Sentences with phrase «new film changing»

Not exact matches

The New York Times cited anonymous sources involved with The Birth of a Nation as saying that Fox Searchlight does not plan to change course on its promotion of the film, which includes plans to have Parker tour U.S. universities and churches as the public face of the movie.
But her chance meeting with a tech pioneer inspired her to try a new formula that could change the film business: crowdfunding with a cryptocurrency akin to bitcoin.
In Tangled, the Walt Disney Company's new animated, feature - length, 3 - D adaptation of «Rapunzel,» critic Armond White finds, sadly, that the story of the girl with the very long locks not only «has been amped up from the morality tale told by the Brothers Grimm into a typically overactive Disney concoction of cute humans, comic animals, and one - dimensional villains,» but also that the film's «hyped - up story line... gives evidence that cultural standards have undergone a drastic change» in the decades since Walt Disney first set out to charm both children and adults with his animated retellings of fairy tales.
Though the nurse, Mathilde, is the film's viewpoint character, the nunnery as a whole is the film's protagonist, for the nuns must grow and change, respond to their trauma, and find a new way to live their vocations.
September 14: Take in a screening of Beyond Measure: Schools at the Heart of Change, a new film by the makers of Race to Nowhere (Natick)
so filming schedules will undoubtedly be changed to fast - track new episodes while Washington is still in the early stages of her pregnancy.
The Throwaways is a documentary film featuring a formerly incarcerated homeless man, Ira McKinley, and his struggles to reintegrate into and also change his local community in Albany, New York.
Another WFP - linked group, New York Communities for Change, meanwhile, is the successor to ACORN, which was shuttered after its intake workers were filmed helping a journalist posing as a pimp get housing for a purported prostitute.
«Smart» films that change color on demand can be fabricated more efficiently, thanks to a new mechanistic study.
Jonathan Renouf, executive producer at BBC Science, said: «We set out to make a film with three objectives; to say something new about climate change, to stay true to the science, and to attract an audience to what is unquestionably a demanding subject.
Vasi, who studies collective behaviors, says the documentary worked as a catalyst for policy changes in the Marcellus Shale region (Pennsylvania, Ohio, New York, and West Virginia) where Gasland was filmed.
A new way of detecting and visualizing fingerprints from crime scenes using colour - changing fluorescent films could lead to higher confidence identifications from latent (hidden) fingerprints on knives, guns, bullet casings and other metal surfaces.
Using ultrafast 4 - D imaging, the new UEC technique allows researchers to «film» the atomic mechanism behind the recording process in memories based on phase change materials.
University of Tsukuba - based researchers developed a way to recover environmental heat with a new type of thin - film thermoelectric cell, based on two different materials that show changes in their redox potential on cycling of temperature.
This is just my conviction, and opinion, but do see this new film and be changed and challenged whether you are a believer or not.
Usually, a real film aficionado can spot dozens of these quotes / homages, but they are woven into his films in such a way that the change of context makes them feel not like rip - offs, but fresh, integral parts of a completely new story.
Sharks are still feared around the world, and are still a secret to so many people, we are shedding new light and changing that now through small films like these.
Coogler ups the intrigue as the film plays, with each new piece of the puzzle put together to deliver impact, and to change what we know about these characters in ways that give the entire story a surprising amount of nuance, given the amount of characters to follow, as well as the wider scope of the international politics.
The film doesn't do anything new, except that it changes the setting to New Yonew, except that it changes the setting to New YoNew York.
It's not going to change the world or inspire great thought, but there are worse ways to spend an hour and a half than watching these up and coming new stars in a perfectly agreeable film.
I don't know whether it's the technology that's changed, or that the artists, most of whom worked on the first, have grown, but there is a striking new level of emotion in the characters themselves, particularly their eyes, that does much to, well, animate the film.
In the world of live - action films, changing a director when a film is already in production is rare, though it happened this year on the independent western «Jane Got a Gun,» when Gavin O'Connor replaced director Lynne Ramsay after she failed to show up on the first day of shooting in New Mexico.
In an interview with BBC's The One Show, Oscar winner and new raider of tombs Alicia Vikander talked about how excited she was to be playing a badass female character and how exciting it is «To see female characters in these kinds of films... It's definitely a big change happening.»
Brian De Palma made a career remaking Hitchcock films to great success by changing things to a whole new modern twist.
From British / Irish director Martin McDonagh, who'd already had massive transatlantic success with plays like «The Beauty Queen of Leenane» and «The Cripple of Inishmaan» and had already won an Academy Award for his short film «Six Shooter,» the hitman black comedy was not just the arrival of an exciting new director, but also marked a refreshing change of pace for Farrell, whose split personality of rugged charm, soulfulness and hair - trigger volatility found its most perfect vehicle to date.
HollywoodNews.com: «Glee» may seem totally wholesome, but one actress is about to change things up a little with a new role in a film with Nicholas Cage.
Last year's It changed all that — the film was a monster hit, and kicked - off a whole new wave of films adapted from King's work.
«For somebody to fundamentally change their mind is the hardest thing,» says Chiwetel Ejiofor, reflecting on his new film, «Come Sunday.»
This being the movie industry, there's even a new trailer to let theater audiences know about the changes, with an announcer saying, «At the MPAA, we're dedicated to making sure every film finds its proper rating.»
Star Mel Gibson (Signs, What Women Want), who had picked Helgeland to direct the film based on his script to begin with, brought in a new, unnamed director (subsequently leaked as production designer John Myhre) and screenwriter (Terry Hayes) to make the changes the studio wanted.
There were really just four, but, in its most significant change, this new filming adds a fifth and makes him the most heinous of all.
A new rumor claims that, despite previous confirmation from Warner Bros. that he'd have a supporting role in the superhero sequel, Eisenberg's Lex Luthor has been cut from Justice League in the wake of all of the recent changes to the film.
Director Ruben Fleischer hasn't had the same success of his first film Zombieland, but that could change with his new movie, Venom.
The new film The Light Between Oceans might seem like a change of pace for indie director Derek Cianfrance.
The producers of this film must have thought that a quick change in scenery and a new face would help enliven the tale, but in the end, director Ridley Scott is left with little more than a story that feels remarkably like «Under the Tuscan Sun;» with Russell Crowe, of course, replacing Diane Lane in the lead role.
For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.
At the same time, there is some new material in the film, as there has been in each one of the previous incarnations of H2G2 — although purists can rest assured that many of these changes were approved by Adams, who had completed the script's second draft before he died in 2001 and Karey «Chicken Run» Kirkpatrick took over the screenwriting.
While the film scales back the gore and shock value, there are a few new aesthetic changes.
A sweeping tale of changing times in Scotland in the early 20th century, Terence Davies's new film Sunset Song centers around a farm girl Chris Guthrie (Agyness Deyn) in the fictional rural town of Kinraddie near Aberdeen.
These changes are not huge in themselves, but as the coda that plays over the closing credits reminds us, even the smallest things can have the most unpredictable of consequences — and although the scenes involving mysterious sneeze guru and failed Presidential contender Humma Kavula (John Malkovich), an entirely new character, seem to have little point here, there is no doubt that his rôle is destined to become more pronounced in the inevitable sequels (note the many verbal references to a certain «Restaurant at the End of the Universe» towards the film's close).
What happened next would change the world of filmmaking not only within the new genre Romero reinvented, but with the way films are produced and distributed.
May 20, 2018 • Sandhya Menon's new young adult novel follows aspiring filmmaker Twinkle Mehta, who addresses her diary entries to female directors like Mira Nair and Ava DuVernay and longs to change lives with film.
Broadcaster Stuart Maconie discusses John Schlesinger's A Kind of Loving in the Northern context of the British New Wave / kitchen sink dramas, which changed the way that the working classes were being portrayed in film.
The only departure here is that the film only spends a third of its running time in New York, though since his most recent movies have seen his scripts relocated to Europe, this isn't that big a change, I guess.
But it is a new film that does not significantly expand or deepen our understanding of this universe, a film that seems to answer the question «I wonder what has changed in that world during the past 30 years» with «Ultimately, not that much.»
Once the film moves its action to Connecticut, it's not just the structure and tone that change, but the cast of characters, which quickly expands to accommodate all kinds of new players.
French director Claire Denis talks about her new film with Juliette Binoche and Gérard Depardieu, the appeal of Robert Pattinson — and why the Weinstein affair has changed nothing
Well not only was New Mutants going to feature that mysterious company, but The Tracking Board has learned that Jon Hamm was originally going to appear as Mr. Sinister in a tag at the end of New Mutants, and Boone filmed material that led up to that reveal, only for Fox to change their minds after shooting had been completed.
Naomi is the instigator of change in Perry's new drama of intertwined relationships, but Golden Exits is a film that shies away from any severe dramatics.
The studio was looking for a unique point of view and they are heading into a new era films where they want to grow and change in a certain way that fits that new environment.
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