Not exact matches
A public art
installation by Sari Carel, commissioned and produced by More Art, that uses
techniques from music and sound art to amplify the experience of breath and breathlessness associated with issues of respiratory illness, air quality, and environmental injustice in
New York City.
Examining the connection between breakthroughs in photography and
new techniques in painting, the exhibition will present rooms devoted to Op Art and Kinetic Art from 1960, with paintings by Bridget Riley and
installations of key photographic works from the era by artists including Floris Neussis and Gottfried Jaeger.
In her sculptures, paintings, videos, and
installations, Japanese - American artist Mika Tajima (b. 1975, Los Angeles, lives and works in
New York) interrogates the
techniques and technologies developed to shape and control the human body...
While the
techniques of the discipline continue to inform his work, in recent years he has increasingly turned to site - specific
installations, such as the Roof Garden Commission at the Metropolitan Museum of Art in 2013, or the landscape intervention at the Aga Khan Museum in Toronto that forms part of the
new institution's inaugural show.
In addition, the Museum's Front Room series will feature prominent
new installations by Kerry James Marshall — widely regarded as one of the most important American artists of the past twenty years — and San Francisco - based St. Louis native Josh Faught, who creates exuberant and intricate textile works employing an array of
techniques and materials.
The
installation plays with scale and spatial perspective to create a cartoonish landscape of sculptures, combining high - spec finishes and
new technology with breakfast cereal, DIY home tiling
techniques and a «living room materiality».
Elaine's areas of interest include: Interactive arts (dance / visual arts / poetry...); performance and
installations; contemporary arts; computer music; digital video;
new aesthetics; noise (audio & visual) and ambient (spatial chaos / order) transformed into art materials and expressions;
new techniques; cultural diversity and interaction.
Gary Simmons: Fight Night @ Metro Pictures Oct. 30 — Dec. 23, 2014 Recognized for his signature «erasure»
technique in which he smudges and obscures elements of his paintings and drawings,
New York - based Gary Simmons is presenting a series of boxing images including a large - scale
installation of 180 posters advertising historic boxing matches.
Hyegyung Kim (b. 1974, South Korea, lives in S. Korea) presents Media Bowha (A Treasure)(2015 — present), a
new media
installation that utilizes projection - mapping
techniques.
Blending large - scale sculpture
techniques with an expanded notion of craft and textile,
New York City — based artist and designer Orly Genger creates organic forms and site - specific
installations from painted swaths of woven rope.
Their
installations combine
new media
techniques with sound, found objects and sculpture.
The works are radically transformed by the contributions of
installation, action and performance, while
new techniques, such as video (Bruce Naumann) and light - boxes (Jeff Wall) reformulate creative processes.
From ceramic
techniques to glass blowing, enamelling to welding, Upritchard's
installations and objects, which often feature archetypal figures, push these practices in
new directions, creating a striking and original visual language of their own.
Bryan Whitney is a fine art photographer from
New York who specializes in
installation work and alternative imaging
techniques, including x-rays, 3 - D and lens-less photography.
Having already mined several art forms including minimalist sculpture, large - scale
installation, ceramics and china - painting, textile - based works, performance and even auto body painting, Chicago developed a
new painting
technique which sought to reproduce the vibrant color and luminosity of the Renaissance precedents.
Reproduced: Norbert Lynton, «Barbara Hepworth», Arts Review, vol.13, no. 11, 3 - 17 June 1961, p. 13 Mary Watson, «Sea Inspires the Sculptress», Auckland Star, July 1962 Owen Broughton, «The
Technique of Recent British Sculpture», Bulletin of the National Gallery of South Australia, Adelaide, April 1963 (unpag.,
installation) «Fascinating, horrifying and sensual», China Mail, Hong Kong, 17 Aug. 1964 Denis Farr, British Sculpture Since 1945, 1965, pl.4 «Works of Eminent British Sculptors on View», Times of India, Delhi, 17 Nov. 1965 J.P. Hodin, «Vom Stil der Barbara Hepworth: Zuden Arbeiten der englischen Bildhauerin», Die Kunst and das Schöne Heim, vol.64, no. 7, April 1966, p. 276 Keith Roberts, «London», Burlington Magazine, vol.110, no. 782, Aug. 1966, p. 301 A.M. Hammacher, Modern English Sculpture, 1967, p. 86 (in col.) Guy Burn, «Hepworth», Arts Review, vol.20, no. 7, 3 April 1968, p. 184 Christopher Neve, «Holes in a Sculptor's Landscape: Barbara Hepworth», Country Life, vol.143, no. 3710, 11 April 1968, pp. 887 Bijutsu Techo, Japanese monthly mag., Aug. 1970, p. 3 Cross 1984, p. 114, pl.70 (in col.) Lesley Jackson, The
New Look: Design in the Fifties, Manchester, 1991, p. 56 Michael Tooby, An Illustrated Companion to the Tate St Ives, 1993, p. 13 Andrew Causey, «Liverpool and
New Haven: Barbara Hepworth», Burlington Magazine, vol.136, no. 1101, Dec. 1994, pp.860 - 1, p. 860
Grain Processing Corporation (Washington, IN) 5/1999 — 4/2001 Electrical and Instrumentation Technician • Maintained process control of grain processing operations, by utilizing DCS controller troubleshooting capabilities, modifying function sequence tables, and programming
new ladder logic as requested by production • Tuned process control loops and calibrated instrumentation to maintain reliable loop feedback • Repaired and maintained all temperature, pressure, flow, level instrumentation, HART protocol, and Smart capable devices • Developed predictive and preventative maintenance tasks along with control systems on instrumentation, gas trains, and control valves • Trained and assisted production team members on proper operation, troubleshooting
techniques, and equipment / instrumentation utilization • Updated all piping and instrumentation drawing (PID's) after
installation of
new hardware and software