Sentences with phrase «new group exhibition does»

Not exact matches

Group exhibitions include What People Do For Money, MANIFESTA 11, Zurich, Switzerland (2016); 9th Berlin Biennial, Berlin, Germany (2016); Billboard, Whitney Museum of American Art, New York, United States (2016); The Elephant Test, Lothringer13 Städtische Kunsthalle München, Munich, Germany (2014); Altars of Madness, Casino Luxembourg Forum d'art Contemporain, Luxembourg (2013); The Eye is a Lonely Hunter: Images of Humankind, Heidelberger Kunstverein, Heidelberg, Germany (2011); N'importe quoi, Musée d'Art Contemporain de Lyon, Lyon, France (2009); Disturbance, Johannesburg Art Gallery, Johannesburg, South Africa (2008); Trials and Terrors, Museum of Contemporary Art, Chicago, United States (2005); Elysian Fields, Purple Institute, Musée National d'Art Moderne, Centre Pompidou, Paris, France (2000); and dAPERTutto, 48th International Exhibition of Contemporary Art, La Biennale di Venezia, Italy (1999).

As many of our longtime VIPs do, I would invest in one of the many talented «up - and - comers» who have shown at VOLTA throughout the years, most recently such as Lavar Munroe (VOLTA NY 2015 with NOMAD Gallery, Brussels), who is participating in the Main Pavilion «All the World's Futures» at this year's Venice Biennale, or Tiffany Chung (VOLTA11 with Tyler Rollins Fine Art, New York) who joins Lavar in the Main Pavilion group exhibition.

Venues of recent group exhibitions include John Connelly Presents, New York, NY (2003); Hiromi Yoshii, Tokyo, Japan (2003); and Galerie du jour, agnès b., Paris, France (2003).

His work has been seen in numerous solo and group exhibitions including Mendes Wood DM, Sao Paulo; Luhring Augustine, New York; David Zwirner, New York; Lisson Gallery, London; Pinacoteca do Estado de Sao Paulo and the Musée d'Art Moderne de la Ville de Paris.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Recent public and group exhibition projects include Art Basel Miami Public Sector, Miami; L'Avenir / Looking Forward, La Biennale de Montréal, Montréal; Inside, Palais de Tokyo, Paris; Imagineering, Okayama Castle, Okayama; Art Park Odrupgaard, Ordrupgaard Museum, Copenhagen; Incredibly shiny stuff that doesn't mean anything, Okayama Kyokuto Hospital, Japan; The artists have the keys, 2 Willow Road, London; The Human Factor, Hayward Gallery, London; Unlimited, Art Basel; Esperluette, Palais de Tokyo, Paris; dOCUMENTA (13), Kassel; Locked Room Scenario, commissioned by Artangel, London; ILLUMInations, 54th Venice Biennale; Intervals, Solomon R. Guggenheim Museum, New York; and The Happy Prince, Public Art Fund, New York.

Recent group exhibitions include Taboo, Museum of Contemporary Art Australia, Sydney (2012); Impressions from South Africa, 1965 to Now, Museum of Modern Art, New York (2011); Les Afriques de Papa, l'Espace du Collectif Sadi, Kinshasa (2010);... for those who live in it: Pop culture, politics and strong voices, MU Eindhoven (2010); Halakasha!

Group exhibitions (selection): Berlin Biennale (2016); MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome (2015); ZKM Center for Art and Media, Karlsruhe (2015); Gemeentemuseum Helmond (2014); São Paulo Biennial (2014); MoMA / PS1, New York (2014); Istanbul Biennial (2013, 2005); Centros Culturais Banco do Brasil, Rio de Janeiro / São Paulo (2011); ARTER, Istanbul (2010); Sharjah Biennial (2009); Centre Georges Pompidou, Paris (2008); documenta 12, Kassel (2007); Istanbul Modern (2007).

His work has been featured in many group exhibitions, including The World is Yours, Louisiana Museum of Modern Art, Humlebæck, Denmark (2009); Le Corbusier: The Art of Architecture, Barbican, London, England (2009); Political / Minimal, Kunst - Werke, Berlin, Germany (2008); Modern Ruin, Gallery of Modern Art, Brisbane (2008); Whitney Biennial 2008, Whitney Museum, New York; Traces du Sacré, Centre Pompidou, Paris, France (2008); The Plain of Heaven, Creative Time, New York (2005); and Greater New York, PS1, New York (2004).

Her works have been part of numerous international group exhibitions, including Centro dos de Mayo, Madrid (2016), Van Abbemuseum, Eindhoven (2015), the Armenian Pavillion at the Venice Biennial (2015), Istanbul Biennial (2015), New Museum, New York (2014), São Paolo Biennial (2014) and Documenta 13, Kassel (2012).

Youssef's work has been presented in numerous solo and group exhibitions at venues including The Villa Medici, Rome; La Maison Rouge, Paris; The British Museum, London; Galleria dell» Accademia, Florence; MMK Museum für Modern Kunst, Frankfurt; Centro de la Imagen, Mexico City; North Carolina Museum of Art, North Carolina; BALTIC Centre for Contemporary Art, Newcastle; Michael Stevenson Gallery, Cape Town; Galeria Leme, São Paulo; Gemäldegalerie, Staatliche Museen zu Berlin; Centre de Cultura Contemporánea de Barcelona, MACBA, Barcelona; Victoria & Albert Museum, London; Institut du Monde Arabe, Paris; Kunstmuseum, Bonn; Smithsonian National Museum of African Art, Washington, D.C; The Third Line, Dubai; The Kennedy Center, Washington DC; Centro Andaluz de Arte Contemporáneo, Sevilla; and Aperture Foundation, New York.

The artist's previous exhibitions include a recent solo exhibition entitled Lovelady, at the University of Texas, Austin, TX (2014), as well as various other group exhibitions including Mote et Air du Temps, Paris, France (2011), Always the Young Strangers, Higher Pictures, New York, New York (2011), Post-Now, Marty Walker Gallery, Dallas, Texas (2010), and Perspectives 168, Contemporary Arts Museum, Houston (2009).

Horton's work has been featured recently in the following group exhibitions: Beautiful Fictions, Art Gallery of Ontario, Toronto (2009 - 2010), My Evil Twin, MacKenzie Art Gallery, Regina (2009), Toy Void, Münchner Kammerspiele, Munich (2008), Stutter and Twitch, Bard College Museum, Annandale - on - Hudson, New York (2007), Beyond / In Western New York, The Albright Knox Art Gallery, Buffalo, New York (2007) and We can Do This Now, The Power Plant, Toronto (2006 - 2007).

Goldschmied & Chiari selected for The National Museum of Women in the Arts, Washington, D.C., biennial exhibition series «Women to Watch,» June 5 - Sept 13, 2015, http://nmwa.org/press-room/press-releases/national-museum-women-arts-announces-artists-featured-biennial-exhibition Rachel Higgins in group exhibition «Negative Space,» curated by Gabrielle Garland and Stacie Johnson, The Knockdown Center, Maspeth, NY, Feb 28 - April 12, http://knockdown.center/event/negative-space/ Rachel Higgins in group exhibition «I Serve Art,» curated by Sara Reisman, Richard & Dolly Maass Gallery, Visual Arts Building, SUNY Purchase, Feb 17 - Mar 27, https://www.purchase.edu/Departments/AcademicPrograms/Arts/artdesign/richardanddollymaassgallery.aspx Josh Slater film «A Short Coma,» and interview featured in The Creators Connect, http://www.thecreatorsconnect.com/meet-josh-slater/ Rachel Higgins in group exhibition «Flat by Fiat,» Brooklyn, Jan 31 - Feb 21, 2015, open by appointment Goldschmied & Chiari: Untitled Portraits listed in «Feature Shoot Recommends: Top 10 Photo Events and Happenings in New York (Jan. 19 - 25),» by Ellyn Kail, Jan 19, 2015 http://www.featureshoot.com/2015/01/feature-shoot-recommends-top-10-photo-events-happenings-new-york-jan-19-25/ Goldschmied & Chiari: Untitled Portraits reviewed in the New Yorker Jan 12, 2015 http://www.newyorker.com/goings-on-about-town/art/goldschmied-chiari Loring Knoblauch's review «Goldschmied & Chiari: Untitled Portraits @kristenlorello» in Collector Daily Jan 12, 2015 http://collectordaily.com/artists/sara-goldschmied-and-eleonora-chiari/ Giacinto Occhionero in group exhibition, «You Don't Bring Me Flowers (+ The Mistress Project), Jan 24 - Mar 7, 2015, http://www.68projects.com/category/exhibitions-future/ Goldschmied & Chiari in group exhibition «Florilegia,» at Grimaldi Gavin, London, Jan 16 - Feb 28, 2014, http://www.grimaldigavin.com/index.php?method=section&action=zoom&id=160&lng=1&forceID=1e3f75e0c66514dbd92d42cc43bbfd19

«Au diapason du monde» (In tune with the world) A New Selection from our Collection Ever since the first exhibition of emblematic works from its collection, during the 2014 inauguration of the building designed by Frank Gehry, Fondation Louis Vuitton has regularly exhibited different selections of works following the Collection's four distinct predetermined categories: Contemplative, Expressionist, Pop, Music & Sound (2014/2016), or groups of works from specific events dedicated to China (2016) and Africa (2017).

Her work has been the subject of solo exhibitions at Kristen Lorello, NY, and Saskia Fernando Gallery, Colombo, Sri Lanka, and included in the following group exhibitions: Plus One, curated by Melanie Kress, Sideshow Gallery, Brooklyn, NY, [Old / New] Psychedelic Providence, curated by Jamilee Lacy and sponsored by Providence College Galleries, Tiger Strikes Asteroid, Chicago, IL, and You Don't Bring Me Flowers, curated by Quang Bao, 68 Projects, Galerie Kornfeld, Berlin, Germany.

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

The recipient of The John McCaughey Memorial Prize for her commission for the National Gallery of Victoria in Melbourne, Johnson's works has been the subjects of recent solo exhibitions at Talbot Rice Gallery at The University of Edinburgh, at the National Gallery of Victoria in Melbourne, at Ivan Anthony Gallery in New Zealand, at Darren Knight Gallery in Sydney, and at the TSB Bank Wallace Arts Centre in New Zealand; as well as part of group shows like «Future Nature» at Jack Hanley, «Hiding in Plain Sight: A Selection of Works from the Buxton Collection» at the Bendigo Art Gallery in Australia, «Believe Not Every Spirit, But Try The Spirits» at the Monash University Museum of Art in Melbourne, and «Don't Hide The Hate» at the Slopes Gallery in Melbourne.

Group exhibitions include The Tyranny of Good Taste, La Esquina, Kansas City & Columbia College, Chicago; All That Heaven Allows, Fort Gondo, St. Louis; All Good Things Become Wild and Free, Carthage College, Kenosha, Wisconsin; Die Erklärte Ausstellung at Künstlerhaus Klagenfurt, Klagenfurt, Austria; Violence at the Exhibition Agency, Chicago; Due Diligence Done at Tiger Strikes Asteroid, Philadelphia; Jasmine, Plus B at Front Desk Apparatus, New York; Amass at Monte Vista Projects, Los Angeles and Boots Contemporary Art Space, St. Louis.

She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21 - Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil (2017); Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo (2016); Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery (2015); OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark (2014); Cultural Centro Banco do Brasil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan (2013).

Recent group exhibitions include Musée du Louvre, Paris, Archeo, The High Line, New York, ICA, London, Palazzo Cavour, Turin, MAMVP, Paris, Triennale de Paris, Palais de Tokyo (2012), and Sculpture Center, New York.

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

Just to be clear, we are not doing an open call for a juried group exhibition; we're looking to sign new artists to our gallery for inclusion in exhibitions, projects, and events for the 2012 - 2014 seasons.

Recent and notable group exhibitions include «The Shell (Landscapes, Portraits, & Shapes), curated by Eric Troncy», Almine Rech Gallery, Paris (2015); «L'Almanach 14», Le Consortium, Dijon (2014); «Don't Look Now», curated by 247365, New York City, New York (2014); and «American Exuberance», Rubell Family Collection, Miami (2011).

Art fairs helped the gallery get greater international reach, push their brand and meet new clients, but artists prefer the showcase of the gallery exhibition rather than the art fair, as do collectors, who get to see the work «in context», he said, rather than one piece per artist in a fair - booth group show.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thexhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Her work was included in group exhibitions such as VIDEO TO GO - PROJECT «UNBEHAUST», Caos Art Gallery, Venise (2016); The Unbearable, Joyce Yahouda Gallery, New York, USA (2015); Décrocher la lune, Invisible Dog Art Center, Brooklyn, USA (2014); Rencontres artistiques du Jardin du Hauvel, Calvados, France (2011); Lignes de Vie, GMAC, Paris, France (2009); Familles, Communider, Paris, France (2003).

Butlin notes that the show is «one of the most fascinating of recent exhibitions of the works of J.M.W. Turner, one that reveals a whole new aspect of his vision... covering all Turner's career but with a relatively new selection of works and an important new group of sketches... Not surprisingly, colour permeates this exhibition, save in Turner's earliest works, where effects of light make do... The paradox of Turner's career is also stressed, his reliance on engravings to widen his appeal to the public and the care with which he chose his engravers...»

In 1952, Francis had his first exhibition at the Galerie du Dragon, Paris and in 1956 was included in the group exhibition, 12 Americans, at the Museum of Modern Art, New York.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Group exhibitions include: We Don't Owe You A Thing, Small Black Door, Queens, NY; The New Brutalists, Parallel Art Space, Ridgewood, NY; andPlace Angle Position, Heskin Contemporary, NY, NY, among others.

Recent group exhibitions include: Shoulders of Champagne, LORD LUDD, Philadelphia (2015 - 2016), If You're Looking for me, Don't Go to Home Depot, Paris London Hong Kong (2015), Fifteensixteenseventeeneighteennineteen (LAND AND SEA), Southern Exposure, San Francisco (2013), Faraway Nearby at the Nerman Museum, Overland Park, Kansas (2010), Hidden Places, Kaune, Sudendorf Gallery, Cologne, Germany (2009), Beyond the Backyard, Museum of Contemporary Photography, Chicago (2009), Worlds Away: New Suburban Landscapes (The Walker Museum of Art, Minneapolis and Carnegie Museum of Art, Pittsburgh, 2008 - 2009), USA Today Museum of Contemporary Art, Chicago (2008), and Bad Moon at Andrew Rafacz Gallery (2008).

Beattie has been included in numerous group exhibitions including In the Line of Beauty, Irish Museum of Modern Art, Dublin (2013), O Brave New World, Rubicon Projects, Brussels (2013) All Humans Do, The Model, Sligo and Whitebox, New York (2012); Holding Together, Douglas Hyde Gallery, Dublin (2010); La Part des Choses, Mains d'Oeuvres, Paris, and in Quiet Revolution, Hayward Touring, UK (2009).

Alsharif's work has been shown in solo and group exhibitions at the Kunstnernes Hus, Oslo (2017); Whitney Biennial, New York (2017); Palais de Tokyo, Paris (2015); Manifesta 8 (2010); Toronto International Film Festival (2010); London Palestine Film Festival (2010); Rencontres Internationales, Paris (2009); Chicago Underground Film Festival (2009); Festival International Cinéma Méditerranéen, Montpellier, France (2009); DocuDays 9: Beirut International Documentary Festival (2009); The Jerusalem Show (2008); Images du Moyen - Orient, Jeu de Paume, Paris (2007) and ARTEAST Cinema East Film Festival, New York (2007), among others.

In All that Remains, the new exhibition at Stranger Factory, a diverse group of artists offer their own interpretations of the phrase, «What remains when all is said and done?»

He did show it, in a group of astonishing exhibitions of all new work that opened in May, two weeks shy of his 92nd birthday, and filled the four Chelsea gallery spaces of Matthew Marks, his longtime dealer and unstinting supporter.

Group exhibitions include Walter Benjamin: Exilic Archive, Tel Aviv Museum of Art, Israel (2016); do it, various international venues (2013 - ongoing); Liverpool Biennial, United Kingdom (2014); the 2014 Whitney Biennial, Whitney Museum of American Art, New York; The Encyclopedic Palace, 55th Venice Biennale, Italy (2013); and Empire State: New York Art Now, Palazzo delle Esposizioni, Rome, Italy (2013).

2013 Fanfare for Crossing the Road — exhibition — PLATAFORMA REVÓLVER, Lisbon POWER — The 16th Annual Group Photograph — London, Markfield Beam Engine Museum & Lisbon, Museu da Electrcidade Game — Performance for Hidden River Festival — London N4 News — Performance for LUPAfete (lock - up performance art)-- London E2 Fanfare for Crossing the Road — 23rd St and 7th Ave — New York 2012 Rowing Home — The 15th Annual Group Photograph — 111 Charing Cross Road, London WC2 Encore — Performance for LUPA 13 — London E2 Ffanffer ar gyfer Croesi» r Ffordd — The crossing in front of Cardiff Castle Wall — Cardiff Fanfare for Crossing the Road — Photographic Gallery Hippolyte, Helsinki 1 and 14 — The Annual Group Photograph at Central Saint Martins — The Window Gallery — CSM, London 2011 Hive — Still Here — The 14th Annual Group Photograph, Central Saint Martins, Kings Cross, London Fanfarra Para Atravessar a Rua — Performance — Praça do Comércio, Lisbon Kadunylitysfanfaari — Performance — Central Railway Station, Helsinki Fanfare for Crossing the Road — Performance — Albert Memorial, London

Well, if you don't have eclipse fatigue yet, there's a new group exhibition going up at KMAC that's celebrating the semantics of eclipses.

It is comprised of nine themed sections, including: «New Lands» (on shows such as Magiciens de la Terre, The Short Century and After the Wall); «Biennial Years» (which documents influential biennials such as the Documentas [10, 11, 13] and the Berlin and São Paulo Biennials); «New Forms» (including experiments in exhibition - making such as Do It and NowHere); «Others Everywhere» (on «identity politics» shows such as In a Different Light, Phantom Sightings and the 1993 Whitney Biennial); «Tomorrow's Talents Today» (on influential group exhibitions of emerging artists such as Helter Skelter and Sensation); and «History» (on historical surveys such as Inside the Visible, Global Conceptualism and WACK!).

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

The advertisement that ran for the exhibition in the New York Times quoted a statement by no less an authority on contemporary art than the influential critic Clement Greenberg, describing Kline as the «Most striking new painter in the last 3 years» (fig. 3).6 In Kline's case, not only did these artistic and professional breakthroughs appear to occur at once but they also coincided with a series of group exhibitions staged in New York around this tiNew York Times quoted a statement by no less an authority on contemporary art than the influential critic Clement Greenberg, describing Kline as the «Most striking new painter in the last 3 years» (fig. 3).6 In Kline's case, not only did these artistic and professional breakthroughs appear to occur at once but they also coincided with a series of group exhibitions staged in New York around this tinew painter in the last 3 years» (fig. 3).6 In Kline's case, not only did these artistic and professional breakthroughs appear to occur at once but they also coincided with a series of group exhibitions staged in New York around this tiNew York around this time.

«Old News,» Los Angeles Contemporary Exhibitions, Los Angeles, CA, June 29 — September 4, 2005 «UCLA MFA # 1,» New Wight Gallery, UCLA, Los Angeles, CA, March 3 — 17, 2005 2004 «And If You Think You See...,» Peres Projects, Los Angeles, CA, September 18 — October 23, 2004 «Group Show,» Regen Projects, Los Angeles, CA, July 10 — August 7, 2004 «California Earthquakes,» Daniel Reich Gallery, New York, NY, 2004 «Such Things I Do to Be Pretty for You,» Peres Projects, Los Angeles, CA, January 10 — February 14, 2004 2003

Select group exhibitions include From concrete to liquid to spoken worlds to the word at the Centre D'Art Contemporain Geneve in Geneva, Switzerland; In Practice: Material Deviance, at the Sculpture Center in New York; Lagos Live at the Goethe Institut Nigeria in Lagos, Nigeria; Experimental People at The Highline in New York City; Shifters at Art in General in New York; It Can Howl at the Atlanta Contemporary Art Center in Atlanta, Georgia; What Shall We Do Next?

Not only did he introduce Louis to key Abstract Expressionist artists and dealers, but he also arranged important exhibitions for Louis in New York, including the 1954 «Emerging Talent» exhibition at the Kootz Gallery; a 1957 group show at Leo Castelli Gallery; his first one - man show at the Martha Jackson Gallery; and key exhibitions at French & Company in 1959 and 1960 - showcasing 23 Veils.

Minoliti has recently taken part in numerous group exhibitions including Aichi Triennale, Nagoya; Brooklyn Museum, New York; Museum of Contemporary Art, Montreal; Bienal do Mercosul, Porto Alegre; and FRAC Des Pays De La Loire, Nantes.

Recent group exhibitions include Stories Cycle, Musée d'art moderne et contemporain, Geneva (2016); Don't Shoot The Painter, Galleria d'Arte Moderna, Milan (2015); Art In Pop, Magasin - CNAC, Grenoble, France (2014); Abstract Generation: Now in Print, Museum of Modern Art, New York (2013); and The Indiscipline of Painting: International Abstraction from the 1960s to now, Tate St. Ives, England (2011).

Recent group exhibitions include: Performa11 (NY, USA, 2011); Seven New Works (Borusan Contemporary, Perili Köşk, Istanbul, 2011); We Have Woven The Motherlands With Nets of Iron (Giza Hejaz Railway Station, Amman, 2011); Who Do You Admire?

She has also participated with her work in the group exhibitions Trading Futures, Taipei Contemporary Art Center, Taipei, Taiwan (2012); Doing, Kumho Museum of Art, Seoul, Korea (2012); The 10th SongEun Art Award Show, SongEun Art Space, Seoul, Korea (2011); Open Studio, International Studio & Curatorial Program, New York, NY, USA (2011); Life, No Peace, Only Adventure, Busan Museum of Art, Busan, Korea (2011); The 10th Seoul International New Media Festival — Seoul space, Korea (2010), among others.

Her work has been shown in several group exhibitions at venues such as Musée du Louvre, Paris; Drawing Center, New York; and Tate Modern, London.