DC; The Fabric Workshop, Philadelphia; Palazzo delle Papesse, Centro Arte Contemporanea, Siena; and Sikkema Jenkins & Co., New York.

For a new sculpture project he recycles bundled stacks of flattened cardboard into anthropomorphic monsters with enormous googly eyed stares, and the artist's iconic panda returns in large - scale pattern paintings like enormous swatches of custom designed fabric.

William de Morgan wall tiles on display in the Pre-Raphaelites gallery will be referenced in a new piece from Vasconcelos» «Tetris» series (made with tiles, crochet and various fabrics), while a new work for the «Cement Sculptures» series is also being created in response to the gallery's sculpture Atalanta (1888) by Francis Derwent Wood and the painting Eve Tempted (1877) by John Spencer Stanhope (both on display in the Victorian gallery).

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

Shonibare removes the fabric altogether and uses the batik designs in new forms; mural painting, bronze sculpture, screen prints on canvas...

Sculptor Eric Mack (b. 1987) works in New York and uses found textiles, old clothes and runway fashion to create soft - fabric, sculpture - like works.

Her work has been widely exhibited worldwide including solo exhibitions at The Museum of Modern Art in New York, The Smithsonian American Art Museum, The Fabric Workshop and Museum, Scottsdale Museum of Contemporary Art, deCordova Sculpture Park and Museum, The Montclair Art Museum, and the Crow Collection of Asian Art.

At the 1:54 Contemporary African Art Fair in New York this May, eight of the 17 participating galleries featured artists working with textiles, whether by incorporating them into sculpture, working directly with weaving or sewing, or referring to fabric patterns and forms.

The large - scale sculptures, which begin as small folded paper models, combine the concept of monumental and permanent, emanating at the same time the sense of a potential change and erosion — similarly Falls did in his former project in Zabludowicz residency program in Finland, where some hand - dyed fabrics exposed to the natural elements created new objects and photographic records of the various environmental conditions.

A sculpture by Barbara Chase - Riboud, whose bronze and fabric steles are on view at the Michael Rosenfeld Gallery in New York this fall, is divided horizontally, with a fabric skirt seeming to bear the enormous weight of a bronze torso.

Anna Virnich's artistic practice incorporates a variety of media, such as sculpture, installation, photography, video and textile - based tableaus made of found fabrics as well as new materials, stretched on wooden frames thus creating organic and almost painterly compositions that oscilate between transparency and density.

The fabric makes up the clothes on the figures of Shonibare's new sculptures.

These near - flat sculptures visually link us in proportion to the work of Steve Mykietyn, an art handler based in New York, who reveals new paintings from his studio and project space ORGY PARK that flow free with colour, geometric motifs and are painted onto pieces of toughened fabrNew York, who reveals new paintings from his studio and project space ORGY PARK that flow free with colour, geometric motifs and are painted onto pieces of toughened fabrnew paintings from his studio and project space ORGY PARK that flow free with colour, geometric motifs and are painted onto pieces of toughened fabric.

At WENTRUP, Aladağ is showing her new series «Social Fabric» as well referencing her installation «Jali» at documenta 14, the artist created a series of new sculptures with titles such as «Jali Arrow», «Jali Ring», and «Jali Tree».

Traveled to: deCordova Museum and Sculpture Park, Lincoln, Massachusetts, February 13 — April 6; Archer M. Huntington Art Gallery, University of Texas, Austin, July 31 — September 21; May and Leigh Block Gallery, Northwestern University, Evanston, Illinois, October 23 — December 14; Williams College Museum of Art, Williamstown, Massachusetts, January 15 — March 8; Akron Art Museum, Ohio, April 9 — May 31; Madison Art Center, July 26 — September 20, 1987 (Catalogue) Self — Portrait: The Photographers» Persona, 1840 — 1985, The Museum of Modern Art, New York, November 7 — January 7, 1986 Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum and Art Center, Vermont, October 18 — December 8, 1985 (Catalogue) American Realism: The Precise Image, Isetan Museum of Art, Tokyo, July 25 — August 19, 1985.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

In his latest work, Shonibare removes the fabric altogether, employing instead the batik designs in new modes such as mural painting, bronze sculpture, screen prints on canvas and classical sculpture.

Her work has been shown in such venues as Robert Miller Gallery, PPOW, DC Moore, Artists Space, The Pennsylvania Academy of Fine Art, The New Museum, ICA Boston, MCA Chicago, ICA Philadelphia, The Sculpture Center, The American Academy for Arts and Letters, The Aldrich Museum, The Jewish Museum, Moore College of Art, Fine Arts Center, U. Mass., The Queens Museum of Art, Tufts University Art Gallery, The Fleming Museum of Art, Artpark, Creative Time, and The Fabric Workshop.

The artists expand on these concepts with a series of new works that pushed them to utilize a variety of mediums, such as sculptured letters, metal, plastic, fabric, and yoga mats.

Working against the ubiquity of images that are consumed on screens, Chan's newest works are sculptures he calls «breathers» — fabric bodies, attached to fans, that hover in the air.

The introduction of new types of art, for instance - such as Performance, Happenings and Installations - along with new subject - matter - including things like dead sharks, dying flies, huge ice - sculptures, crowds of nude bodies, buildings that appear to be in motion, a collection of 35,000 terracotta figures, islands wrapped in pink polypropylene fabric, painted bodies, spooky projected imagery on public buildings, and so on - have provided spectators with a range of new (sometimes shocking) experiences.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

In the rich, blue burlap wall sculpture the artist has added a new feature, twisting the fabric in places before compressing it, in order to introduce anomalies, like knots in a tree trunk.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

«Miami Arts Project,» Miami, FL, January — March, 1998; brochure «I'm Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green,» Women's 20th Century Club, Eagle Rock, CA, February 14 — March 14, 1998 «Postcards from Black America,» Breda, De Beyerd Museum, Breda, The Netherlands, 1998; catalogue «Núcleo Historico, XXIV Bienal de São Paulo,» curated by Paulo Herkenhoff, São Paulo, Brazil, 1998 «100 Years of Sculpture: From Pedestal to Social,» Walker Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislaine Hussenot, Paris, France, 1998 «Heart, Mind, Body, Soul,» Whitney Museum of American Art, New York, NY, 1998 «Cut on the Bias: Social Projects of the 90's,» from the Permanent Collection: The Fabric Workshop and Museum, Philadelphia, PA, 1998 «Histories (Re) Membered: Selections from the Permanent Collection of the Bronx Museum,» Paine Webber Art Gallery, New York, NY, 1998 «100 Years of Sculpture: From pedestal to Social,» Walker Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislane Hussenot, Paris Miami Art Project, Miami, FL, 1998 «Hindsight: Selections from the Permanent Collection,» Whitney Museum of American Art, New York, NY, 1998 «A Portrait of Our Times: An Introduction to the Logan Collection,» San Francisco Museum of Modern Art, San Francisco, CA, 1998

Rodriguez - Casanova has exhibited throughout the US and abroad in numerous exhibitions including: Textures of Place, Prosjektrom Normanns, Stavenger, Norway; Una Mirada Multiple: Selections from the Ella Fontanals - Cisneros Collection, Museo Nacional de Bellas Artes, Havana, Cuba; The Fabric of a Space, Abrons Arts Center, New York, NY; Open Space, Socrates Sculpture Park, Queens, NY; InPractice, Sculpture Center, Long Island City, NY.

1983 Oregon Arts Commission Individual Fellowship, Sculpture Museum Collections Museum of Modern Art, New York, NY Smithsonian Institute, National Archives, Washington, D.C. Norton Museum, Miami Beach, FL Portland Art Museum, Portland, OR University of California Art Museum, Santa Barbara, CA The Fabric Workshop Archives, Philadelphia, PA

The exhibition will consist of two distinct series» of new works; eight large metal - coiled sculptures, falling suspended from the ceiling, presented both vertically and horizontally; and eight large wall - based works consisting of large reproductions of backseat storage pockets found on trains and planes, made of diverse materials such as metal, rope, elastic cord and woven fabric.

The group's work is in numerous international public and private collections, including the Solomon R. Guggenheim Museum, New York; The Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, DC; Tate Modern, London; Smithsonian Museum of American Art, Washington, DC; Art Institute of Chicago; Aspen Art Museum, CO; Berkeley Art Museum, University of California Berkeley; The Bronx Museum of the Arts, New York; Brooklyn Museum, New York; Carnegie Museum of Art, Pittsburgh, PA; Dia Art Foundation, New York; The Fabric Workshop and Museum, Philadelphia; and Dallas Museum of Art, TX.