Sentences with phrase «new kinds of audiences»

Not exact matches

Ultimately, journalists and audiences must come to some kind of agreement on what is acceptable in the new world of immersive and VR journalism, and determine what kinds of film - making behavior are too manipulative.
Get ready for a new kind of pitch show that gets the audience in on the action, premiering September 20 on entrepreneur.com.
Speaking to an Institute for Private Investors audience in New York last week, Rodriguez said that every year beyond 2013 without structural reform would «increase the size and scope of the necessary fiscal response» amid likely negative capital market reaction of the kind we're now seeing in Europe.
New York is a transient city, so every few years you kind of re-set your audience — and that's unique to New York.»
Bezos told the audience his hope is that the space industry will help create a new world by sparking the same kind of intense creativity and dynamism that the Internet has.
According to live video marketing expert Joel Comm, a pioneer who has been using the format since 2008, that combination of an audience primed for video content and a gadget that puts a lens at eye - level is the perfect set - up for a new kind of live video.
Still, without trackbacks and any kind of audience input other than reader comments on blogs, Time is lagging behind the Post and other organizations that have dived into the new web world head - first.
Citing a statement from New York Attorney General Preet Bharara, Killian told the audience, «There are two kinds of people in Albany; those that are corrupt and those that stand by and watch....
They had quiet meetings, screenings around the country of this new movie in churches and before religiously oriented audiences of various kinds and they built up a great grassroots enthusiasm for this film.
As online dating shifts toward a mobile audience, FirstMet welcomes a new kind of single into their ranks.
Even though this new adventure of Pac - Man is targeted towards a younger audience, due to its bad design it can be frustrating and extremely difficult without any kind of real payoff to the gamer.
With his long hair and kind eyes, Salva looks a bit like Jesus, and Bigardo (Daniel Giménez Cacho), the creator of the show, decided to play the resemblance for all it's worth; the home audience not only acquits Salva, but he's given a new job as a TV preacher.
The film doesn't take itself too seriously, laying it on thick with the jokes (Michael Pena, especially, steals every scene he's in), and the humor offers a kind of buffer which allows the audience to suspend their disbelief long enough to really accept Marvel's newest hero.
Audiences are extremely familiar with the kinds of story beats that drive not just these «new» programs but the hundreds that came before them; buddy - cop and spy - guy moves have been remixed and repeated for decades, but these derivative works ignore that reality.
The newest game from the minds behind the successful God Eater action RPG series, Code Vein represents a chance for those creative minds to clean the slate with a new kind of game — and one that is more keenly targeted at a worldwide audience.
Audiences - of all kinds - are not only eager, but grateful to have a wider range of stories and character types to experience; a more diverse selection of talented filmmakers are telling those stories in creative and thrilling ways; and a more diverse crop of stars are becoming icons for a whole new generation of kids, who will grow up never knowing this was once a debate, at all.
«Audiences need new images and I think visual effects are used too often to just blow things up and do the same familiar kinds of stuff,» said director Scott Derrickson.
Emulating blockbuster productions is a bit of a double - edged sword, as it will attract a sizable audience which likes those kinds of films, but at the same time, they are also so well - known and oft - watched, if you aren't going to bring anything new to the story, you are likely to be greeted by scorn and derision, even among fantasy fans.
I believe that this kind of technology enables people to achieve new goals and explore new possibilities (and therefore be their very best) but I do realize that some audiences or corporate cultures may not adapt very well to this approach because of the challenges I mentioned earlier.
It improves the Corolla's torsional rigidity by 60 per cent, claims Toyota, which together with the all - new suspension gives the sleek hatch the kind of engaging driver dynamics that may attract a different audience — not just risk averse buyers who want a return on their investment.
To new users looking to dive in and commission their own theme, I'd recommend reviewing past and present manuscripts to assess what features are necessary and what kind of design might be appropriate for the intended audience.
The audiences for these kinds of titles are often more familiar with the ecosystems surrounding the purchase of music than they are with audiobooks, it doesn't require them to sign up for a new service, and the barriers to entry are a little lower.
I'm new to the ramifications and specific processes involved, but am pursuaded this is the likely model for future publication projects that most benefit the first person on the food chain: the writers / artists who conceived them, who are trying to make some kind of living doing what they do best, hoping to find an audience for their work as a * first * resort rather than wearing themselves out with full - time day jobs of no comparable skill or education preparation — but that pay the bills, maybe — and that leave little energy and reserves for their art.
L.A. Noire is just one of the many franchises that Rockstar Games worked on before establishing itself as a Grand Theft Auto machine, and while all its effort is no doubt going into Red Dead Redemption 2 for its release next year, we can't help but think there are a few long - lost franchises that deserve some kind of comeback, if only for a new audience to discover them.
Marketing VP Pete Hines explained the Bethesda philosophy: «Our motto has always been: We want to make our games available to the widest audience possible on whatever platforms that will support the game, so to whatever extent new consoles fit with the kind of games we are making and support them technologically, we would certainly do that.»
While it's not yet clear what kind of an addition to the Call of Duty franchise former Dead Space leads at Activision's new Sledgehammer studio are working on, it's taking an «innovative and audience broadening approach».
Practically what that means is that we care passionately about bringing independent games to a larger audience and about creating new and exciting kinds of play experiences.
This is a whole new IP, tied into a promising TV show, trying to bring an exciting, novel kind of gameplay to a mass audience.
The feeling of never knowing what awaits you and the feeling of actually having accomplished something without having to button - mash your way to victory, but it all depends on what kind of gamer you are, if you are somewhat like me and grew up on adventure games then there is no question about it, you should definitely try out The Night of the Rabbit, however if you are new to the genre some of the puzzles might scare you off but trust me, if you take the time to truly explore the game you will know why this is a genre that needs a bigger audience.
And the show's organizers — Johanna Burton, director and curator of education and public engagement at the New Museum, working with Natalie Bell and Sara O'Keeffe, assistant curators — have included a substantial amount of entirely abstract work of a kind 1982 audiences perceived as apolitical, though here it is not.
Somerset House is a new kind of arts centre in the heart of London, designed for today's audiences and creatives.
The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art sceNew Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art sceNew Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scenew audiences and gaining recognition for their contribution to the modern art scene.
In response, AfriCOBR sought to create a new kind of art that was not only politically engaged but reflected contemporary Black culture and appealed specifically to a Black audience.
The New Media Gallery is the first of its kind in WNC, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art sceNew Media Gallery is the first of its kind in WNC, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art sceNew Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scenew audiences and gaining recognition for their contribution to the modern art scene.
«From the reactions of the audience, [Klein] realized that... viewers thought his various, uniformly colored canvases amounted to a new kind of bright, abstract interior decoration.
In the vein of old - timey radio dramas, prepare yourself for a new kind of variety show, featuring burlesque acts during commercial breaks, audience participation, and most of all — pirates!
«It provides a temporary global agora, a place for encounters between people... a chance to create new kinds of neighbourhoods between artists and audiences
Dercon himself said: «Transforming Tate Modern is an incredibly inspiring challenge, allowing us the chance to create a new kind of art institution, fit for the 21st century and London's many different audiences.
The Poetry Foundation seeks to be a leader in shaping a receptive climate for poetry by developing new audiences, creating new avenues for delivery, and encouraging new kinds of poetry through innovative literary prizes and programs.
If you apply a little creativity, you can find ways to convey this kind of information in the context of a current file or relationship, a new relationship with a potential client or when addressing an audience of relative strangers through media, writing or speaking engagements, social media engagement, seminars, newsletters, advertising or any other marketing or business development tactics.
Complement the way you're reaching audiences (try a new medium of advertising, new kinds of messaging as described above, etc..)
A dramatically engaging, layered story experience that breathed new life into the ideas of transmedia storytelling, it raised the bar for the kind of emotional experiences that people can expect from the world of immersive theater — and it pulled it all off by making the audience part of the storytelling itself.
«Electrification is happening in the road car world and Formula E offers manufacturers an interesting platform to bring this technology to a new audience — and to do so with a completely new kind of racing, different to any other series.»
With 5 partners, co-founded this annual 2 week - long metropolitan festival of cutting - edge performances by Arizona - based and international theater companies and performance artists, introducing audiences to new kinds of live performance experiences.
To illustrate canalization more concretely, I perform an quick audience - participation play of growth across the lifespan facing each new kind of relationship.
Many years ago we had great talent shows like the Ted Mack Amateur Hour out of America and some wonderful programming on the CBC that provided all kinds of opportunities for new actors and singers desperate to perform before some very forgiving audiences.
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