Sentences with phrase «new kind of artist»

In the early nineties, Wolfgang Tillmans did just that, transforming himself into a new kind of artist - photographer of modern life.

Theaster Gates and Lisi Raskin are among the latest beneficiaries of a new kind of artist residency that prizes local engagement around the globe.

In 2008, Louis Vuitton marked a new kind of artist / fashion collaboration, celebrating Prince's first solo show at the Serpentine Gallery in the UK, with the Jamais bag, a special limited edition version of Richard Prince's Louis Vuitton spring line.

The Tonalists were a big influence on a new kind of artist, the fine artist photographer.

In the protests by the Black Emergency Cultural Coalition and the Art Workers Coalition, formed in 1969 in response to the passions of 1968, a new kind of artists» activism was born.

Not exact matches

Under the influence of Samuel Taylor Coleridge and New England transcendentalist James Marsh, Allston regarded the artist as a kind of seer for the community.

«For this project, we are creating a different kind of review team its a team that combines technical experts, architectural experts, local experts as well as artists to ensure the new bridge is the best choice and fit for the region.»

In New York, a number of seemingly anonymous locations — the lawyer's office, the doctor's, the dentist's — have become places to see the kind of art that you might only hope to view in a gallery or a museum, thanks to medical professionals» practice of trading treatment with artists.

New York About Blog Dexigner is the leading online portal for designers, architects, illustrators, engineers, artists, and creatives of all kinds.

NOAH BAUMBACH: Well at different points in my life it's been different people and I — as an adolescent, I sort of had that experience in movies that Walt had with Pink Floyd, this kind of vicarious, sort of collaborative feeling in that listening or watching became sort of a work in progress: a journey you were taking along with an artist to create something new.

But «Godard Mon Amour,» the director's half - parodic / half - earnest stab at turning his country's rule - breaking enfant terrible (played by Louis Garrel) into one - half of a prickly movie couple — focusing on his then - new marriage to his «La Chinoise» star Anne Wiazemsky (Stacy Martin)-- is the kind of curiously inconsequential homage that neither stokes your interest in cinema / Godard nor illuminates a turbulent love story between artists.

HIT RECORD ON TV / U.S.A. (Director: Joseph Gordon - Levitt)-- HIT RECORD ON TV is a new kind of variety show with host Joseph Gordon - Levitt directing a global online community of artists as they create short films, music, animation, and more.

Focus was great because the film takes place in New Orleans and Argentina, so the directors wanted to bring that sound to the movie, so I got exposed to all kinds of different artists from probably the greatest two musical locations in the world!»

is a deliriously biblical portrait of the artist as a godlike monster (for the record, I liked it), this new film by Paul Thomas Anderson offers a more graceful and far more complicated version of the same idea... Quiet, moody, and deeply perverse (I'll say no more), this fascinating movie reminds us that Anderson is the kind of alchemist - director who can turn somebody ordering breakfast into a classic scene.»

Then I discovered Albert Brooks and I kind of had a new appreciation for Steve Martin, because I knew him as a kid, but not as like the artist comedian.

I'm new to the ramifications and specific processes involved, but am pursuaded this is the likely model for future publication projects that most benefit the first person on the food chain: the writers / artists who conceived them, who are trying to make some kind of living doing what they do best, hoping to find an audience for their work as a * first * resort rather than wearing themselves out with full - time day jobs of no comparable skill or education preparation — but that pay the bills, maybe — and that leave little energy and reserves for their art.

Featuring a rich selection of all kinds of tunes and styles — rock, funk, reggae, bluegrass, classical and more — this unique music crawl is a one - of - a-kind opportunity to relax, let go, hang out and experience something different at every location, from established artists to new, up - and - coming musical talent.

That's why we've created a new kind of online community to fill in the gap - The Abundant Artist Association.

White Columns remains a not - for - profit gallery committed to supporting the work of artists - of all kinds - and is currently located on the border of New York's West Village and Meat Packing districts.

CHICAGO — «It's a super-interesting moment to be at the National Gallery, where the question of what it means to be an American, and what kind of American are you, has a new kind of resonance,» said Theaster Gates, the sculptor, installation and performance artist and urban interventionist, whose exhibition «The Minor Arts» opened there this month in Washington.

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideliNew York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sidelinew kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

These material experiments eventually led to her breakthrough series Samurai (1981 — 83), first shown at Phyllis Kind (1983) and recently on view at JTT Gallery, New York (November 13, 2016 — January 15, 2017), one of three galleries that currently represent the artist.4 Haunted by the memory of a scene from Akira Kurosawa's epic film Kagemusha (1980), in particular the armor worn by samurai during a ceremonial gathering, Simpson abstracted the cascading arcs and linear folds of the warriors» skirts into free - form structures.

In an essay excerpted from the new book Akademie X: Lessons in Art + Life, the renowned novelist and critic considers the kind of artists that grad schools generate.

John Yau offers a tribute to the late painter Michael Mazur, whose early paintings of apes in a zoo were recently exhibited in New York: «This is the kind of challenge that most artists, no matter what the medium, avoid: to confront and stroke difficult subject matter, to be open and sympathetic without trivializing or becoming sentimental.»

Two directions cross-inseminated each other in order to produce fresh and utterly new results: a moment of free - thinking, fervent experimentation during the post-war boom in Southern California led artists to try their lucks with all kinds of new materials and techniques; at the same time, these bouts of explorations into newly invented materials and new techniques, corresponded with a moment of open, declarative celebration of the particularly striking beauty of light, ocean, and space in Southern California.

«Pierre Bonnard: The Late Interiors» (Metropolitan Museum of Art, New York) You kind of get the feeling that Bonnard was a real artist.

The three «informalisms» in Bill by Bill are in part an attempt to create what artist Christopher K. Ho has termed «modest Bushwick abstraction» and linked to a kind of Clintonian political neutrality of privilege that our generation experienced outside of New York in the mid - to late - nineties.

The artist has said of this new series that, as with a previous body of work in which he articulated a fascination with Futurism, he is «exploring new ways of interpreting a definitive and somewhat overlooked period in cultural history, developing works centred around the kinds of characters who populate my practice, imagining who is the boy / man who would make this sort of space his own, what his home might look like... and what sort of psychosis would lead to this?»

Hockley also sits on the board of Art Matters, a New York - based nonprofit that supports artists whose work intersects with advocacy of different kinds.

New York - based artist Alejandro Cesarco (b. 1975, Montevideo, Uruguay) expands the limits of meaning - making by creating new kinds of narrative structurNew York - based artist Alejandro Cesarco (b. 1975, Montevideo, Uruguay) expands the limits of meaning - making by creating new kinds of narrative structurnew kinds of narrative structures.

The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art sceNew Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art sceNew Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scenew audiences and gaining recognition for their contribution to the modern art scene.

John Leighton, director - general of the National Galleries of Scotland said: «Artist Rooms is now firmly established as a new kind of national collection reaching many millions of people across the UK.

These paintings» twisted Neo-Classicism, their Ingresque backlighting, their intimations of lesbian couplings, not to mention the physical - culture allure of their 1930s photographic sources, combined to make Picabia's»40s nudes the paradigm of a new kind of pictoriality which has proved very powerful for contemporary artists.

Storytelling, or the narrative structure itself, has served as a medium in its own right, providing artists with a new kind of raw material with which to craft their photographic and filmic imagery.

The exhibition, curated by Rachel Gugelberger and Reynard Loki, takes its name from the title of a 2010 special report published by The Economist that observed the emergence of «a new kind of professional... the data scientist, who combines the skills of software programmer, statistician and storyteller / artist to extract the nuggets of gold hidden under mountains of data.»

Escorting the viewers through the artist's obstinate misreadings of Western art history and iconography, the show takes its title from Christopher Columbus mistaking a kind of Caribbean tree bark for a new spice.

But many artists are making a kind of figurative sculpture that feels new and transgressive, even though they're using forms and techniques associated with academic realism.

The artist attempts something entirely new, creating a kind of society in which the separate pieces represent individuals.

Loft Schulz's Joan of Arc is a different kind of believer: a girl whose dreams of becoming an artist lead her to modern - day New York.

If the New York art world is a kind of royal court populated by empurpled dealers, landed collectors, waggish artists, and all manner of opulently bourgeois courtiers, then Walter Robinson is the kingdom's scribe — and also, from time to time, its jester.

Graphics and propaganda from secret societies, evangelical and fundamentalist movements, new - age spiritualists, Scientologists, Freemasons, ultraconservatives and all kinds of conspirators; encyclopedias for children and even Dr. Netter's famous medical illustrations — with The Hidden World, Los Angeles — based artist Jim Shaw (born 1952) exhibits the incredible collection of didactic graphic art that is the main source of inspiration for his diversely informed art.

He became a transformative link between artists like Jackson Pollock and Willem de Kooning and those who came next, artists identified with Pop, Conceptualism, Happenings, Process Art and other new kinds of art in which he played a signal role.

In the accompanying exhibition text, Crimp recognized the influence of photo - conceptualists such as John Baldessari, suggesting that these younger artists were taking peripheral aspects of that practice and bringing them to the fore to create a new kind of representation that resonated with the media - obsessed age that privileged the processes of quotation, excerption, framing and staging.

So the title Fast Forward came in part from an article I read on Keith Haring, that was talking about the climate, this moment, in the early 1980s in particular and more generally, and that there was this idea that there was suddenly a kind of new freedom for artists to paint what you want.

Currently sitting on a bank of the Hudson River in Chelsea lies Tony Tasset's Artists Monument (2014), an offsite project of the 2014 Whitney Biennial (and not far from the construction site of the Whitney's new Renzo Piano building — a different kind of «there goes the neighborhood» event).

Coupled with rising interest in European artists whose work shared unexpected ground with Mr. Twombly's, like that of Joseph Beuys, the new - found attention brought him a kind of critical favor he had never enjoyed.

With the mission of the New Media Gallery in mind, the Museum has decided to establish the juried exhibition as an annual event, providing regional artists a chance to exhibit in one of the only galleries of its kind in Western North Carolina.

In «I Am An Artist», the artist walks on the Bowery in New York, in a kind of refusal and provocation aiming at the border between artists and the world at Artist», the artist walks on the Bowery in New York, in a kind of refusal and provocation aiming at the border between artists and the world at artist walks on the Bowery in New York, in a kind of refusal and provocation aiming at the border between artists and the world at large.

Over the next four years the Hammer will create a new kind of interactive museum: an artist - driven visitor engagement and education program that encourages daily contact among visitors, artists, and Museum staff, and activates the spaces, exhibitions, and website in imaginative ways.