Not exact matches
The
new film «Netizens» details the threats to life and livelihood
women endure and what they're doing
about it.
A week after The
New York Times and The New Yorker ran back - to - back reports cataloguing Harvey Weinstein's alleged serial sexual harassment of women in Hollywood, actress Selma Blair saw a story on HuffPost about writer and director James Toback's new film that made her blood run co
New York Times and The
New Yorker ran back - to - back reports cataloguing Harvey Weinstein's alleged serial sexual harassment of women in Hollywood, actress Selma Blair saw a story on HuffPost about writer and director James Toback's new film that made her blood run co
New Yorker ran back - to - back reports cataloguing Harvey Weinstein's alleged serial sexual harassment of
women in Hollywood, actress Selma Blair saw a story on HuffPost
about writer and director James Toback's
new film that made her blood run co
new film that made her blood run cold.
A protest took place outside of a Northern Ireland university on Tuesday, which rejected screening a
new film about «men and
women moving out of homosexual practices and feelings».
Or consider the report by Caryn James in the
New York Times on the recent Sundance
Film Festival, in which she describes the
film Care of the Spitfire Grill as «a manipulatively heartwarming story
about a young
woman just out of prison who finds spiritual redemption.»
This one was from Kate, who identified herself as an API member from
New Hampshire, USA, and the
woman about whom the article featured in the
film for maybe a couple seconds is
about.
Here my latest post, which comes also with a video where I give my oppinion
about Miu Miu's
new episode of their
Women's Tales short
film series.
Inspired by, but not adapted from, Roland Barthes, Claire Denis»
new film about a single
woman living alone in Paris is a sophisticated delight
So when The Hunger Games or Wonder
Woman or Black Panther becomes an enormous hit, everybody is utterly shocked (except for those of us who've been clamoring for those
films since childhood), and the entertainment journalists write articles
about this surprising
new development, and explain why it may never happen again.
Two years later, he could be seen in another high - profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe - winning HBO movie Lackawanna Blues, a life - affirming
film about a selfless black
woman (played by S. Epatha Merkerson) in 1950s segregated
New York who provides a home and a guiding hand to the youths who come to live at her boarding house.
Hazanavicius has his fun with his smartarse
New Wave pastiches, but the core of his
film is
about how a self - important goon treats a blameless young
woman terribly, then gets away with it — having only a lifetime of adulation to look forward to.
This
new film reminds me of «All
About My Mother» or «
Women On The Verge Of A Nervous Breakdown».
Flickering Myth's Tai Freligh caught up with Wonder
Woman star Connie Nielsen this past week to discuss her role in her
new film The Confessions, and also managed to slip in a few questions
about her work in the DC Extended Universe, during which Connie shared a funny story
about her first meeting with the -LSB-...]
The second of 2015's collaborations with her real - life director boyfriend Noah Baumbach, Mistress America was one of the best
films at the Sundance Film Festival, an old - school screwball comedy
about a young
woman who befriends her dad's
new girlfriend.
Stars Emma Watson, Dan Stevens, Gugu Mbatha - Raw and Josh Gad together with director Bill Condon open up
about the uniqueness of Belle as a Disney princess in the
new «Beauty and the Beast»
film, how important she is for 21st century
women as a role model - industrious, learned and courageous as she is - and why Emma is the perfect choice for the role.
Andie Redwine was honored with The Hoosier Award for her work on «Paradise Recovered,» a
film about a
woman from a cloistered religious sect forced to view her community from a
new perspective, which was partially shot in southern Indiana.
At a press conference held prior to the screening of his
new film Men,
Women & Children, director Jason Reitman dispelled the notion that the
film was
about anything other than human connection in the digital age.
He'll drop names from Elia Kazan to Roger Corman, do a mean Hitchcock imitation (he appeared in the director's final
film, «Family Plot») and talk
about meeting Marilyn Monroe when she sat in on classes at Lee Strasberg's Actors Studio — and being stunned when she suddenly began crying as the two of them were passed by an older
woman on a
New York street in the early 1960s.
Asante's
new film, A United Kingdom, is
about the international scandal that erupted when Prince Seretse Khama of Botswana married a white
woman in the 1940s, and is scheduled for a 2016 release.
Among the high - profile premieres this year are «Antz,» the
new Dreamworks animated film; James Ivory's «A Soldier's Daughter Never Cries,» with Kris Kristofferson playing a character inspired by novelist James Jones; «Dancing at Lughnasa,» starring Meryl Streep in the film of Brian Friel's celebrated play; John Waters» «Pecker,» with Edward Furlong as a fast - food worker whose photos are embraced by the New York art world; Helena Bonham Carter and Kenneth Branagh in «The Theory of Flight,» about a work - release prisoner assigned to a woman with Lou Gehrig's disease; Ben Stiller as a drug - addicted TV writer in «Permanent Midnight»; Christina Ricci in «Desert Blue,» about slim prospects for a teenager in a town of 89 people; «The Imposters,» the new film by Stanley («Big Night») Tucci, starring Tucci and Oliver Platt as cruise - ship stowaways; «Rushmore,» with Jason Schwartzmann as a prep schooler who is a lousy student but hyperactive in campus activities; Cameron Diaz in «Very Bad Things,» about a bachelor party that ends in murder; Cate Blanchett as «Elizabeth,» the story of England's 16th century monarch, and «The Judas Kiss,» with FBI agent Emma Thompson on the trail of the kidnapper of a computer geni
new Dreamworks animated
film; James Ivory's «A Soldier's Daughter Never Cries,» with Kris Kristofferson playing a character inspired by novelist James Jones; «Dancing at Lughnasa,» starring Meryl Streep in the
film of Brian Friel's celebrated play; John Waters» «Pecker,» with Edward Furlong as a fast - food worker whose photos are embraced by the
New York art world; Helena Bonham Carter and Kenneth Branagh in «The Theory of Flight,» about a work - release prisoner assigned to a woman with Lou Gehrig's disease; Ben Stiller as a drug - addicted TV writer in «Permanent Midnight»; Christina Ricci in «Desert Blue,» about slim prospects for a teenager in a town of 89 people; «The Imposters,» the new film by Stanley («Big Night») Tucci, starring Tucci and Oliver Platt as cruise - ship stowaways; «Rushmore,» with Jason Schwartzmann as a prep schooler who is a lousy student but hyperactive in campus activities; Cameron Diaz in «Very Bad Things,» about a bachelor party that ends in murder; Cate Blanchett as «Elizabeth,» the story of England's 16th century monarch, and «The Judas Kiss,» with FBI agent Emma Thompson on the trail of the kidnapper of a computer geni
New York art world; Helena Bonham Carter and Kenneth Branagh in «The Theory of Flight,»
about a work - release prisoner assigned to a
woman with Lou Gehrig's disease; Ben Stiller as a drug - addicted TV writer in «Permanent Midnight»; Christina Ricci in «Desert Blue,»
about slim prospects for a teenager in a town of 89 people; «The Imposters,» the
new film by Stanley («Big Night») Tucci, starring Tucci and Oliver Platt as cruise - ship stowaways; «Rushmore,» with Jason Schwartzmann as a prep schooler who is a lousy student but hyperactive in campus activities; Cameron Diaz in «Very Bad Things,» about a bachelor party that ends in murder; Cate Blanchett as «Elizabeth,» the story of England's 16th century monarch, and «The Judas Kiss,» with FBI agent Emma Thompson on the trail of the kidnapper of a computer geni
new film by Stanley («Big Night») Tucci, starring Tucci and Oliver Platt as cruise - ship stowaways; «Rushmore,» with Jason Schwartzmann as a prep schooler who is a lousy student but hyperactive in campus activities; Cameron Diaz in «Very Bad Things,»
about a bachelor party that ends in murder; Cate Blanchett as «Elizabeth,» the story of England's 16th century monarch, and «The Judas Kiss,» with FBI agent Emma Thompson on the trail of the kidnapper of a computer genius.
It's been nearly 20 years since Bette Midler, Goldie Hawn and Diane Keaton starred in the comedy
about three
women striking back at their ex-husbands and getting what they deserve, and now the trio of actresses will reunited for a
new feature
film project at Netflix called Divanation.
The Criterion debut of the
film features a
new video interviews with Ballhaus and the original featurette «Outsiders» featuring
new interviews with actors Margit Carstensen, Eva Mattes, Katrin Schaake, and Hanna Schygulla, plus a
new interview with
film scholar Jane Shattuc
about director Rainer Werner Fassbinder and the
film, and the 1992 documentary Role Play:
Women on Fassbinder, originally made for German TV and featuring interviews with Carstensen, Schygulla, and actors Irm Hermann and Rosel Zech.
Julia Stiles stars as the title character in «Blue,» a
new web series produced by the YouTube channel Wigs, which is described as «a digital channel producing high - end, original, scripted dramatic series and short
films about the lives of
women.»
The
film's wittier bits indicate Anna's sense of situational irony, like when she misleads a
woman at Kate's party by giving her morbidly incorrect details
about her sitcom's
new season.
Raw combines the body horror of cannibal
films with a sexual coming - of - age story
about a young
woman attending veterinarian school, where a hazing ritual awakens all manner of
new appetites.
4:00 pm — TCM — His Girl Friday This is a remake of a 1931
film called The Front Page
about newspaper buddies who go after a major story — Hawks took it to a whole
new level by turning one of the men into a
woman, and setting reporters Rosalind Russell and Cary Grant as a former couple, now divorced who can't seem to stay apart, either personally or professionally.
At a roundtable interview, DeWitt discussed her research for the role, how playing a real - life person informed her approach to the character, what it was like meeting the real Sue Webb, what she enjoyed most
about working with Renner, what she learned
about journalists and their determination to get to the truth of their story, her
new film «Men,
Women & Children» directed by Jason Reitman, and her upcoming projects: Joe Swanberg's «Digging for Fire,» Sam Raimi's remake of «Poltergeist» with Sam Rockwell, and a small part in the TV mini-series «Olive Kitteridge.»
Her university thesis
film, The Forest For The Trees (2003), is a cringe - comedy character study
about a young
woman,
new in town, who's eager to make friends and completely indifferent to societal standards regarding personal boundaries.
The Orchard has unveiled an official US trailer for Norwegian filmmaker Joachim Trier's
new film Thelma,
about a young
woman who moves to Oslo and begins to fall in love with another
woman, discovering that she also has fantastic, terrifying «super» powers.
«Two Days, One Night,» Dec. 24 Oscar and 2014
New York
Film Critics Circle winner Marion Cotillard stars in this Belgian
film about a
woman who will lose her job if she fails to convince her colleagues to turn down bonuses they all accepted despite knowing she'd be dismissed.
Now that era and time have been re-created in Battle of the Sexes, a terrific
new film that isn't just
about that infamous match but also equal rights and pay for
women as well as the sexual identity crisis King was going through at the time.
I would overhear hushed conversations on the bus
about Republican relatives who won't stop gloating; directors would introduce their
films, even the most purportedly apolitical, with sly allusions to the
new President; a
woman even struck up a conversation with me before a screening to complain
about the
film industry's closed - minded attitude towards her particular brand of libertarianism (I didn't have much to add).
The 26 - year - old actress plays a
woman caught up in a passionate lesbian love affair in
new film «Sunshine Clearing» and is excited
about reaching a
new fan base,...
In Mike Cahill's
new film, I Origins, there's a scene where atheist scientist Ian (Michael Pitt) is told by an Indian
woman of faith
about a pujari friend who admitted that if science were to ever invalidate his beliefs, he would accept that reality.
About a third of the way into Duck Butter, Miguel Arteta's latest
film — co-written by its star, Alia Shawkat — Naima (Shawkat) tells her
new love interest Sergio (a
woman, despite the male - sounding name, played by Laia Costa) that she once hooked up with a man who had been her pen pal.
Taylor Schilling (Netflix's «Orange Is the
New Black») turns out to be the
film's secret weapon, proving herself to be a nimble reactionary performer, and as Emily, the actress makes her a smart
woman who knows the night spent with Kurt and Charlotte is
about to get weird and yet she's curious enough to see it through.
Suffragette, the
new film about the battle for
women's rights in England, isn't a definitive history of the movement.
10:00 pm — TCM — His Girl Friday This is a remake of the 1931
film The Front Page
about newspaper buddies who go after a major story — Howard Hawks takes it to a whole
new level by turning one of the men into a
woman, and setting reporters Rosalind Russell and Cary Grant as a former couple, now divorced who can't seem to stay apart, either personally or professionally.
In 2006, Sian Heder, a writer for «Orange Is The
New Black,» wrote and directed the short
film, «Mother,»
about a
woman who hires a stranger to babysit her toddler.
«What I like
about our festival awards is that we get to watch
new films by talented but relatively unknown
women filmmakers and we know that our recognition of them will help them be seen by the wider audiences they deserve.
Well, it's just one of the astonishing facts revealed in SUFFRAGETTE, a
new film about the early struggle of
women to win the right to vote.
In Fiction Factory's brand -
new interview feature THE
WOMAN IS DANGEROUS, filmmaker Vanessa Wanger Hope talks passionately
about her grandparents — Hollywood star Joan Bennett and producer Walter Wanger — and the pair's collaboration with director Fritz Lang on no less than four
films: MAN HUNT (1941), THE
WOMAN IN THE WINDOW (1944), SCARLET STREET (1945) and SECRET BEYOND THE DOOR (1947), the latter two produced by Diana Productions, a company founded and run by the star / producer / director trio.
Though Marvel's Black Panther is
about the ascension of a
new Wakandan king, the
film is also largely
about the powerful
women around T'Challa who are running the show.
Reitman's
new film, Men,
Women & Children (read Matt's review here), is a dark, dramatic tale of human relationships in the internet age, and while the technology angle is the hook, the
film isn't really
about that at all.
An article in today's
New York Times Sunday Styles section got me thinking
about the indie -
film phenomenon of the Manic Pixie Dream Girl: a young
woman who's beautiful and quirky and perfect in the eyes of the lovestruck, mixed - up guy who falls for her.
His
new film is «Crimson Peak,» a Gothic romance
about a young American
woman (Mia Wasikowska) who marries a mysterious Brit (Tom Hiddleston) and moves to his imposing mansion in the English countryside.
It screens here as part of a series
about female filmmakers during the
New Hollywood era with Marguerite Paris's short All
Women Are Equal (1972), which was among the first
films to focus on a trans
woman.
Their foray into feature
film culminated with «A
Woman's Case» (1969), an experimental though narrative
film about bohemian lifestyle and art that was heavily influenced by European modernist filmmaking and
new wave cinema.
The TV set plays Thomas's moving
film about her mother, «Happy Birthday to a Beautiful
Woman,» offering a back story that gives the initially silly pair of shining Crocs a
new emotional heft.