Sentences with phrase «new glass collection»

Not exact matches

Steiner rattled off ideas like national legislation requiring a certain amount of recycled content to be used in packaging of new products, or removing glass from the recycling stream because it often breaks during collection and mucks up the rest of the load.

ALEXANDRIA, VA, January 14, 2014 — A stronger network of recycling depots and curbside collection programs will yield increased rates of recycling and material recovery of beverage containers, according to the major findings of a new study commissioned in part by the Glass Packaging Institute (GPI).

The Speakeasy Cordial glass is the collection's newest addition offering a lavish stem with facets and a 2 1/2 oz capacity perfect for serving aperitifs and after dinner liqueurs or showcasing your finest appetizers and desserts.

Our new glass plate collection includes singles and sets of 5 different plates.

The collection of nearly 600 glass sea invertebrates belonged to Harvell's new employer, Cornell University.

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At the Urban Decay booth, they had all of their recent Holiday collections out and were doing eye looks for girls with glasses or a glitter tattoo with their new Starlight Glitter Body Art kit.

Wearing: Pet The Label Playsuit (from the new Summer collection coming soon) and House Of Skye Shirtdress, House Of Skye Turkish Necklace, Isabel Marant Bekett Sneakers, Katherine Dunmill Bag, Clearly Love Glasses.

Inside gets a new look with seasonal pillows and my prized handblown glass pumpkin collection.

Beautiful glass beads in so many gorgeous colors, I don't feel that my passion for them will ever change and you will continue to see those beauties incorporated into my designs and new collections...

When Warby Parker contacted me about helping them out with announcing their new collection it was certainly very good timing, as I had been thinking about getting new glasses and I was sick of not being able to see properly while it was sunny.

Also debuting in May is a pair of brand new single - volume releases including the prequel to HONEY BLOOD, TALE ZERO, and GLASS WINGS, a poignant collection of manga short stories.

In keeping with this tradition, the museum in recent times commissioned the largest collection in the world of wall drawings by Sol Lewitt, and this year unveiled a new stained glass window by Bridget Riley.

This sympatico relationship with built environments is the subject of this new collection, Annie Leibovitz shoots Renzo Piano's New York Times building, and James Welling turns his lens on Philip Johnson's Glass Hounew collection, Annie Leibovitz shoots Renzo Piano's New York Times building, and James Welling turns his lens on Philip Johnson's Glass HouNew York Times building, and James Welling turns his lens on Philip Johnson's Glass House.

NEW CANAAN, Conn. — The Glass House is pleased to present Personal Effect: Works from the Collections of Philip Johnson and David Whitney this spring in our Painting Gallery, the structure designed and built by Philip Johnson in 1965 to house the personal collection so carefully acquired by both men.

Amalia Pica, Eavesdropping, 2011; drinking glasses and glue, dimensions variable; collection of J. K. Brown and Eric Diefenbach; installation view, New Museum, New York, 2012; © Amalia Pica; photo: Benoit Pailley, courtesy Marc Foxx Gallery, Los Angeles

The Renzo Piano - designed fortress of glimmering glass and steel on the cusp of the Hudson River is an impressive addition to New York City's Meatpacking district, but the true value of the new Whitney is what the space will make possible for the artwork in the museum's permanent collectiNew York City's Meatpacking district, but the true value of the new Whitney is what the space will make possible for the artwork in the museum's permanent collectinew Whitney is what the space will make possible for the artwork in the museum's permanent collection.

Among the new arrivals is a significant set of 10 time - based media works from the collection of Peter and Mari Shaw, including Melik Ohanian's The Hand (2002), and Promises (2001) by Anri Sala; 12 Japanese paintings from the literati, Zen and Kano schools, from the Gitter - Yelen collection; several examples of American furniture design; and an exceptional 16th - century stained glass window by French artist Jean Chastellain depicting The Adoration of the Magi.

Indeed, the refrain of a great new film by Camille Henrot is «In the beginning...» These early stages are also filled with animals and evocations of the natural world: Eliot Porter's exquisite 1950s photos of birds in flight, Christopher Williams» forensic photos of Harvard's collection of glass flowers (1989).

The collection's whimsical porcelain figures, enchanting miniature portraits, and a dazzling array of historical glass have ranked among NOMA's visitor favorites for decades, and the collection display is now being updated with a new installation that carries forward NOMA's curatorial initiative to integrate collections across material and culture, to provide layered interpretation, and to present the best of our Gulf region's artistic expression in context with our encyclopedic collection covering ancient to contemporary arts.

The Chrysler Museum of Art is one of America's most distinguished mid-sized art museums with a world - class collection of more than 30,000 objects, including one of the great glass collections in America and the new Chrysler Museum Glass Stglass collections in America and the new Chrysler Museum Glass StGlass Studio.

The Chrysler Museum of Art is one of America's most distinguished mid-sized art museums with a world - class collection of more than 30,000 objects, including one of the great glass collections in America, and a new Glass Stglass collections in America, and a new Glass StGlass Studio.

«We are diligently packing up our entire glass collection in preparation for an exciting new renovation of the galleries,» added Conway.

His glass can be found in major collections and museums throughout the world, including the Chrysler Museum, the Corning Museum of Glass, the New Zealand National Museum of Art, the Smithsonian Institution, and the Yokohama Museum of Art in Jglass can be found in major collections and museums throughout the world, including the Chrysler Museum, the Corning Museum of Glass, the New Zealand National Museum of Art, the Smithsonian Institution, and the Yokohama Museum of Art in JGlass, the New Zealand National Museum of Art, the Smithsonian Institution, and the Yokohama Museum of Art in Japan.

His work can be found in collections in Bavaria, Denmark, Austria, and Japan, the Venini Collection in Murano, Italy, the Corning Museum of Glass, Corning, New York, the American Craft Museum, New York, the High Museum of Art in Atlanta, and the Chrysler Museum.

He has worked on the staff and faculty of Pilchuck Glass School and in 1998 was awarded the C.G.C.A. Fellowship at Wheaton Village in Millville N.J.. His work is in the collections of the Corning Museum of Glass, the Museum of Arts and Design, New York, and the Museum of Glass, Tacoma.

Retailing from $ 28 (a water bottle) to $ 75 for a quartet of drinking glasses to $ 3995 (a limited edition portfolio of drawings by Alex Katz with poems by Vincent Katz), the «Art Production Fund x Alex Katz x Barneys New York» collection is available at the Madison Avenue flagship pop - up shop, as well as in Beverly Hills, Chicago and on Barneys.com through Sept. 3.

Glass's autograph score for the landmark work, as well as scene designs and other items from the landmark opera, are to become part The Morgan Library & Museum's collection through a bequest from the estate of Paul F. Walter, a New York collector and philanthropist, announced the New York museum.

In the United States his work can be found in the collections of the Corning Museum of Glass in Corning, New York; High Museum of Art, Atlanta, Georgia; Los Angeles County Museum of Art, Oakland Museum, Oakland, California; Metropolitan Museum of Art, New York City; Philadelphia Museum of Art and Toledo Museum of Art, Toledo, Ohio.

The show included Oasis (similar to his Untitled, in the collection of the Museum of Modern Art in New York), 1996 — 2003, a large glass case containing six glass shelves supporting no less than 2,000 tiny, glazed ceramic vessels that LeDray had made one by one.

Scheduled to launch at Art Expo New York this April, the series allows viewers to «experience original oil paintings like never before,» Nicol says, as 3D glasses turn the collection into an interactive experience.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

The New Jeff Koons 1980 duratran, fluorescent lightbox 42 x 32 x 8 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT New Hoover Celebrity IV, New Hoover Convertible, New Shelton Wet / Dry 5 - Gallon, New Shelton Wet / Dry 10 - Gallon Doubledecker Four vacuum cleaners, 1985 plexiglas, fluorescent lights 99 x 53 1⁄2 x 28 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Aqualung 1985 bronze Edition 1 of 3 27 x 17 1⁄2 x 17 1⁄2 inches Private collection One Ball Total Equilibrium Tank (Spalding Dr. J Silver Series) 1985 glass, steel, sodium chloride reagent, distilled water, basketball Edition 1 of 2 64 3⁄4 x 30 3⁄4 x 13 1⁄4 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Three Balls 50/50 Tank (Wilson Aggressor, Wilson Supershot, Dr. J Silver Series) 1985 glass, steel, distilled water, three basketballs Edition 2 of 2 60 1⁄2 x 48 3⁄4 x 13 1⁄4 inches Private collection Jim Beam - J.B. Turner Train 1986 stainless steel, bourbon Artist's Proof 11 x 114 x 6 1⁄2 inches Stefan T. Edlis collection I Assume You Drink Martell 1986 oil inks on canvas Edition 1 of 2 45 x 60 inches Private collection Italian Woman 1986 stainless steel Edition 1 of 3 30 x 18 x 11 inches Courtesy Leo Castelli Gallery Rabbit 1986 stainless steel Edition 3 of 3 41 x 19 x 12 inches Sonnabend collection Buster Keaton 1988 polychromed wood Edition 2 of 3 65 3⁄4 x 50 x 26 1⁄2 inches C&M Arts Michael Jackson and Bubbles 1988 porcelain / ceramic blend Edition 2 of 3 42 x 70 1⁄2 x 32 1⁄2 inches San Francisco Museum of Modern Art, purchased through the Marian and Bernard Messenger Fund and restricted funds Pink Panther 1988 porcelain Edition 3 of 3 41 x 20 1⁄2 x 19 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT St. John the Baptist 1988 porcelain Edition 3 of 3 56 1⁄2 x 30 x 24 1⁄2 inches Courtesy Sonnabend Gallery Ushering in Banality 1988 polychromed wood Edition 2 of 3 38 x 62 x 30 inches Private collection Vase of Flowers 1988 mirror 72 1⁄2 x 53 x 1 inches Collection of Michael Crichton, courtesy of Christie's Wild Boy and Puppy 1988 porcelain Edition 1 of 3 38 x 39 1⁄2 x 23 1⁄2 inches C&M Arts Winter Bears 1988 polychromed wood Edition 2 of 3 48 x 44 x 15 1⁄2 inches Anthony d'Offay, London Woman in Tub 1988 porcelain Edition 3 of 3 23 3⁄4 x 36 x 27 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bourgeois Bust - Jeff and Ilona 1991 marble Artist's Proof 44 1⁄2 x 28 x 21 inches Anthony d'Offay, London Dirty - Jeff on Top 1991 oil inks silkscreened on canvas 60 x 90 inches Collection of Rachel and Jean - Pierre Lehmann Wall Relief with Bird 1991 polychromed wood Edition 2 of 3 72 x 50 x 27 inches C&M Arts Balloon Dog (Orange) 1994 - 2000 high chromium stainless steel, mirror - polished finish with transparent color coating 120 x 144 x 45 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bread with Egg 1995 - 1997 oil on canvas 128 x 108 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Play - Doh 1995 - 2004 oil on canvas 131 5⁄16 x 111 1⁄16 inches Private collection Auto 2001 oil on canvas 102 x 138 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Lobster 2003 polychromed aluminum, steel, vinyl Edition 1 of 3 57 7⁄8 x 17 1⁄8 x 37 inches (plus variable length chain) Private collection, courtesy Thea Westreich Art Advisory Services Elvis 2003 oil on canvas 108 x 93 inches Stefan T. Edlis collection

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

VeneKlasen's New York living room, with its gilt wood and zinc chandelier by Karl Frederick Schinkel, Joaquim Tenreiro glass tables, and collection of Ming - dynasty ivory.

The Toledo Museum of Art has added two new glass sculptures to its collection.

Her work can be seen in many public collections, including at the Carnegie Museum of Art (Pittsburgh, PA), Corning Museum of Glass (New York), The MAK (Frankfurt, Germany), Alexander Tutsek Foundation (Munich, Germany), John Michael Kohler Art Center (Wisconsin), Wuerth Collection (Schwaebisch Hall, Germany), Museum of Art (Montreal, Canada), Hunter Museum of American Art (Chattanooga, TN), The Ernsting Foundation (Coesfeld, Germany), Speed Art Museum (Louisville, KY), Tacoma Art Museum (Washington), Het Glazen Huis, Lommel (Belgium), 21century Museum (Louisville, KY).

NEW CANAAN, Conn. (April 27th, 2018)- The Glass House is pleased to present Personal Effect: Works from the Collections of Philip Johnson and David Whitney this spring in our Painting Gallery, th...

The artist's work is held in many public collections, including: The Hammer Museum, Los Angeles; Los Angeles County Museum of Art; Museum Boijmans van Beuningen, Rotterdam; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; Philip Johnson's Glass House, New Canaan, Connecticut; Stedelijk Museum, Amsterdam; Tate Britain, London; Victoria and Albert Museum, London, among many others.

Schutz's works can be found in public and private collections around the world including the Racine Art Museum, Racine, WI; Renwick Gallery of the Smithsonian American Art Museum, Washington, the Newark Museum of Art Art, New Jersey, Boston's Museum of Fine Art and the Corning Museum of Glass.

115, No. 4 Bui, Phong «Artists to Artists», Volume 2, 25 Years of the Marie Walsh Sharpe Space Program Mason, Isabella «Katie Bell at Locust Projects, Miami», Blouin ArtInfo, Nov. 4th Kaiser - Schatzlein, Rob «Katie Bell's Miami Breakthrough», Two Coats of Paint, Sept. 23 Saltz, Jerry, «Never Has My Breath Been Taken Away Like It Was at Knockdown Center» Vulture, June 16 Final Fridays, Artist Interviews Podcast, Episode 17 2015 Namesake, «Namesakes: Katie Bell», Oct. 19 Montem Magazine, Issue # 5 (Tokyo, Japan) Pini, Gary, ’10 Must - See Art Shows Opening this Week», Paper Magazine, Sept. 23 Salama, Cecilia, «Artist Katie Bell Will Pull the Rug Out From Under You», Opening Ceremony Blog, Sept. 24 Johnson, Paddy, «This Weeks Must See Events: Butch Queens and Dykes in Brooklyn, Regular Queens Has Everything Else», Art F City, Sept 21 Butler, Sharon, «Revitalization by Contamination», Two Coats of Paint, Aug. 2 Mullis, Sidney, Maake Magazine, Featured Interview, Fall 2015 2014 BRIC Arts Media, «BRIC Biennial: Volume 1, Downtown Edition», Sept 20 (Exhibition Catalog) Steele, Marjorie, «Reconstructing History: Artists Create Community inside Site: Lab», The Rapidian, Sept. 21 Konau, Britta, «Gouge, Break, and Hammer», The Portland Phoenix, June 25 Eastabrooks, Erin, «The Home - Wrecker: Interview with Brooklyn Artist Katie Bell», SHK Magazine, May 19 Scott, Megan, «18 Under 37 ″, Knox Magazine, Spring 2014 Toomer, Helen, «How Art World Insiders Started Their Must - See Collections», Refinery 29, March 25 Galgiani, Allison, «Artist FlashCards: Why Katie Bell is Boss», Bushwick Daily, March 26 Kimball, Whitney, «Color Wheel: Katie Bell», Art F City, March 12 New American Paintings, # 110, Northeast Edition, March 2014 Bell, Katie, «IMG MGMT: Katie Bell, How We Met», Art F City, Jan 8 «The Form», Viewpoint Magazine UK, No. 33, p. 162-163 2013 Smyth, Cherry and Jost Münster, «Limber: Spatial Painting Practices», Sept. 13 (Exhibition catalog) Katz, Samantha, «Material», Gallery Glass, Episode17, Sept. 17 Steinhauer, Jillian, «Art Rx», Hyperallergic, Sept. 3 «Material», Time Out New York, August 27 Sculpture Center Tumblr, Featured Artist, «Katie Bell», April 22 Cole, Lori, «PAINT THINGS, Beyond the Stretcher», Critics» Picks, Art Forum, March 26 Johnson, Paddy, «8 Great Brooklyn Artists Under 30», The L Magazine, March 13 - 26, Vol.

Popelka and his wife Stephanie Trenchard have shown work at the Bergstrom - Mahler Museum's «Glass Artists of the New North» and the Museum of Wisconsin Art acquired Popelka's impressive sculpture «Edge» for the permanent collection.

Highlights last year included curator Marshall Price's new installation from the photography collection and, in our Medieval gallery, two recently conserved works of Medieval stained glass.

Curated by BMA Senior Curator of Decorative Arts and American Painting & Sculpture David Park Curry, the new presentation of the collection will offer a more global view of American art from the 18th century to the 1960s; provide a showcase for Maryland's influence in art, architecture, decoration, and collecting; and a dedicated gallery for the museum's stunning collection of glass works by Louis Comfort Tiffany.

The buyer of the huge glass - mounted 350 cm x 200 cm (80in x 140in) print is unknown, but other Gursky works hang in the collections of major museums including Tate Modern and the Museum of Modern Art in New York.

Opening: «Alexi Worth: Green Glass Doors» and «Joyce Kozloff: Maps + Patterns» at DC Moore Two new shows at DC Moore: Alexi Worth presents a new collection of works painted of sheer mesh fabrics, and there's a show from Joyce Kozloff in which the artist has, according to the press release, «returned for the first time to the Islamic star patterns that structured her early art.»

NEW CANAAN, Conn. (April 27th, 2018)- The Glass House is pleased to present Personal Effect: Works from the Collections of Philip Johnson and David Whitney this spring in our Painting Gallery, the structure designed and built by Philip Johnson in 1965 to house the personal collection so carefully acquired by both men.

The artist's work is included in Cleveland Clinic Art Program, Ohio; Corning Museum of Glass, Corning, New York The Judith Rothschild Foundation Contemporary Drawing Collection, Museum of Modern Art, New York; Special Collections Library, University of Santa Cruz, California and Kupferstichkabinet Museum of Prints and Drawings, Berlin, Germany.

Artwork of Baldwin and Guggisberg is included in the permanent collections of over 31 museums throughout the US, Europe and Middle East, including American Craft Museum (New York), Musée Ariana (Genève), Musée des arts décoratifs (Paris), Carnegie Museum of Art (Pittsburgh), Chrysler Museum (Norfolk, VA), Corning Museum of Glass (Corning, NY), Denver Art Museum, Die Neue Sammlung (München), Eretz Israel Museum (Tel Aviv), Houston Museum of Fine Arts (Houston, TX), Indianapolis Museum of Art, Museo del vetro (Murano), Swiss National Collection of Applied Art and The Toledo Museum of Art (Toledo, OH).

Levenson's art can be found in the permanent collections of the Museum of Fine Arts (Houston, TX), New Mexico Museum of Art (Santa Fe), Corning Museum (Corning, NY), Musée du Verre (Sars Poteries, France), Tikanoja Art Museum (Vassa, Finland), Glasmuseum Ebeltoft (Denmark), Ernsting Glass Collection (Coestfeld, Germany), Museo Leon Rigaulleau (Argentina), Museo del Vetro (Altare, Italy), among others.