Furthermore, interest in German Expressionism opened up
new kinds of imagery to Lichtenstein, namely the human figure.
And on the other hand, the Chicago painters, whom SOMONE was the one who really stood out, who interested the post-abstract expressionists
new kind of imagery.
He wanted to create
a new kind of imagery, richly detailed and self - consciously beautiful, that could converse with the history of art.
Not exact matches
In 2003 the National
Imagery and Mapping Agency (now known as the National Geospatial - Intelligence Agency) began investing in a new company called Keyhole, which melded satellite imagery and photographs taken from aircraft into a three - dimensional tool for nuanced mapping of all kinds of terrain, including military areas and city s
Imagery and Mapping Agency (now known as the National Geospatial - Intelligence Agency) began investing in a
new company called Keyhole, which melded satellite
imagery and photographs taken from aircraft into a three - dimensional tool for nuanced mapping of all kinds of terrain, including military areas and city s
imagery and photographs taken from aircraft into a three - dimensional tool for nuanced mapping
of all
kinds of terrain, including military areas and city streets.
We don't learn anything
new about this
kind of fighting and the
imagery — bigger in scale but not bigger in vision from the past — feels stale.
It is the middle period in Schnabel's exploration in material found,
imagery and language, and experiments in inventing a
new kind of painting.
Storytelling, or the narrative structure itself, has served as a medium in its own right, providing artists with a
new kind of raw material with which to craft their photographic and filmic
imagery.
Traveled to: The Corcoran Gallery
of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum
of Art, July 7 — September 5, 1994; Forum for Contemporary Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal
Imagery, Chicago /
New York, Phyllis
Kind Gallery,
New York, September 18 — October 30, 1993 Art Works: The Education Project, International Center
of Photography,
New York, July 2 — September 26, 1993 (Catalogue) 46th International Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc.,
New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April — November 1993 Yale Collects Yale, Yale University Art Gallery,
New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum
of Art, Cornell University, Ithaca,
New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery,
New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries,
New York, February 4 — March 6, 1993 A
New Installation
of Photography from the Collection and Recent Acquisitions, Museum
of Modern Art,
New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January 1993.
He belongs to the generation
of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we're looking back to the mid-eighties, we have to include
New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a
kind of condensation and compression, in relationship, lets say, to cartoon
imagery.
Traveled to Illinois Art Gallery, Chicago (catalogue) 1968, Betty Rymer Gallery, The School
of the Art Institute
of Chicago Second Sight: Printmaking in Chicago 1935 — 1995, Mary and Leigh Block Gallery, Northwestern University, Evanston, IL 1994 Garden
of Earthly Delights, Phyllis
Kind Gallery, Chicago Chicago Imagism: A 25 Year Survey, Davenport Museum
of Art, IA 1993
Imagery, Incongruous Juxtapositions, Phyllis
Kind Gallery, Chicago 1992 From America's Studio: Drawing
New Conclusions, Betty Rymer Gallery, The School
of the Art Institute
of Chicago (catalogue) 1991 Distorted Figuration, Evanston Art Center, IL 1990 The Mary Jean Thomson Collection, College
of Lake County, Grayslake, IL Portraits
of a
Kind, Phyllis
Kind Gallery, Chicago 1989 Birthday Cake: 50th Anniversary Exhibition, Hyde Park Art Center, Chicago 1987 Chicago Imagist Print, David and Alfred Smart Museum
of Art, the University
of Chicago Drawings
of the Chicago Imagists, Renaissance Society, University
of Chicago 1983 Nilsson, Nutt, Paschke, Rocca and Wirsum, Galerie Bonnier, Geneva Contemporary Chicago Imagists, Merwin and Wakely Gallery, School
of Art, Illinois Wesleyan University, Bloomington, IL 1982 Chicago on Paper, Ray Hughes Gallery, Brisbane, Australia From Chicago, Pace Gallery,
New York Hot Chicago, Douglas Drake Gallery, Kansas City, MO 1980 Who Chicago?
They offer a tantalising glimpse
of the
kind of operational
imagery that this
new mission will provide for Europe's ambitious Copernicus environmental monitoring programme.