Sentences with phrase «new generation of painters»

Albert Oehlen's Deathoknocko, 2001, which sees the painter's diverse techniques turn to digital printing and image - creation software, will feature alongside work by a new generation of painters including Celia Hempton.

A new generation of painters, especially those whose work references the exuberance of abstract expressionism should find this show of particular interest.

Heilmann's big ideas and promiscuous use of different media have made her a hero for a new generation of painters, not least the women leading abstract American art today.

On January 15, 2013 Thames & Hudson have launched a quest to find the best of the new generation of painters.

Tschabalala Self belongs to a new generation of painters depicting a three - dimensional representation of the Black female experience.

Meanwhile, a new generation of painters, including several of the pre-Raphaelites, pointedly ignored expectations about what watercolour could and couldn't do.

The Verus Painters are the new generation of painters working with a wealth of painterly history and ideas accumulated over the last century.

Since its publication, a whole new generation of painters has emerged, some inspired by the artists who appeared in that book, others taking cues from new sources.

Brown has since emerged with her own distinct voice, as part of a new generation of painters living and working in New York to be hailed as one its most exciting and talked about proponents.

Other hallmarks of this new generation of painters, according to Greenberg, were thinned - out paint, a lack of an identifiable artistic mark (as in Pollock's «drips» and «skeins»), a focus on saturated and intense color, and a lack of interest in spontaneity.

Nine years later, the second volume, Vitamin P2, introduced readers and collectors to a new generation of painters — and again defined the landscape of the medium at that time.

If Jasper Johns put it back on the map in the 1950s and»60s, Joanne Mattera has been a prime mover in making the technique accessible to a new generation of painters.

This cross-generational group of artists includes pioneers of the technique as well as a vibrant new generation of painters.

These canvases disclose affinities — Miró does not in the least attempt to deny this — with the researches of a new generation of painters.

Janet's work is a touchstone of modern still life paintings, influential for new generations of painters.

Not exact matches

In a new video, produced by John Thornton, painter / curator Scott Noel discusses a lineage of observational painting that spans four generations from Edwin Dickinson to recent graduates of the Pennsylvania Academy of Fine Arts.

Sharon Butler interviews painter Louise Fishman on the occasion of three exhibitions: Louise Fishman at Cheim & Read, New York (through October 27), Louise Fishman, Five Decades at Tilton Gallery, New York (through October 13), and Generations: Louise Fishman, Gertrude Fisher - Fishman, and Razel Kapustin at Woodmere Art Museum in Philadelphia (October 13, 2012 — Janury 6, 2013).

Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

In his catalogue essay for the Hodler retrospective that was held at the Guggenheim Museum, New York, in 1973, Peter Selz describes the artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters of the previous generation:

Sidibe influenced his contemporaries and inspired a new generation of artists including British painter Chris Ofili, who is based in Trinidad.

Deininger is one of a new generation of abstract painters, aware of the rich history of abstraction, yet creating complex canvases originating from her sophisticated, knowledgeable and intuitive response to process, imagery, and materials.

From the «precursors» who developed Congo's first works on paper when it was still a Belgian colony to the 1970s «popular painters» who worked as sign painters and created comics, and a new generation of artists that emerged in the 2000s, this unique show offers an historic overview of Congo's artistic landscape.

Agnes Martin (b. 1912, Macklin, Saskatchewan, Canada; d. 2004, Taos, New Mexico), one of the most influential painters of her generation, left an indelible mark on the history of modern and contemporary art.

Esteban Vicente's death in 2001 at the age of 97 marked the passing of one of the last surviving members of the first generation of New York School painters.

His work paved the way for a new generation of figurative painters, and his absence in the art world will surely be felt.»

Matisse's new understanding of the figure and drawing with line, color and space, and the rediscovery of Vincent Van Gogh's emotional expressionism influenced generations of painters to come.

Cofounder of the collective Galerie LIGA in Berlin, he was one of the leading protagonists of the New Leipzig School before gaining a reputation as one of the most important painters of his generation.

Guston achieved fame in the 1950s as a part of the first generation of abstract expressionists, although the painter himself preferred the term New York School.

By merging formalist color fields with more traditional subjects, Diebenkorn revived a legacy of figurative depictions championed by the likes of Henri Matisse and continued by a new generation of representative painters.

Signed LL Theorodos Stamos is heralded as one of the few abstract painters who bridged the New York School's first and second generations.

Considered one of the most important painters of the twentieth century, Still was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years following World War II.

Painters such as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects such as the landscape, the figure or interiors with new expressive energy - stirred by Pop, and influences from an older generation of artists such as George Segal, Agnes Martin, Alice Neel and Alex Katz.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

She moved to New York in 1967 and quickly gained recognition among a generation of painters, though her use of cartoony imagery and shaped canvases was unlike any of her contemporaries.

In the 1950s Blaine emerged as an integral member of the Second Generation of New York School painters, including such figures are Larry Rivers, Jane Freilicher and Fairfield Porter.

I want to give a special shout out to my buddy Eddie Martinez, whose show at the new Kohn Gallery space in Los Angeles confirms what many already knew: Eddie is one of the best natural painters of his generation.

In New York City a new generation of young and exciting Modernist painters led by Arshile Gorky, Willem de Kooning, and others were just beginning to come of aNew York City a new generation of young and exciting Modernist painters led by Arshile Gorky, Willem de Kooning, and others were just beginning to come of anew generation of young and exciting Modernist painters led by Arshile Gorky, Willem de Kooning, and others were just beginning to come of age.

Drawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northern Italy.

In 1950s New York, Joan Mitchell was a lively, argumentative member of the famed Cedar Bar crowd, alongside Franz Kline, Willem de Kooning, and other notable first - and second - generation Abstract Expressionist painters.

Throughout his painting studies, Thornton Willis became highly influenced by the tenets of Abstract Expressionism embodied in The New York School of painting, including second generation painters such as Robert Rauschenberg and Jasper Johns.

Only a generation earlier, the painter Beauford Delaney gained access to the new Whitney Museum of American Art by working as a guard and performing odd jobs.

In March 1964, Hoyland was featured in Bryan Robertson's New Generation showcase of young painters at Whitechapel Art Gallery, joining a brilliant galaxy of rising stars including Patrick Caulfield (who became a lifelong friend), David Hockney, Paul Huxley, Allen Jones and Bridget Riley.

The anachronism implies a continuity between the myths of hard - drinking artists from different eras: as if the beer - swilling painters of the Dutch Golden Age, the absinthe - addled wretches of 19th - century Paris, the tough guys of the New York School, liquored - up and rowdy at the Cedar Tavern, and several generations of British artists, stumbling out drunk in the late afternoon from Soho's Colony Room Club, could all be imagined in some timeless bar - room.

Refiguring brings together a young generation of painters who have either studied or currently live in New York City.

Critics and commentators had placed him among the group of young painters called the «Second Generation New York School,» a name that both indicated their debt to the original New York Abstract Expressionists and their new openness to representatiNew York School,» a name that both indicated their debt to the original New York Abstract Expressionists and their new openness to representatiNew York Abstract Expressionists and their new openness to representatinew openness to representation.

The New York Times referred to Wiley as «one of the most celebrated painters of his generation.»

Influential on other artists after Morris Louis and Kenneth Noland first saw her work in the early 1950s, since 2000 her art has inspired a new generation of younger painters such as Carrie Moyer, Jackie Saccaccio, and Mary Weatherford.

Upon his return to New York, Hendler, who is considered a first generation action painter, played a significant role in the movement, both in New York, where he was a friend of Franz Kline, Willem de Kooning and Jackson Pollock, and in Philadelphia, where he ran the city's first avant - garde gallery between 1952 and 1954.

We have pulled from Gilles Deleuze's reference to Analogical painting as reference to interpret a new generation of emerging painters who pull from representation, distorting it through a new diagram as Urban contemporary artists.

Caulfield, who lived in London, rose to prominence in the 1960s as one of the «new generation» of British painters.