Sentences with phrase «new feature film version»
The book has been adapted numerous times, primarily into animation, but a new feature film version aims to combine an animated Peter with live - action human actors with the aim of launching a potential franchise.
https://screenrant.com/ Not exact matches
A new 21 minute film featuring U2 frontman Bono and translator of «The Message» version of the Bible Eugene Peterson was released yesterday.
A new 21 - minute film featuring U2 frontman Bono and translator of The Message version of the Bible, Eugene Peterson, has been released.
A new 21 - minute film featuring U2 frontman Bono and translator of The Message version of the Bible, Eugene... More
After much wrangling, the film - maker's original cut made it into cinemas, but not before some radical new versions had been tested — including one that The New Yorker says featured a montage of religious images and ended with a Christian rock sonew versions had been tested — including one that The New Yorker says featured a montage of religious images and ended with a Christian rock soNew Yorker says featured a montage of religious images and ended with a Christian rock song.
But on February 28, for one week, about 1,000 movie theaters around the country will screen a version of the movie that is both the same — same plot, same characters, derived from the same filming sessions — and completely different, featuring exactly 763 new jokes.
Based on the short film of the same name, Mama inspired del Toro to come up with a feature length version and I'm glad he did because it looks like the perfect supernatural chiller to start off the new year.
Starring Paul Rudd (Ant - Man), in his first feature film, as Tommy Doyle, and introducing J.C. Brandy as the new Jamie Lloyd (taking over the role from Danielle Harris), «Halloween 666» is the original title for what would ultimately become the infamous «Producer's Cut» of Halloween: The Curse of Michael Myers, a very different version of which was released in theaters in 1995.
Also new on DVD: M. Night Shyamalan's The Last Airbender (Paramount), an adaptation of the animated TV series and one of the most critically reviled films of the year, the feature film version of Beverly Cleary's Ramona And Beezus (Fox), Cats & Dogs: The Revenge of Kitty Galore (Warner), Marina de Van's Don't Look Back (IFC) with Sophie Marceau and Monica Bellucci, The Lightkeepers (Image) with Richard Dreyfuss and Blythe Danner, Lau Kar - Leung's classic martial arts movie Shaolin Mantis (Vivendi) and the newly remastered The Endless Summer: Director's Special Edition (Monterey).
Both versions of the Extended Edition include more than nine hours of new bonus features that will enrich the experience of the Trilogy as fans gear up for the December 12 theatrical release of the third and final film, The Hobbit: The Battle of the Five Armies.
Obviously, there are a lot of storylines and characters going on here, and this isn't even getting into the return of Moira McTaggart (Rose Bryne), or Xavier's new students (Sophie Turner as Jean Grey, Tye Sheridan as Scott Summers / Cyclops and Kodi Smit - McPhee as Kurt Wagner / Nightcrawler) who stand in as the young versions of the characters who featured in the original X-Men films.
Features commentary by film scholar Dana Polan, a new interview with Gloria Grahame biographer Vincent Curcio, a 20 - minute piece with filmmaker Curtis Hanson produced for the 2002 DVD release, a condensed version of the 1975 documentary I'm a Stranger Here Myself (this runs about 40 minutes), and the radio adaptation of the original novel produced for «Suspense» in 1948, plus a fold - out booklet with an essay by Imogen Sara Smith.
Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqNew audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqnew introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqnew interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqnew video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»
All disc versions of the Extended Edition include nearly nine hours of new bonus features and will be available just ahead of the December 13 theatrical release of the second film of the trilogy, The Hobbit: The Desolation of Smaug.
The theatrical version and the Director's Cut are included, along with the previously released bonus features, a new documentary, a 1996 short film by director Richard Kelly, a hardcover book, and some pieces of art printed on cardstock, found inside an envelope marked «Roberta Sparrow.»
Before the trailers dropped (both featuring a few seconds of different footage), the official handle also posted a new poster for the film with other versions of it following shortly afterwards.
British TV commercial and video game director Rupert Sanders makes a solid feature - film debut at the helm of this rip - snorting new version, which restores some of the fable's pre-Disney grit and gristle and strips decades of candy coating off its grown - up edge.
• Limited Edition collection of the complete Blood Bath • High Definition Blu - ray (1080p) presentation of four versions of the film: Operation Titian, Portrait in Terror, Blood Bath and Track of the Vampire • Brand new 2K restorations of Portrait in Terror, Blood Bath and Track of the Vampire from original film materials • Brand new reconstruction of Operation Titian using original film materials and standard definition inserts • Optional English subtitles for the deaf and hard of hearing on all four versions • The Trouble with Titian Revisited — a brand new visual essay in which Tim Lucas returns to (and updates) his three - part Video Watchdog feature to examine the convoluted production history of Blood Bath and its multiple versions • Bathing in Blood with Sid Haig — a new interview with the actor, recorded exclusively for this release • Archive interview with producer - director Jack Hill • Stills gallery • Double - sided fold - out poster featuring original and newly commissioned artworks • Reversible sleeve featuring original and newly commissioned artwork by Dan Mumford • Limited edition booklet containing new writing on the film and its cast by Anthony Nield, Vic Pratt, Cullen Gallagher and Peter Beckman
In September a new X-Men: Apocalypse plot description revealed that, in addition to being a gosh - darn»»80s period film, the upcoming installment would also feature younger versions of Storm, Cyclops, and Jean Grey.
Richard Curtis's third film as director and writer features Hugh Grant or rather, a new hybrid version in lieu of the real deal, writes Catherine Shoard
The English - language version of «Mune» features an all - star cast of animation veterans, including Rob Lowe (Simba on Disney Channel's «The Lion Guard»), Ed Helms (most recently the voice of «Captain Underpants»), Christian Slater («FernGully», «Igor»), Patton Oswalt (Remy in «Ratatouille») and comedian Jeff Dunham («Smurfs: The Lost Village», this weekend's other new animated film — «The Nut Job 2: Nutty by Nature»).
Special Features New 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom GunnNew 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom GunnNew audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunnnew video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunnnew program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunnnew score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunning
Featuring more than 45 minutes of never - before - seen footage, the spectacle of Alexander is even more impressive with this all - new unrated version which brings the film to a heightened level of realism and intensity.
- New, restored 4K digital transfer of the English - language version of the film, with uncompressed monaural soundtrack on the Blu - ray - Alternate French - language version of the film - Audio commentary from 2005 featuring film scholar Adrian Martin - Portrait: Orson Welles, a 1968 documentary directed by François Reichenbach and Frédéric Rossif - New interview with actor Norman Eshley - Interview from 2004 with cinematographer Willy Kurant - New interview with Welles scholar François Thomas - An essay by film critic Jonathan Rosenbaum
NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)
The trailer features a new version of «Cups,» the song that made the first movie and star Anna Kendrick famous, as well as several hilarious one - liners from Rebel Wilson, John Michael Higgins, and Elizabeth Banks (who also makes her feature film debut as director).
Despite featuring plenty of fresh footage, this new trailer feels more like a turbo - charged version of the film's fantastic first teaser than anything strikingly new.
That means we just need to get through 294 days of internet hyperbole BEFORE ANYONE SEES IT about how the new Annie (the third filmed version after a 1982 feature and a 1999 telefilm) is the worst thing that ever existed and musicals suck and it's going to kill everyone's career... Give me strength!
Along with new, restored 4K digital transfers of Kieslowski's original ten films plus longer versions of «A Short Film About Killing» and «A Short Film About Love,» this includes a whole seminar of information about the creation of these essential films, with new and archival interviews featuring the filmmakers and cast, and a dissection by film studies professor Annette Insdorf.
Disney has all but given up on DVD, reducing the still widely preferred home video format to an insignificant bonus feature of Blu - ray, a formality for new theatrical films, and occasionally another retail shelf to place the old - fashionedly packaged versions of deceptively identical combo packs.
The DVD features both the original color theatrical version and the B&W Director's Cut (the latter featuring commentary by director Peter Bognanovich, who likes to talk about his films) on one disc, and comes with the previously released director's cut of The Last Picture Show (with new commentary by Bogdanovich) on a second disc.
Now in a bit of damage control, the first official image from the film has surfaced featuring Depp, Helena Bonham Carter, Michelle Pfeiffer and the rest of the cast looking like a new version of The Munsters or The Addams Family, but with a little less darkness.
Morais» novel was described by the New York Times» Ligaya Mishan as a hybrid of «Slumdog Millionaire» and «Ratatouille,» and Hallstrom seems to have taken that Hollywood formulation to heart: Like «Slumdog,» the film is an underdog story set to the infectious backbeat of Rahman's music (fun fact: Knight created the original British version of «Who Wants to Be a Millionaire»), and like «Ratatouille,» it brings us into an irresistible world of culinary sophistication and features gorgeous nighttime views of Paris, where Hassan eventually arrives in search of his destiny.
More news from the ever growing world of Halloween - inspired fan films on this #MichaelMyersMonday, as director Kohl Bladen released a new video today featuring Tony Moran, who played the briefly unmasked version of Michael Myers in John Carpenter's 1978 classic, explaining why he decided to reprise his most iconic role one more time in Halloween: The Night Evil Died, and unofficial non-profit sequel that will continue the story line from the original Halloween movie series (parts 1 - 8).
This week, Sony dropped a trailer for the new, Plummer - featuring version of the film, which Scott has said he still expects to deliver in time for its original, Dec. 22 release date.
Audio Commentary by Updated 2003 Audio Commentary by Film Historian Bruce Eder, and Herrmann Biographer Steven C. Smith / «Here Is A Man» preview version comparison (4:37) / Reading of «The Devil & Daniel Webster» short story by Alec Baldwin (33:41) / Radio Plays: «The Devil & Daniel Webster» (29:50) from Aug. 6, 1938 + «Daniel Webster & the Sea Serpent» (29:43) from Aug. 1, 1937 / «About the Columbia Workshop» essay / «The Devil In Context»: 6 - part Bernard Herrmann score essay with indexed film clips and 4 stills / Still and Poster Gallery with 12 images / 12 - page colour booklet featuring an essay by author Tom Piazza, and original 1941 New York Times article by Stephen Vincent Benet, and Color Bars / New high - definition transfer with restored image and sound / 12 page colour boooklet
More expensive versions (SEL and SEL Premium) come with VW's new Digital Cockpit: a 12.3 - inch customizable display featuring a high - resolution thin - film transistor (TFT) display with 1440 x 540 - pixel resolution with ambient lighting, if equipped, radio presets and navigation.
The work is a 30 second version of McGinleyʼs original film for Icelandic band Sigur Rósʼ track Varúð, which features a magical golden haired girl skipping throughout the streets of New York.