Sentences with phrase «new global identity»
High - speed Internet, mobile technology, the 24 - hour news cycle, and immigration all contribute to this new global identity.»
https://www.plannedparenthood.org/ Not exact matches
The objective behind the new Canadian - led board is to make sure that, as we take advantage of Penguin's global resources, in areas such as information technology and sales and marketing, we also maintain a distinct Canadian identity with passionate local leadership.
Len Van Popering is now VP of global brand management and innovation at Subway, a new role at the chain encompassing food innovation, brand positioning, visual identity and channel development including delivery, catering and mobile ordering, reporting to CMO Joe Tripodi.
An October 17 press release introduced a new name, «Cboe Global Markets, Inc.... identity and mission at the Futures Industry Association (FIA) Expo 2017 conference, currently taking place in Chicago.
1) Copenhagen demonstrated that global governance has overreached itself; 2) The crisis provokes a shift away from idealistic globalism, back to pragmatic concerns; 3) «Global consensus» established by «experts» is not and has never been genuine; 4) The institutions of global governance prove unable to resolve their identity crisis and to reform themselves; they are fragmented; 5) Global governance pays the bill for not taking into account non-western cultures and civilisations; 6) Displaying an incapacity to provide real leadership, produce a vision for the world, new ideas / ideologies, global governance opts for a survival appglobal governance has overreached itself; 2) The crisis provokes a shift away from idealistic globalism, back to pragmatic concerns; 3) «Global consensus» established by «experts» is not and has never been genuine; 4) The institutions of global governance prove unable to resolve their identity crisis and to reform themselves; they are fragmented; 5) Global governance pays the bill for not taking into account non-western cultures and civilisations; 6) Displaying an incapacity to provide real leadership, produce a vision for the world, new ideas / ideologies, global governance opts for a survival appGlobal consensus» established by «experts» is not and has never been genuine; 4) The institutions of global governance prove unable to resolve their identity crisis and to reform themselves; they are fragmented; 5) Global governance pays the bill for not taking into account non-western cultures and civilisations; 6) Displaying an incapacity to provide real leadership, produce a vision for the world, new ideas / ideologies, global governance opts for a survival appglobal governance prove unable to resolve their identity crisis and to reform themselves; they are fragmented; 5) Global governance pays the bill for not taking into account non-western cultures and civilisations; 6) Displaying an incapacity to provide real leadership, produce a vision for the world, new ideas / ideologies, global governance opts for a survival appGlobal governance pays the bill for not taking into account non-western cultures and civilisations; 6) Displaying an incapacity to provide real leadership, produce a vision for the world, new ideas / ideologies, global governance opts for a survival appglobal governance opts for a survival approach.
Gary Westlake, founder of design agency Purple Creative, along with Sarah Macaulay, global marketing manager, at Glenfiddich will draw on their personal experience to identify the key factors in creating a new visual identity for a long established brand, like Glenfiddich, the world's most awarded single malt whisky.
The new science - based standard establishes global criteria for the identity, composition, safety and quality of powdered milk and whey permeates for the first time.
In April 2018, the Denominación de Origen Calificada Rioja launched ts new brand identity and global message in the UK - Saber quién eres.
2014/08/16 — Britax Announces Global Brand Repositioning for Child Mobile Safety Products: The first step in its international rebranding effort, Britax introduced a new, modern logo and brand identity
The Word file contains 125 questions that cover the five themes from the new Edexcel GCSE Russian specification (first assessment in May 2019): ● Identity and culture ● Local area, holiday, travel ● School ● Future aspirations, study and work ● International and global dimension.
«Good Work in the Global Context» at New York University (Marcelo Suárez - Orozco and Howard Gardner) «Integration of Liberal Studies» at San Jose State (Susan Verducci) «Communication in Organizations» at Colorado State University (Kirsten Broadfoot) «Ethics and Professional Identity: What is Good Work?»
Their qualitative study of refugee parents in two schools in a declining northeastern city reveals that even in situations of material deprivation, public schools in the global North are more than capable of educating all of their students if they are able to accommodate new cultures of «space - making» and «identity - staking» for immigrant parents in their children's schools.
The launch of its new corporate identity, designed by international branding consultancy Lambie - Nairn, has the twin goals of raising brand awareness in key targeted international markets as well as developing long - term business - to - business partnerships with leading global hospitality and tourism players.
GOLD award in category 10.1 Corporate Identity / Corporate Reputation Management / Branding, for Building a new Global Brand, Tourism Awards Greece
Radisson Hotel Group, one of the world's leading hospitality companies, recently revealed its bold new brand identity, brand architecture and Radisson Rewards, its refreshed global loyalty program.
With that in mind, global brand design agency BrandOpus were recently tasked with creating an identity and packaging for SCRUBD, a new and exclusive UK - based men's grooming range based on organic triple - milled soap blocks and available exclusively in Harvey Nichols.
2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA
Drawing upon social - sculpture practice where other strategies have failed, Saro - Wiwa advances different ways of knowing about the Niger Delta and its global implications while prompting a reconsideration of the parameters of contemporary «Afropolitan» identities — a term coined in 2005 by writer Taiye Selasi to describe the transnational experience of a new generation of globally mobile Africans.
Both Istanbul and New Orleans have existed as exotic relics of a colonial past, and both have undergone extraordinary transformations over the past 100 years, which have brought them back from a marginal position to centrality in world culture with completely new identities shaped by the global econoNew Orleans have existed as exotic relics of a colonial past, and both have undergone extraordinary transformations over the past 100 years, which have brought them back from a marginal position to centrality in world culture with completely new identities shaped by the global econonew identities shaped by the global economy.
Post-War America, with its strive for a new identity as the new global art center and a new set of values, created an auspicious ground for the avant - garde artists such as Jackson Pollock, Mark Rothko, Arshile Gorky, Robert Motherwell, Willem de Kooning, and Barnett Newman and although their works differed aesthetically and technically, art critics like Clement Greenberg classified them all as abstract - expressionists.
The first of a three - part series devoted to cross-cultural identity, «Global Vision: New Art from the 90's» inaugurated Athens's new Centre for Contemporary Art, the pet project of Greek Cypriot collector Dakis Joannou, whose Deste Foundation was behind a number of high - profile exhibitions in the late»80s and early»9New Art from the 90's» inaugurated Athens's new Centre for Contemporary Art, the pet project of Greek Cypriot collector Dakis Joannou, whose Deste Foundation was behind a number of high - profile exhibitions in the late»80s and early»9new Centre for Contemporary Art, the pet project of Greek Cypriot collector Dakis Joannou, whose Deste Foundation was behind a number of high - profile exhibitions in the late»80s and early»90s.
Recent exhibitions include: As We Were Saying: Art and Identity in the Age of «Post,» curated by Claire Barliant, The Elizabeth Foundation, New York (2014); Michael Wang: Global Tone, Foxy Production (2013); Liquid Autist, curated by Daniel Keller, Kraupa - Tuskany Zeidler, Berlin (2013); Spaces for Drawing, The Hite Collection, Gangman - gu, Seoul (2013); Differentiation Series, Primetime Gallery, Brooklyn, NY (solo); Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (two - person); and Carbon Copies, Foxy Production (solo project)(all 2012).
The motivation of his generation to discuss the subject of recovering a German iconography for a new German identity is provoked by the trend of a nowadays more and more global society.
The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI
«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013
[4] He has also curated numerous exhibitions in many other distinguished museums around the world, including Events of the Self: Portraiture and Social Identity, The Walther Collection, Germany; Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, [14] Villa Stuck, Munich, Martin - Gropius - Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Sweden, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, [15] Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbachhaus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam.
It is comprised of nine themed sections, including: «New Lands» (on shows such as Magiciens de la Terre, The Short Century and After the Wall); «Biennial Years» (which documents influential biennials such as the Documentas [10, 11, 13] and the Berlin and São Paulo Biennials); «New Forms» (including experiments in exhibition - making such as Do It and NowHere); «Others Everywhere» (on «identity politics» shows such as In a Different Light, Phantom Sightings and the 1993 Whitney Biennial); «Tomorrow's Talents Today» (on influential group exhibitions of emerging artists such as Helter Skelter and Sensation); and «History» (on historical surveys such as Inside the Visible, Global Conceptualism and WACK!).
2004 — 2005 Hamburg Kennedy Photographs, Scalo Project Space, New York, USA Common Ground: Discovering Community in 150 Years of Art, Selections from the Collection of Julia J. Norrell, Corcoran Gallery of Art — Washington DC, USA — Kurzdavordanach, Photographischen Sammlung / SK Siftung Kultur, Cologne, Germany — Corcoran Gallery of Art, Washington D.C., USA Image and Identity: Portraits, The Sheldon Art Galleries, St Louis, USA Faces in the Crowd: Picturing Modern Life from Manet to Today, Whitechapel, London, UK New Acquisition: Local and Global Contemporary Photography, Bates College Museum of Art, Lewiston, USA Joy of Life: Malick Sidibé and Ojeikere, Two Photographers from Africa, Hara Museum, Tokyo, Japan
In New York, recent relevant exhibitions that arguably renew and extend include those of the Ghanaian - Nigeria - based sculptor, El Anatsui, whose site - specific sculptures have become a favorite subject of many art writers for his ingenious fusion of African traditional arts (weaving and metal work) with an eye and hand for crafting his culture's version of postminimalist aesthetics, replete with a postcolonialist critique intersecting international identity politics and the exploitation of Africa by global capitalism.
It follows MAD's groundbreaking 2010 exhibition The Global Africa Project, which presented new craft, design, and art that transcended nationality and regionalism in its presentation of the new nomadic paradigm of African identity.
Concomitant with the utopian possibility of creating virtual communities, enabling aspects of identity to be explored, and heralding a new and global age of free speech and democracy, the Internet is also potentially a medium of virtually limitless international defamation.
Citizenship and Immigration Canada has indicated that the new measures are necessary because of a «rise in global identity fraud» and technological innovations that «make it easy to steal, forge or alter identity documents.»
CIC has indicated that the new measures are necessary because of a «rise in global identity fraud» and technological innovations that «make it easy to steal, forge or alter identity documents.»
OMAHA, Neb., Aug. 15, 2017 (GLOBE NEWSWIRE)-- After 21 years in business, Travelex Insurance Services reveals a new logo and brand identity to better reflect its new ownership and evolution into a global travel protection specialist.
Professional Experience Peanuts Worldwide (New York, NY) 1996 — Present Supervisor, Product Development Department -LRB-[Insert Start Date]-- Present) • Lead and manage a five - person team in all aspects and procedures of quality assurance administration for over 50,000 new product designs on an annual basis with annual retail sales in excess of $ 1 billion • Oversee the development and maintenance on high - profile global relationships, including MetLife and the worldwide use of Snoopy to establish brand identity • Supervised product development staff on a daily basis, focusing on high - quality process execution, creative implementation, and professional customer relations • Work closely with IT department and other business areas to troubleshoot various technical issues with computers and company - wide systems both for internal and client use, along with the launch of new digital company - wide approval sysNew York, NY) 1996 — Present Supervisor, Product Development Department -LRB-[Insert Start Date]-- Present) • Lead and manage a five - person team in all aspects and procedures of quality assurance administration for over 50,000 new product designs on an annual basis with annual retail sales in excess of $ 1 billion • Oversee the development and maintenance on high - profile global relationships, including MetLife and the worldwide use of Snoopy to establish brand identity • Supervised product development staff on a daily basis, focusing on high - quality process execution, creative implementation, and professional customer relations • Work closely with IT department and other business areas to troubleshoot various technical issues with computers and company - wide systems both for internal and client use, along with the launch of new digital company - wide approval sysnew product designs on an annual basis with annual retail sales in excess of $ 1 billion • Oversee the development and maintenance on high - profile global relationships, including MetLife and the worldwide use of Snoopy to establish brand identity • Supervised product development staff on a daily basis, focusing on high - quality process execution, creative implementation, and professional customer relations • Work closely with IT department and other business areas to troubleshoot various technical issues with computers and company - wide systems both for internal and client use, along with the launch of new digital company - wide approval sysnew digital company - wide approval system
NAR worked with Conran Design Group, a global branding and design firm headquartered in New York and London, where it originated over 60 years ago, to evolve the association's brand identity and mark; Conran has worked with numerous other recognizable brands, including Coca - Cola, P&G, Pfizer, Nestle, Rolls - Royce and Shell.