According to Putting People First», The future will see
a new kind of object — we have the primitive forms of them now in our pockets and briefcases: user - alterable, baroquely multi-featured, and programmable — that will be sustainable, enhanceable, and uniquely identifiable.
The exhibition explored the seismic shift from analogue processes to digital technologies that informed the production and distribution of
new kinds of objects in the late 20th and early 21st centuries.
Not exact matches
He focuses on the emergence
of novelty as it precedes and is presupposed by all conscious reflection and decision, whereas I am speaking
of new possibilities introduced by highly reflective consciousness.53 However, I do not wish to press any claim beyond this: Whitehead should not preclude in principle the possibility that a temporal occasion may have toward some eternal
object the
kind of relation God has toward all.
A
new kind of political - economic - moral order was rising — under the hand
of Providence, he thought — and perhaps the most striking thing about this
new order was that in it «men have in our time carried to the highest perfection the art
of pursuing in common the
object of common desires, and have applied this
new technique to the greatest number
of purposes.»
Puzzled astronomers think they caught a
new kind of sporadic explosion, but they must find the
object again to verify the cause.
These failed stars, or brown dwarfs, inhabit a peculiar gray area between large planets and small stars, and their split personalities are providing scientists with
new ways to learn about both
kinds of objects.
It's so strange, it may be a whole
new kind of celestial
object
Residing in the dwarf galaxy IC 10, 1.8 million light - years away in the constellation Cassiopeia, the
new black hole puzzles researchers because it is thought that the
kind of star that would give birth to it would not have retained enough mass to produce such a large
object.
To illustrate, this talk will focus on infants» knowledge
of objects, agents, and social beings, and on two
new systems
of concepts that emerge quite suddenly at the end
of the first year: concepts
of objects as
kinds whose forms afford specific functions for action, and concepts
of people as social agents whose mental states are shareable experiences
of the things they act upon.
These
kinds of incentives let the cat know this
new object in the home belongs to her and rewards her for using it.
«I wanted to show how his jewelry lives off the body, as an
object, then has a
kind of second life when it's worn,» explains Rohaytn, who partnered with Sotheby's on a catalog that also includes the 18 Calder pieces from its November 14 contemporary auction in
New York.
The show makes sense if local is defined more abstractly as signifying a
new kind of highly focused, ground - level attention to the art
object and all its visible details, however minute.
Inviting endless ways
of bringing together different
kinds of art, it generates
new readings and experiences
of particular
objects and creates «inter-work» relationships, which may even reveal hidden and mysterious coalitions and affiliations.
That
kind of architectural reconfiguration established Whiteread in the public eye in the early 1990s, while her crisp vocabulary
of everyday forms brought a
new language to our private relationships with
objects.
For this project, team Voorlinden put themselves in Johansson's shoes and collected all
kinds of objects, which Johansson will use to create a
new, wall - to - wall artwork.
It led the way towards a
new approach to installing and exhibiting art, famously placing Broodthaers» Casserole
of Mussels (1964) on the gallery floor: «It was something altogether
new to show an
object without any
kind of presentation — without a pedestal and without any Plexiglass.»
Critics, curators, and even the artists themselves were trying to categorize the fresh approach, but it was actually a British philosopher, Robert Wollheim, who indirectly coined «Minimalism» in «Minimal Art,» a 1965 essay in Arts Magazine assessing the rise
of a
new kind of art —
objects with «minimal art - content.»
These two approaches articulated very early on in its history this
kind of work's almost paradoxical dynamic: that one can read a monochrome either as a flat surface (material entity or «painting as
object») which represents nothing but itself, and therefore representing an ending in the evolution
of illusionism in painting (i.e. Rodchenko); or as a depiction
of multidimensional (infinite) space, a fulfillment
of illusionistic painting, representing a
new evolution — a
new beginning — in Western painting's history (Malevich).
2011Out
of Focus Photography, Saatchi Gallery, London, UK (catalogue) Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA «Render:
New Construction in Video Art», California Museum
of Photography, University
of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless
Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning
of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns,
New York (catalogue) Another
Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial
of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greece
The Lost
Object is an artist who works with discarded and abandoned materials, creating — you guessed it — «Lost
Objects», a
kind of collaboration between the artist and time and nature itself, incorporating the materials flaws and physical history into the work, creating something fresh and
new.
The exhibition not only includes 130 art
objects — paintings, drawings and graphics — but there's also a reconstruction
of the
kind of New York nightclub Haring liked to visit, as well as a re-creation
of his Pop Shop, which sold his T - shirts and tote bags.
In his introduction John Ashbery calls the book «the finest work
of Surrealist fiction,» noting that de Chirico «invented for the occasion a
new style and a
new kind of novel... his long run - on sentences, stitched together with semi-colons, allow a cinematic freedom
of narration... his language, like his painting, is invisible: a transparent but dense medium containing
objects that are more real than reality.»
, Yerba Buena Center for the Arts, San Francisco 2011
Objects and Images, Gallery Paule Anglim, San Francisco 2008 What the Whiskey Said, What the Sun is Saying, Matthew Marks Gallery,
New York 2007 Three photographs, three mirrors, a sculpture and a sign, Gallery Paule Anglim, San Francisco 2004 Reel Around, Matthew Marks Gallery,
New York 2003 Nayland Blake, Some
Kind of Love: Performance Video 1989 - 2002, Center for Art and Visual Culture, University
of Maryland, Baltimore County.
In the process, high and low culture merge, creating a
new kind of art
object.
Using the images from mass culture and found
objects, pop art artists reshaped the face
of the painting by introducing a
new kind of commercial aesthetics.
To demonstrate the possibilities
of a
new line
of high - performance, 3D printed tiles to build habitable, auxiliary structures in cities where affordable housing is scarce, Archpaper shows how San Francisco - based design startup Emerging
Objects created this backyard Cabin
of Curiosities which integrates two different
kinds of these textured and multifunctional tiles.
As the technology develops, we should expect that they will be used as analogs to other
kinds of value -
objects, where they will raise
new legal questions wherever they find adoption within regulated areas
of economic activity.
The 3D printer can print solid
objects faster, exhibiting a
new kind of head - up display.