Not exact matches
In this wonderful interview excerpt, courtesy of Youtube user andyrodd077, legendary
independent filmmaker George Kuchar opens up on his time in the
New York
film scene.
Philistine Films was created to support
new voices and to offer a platform for the emerging
independent Arab
film scene.
But those in the know have been keeping tabs on Nichols since his breakout sophomore effort, the provocative apocalypse tale Take Shelter, and over these three
films (also including his debut, Shotgun Stories, and the moderately successful and excellent Mud), he has established himself as a strong Southern voice on the
independent scene, the sort of director who makes you sit up and take notice whenever he announces a
new project.
Combining warmth and genuine pain without resorting to a sappy or contrived ending is no longer anything
new in the
independent film scene but it is always welcome to see it done as well as it is done in Little Miss Sunshine.
You could do a decent job of staying on top of
new releases each week, keep your finger on the pulse of the
independent cinema
scene, and even be open to obscure
films you might stumble upon on Netflix or Redbox.
New «Looking at Los Angeles» contributor Danielle McCullough surveys the
independent film scene in Los Angeles.
Presented as part of the Club 57 exhibition, this survey celebrates
film and video created during
New York's post-punk period, including landmark examples of No Wave, Cinema of Transgression, and
independent films that grew out of the East Village
scene and were first exhibited in area venues like Club 57,
New Cinema, Millennium, and others.