Not exact matches
The
New York Times cited anonymous sources involved with The Birth of a Nation as saying that Fox Searchlight does not plan to
change course on its promotion of the
film, which includes plans to have Parker tour U.S. universities and churches as the public face of the movie.
But her chance meeting with a tech pioneer inspired her to try a
new formula that could
change the
film business: crowdfunding with a cryptocurrency akin to bitcoin.
In Tangled, the Walt Disney Company's
new animated, feature - length, 3 - D adaptation of «Rapunzel,» critic Armond White finds, sadly, that the story of the girl with the very long locks not only «has been amped up from the morality tale told by the Brothers Grimm into a typically overactive Disney concoction of cute humans, comic animals, and one - dimensional villains,» but also that the
film's «hyped - up story line... gives evidence that cultural standards have undergone a drastic
change» in the decades since Walt Disney first set out to charm both children and adults with his animated retellings of fairy tales.
Though the nurse, Mathilde, is the
film's viewpoint character, the nunnery as a whole is the
film's protagonist, for the nuns must grow and
change, respond to their trauma, and find a
new way to live their vocations.
September 14: Take in a screening of Beyond Measure: Schools at the Heart of
Change, a
new film by the makers of Race to Nowhere (Natick)
so
filming schedules will undoubtedly be
changed to fast - track
new episodes while Washington is still in the early stages of her pregnancy.
The Throwaways is a documentary
film featuring a formerly incarcerated homeless man, Ira McKinley, and his struggles to reintegrate into and also
change his local community in Albany,
New York.
Another WFP - linked group,
New York Communities for
Change, meanwhile, is the successor to ACORN, which was shuttered after its intake workers were
filmed helping a journalist posing as a pimp get housing for a purported prostitute.
«Smart»
films that
change color on demand can be fabricated more efficiently, thanks to a
new mechanistic study.
Jonathan Renouf, executive producer at BBC Science, said: «We set out to make a
film with three objectives; to say something
new about climate
change, to stay true to the science, and to attract an audience to what is unquestionably a demanding subject.
Vasi, who studies collective behaviors, says the documentary worked as a catalyst for policy
changes in the Marcellus Shale region (Pennsylvania, Ohio,
New York, and West Virginia) where Gasland was
filmed.
A
new way of detecting and visualizing fingerprints from crime scenes using colour -
changing fluorescent
films could lead to higher confidence identifications from latent (hidden) fingerprints on knives, guns, bullet casings and other metal surfaces.
Using ultrafast 4 - D imaging, the
new UEC technique allows researchers to «
film» the atomic mechanism behind the recording process in memories based on phase
change materials.
University of Tsukuba - based researchers developed a way to recover environmental heat with a
new type of thin -
film thermoelectric cell, based on two different materials that show
changes in their redox potential on cycling of temperature.
This is just my conviction, and opinion, but do see this
new film and be
changed and challenged whether you are a believer or not.
Usually, a real
film aficionado can spot dozens of these quotes / homages, but they are woven into his
films in such a way that the
change of context makes them feel not like rip - offs, but fresh, integral parts of a completely
new story.
Sharks are still feared around the world, and are still a secret to so many people, we are shedding
new light and
changing that now through small
films like these.
Coogler ups the intrigue as the
film plays, with each
new piece of the puzzle put together to deliver impact, and to
change what we know about these characters in ways that give the entire story a surprising amount of nuance, given the amount of characters to follow, as well as the wider scope of the international politics.
The
film doesn't do anything
new, except that it changes the setting to New Yo
new, except that it
changes the setting to
New Yo
New York.
It's not going to
change the world or inspire great thought, but there are worse ways to spend an hour and a half than watching these up and coming
new stars in a perfectly agreeable
film.
I don't know whether it's the technology that's
changed, or that the artists, most of whom worked on the first, have grown, but there is a striking
new level of emotion in the characters themselves, particularly their eyes, that does much to, well, animate the
film.
In the world of live - action
films,
changing a director when a
film is already in production is rare, though it happened this year on the independent western «Jane Got a Gun,» when Gavin O'Connor replaced director Lynne Ramsay after she failed to show up on the first day of shooting in
New Mexico.
In an interview with BBC's The One Show, Oscar winner and
new raider of tombs Alicia Vikander talked about how excited she was to be playing a badass female character and how exciting it is «To see female characters in these kinds of
films... It's definitely a big
change happening.»
Brian De Palma made a career remaking Hitchcock
films to great success by
changing things to a whole
new modern twist.
From British / Irish director Martin McDonagh, who'd already had massive transatlantic success with plays like «The Beauty Queen of Leenane» and «The Cripple of Inishmaan» and had already won an Academy Award for his short
film «Six Shooter,» the hitman black comedy was not just the arrival of an exciting
new director, but also marked a refreshing
change of pace for Farrell, whose split personality of rugged charm, soulfulness and hair - trigger volatility found its most perfect vehicle to date.
HollywoodNews.com: «Glee» may seem totally wholesome, but one actress is about to
change things up a little with a
new role in a
film with Nicholas Cage.
Last year's It
changed all that — the
film was a monster hit, and kicked - off a whole
new wave of
films adapted from King's work.
«For somebody to fundamentally
change their mind is the hardest thing,» says Chiwetel Ejiofor, reflecting on his
new film, «Come Sunday.»
This being the movie industry, there's even a
new trailer to let theater audiences know about the
changes, with an announcer saying, «At the MPAA, we're dedicated to making sure every
film finds its proper rating.»
Star Mel Gibson (Signs, What Women Want), who had picked Helgeland to direct the
film based on his script to begin with, brought in a
new, unnamed director (subsequently leaked as production designer John Myhre) and screenwriter (Terry Hayes) to make the
changes the studio wanted.
There were really just four, but, in its most significant
change, this
new filming adds a fifth and makes him the most heinous of all.
A
new rumor claims that, despite previous confirmation from Warner Bros. that he'd have a supporting role in the superhero sequel, Eisenberg's Lex Luthor has been cut from Justice League in the wake of all of the recent
changes to the
film.
Director Ruben Fleischer hasn't had the same success of his first
film Zombieland, but that could
change with his
new movie, Venom.
The
new film The Light Between Oceans might seem like a
change of pace for indie director Derek Cianfrance.
The producers of this
film must have thought that a quick
change in scenery and a
new face would help enliven the tale, but in the end, director Ridley Scott is left with little more than a story that feels remarkably like «Under the Tuscan Sun;» with Russell Crowe, of course, replacing Diane Lane in the lead role.
For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That
Changed Cinema; Blow - Up of «Blow - Up», a
new documentary about the
film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the
film: Modernism and Photography; both the teaser and theatrical trailers for the
film; and a 68 - page insert booklet containing an essay on the
film by David Forgacs, an updated 1966 account of the
film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the
film, the 1959 Julio Cortázar short story on which the
film is loosely based, and restoration details.
At the same time, there is some
new material in the
film, as there has been in each one of the previous incarnations of H2G2 — although purists can rest assured that many of these
changes were approved by Adams, who had completed the script's second draft before he died in 2001 and Karey «Chicken Run» Kirkpatrick took over the screenwriting.
While the
film scales back the gore and shock value, there are a few
new aesthetic
changes.
A sweeping tale of
changing times in Scotland in the early 20th century, Terence Davies's
new film Sunset Song centers around a farm girl Chris Guthrie (Agyness Deyn) in the fictional rural town of Kinraddie near Aberdeen.
These
changes are not huge in themselves, but as the coda that plays over the closing credits reminds us, even the smallest things can have the most unpredictable of consequences — and although the scenes involving mysterious sneeze guru and failed Presidential contender Humma Kavula (John Malkovich), an entirely
new character, seem to have little point here, there is no doubt that his rôle is destined to become more pronounced in the inevitable sequels (note the many verbal references to a certain «Restaurant at the End of the Universe» towards the
film's close).
What happened next would
change the world of filmmaking not only within the
new genre Romero reinvented, but with the way
films are produced and distributed.
May 20, 2018 • Sandhya Menon's
new young adult novel follows aspiring filmmaker Twinkle Mehta, who addresses her diary entries to female directors like Mira Nair and Ava DuVernay and longs to
change lives with
film.
Broadcaster Stuart Maconie discusses John Schlesinger's A Kind of Loving in the Northern context of the British
New Wave / kitchen sink dramas, which
changed the way that the working classes were being portrayed in
film.
The only departure here is that the
film only spends a third of its running time in
New York, though since his most recent movies have seen his scripts relocated to Europe, this isn't that big a
change, I guess.
But it is a
new film that does not significantly expand or deepen our understanding of this universe, a
film that seems to answer the question «I wonder what has
changed in that world during the past 30 years» with «Ultimately, not that much.»
Once the
film moves its action to Connecticut, it's not just the structure and tone that
change, but the cast of characters, which quickly expands to accommodate all kinds of
new players.
French director Claire Denis talks about her
new film with Juliette Binoche and Gérard Depardieu, the appeal of Robert Pattinson — and why the Weinstein affair has
changed nothing
Well not only was
New Mutants going to feature that mysterious company, but The Tracking Board has learned that Jon Hamm was originally going to appear as Mr. Sinister in a tag at the end of
New Mutants, and Boone
filmed material that led up to that reveal, only for Fox to
change their minds after shooting had been completed.
Naomi is the instigator of
change in Perry's
new drama of intertwined relationships, but Golden Exits is a
film that shies away from any severe dramatics.
The studio was looking for a unique point of view and they are heading into a
new era
films where they want to grow and
change in a certain way that fits that
new environment.