Sentences with phrase «new kind of abstraction»

Frankenthaler had become a creator of a new kind of abstraction which became known as Color Field painting, using stains and color to seep into the canvas.

This refusal creates a new kind of abstraction: one that removes the self as revelation of truth, yet, by probing these very concerns, retains a dialogue with modernism and its teleology.

Suling Wang's paintings address concerns relating to her identity and location as an artist in an attempt to move towards a new kind of abstraction.

Not exact matches

This exhibition looks at the period when mainstream abstraction shifted away from Minimalism and turned to a new kind of Expressionism.

The three «informalisms» in Bill by Bill are in part an attempt to create what artist Christopher K. Ho has termed «modest Bushwick abstraction» and linked to a kind of Clintonian political neutrality of privilege that our generation experienced outside of New York in the mid - to late - nineties.

Despite being critically well received — one reviewer proclaims the work to be «a new kind of painting, one that recasts the vocabulary of abstraction in a form giving rise to new precisions of feeling» — the show doesn't do particularly well with collectors: only one painting sells.

Of Gray's paintings, New York Times critic Ken Johnson wrote that «his stroke is relaxed, but exacting» and described Gray's concerns and «all - over abstractions as a kind of primordial, peaceable kingdom, as far from the frenetic hard - edged modernity of New York City as one could geOf Gray's paintings, New York Times critic Ken Johnson wrote that «his stroke is relaxed, but exacting» and described Gray's concerns and «all - over abstractions as a kind of primordial, peaceable kingdom, as far from the frenetic hard - edged modernity of New York City as one could geof primordial, peaceable kingdom, as far from the frenetic hard - edged modernity of New York City as one could geof New York City as one could get.

2012 Encounters with the 1930's, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain Art of Another Kind: International Abstraction and the Guggenheim, Solomon R. Guggenheim Museum, New York, NY INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymnew era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymNew Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymnew kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

For the pilot semester beginning October 3, and its theme of «New Social Abstractions,» leading artists - theorists Hito Steyerl, Simon Denny, Evan Calder Williams, and writer Ana Teixeira Pinto will lead an exploration into new levels of complexity that organize our modern world and discuss new kinds of artistic production that this development may demNew Social Abstractions,» leading artists - theorists Hito Steyerl, Simon Denny, Evan Calder Williams, and writer Ana Teixeira Pinto will lead an exploration into new levels of complexity that organize our modern world and discuss new kinds of artistic production that this development may demnew levels of complexity that organize our modern world and discuss new kinds of artistic production that this development may demnew kinds of artistic production that this development may demand

In this ambitious, 70 - work show, Tillmans will show new photography of all kinds — abstractions, portraits, still lifes, environments — alongside a split - screen video.

Butler writes that both shows» [suggest] that a renewed interest in traditional genres — portrait, still life, landscape — is thriving within the painting community... That galleries are positioning a new kind of painting to replace what they (and many critics) see as a tired form of abstraction is a salutary development and very different from the days when the objectness of Minimalism, performance, installation, and electronic media challenged painting.»

And abstraction takes on a kind of cool, new cosmic poetry in Julie Mehretu's drawings, where colored forms drift over panoramas of quaking landscapes and splintered architecture.

«Along with Morris Louis and Helen Frankenthaler, he invented a new kind of American abstraction based on the primacy of color.

He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we're looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery.

As a part of the Neo-Geo movement (the short for Neo-Geometric Conceptualism), along with his peers, this American artist introduced a new kind of geometric painting deprived of the non-objective abstraction of the 20th - cetury, implemented with different materials such as microchips and battery cells instead.

This new abstraction is a kind of simulation: a simulation about itself.

These artists rejected the prevailing working methods of American artists, surrealism, geometric abstraction, regionalism, and representation, and created a new kind of experience of art based on personal gesture, immediacy, painting according to sensation, and direct («existential») engagement with subject matter.

Mr. Stanczak remained affiliated with the Martha Jackson Gallery until it closed in 1979, by which time Op Art had been largely superseded by Minimalism and other more austere kinds of geometric abstraction — at least within the confines of New York.

Oehlen went back to basic — a kind of ground zero of painting — where he began working in series, such as his «computer paintings» (such as Untitled, 2008, above), which attempt to find new ways to examine the type of paintings (like Jackson Pollock's) that defined abstraction in American painting since the 1950s.

Rail: Do you feel that the work of Barry Le Va, Carl Andre, Donald Judd, who were all basically sculptors, but who initiated new kinds of subjects or parameters into abstraction in the»70s, were influential for any of the artists in Reinventing Aabstraction in the»70s, were influential for any of the artists in Reinventing AbstractionAbstraction?

The featured works in Blackness in Abstraction showcase a new kind of appropriation art, which uses not just the similar materials but is more interested in the re-using of the basic concepts of the past works.