These possibilities run counter, it is true, to the old ethic and the old type of religion associated with it; they have the advantage, however, that they are in a position to combine the vitality of
our new image of man with the new and transformed image of God which is emerging.
To some extent this has followed; though when it occurs, it represents an exaggeration or even a perversion of what is implied in
this newer image of man.
The new images of man were obviously a generation of artists» expressionistic response to the nightmarish horrors of World Wars I and II.
Artists who claim their artwork comes from nature, life, reality, earth or heaven, as «mirrors of the soul» or «reflections of conditions» or «instruments of the universe,» who cook up «
new images of man» — figures and «nature - in - abstraction» — pictures, are subjectively and objectively, rascals or rustics.
The Museum of Modern Art, shortly before, had staged a major exhibition called «
The New Images of Man.»
1959 The Collection of Sara Roby Foundation, Whitney Museum of American Art, New York, NY
New Images of Man, Museum of Modern Art, New York, NY; Baltimore Museum of Art, Baltimore, MD
In 1959, the great theologian Paul Tillich wrote in his catalogue essay for the «
New Images of Man» show at MoMA: «Whenever a new...
The first show I did when I got into the Museum of Modern Art was the «
New Images of Man» and I would say that the people that showed there not only had WORD coming from Chicago but European showed there, SOMONE, SOMEONE, Francis Bacon and many others were every bit as important as the abstract expressionists both in America and Europe.
In 1959, the great theologian Paul Tillich wrote in his catalogue essay for the «
New Images of Man» show at MoMA: «Whenever a new period is conceived in the womb of the preceding period, a new image of man pushes towards the surface and finally breaks through to find its artists.»
Finally, Giacometti's prominence in a landmark 1959 exhibition, «
New Images of Man,» organized at the Museum of Modern Art by Peter Selz, completed the codification of the meaning of his work as an emblem of the plight of humankind in extremis.
And I think that formed, and then I did the «
New Images of Man» show, which had a lot of American from the hinterland.
New Images of Man ran for two months, closing on November 29.
His first exhibition at the Modern was the influential «
New Images of Man» in 1959, which included paintings by Karel Appel, Francis Bacon, Richard Diebenkorn, Jean Dubuffet, Leon Golub, Balcomb Greene, Willem de Kooning, Rico Lebrun, James McGarrell, Jan Muller, Nathan Oliveira, and Jackson Pollock and sculpture by Dubuffet, Kenneth Armitage, Leonard Baskin, Reg Butler, Cosmo Campoli, César, Eduardo Paolozzi, Germaine Richier, Theodore Roszak, H.C. Westermann, and Fritz Wotruba.
«Each period has its peculiar image of man» said theologian Paul Tillich at the beginning of his essay for the Museum of Modern Art exhibition
New Images of Man in 1959, and if he...
As a young curator in New York at the Museum of Modern Art, Selz organized a controversial show in 1958 titled «
New Images of Man,» in which Oliveira was the youngest artist.
He was the youngest painter included in the important 1959 exhibition
New Images of Man at the Museum of Modern Art in New York, which also included works by Jean Dubuffet, Willem de Kooning, Jackson Pollock, and Richard Diebenkorn.
At MoMA, for instance, my first show was called
New Images of Man.
In 1959 New York's Museum of Modern Art mounted an exhibition called «
New Images of Man,» focusing on the figurative expressionism that was an important part of the postwar scene, thanks in part to the work of Francis Bacon, Jean Dubuffet and Alberto Giacometti.
Not exact matches
Filmed on location in Red Bank,
New Jersey at the site
of the JBJ Soul Kitchen and on the streets
of Philadelphia, the viewer will gain an insight into the real Jon Bon Jovi as he gives an incredibly honest interview revealing the
man behind the rock star
image.
It is a
New Testament theme which Miss Krook here rightly articulates, the love
of man and woman is an
image of the love
of God.
[22] Once that
image of love was desecrated by sin, it had to be recast in the furnace
of divine love.The Incarnation marks the moment when the
image of the invisible God became
man, renewing
man's
image in a
new creation so that
men might become in Him who they were forever intended to be in God's eyes, the
image of the God who is love (Eph.
As
men and women have sought to break free
of those molds and to establish
new identities and
images for themselves, they have often complained
of the lack
of alternatives.
I would suggest also that one way into such a
new doctrine
of analogy is a
new understanding
of man or history as the
image of God, wherein historical development and evolution could be seen as a reflection or embodiment
of the development and evolution
of God.
The Incarnation marks the moment when the
image ofthe invisible God became
man, renewing
man's
image in a
new creation so that
men might become in Him who they were forever intended to be in God's eyes, the
image of the God who is love (Eph.
If a
new meaning
of nature has pervaded modern history, an autonomous world existing in - itself, then so likewise
man himself no longer appears as the
image of a transcendent Creator.
Then the Great Awakening not only creatted a belief in the
new man which tended to question traditional values; it also created an
image of a
new age.
Or are «you» the
new creation — the spirit -
man, the
image of the Last Adam, «he that does not sin» — which radiates outward and renews the old
man, too, thus regenerating and saving the entire person flesh, soul and spirit?
To speak specifically on this point, the fact that form and relationship have been restored to the current
image of man, both in the
new metaphysics and in the sciences
of man, enables us to be more understanding in our anthropology
of what is being conveyed in such historically biblical notions as the Covenant and the Imago Dei.
The idea that
man was made in the image of God was an affront to the belief that Soviet power could make a New M
man was made in the
image of God was an affront to the belief that Soviet power could make a
New ManMan.
«32 «Seeing that ye have put off the old
man with his doings and have put on the
new man that is being renewed unto knowledge after the
image of him that created him.
Although Paul uses other figures to describe this saving work
of Christ (as, for example, his having become a
new Adam, a
new representative
man, thus restoring in the race the
image of God which sin had marred), this is his most characteristic interpretation
of the meaning
of the
man Jesus and his work.
God's righteousness is his justice, and his justice is manifest in his working to put down the unrighteous, expose idols, show mercy, and achieve reconciliation in a
new order which expresses
man s dignity as bearer
of the divine
image.
The process theology which informs our interpretation
of Christian faith agrees wholeheartedly with this view
of the
image of God in
man; but it proposes a distinctive addition to the doctrine, for process theology sees love disclosed in a history in which the spirit
of God creates
new forms.
In his essay, «The Christology
of the
New Testament,» Rudolf Bultmann runs through a catalogue of Christological images — Messiah, Son of David, Son of God, Son of Man, Lord (Kurios), Word (Logos)-- and claims that none of them are n
New Testament,» Rudolf Bultmann runs through a catalogue
of Christological
images — Messiah, Son
of David, Son
of God, Son
of Man, Lord (Kurios), Word (Logos)-- and claims that none
of them are
newnew.
David Cairns, The
image of God in
Man (
New York: Philosophical Library, 1953).
The many
new revelations about Chile's dictatorial era came as Pinochet's personal
image as an austere and incorruptible
man disintegrated in the face
of a U.S. Senate port affirming that he had accumulated millions
of dollars in hidden wealth.
Of the images he turned to most frequently, one was the image of Jesus as the Good Samaritan in the famous New Testament parable in which a wounded man left beside the road was ignored by representatives of the Establishment while only a despised foreigner stopped to tend him, took him to an inn and paid for his car
Of the
images he turned to most frequently, one was the
image of Jesus as the Good Samaritan in the famous New Testament parable in which a wounded man left beside the road was ignored by representatives of the Establishment while only a despised foreigner stopped to tend him, took him to an inn and paid for his car
of Jesus as the Good Samaritan in the famous
New Testament parable in which a wounded
man left beside the road was ignored by representatives
of the Establishment while only a despised foreigner stopped to tend him, took him to an inn and paid for his car
of the Establishment while only a despised foreigner stopped to tend him, took him to an inn and paid for his care.
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If the
new «women Whips» was the positive
image, the negative one was the Daily Mail's front page decrying the «massacre
of the middle - aged
men.»
Even for a
man claiming to be a student
of Osagyefo Dr. Kwame Nkrumah, renaming the
new Government House as Flagstaff House, to revive the
image of the residence
of Nkrumah, when he was Head
of State, was a bit bizarre.
Cuomo has also been criticized for his tightly controlled public
image and a track record
of governing in
New York's signature three -
men - in - a-room, behind - closed - doors style — as with the deal that secured gay marriage in the state.
In keeping with the area's mirror -
image of the
New York city norm, the Democratic Party on the South Shore is so negligible it didn't even field a candidate against either
man.
However, according to a
new UCLA study, selection
of men for active surveillance should be based not on the widely used conventional biopsy, but with a
new,
image - guided targeted prostate biopsy.
But when a
New York Times headline reads «A Precursor to Playboy: Graphic
Images in Rock», and Discover magazine asserts that
man's obsession with pornography dates back to «Cro - Magnon days» based on «the famous 26,000 - year - old Venus
of Willendorf statuette... [with] GG - cup breasts and a hippopotamal butt», I think a line is crossed.
«Most
of what's known about the bottom
of the ocean has come from
images shot miles up in the water column, and it's a relatively coarse data set,» Cameron said recently at roundtable discussion in
New York City with WHOI scientists who design, build and operate
manned and robotic deep - sea exploration vehicles.
With stunning
images of men and women who caught Scott's eye in traditional fashion locales like
New York, London, and Milan, as well as
newer ones including Peru, India, Dubai, and South Africa, The Sartorialist: X celebrates the many cultures
of pattern and color found across the world, making it a thrilling source
of photographic inspiration.