Sentences with phrase «new institutions still»

It takes institutions — old institutions, and new institutions still to be built — that stand ready to both report and stay with society - shaking stories like this one.

Not exact matches

Wang Yiming, deputy head of the Development Research Centre of China's State Council, said at the forum that although many belt and road projects were funded by major financial institutions — including the Asian Infrastructure Investment Bank, New Development Bank, China Development Bank (CDB), the Export - Import Bank of China and the Silk Road Fund — there was still a huge funding gap of up to US$ 500 billion a year.

While Raleigh is part of the Research Triangle Park — home to Duke University, University of North Carolina, and other institutions — it still has a relatively small workforce and would have to draw in lots of new people, according to research.

Blanton acknowledged that the figures were accurate, but underscored that the new mortgage rules still continue to make life more difficult for smaller institutions.

These commenters assert that although financial institutions have worked to put in place the policies and procedures necessary to make the business structure and practice shifts required by the new rules, [4] there is still considerable work left to be done to implement the new rules in a proper and responsible manner and without Start Printed Page 16904causing further confusion and disruption to retirement investors.

Even if you incorporate, most financial institutions will still require a new business to pledge business or personal assets as collateral for your business loans.

In the process, shareholders would appropriately be wiped out, subordinated debt would be wiped out, senior unsecured debt could be written down to the extent that losses were still uncovered, and senior bondholders would get equity and convertible debt in the new restructured institution.

The words of institution of the Lord's Supper, still heard around the world in the most sacred of Christian rites, bear witness to this conviction, «This cup is the new covenant in my blood» (I Cor.

Same goes for age - graded schools, parenting done solely within nuclear families, and other cultural institutions and practices that are still relatively new even in Western societies.

According to the WSJ, the new Department of Financial Regulation still would have more power than its predecessor agencies to investigate and punish financial institutions for wrongdoing, and Wall Street executives remain concerned it would operate through an administrative process with fewer checks and balances than the AG.

NEW YORK — Almost a year since President Obama signed the American Recovery and Reinvestment Act (ARRA), which earmarked some $ 19 billion to get electronic health records off the ground, most of the country's medical and research institutions are still primarily pushing paper.

«I had always assumed that I could come back to Germany, work here at the DKFZ for 5 years, but afterwards still be able find a new 5 - year position at another academic institution within the country.»

In the last 3 decades or so, as universities created new mathematics - based institutions that bring together the different disciplines — institutes of technomathematics (with computer science and engineering) and interdisciplinary centers for computational mathematics (which include the methods used in industrial research in their focus)-- these differences have shrunk still further.

The emerging global information infrastructure (GII) was a new and exciting environment full of promise and opportunity for research, education, commerce, entertainment, social change, and democratic governance, but where laws and ethical standards remained unwritten, and where individuals and institutions are still testing the bounds of acceptable behavior.

Our new letter to Mizzou quotes Dr. Lupo this year telling the Columbia Daily Tribune that he still doubts humans are the primary cause of global warming, contrasting the explicit climate statements of scientific institutions he is affiliated with, such as the American Geophysical Union and the American Meteorology Society.

When I first read those words, in a 2004 New York Times book review by Samuel Freedman, it was a Eureka moment — to know that the great civil rights leader appreciated not just the significance of an education but the dangers of partnering with an education system that was still very much a white - run institution.

Changes at individual private institutions are harder to track, but New York University — where Michelle Jones enrolled this fall — is among those that have recently decided to conduct initial application reviews without knowledge of prior convictions, even while the information is still collected and considered by a specially trained team at a later point in the process.

Unfortunately, even with the advent of new technologies and more tools to collect evidence of student thinking and understanding in mathematics in ways that aren't possible without a digital environment, many education institutions still use antiquated techniques of measurement.

Yet, when it comes to selecting new hires, many institutions still rely on an approach that lacks academic rigor... but there is a better way.

You will be picking through both novels, looking for methods of comparison, developing your thesis that racism still exists and has simply become entrenched within our institutions in new, less discernible ways.

The student loans do not have to be paid off right away, so this is different than a home loan or a car loan, but this is still something that hangs over a new student's head and makes it difficult to grasp their finances properly while still at an institution of higher learning.

To comply with the new regulations, financial institutions may shift from issuing preferreds to other assets still considered to be Tier 1 Capital.

For new institutions of the same quality and standard whose majority of their students are still new, they may need to charge low fees in order to attract students.

If more control of the process is required to determine a new financial institution then IRA proceeds can still be closed and a check cut which would then need to be deposited into a new qualifying IRA account within 60 days to avoid penalties in taxes.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

A year prior to his death, New York's Metropolitan Museum of Art organized the largest survey of Still's art to date and the largest presentation afforded by this institution to the work of a living author.

The Vauxhall Art Car Boot Fair (Brick Lane) is an annual institution which after over 10 years still manages to keep itself fresh, by involving new and exciting emerging artists and features.

She started the organization's International Artists Residency and New Commissions programs, the latter of which is still in place at the institution.

The 10th anniversary edition the New York Art Book Fair, hosted by Printed Matter at MoMA PS1 in Long Island City, felt more focused and streamlined than ever, yet still featured over 370 booksellers, publishers, artists and institutions from 28 countries...

Meanwhile, a second Artistic Director, still unnamed, will be based in New York and will be responsible for «relationships with galleries and institutions in the Americas and Asia.»

Designed by Brad Cloepfil of Allied Works Architecture, the new building reflects the institution's mission to preserve, present, and celebrate the work Clyfford Still.

Although the older institution is keeping the majority of its collection, many of the best works are said to be headed to the ICA, helmed by former wunderkind New York art critic Alex Gartenfeld, who's still in his 20s.

In 1979, New York's Metropolitan Museum of Art organized the largest survey of Still's art, which was the most comprehensive retrospective of his lifetime and the largest presentation ever afforded by the institution to the work of a living artist.

Still, the eight large paintings in The Chapel, Armitage's new exhibition at South London Gallery, his first major solo show in a public institution, which he says was inspired by the chapel - like qualities of its principal space, are what we might call «museum - ready».

In this panel, hear from the representatives from We Are Still In and America's Pledge on this new form of American climate leadership and how they are working with a coalition of over 2700 U.S. cities, states, businesses, faith groups, indigenous people and cultural institutions committed to bold climate action, thereby waving the flag that the US is stilStill In and America's Pledge on this new form of American climate leadership and how they are working with a coalition of over 2700 U.S. cities, states, businesses, faith groups, indigenous people and cultural institutions committed to bold climate action, thereby waving the flag that the US is stillstill in.

There's also the America's Pledge initiative, led by former New York Mayor Michael Bloomberg and California Governor Jerry Brown, which works in tandem with We Are Still In and attended the UN climate talks in Bonn, Germany in November to represent the many people and institutions in the US who continue to work to combat global warming.

KPMG LLP, the US audit, tax and advisory firm, has issued a new survey report on the international Common Reporting Standard (CRS), which reveals that financial institutions impacted by the regulations still have much work to do to meet with the initiative's significant compliance challenges.

We are still waiting for the reactions of EU institutions on the political scenario, since a new version of the agreement has not been concluded yet.

While the working party liked the idea of the establishment of the U.S. ombudsperson to handle complaints, it still raised concerns that the new institution would not be sufficiently independent and is not vested with adequate powers to effectively exercise its duty.

Only new additions to the list of institutions that have officially adopted the Guide were consulted prior to the publication of the 7th edition, and although the SKQB and SKCA have adopted previous editions, their adoption of the 7th edition is still pending until the courts review and approve all changes.

He noted the launch of Liquid, a new sidechain developed by industry startup Blockstream as proof that the bitcoin blockchain is versatile enough to meet the demands of institutions that want to develop private blockchain networks, while still gaining access to the security and network effect of the bitcoin blockchain.

Bankchain, a new high profile project still held under wraps by itBit, will be a closed, «permissioned blockchain» owned and operated by banks and financial institutions — in other words, a private blockchain without bitcoin and anonymous miners.

Revised data protection rules for the EU institutions and bodies and new rules on ePrivacy are still urgently needed.»