Sentences with phrase «new kind of visitor»

Not exact matches

I warned then that tricked traffic, vicarious visitors, and the kind of morons attracted to the latest news on Momma whoever's new diet weren't worth reaching or pitching to in any case because they weren't buying anything worth selling — but at least we thought they were living, breathing human beings.I said:

Steven Nivin, chief economist of the SABER Research Institute, estimated the celebrations would create 1,300 new jobs, bring 263,000 more visitors in 2018, $ 4 million in tax revenue for Bexar County and the City, $ 8 million in in - kind media coverage, and $ 45 million worth of generated wages and benefits.

Beautiful Messages is daily preparing for visitors every kind of new messages, quotes, sayings, words.

Still, there's something about this couple on screen that kind of works, partly because Hawkins and Hawke are remarkable together, and partly because director Aisling Walsh and screenwriter Sherry White let them make much of small things: The looks on their faces, say, when she starts popping bright, cheerfully painted cards in with his bills, and a New York visitor offers to pay more for her card than for his fish.

What visitors see is a new kind of learning, in which students are given the authority to seek out information from a wealth of resources and translate that information into forms far beyond term papers or worksheets.

Today, this 1,500 - acre site at the center of the San Francisco Bay Area is a new kind of national park, enjoyed by millions of visitors each year.

We strive to constantly find new and improved apartments, with different styles to accommodate every kind of visitor.

The Aruba Tourism Authority has a nifty new app for visitors featuring intelligent trip itinerary features and all kinds of cool extras.

Visitors can wander to the neighbouring Maison Louis Vuitton, rendering the social reality of the store into a new kind of nature space.

Over the next four years the Hammer will create a new kind of interactive museum: an artist - driven visitor engagement and education program that encourages daily contact among visitors, artists, and Museum staff, and activates the spaces, exhibitions, and website in imaginative ways.

The Hammer Museum's Public Engagement program seeks to create a new kind of interactive museum: an artist - driven visitor engagement program that encourages contact among visitors, artists, and Museum staff, and activates spaces in imaginative ways.

One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation

The grant is payable over four years and will enable the Hammer to create a new kind of interactive museum: an artist - driven visitor engagement and education program that encourages daily contact among visitors, artists, and Museum staff and activates the spaces, exhibitions, and website in imaginative ways.

When the new installation opens in November, says chief curator Darsie Alexander, curators will hold in - gallery office hours — giving visitors insights into the way exhibitions happen, and giving the staff a chance to find out «how visitors encounter work in space — the kinds of questions they ask about art, what they find interesting, and how long they stay.»

«The visitors hail from Shanghai, Detroit and Los Angeles and cities in Latin America and Europe,» wrote Roberta Smith in The New York Times, «a kind of art gallery Airbnb» or decentralized underground fair.

Try out a different kind of studio visit with dancer and artist Jillian Peña, who will perform her new architecturally - influenced dance and actually take time to explain it to visitors, or check a screening of the Swedish film making waves with its representation of transgender life at Pioneer Works.

The Center for Book Arts, the first not - for - profit organization of its kind in the nation, was founded in 1974 and the only location in New York City where visitors can view book arts exhibitions in the context of an active, working studio.

Nicholas Serota, Director, Tate said «The new Tate Modern is an instrument that will allow us to offer a rich variety of experiences to visitors and opportunities to artists for different kinds of presentation of their work.»

A new reckoning for Ross Bleckner was certainly afoot at Mary Boone in Chelsea on Saturday night, where the artist's new paintings — a kind of retrospective of the new, as one visitor noted — was waking people up to what a seriously good painter the guy really is.

I want it for the Menil Collection and the Modern Art Museum of Fort Worth, which could keep their non-didactic approaches while deploying the people who walk the gallery floors as resources who can help visitors see art in new ways and relay the kinds of feedback museums hire market - research firms to gather.

Decision, he continued, «will ask visitors to make choices, but also, more importantly, to embrace a kind of double vision that takes in competing points of view, and embodies what Holler calls a state of «active uncertainty» - a frame of mind conducive to entertaining new possibilities.»