Consisting of five steel «clouds»,
this new immersive work by Royal Academician Conrad Shawcross will inhabit the courtyard's central space during the Summer Exhibition.
Not exact matches
«Together, we'll be
working to create engaging,
immersive games and developing
new interaction models across many different platforms to continue bringing the best VR experiences to life,» according to the Google blog post.
The Fellowship - inspired by the Institute's longstanding artist labs and entering its second year - is an
immersive, rigorous program for entrepreneurial producers and directors seeking
new ways to build and reach audiences with their finished
work.
Dolby
worked closely with Samsung to bring the
immersive sound of Dolby Atmos to the
new Samsung ® Galaxy S9.
Thanks to an innovative partnership between SUNY OW and two
New York school districts, these education majors are getting a unique hands - on
immersive learning experience directly in the type of school where they someday hope to
work.
Renowned for her exquisite prose and penetrating insights, Lahiri attains
new heights of artistry — flawless transparency,
immersive intimacy with characters and place — in her spellbinding fourth book and second novel, a magnificent, universal, and indelible
work of literature.
Teresita Fernández's latest solo show of
new work As Above So Below, opening at MASS MoCA on May 24, 2014, combines graphite and gold to create a series of
immersive, interconnected installations whose scale shifts from intimate to vast, from miniature to panoramic.
«(Hotel) XX» is an
immersive installation and group exhibition, presenting the
work of female identifying artists whose
work explores the intimate experiences of the transient visitor, a traveler on a journey to a strange and
new place.
Enter the vibrant world of Technicolor, an
immersive installation in the Museum's Anne Cox Chambers Wing featuring dramatic
new works by Jaime Hayon.
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious
works, will reflect on her
new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of
immersive, interconnected installations.
«NATE YOUNG: The Unseen Evidence of Things Substantiated» @ Fabric Workshop and Museum (FWM) Philadelphia Minneapolis - based conceptual artist Nate Young is presenting
new work including an
immersive video installation from which the exhibition takes it title.
Through ambitious
new sculptural
works and wall paintings, the artists will create an
immersive and imaginary site of a lost pre-symbolic civilization.
More: Pratt alumnus Pat Kim will present
new experimental
work that treads the line between sculpture and product; The Principals, which includes Pratt alumni Charles Constantine and Drew Seskunas, were commissioned by the editors of Sight Unseen to create an
immersive installation that uses light to reflect users» biorhythms and create a calm, soothing oasis.
Teresita Fernández's latest solo show of
new work at MASS MoCA As Above So Below will combine graphite and gold to create a series of
immersive, interconnected installations whose scale shifts from intimate to vast, from miniature to panoramic.
Her
work explores
new technologies to create
immersive digital environments with video and sculpture.
Other highlights include a London re-staging of Daniel Buren's iconic
New York performance piece Seven Ballets in Manhattan (1975)(From Fri 30 Jan, 3 pm and throughout Feb and Mar) and a
work by Russian artist Anna Parkina (Sat 12 Mar, 7 pm) merging live music, light and movement in an
immersive abstract performance.
Discrete Systems is a
new body of
work, conceived as an
immersive multimedia installation for the gallery.
Before the Film program each evening, «Trance» (2017), a
new immersive sound
work by Swedish artist and music producer Hans Berg (b. 1978), will be presented on the state - of - the - art surround sound system in SoundScape Park.
Now, with Wheeler bringing another one of his
immersive light installations to the gallery this month (an approximation of the engulfing light the artist sees out his airplane window flying over
New Mexico), Zwirner staffers have innovated a way to contend with the expected crush: a reservation system that will allow visitors to call ahead to reserve a spot in the
work.
Danny Lyon: Message to the Future, which opens at the Whitney Museum of American Art in
New York this weekend, collects 175 pictures, vintage
work prints, never - before - seen films and ephemera from Lyon's archives to take an in - depth look at his
work as an
immersive documentary storyteller who is just as engaged in writing, filmmaking and collage as is he in photography.
Featuring more than 100
works spanning from the early 1980s to the present, including a number of
new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully
immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.
Programs include: Affinity Atlas, an exhibition combining an international roster of contemporary
works and an
immersive «cabinet of curiosities,» with rotating displays by Skidmore faculty that forge unexpected connections between the
works on view; a collaboration and residency with Mark Allen and Machine Project to create
new installations, performances, and events at the Tang; and a reexamination of the
work of Alma Thomas.
Da Corte's
work was also included in the group exhibition Dreamlands:
Immersive Cinema and Art, 1905 — 2016 at the Whitney Museum of American Art,
New York.
Best known for his large - scale,
immersive light installations, McCall's
new «solid light»
works use only projected light and thin mist to create the appearance of sculptural forms in space.
For his first gallery exhibition in
New York since 2012, Neto will present a new body of finger - crocheted immersive sculptures, installations and wall works that fill both floors of the gallery's space, inviting the viewer into an all - encompassing sensorial experien
New York since 2012, Neto will present a
new body of finger - crocheted immersive sculptures, installations and wall works that fill both floors of the gallery's space, inviting the viewer into an all - encompassing sensorial experien
new body of finger - crocheted
immersive sculptures, installations and wall
works that fill both floors of the gallery's space, inviting the viewer into an all - encompassing sensorial experience.
Recent exhibitions include a 10 year survey of Sergej Jensen's
work, Lari Pittman's monumental From A Late Western Impaerium, a
new body of ceramic
work by Liz Larner, Lizzie Fitch / Ryan Trecartin movies and
immersive sculptural theaters, Anish Kapoor, Glenn Ligon's Well, it's bye - bye / If you call that gone, Rachel Harrison's Three Young Framers, Matthew Barney, John Bock's Three Sisters, Toba Khedoori, Abraham Cruzvillegas» Autoconcanción, Wolfgang Tillmans, and Theaster Gates» But To Be A Poor Race.
Basic's
work was recently on display at the Whitney Museum of American Art,
New York in Dreamlands:
Immersive Cinema and Art 1905 - 2016.
As a foe of categories, how would your characterize your
new work, the
immersive rooms that combine ceiling and wall hangings, massively woven rugs, and intertwined chairs?
The exhibition will be an ambitious installation in which Grasso transforms the gallery into an
immersive environment, a multimedia labyrinth that includes
new sculpture, paintings, photographs, neon
works and video (the eponymously titled film will make its US debut in this exhibition).
A trailblazing figure on
New York's underground art scene, she organised political protests, wild outdoor happenings and body - painting «orgies» — a true radical who led the charge for
immersive installation
work.
Claes Oldenburg helped manage the gallery, and in the winter of 1960 he and Dine created what would become a legendary
work, an
immersive environment comprising the first iteration of Oldenburg's The Street (1960) and a
new work by Dine called The House (1960), a phone - booth - sized house made from leftover theatrical backdrops that Dine found in the church and covered with an exuberance of found materials, drawings, and words.
Offering a range of
works and the
immersive environment «Environnement Chromointerférent,» the exhibition also includes three
new animated documentaries covering the artist's life and
work, produced by the Cruz - Diez Art Foundation.
New works have been made especially for the exhibition including Anna Ray's «Margate Knot» (2017), a site - specific
work produced by Ray and a host of local Margate makers; and an installation by Samara Scott in the museum's lift that uses a combination of carpet, food colouring and yoghurt to entirely its walls, creating an
immersive and, in the words of the artist, «Overwhelming experience» for visitors to get in and up close to.
Hamilton reveals a major
new work, transforming the heart of Tate Britain into an
immersive installation that combines sculpture and performance.
The
new site - specific
work occupies all four walls and the floor of the gallery's main exhibition space, with
immersive room - wraps and several
new vinyl
works.
It's Called Art Mum, Look It Up will display a full collection of Nor's digital illustrations, alongside original hand - drawings, a
new immersive installation room and her previously unseen sculpture
work.
Its
new digs, designed by the Italian architect Renzo Piano, also offer commodious interior spaces: 50,000 square feet of galleries, unencumbered by structural columns, and huge elevators that are themselves
immersive environments, the
work of the artist Richard Artschwager.
The
new generation of sculptors, including numerous
works commissioned for the exhibition: Phyllida Barlow, Karla Black, Abigail DeVille, Sonia Gomes, Rachel Khedoori, Lara Schnitger, Shinique Smith, Jessica Stockholder, and Kaari Upson create
immersive, color - drenched environments that embrace domestic materials and craft as an embedded discourse, boldly eliminating material.
Catharine Clark Gallery presents The Fluid, a multi-media,
immersive exhibition of
new work by Chris Doyle.
By revealing the mechanisms and means of digital processes in poetic installations and
immersive projections, the
works in the exhibition make apparent a
new reality that situates itself in the materiality of media informed by data fluxes as the core of contemporary experience.
The gracefully
immersive work begged questions of how these texts addressing issues of freedom, democracy, and oppression, from different societies, cultures, and times, remain relevant in the context of Prospect specifically, and, even more so, in the city of
New Orleans.
The exhibition will feature
new sculptural installations by Karla Black and Claire Barclay; paintings by Victoria Morton, Alison Watt and Callum Innes;
immersive room - sized installations by Ross Sinclair, Graham Fagen and Martin Boyce; a room of sculptures and prints by David Shrigley; and film and video
works by Douglas Gordon, Luke Fowler and Rosalind Nashashibi.
Sensory Overload features the
work of four contemporary
new media artists who create
immersive spaces using hypnotic soundscapes and pulsing imagery to explore the invisible data that permeate our environment.
An outspoken critic of Israeli government policy, Rosen's
work addresses some of the ethical dilemmas underlying social reality in his native Israel and we are showing two seminal
works, an
immersive installation and a film, alongside a striking large scale
new artwork created especially to cover the entire window façade of Rivington Place.
Basic's
work is currently on display at the Whitney Museum of American Art,
New York in Dreamlands:
Immersive Cinema and Art 1905 - 2016.
Thus the gallery is not only a platform for the artists»
new video
works but also an
immersive environment in which once can encounter them.
The artist also presented a
new immersive installation featuring his
work in music and video in the south Tank at the museum.
The
immersive new work will include edge - lit Perspex and glass, metalwork, light and sound.
In a series of
immersive works, the elements by which cinema is traditionally known — projection, film, a screen, darkness, linear narrative — are dismantled and reassembled in
new forms that are, in some cases, barely recognizable as having any relationship to cinema at all.
Suh, who lives and
works in London,
New York and Seoul, has continued to express feelings of cultural displacement through sculptures and
immersive installations of domestic architecture and household items.