Sentences with phrase «new layer of paint»

As time moves forward and new events occur, a new layer of paint covers the previous layer.

Its more than just a new layer of paint and some bloom effects; everything looks like its been completely redone.

Now if they wish to, they can simply cookie cutter a bunch of crap around and add a new layer of paint and a couple of new meager features, and voila!

This can be fairly cheap and easy things like a DIY new layer of paint every 5 - 15 years, or large jobs like drainage or a roof replacement every several decades, but either way, it's a monetary outlay.

Instead of hating my body, I brushed in some new layers of paint.»

Not exact matches

This will allow the new paint to take a strong grip and will also remove a layer of the existing toxic paint.

Layer on the color and comfort with our cheery bedding, printed with a new technique that gives it the dimensional look and extra vibrancy of a watercolor painting.

So I finally made the move into my new house (after hours and hours and layers and layers of painting and priming) and I feel like my normal routine has been out of whack..

If StarCraft were to be released for XBLA, Blizzard should update the visuals here and there and apply a slick new layer of high - definition paint.

But spurred by her interest in saving one painting, Flora Doody soon discovered that scattered throughout the city and hidden underneath three - quarters of a century of grime — and, in some cases, a layer or two of paint — lay one of the largest collections of Progressive Era and New Deal murals in the United States.

The car is so new, in fact, that it still wears its factory - applied cosmoline — a waxy layer of paint protectant that dealers typically remove before delivering a new car — which has attracted all the dirt and dust shown in the photos.

2018 KEYSTONE MONTANA 3561RL, Another beautiful new floorplan Montana with all the Montana standards plus he Residential Living Package (Prepped for rear view camera, Automotive paint with 2 layers of clear coat on front cap, High gloss gel coated sidewalls and rear wall, Max Turn front cap and radius frame with Hitch Vision⠫cents, Rota - flex pinbox by Trailair, Slam latch pass thru storage compartm

A new Lexus painting process that uses multiple layers of clear and deeper - colored coating brings the RC coupe to life with a brighter and more contrasting shade, especially on the racy red exterior.

Available for both the GranTurismo and GranCabrio models, the Sport Special Edition standards out by means of a new Rosso Italiano, three - layer paint — which mimics the red of Juan Manuel Fangio's F1 - winning 250F race car — and 20 - inch alloy wheels in Glossy Black with «Special Edition» logos.

The technical features are matched by a new, even more extensive choice of colours developed by the Ferrari Styling Centre, including two - tone finishes, three - layer paint technology and modern re-interpretations of classic colour schemes which increase the exclusive personalisation possibilities even further.

This isn't just an updated ratio or a new fancy layer of paint.

Calligraphy, miniature painting, Sufi mysticism, and other traditions are the starting point for a new generation of artists from the Islamic world who are using the language of contemporary art to inflect their work with multiple layers of meaning.

In the introduction Haynes writes: «For her new exhibition... Semmel has created 12 large paintings, many of which have two layers, each with a nude self - portrait.

In Greene Street Mural, Lichtenstein layered pervasive images from his pop lexicon — marble - patterned composition notebooks, cartoonish brushstrokes, and Swiss cheese — with new motifs, including the Neo-Geo tropes of the Perfect / Imperfect paintings; faux woodblock shading patterns; and office items including filing cabinets, envelopes, and folding chairs.

I gained new practical knowledge about the importance building up layers and applying glazes, because as each successive layer is built up on top of another, on completion the intensity of the pigments positively brings the painting alive with colour.

Bradford, in his new paintings focusing on cartoons, builds on his signature practice of layering paper scraps found on Los Angeles streets.

Through Aug. 16, 2014 Mark Bradford at White Cube Hong Kong Known for his abstract, layered collage paintings, Los Angeles - based Mark Bradford is presenting «a series of new works about Hong Kong that explore structures of power and politics through the lens of urban planning, in the world's most densely populated city.»

The New York - based artist Isca Greenfield - Sanders transforms old slides by scanning and gridding them, and then applying multiple layers of watercolor, colored pencil, or oil paint.

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitalism.

Artist Statement Shara Hughes» new paintings present layers of abstracted, actual and pictorial space, all in search of simplicity.

Many of the featured artworks are from the1950's and 60's including an important densely layered collage from1955 by Lee Krasner which redeployed sections of discarded paintings and drawings by her husband Jackson Pollock in tandem with new design elements she added to her own studio scraps.

His solo show «Summer Solstice» features new paintings of layered gesso, burnishing clay, ink, pigments and precious metal leafing.

SOLO EXHIBITIONS 2016 «Emma,» Russell Collection, Austin, TX 2009 «Recovery,» Center for Contemporary Arts, Abilene, TX 2008 «Figuratively Speaking,» Amy Graves Ryan Fine Arts, Abilene 2008 «Emblematic Expressions» Falcon Gallery, Del Rio, TX 2007 «Satiated Between the Layers» Center for Contemporary Arts GROUP EXHIBITIONS 2017 Affordable Art Fair New York, NY 2016 Art Hamptons, NY 2016 Artspace Warehouse, Los Angeles, CA 2014 «Beyond Beauty», Russell Collection, Austin, TX 2015 «Mixed Media», Roan and Black, Saugatuck, MI 2012 «Femme», Russell Collection Fine Art, Austin, TX 2011 «Best of Texas», Russell Collection Fine Art, Austin, TX 2010 Samuel Lynne Art Galleries, Dallas, TX 2009 Samuel Lynne Art Galleries, Dallas, TX 2009 Center for Contemporary Arts, Abilene, TX 2008 Center for Contemporary Arts, Abilene, TX 2007 Fairmount Gallery, Dallas, TX 2007 Simply Art Gallery, Galveston, TX AWARDS 2008 Best in Show, McMurry University 2007 - 2008 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Sophomore Artist, McMurry University 2004 - 2005 Outstanding Freshman Artist, McMurry University 2004 - 2008 Perry Bentley Scholarship recipient 2007 Best in Painting - Manhattan Arts International 24th Anniversary Competition About the gallery: Artspace Warehouse is one of the world's leading galleries for savvy contemporary art collectors.

To prepare the ground, he covered the entire surface in multiple layers of a radiant lead white, which were then sanded down and painted again, only to be sanded anew, «until the surface became almost translucent» (M. Stevens and A. Swan, De Kooning: An American Master, New York, 2004, p. 562).

The variety with which paint is brushed, scraped, layered, piled up and dug into fills these works with markedly distinct passages of paint - handling, in the old - fashioned sense, even while they seem to push paint to new physical limits.

Upon close examination, the pearlescent layers of wax and modeling paste reveal the hand of the artist, who was building up the surface to accept his own version of a new painted language.

Indeed it is, from a brand - new series that the sculptor — who has made paintings of nets and peacock feathers in the past — creates by laying down rows of yarn on a red - painted canvas and then applying another, darker layer of red on top before removing the threads.

As New York Times art critic Roberta Smith has noted, the paintings of David Salle, another key figure from this period, are «pictorially rooted in Pop Art's use of common or degraded images», layering elements drawn from high and low culture.

Nicholas Kersulis: Within Without the Space of a Corner will feature new work by an artist who's intrigued me since Blaffer Art Museum director and chief curator Claudia Schmuckli included his painted discs — and rocks painted with gesso so obsessively layered it begins to dwarf the stones themselves — in the 2008 Houston Area Exhibition.

With their sensuous and reflective surfaces created with multiple layers of sprayed - on acrylic pigment and glazed with Murano (a powdered pigment which is suspended in clear lacquer), Novros» paintings provide the viewer with new types of perceptual and emotional experiences.

Thea Ballard with a short review on Bracha L. Ettinger's latest exhibition at Callicoon Fine Arts, New York: «Though small and even unassuming, her striated oil paintings (in deep bodily reds and purples) are rewarding and dense - both in theoretical weight and in composition, her method involving a years - long process of layering.»

Included alongside Hirst's work were a large series of Dominic Denis's oil on canvas paintings, «Directions» (1990), and a new series of Angus Fairhurst photographic works layered with gel.

Consisting of resin and paint on multiple layers of unprimed canvas, it evinces a new materiality on Hubbard's part (c.f. Natalie Frank) but remains true to his pleasingly sleek style, which does much to sex up the whole category of abstraction.

Beginning with her poured latex «floor paintings,» and her layered wax pieces, Benglis pursued pure form, putting her at the forefront of New York Post-Minimalism.

, New York: «Though small and even unassuming, her striated oil paintings (in deep bodily reds and purples) are rewarding and dense - both in theoretical weight and in composition, her method involving a years - long process of layering.»

The exhibition features the intricately layered, nature - based abstract paintings of Michael Kessler, based in Santa Fe, New Mexico.

One of the most important painters of our time, Richter shows no signs of slowing down: the new paintings, characterized by vibrant colors and layered compositions, reveal an artist still at the height of his powers.

In his new works, Close continued his involvement with the grid as an organizing device, creating full - color paintings out of only cyan, magenta, and yellow pigments, and layering colors in singular brushstrokes.

On the surface this results in a layered application of manipulated photographs and thickness of paint that engage the viewer in a new yet strangely familiar visual languageas one recognizes the representationwithin the visuals and understand material presence of the paint.

The exhibition will show how he used photocopiers to make new distorted compositions, while the Lens Paintings made in the 2000s attempt to emulate holograms in their use of semi-transparent layers of materials.

In her pulsating new large - scale canvases, Gilfilen pits clashing colors against one another in snaking layers and agitated line, filling once pristine areas with murky, mark - cancelling clots of paint.

Similarly, his new glitter paintings on silver mylar capture the best of Wynne's glimpses into multiple layers of observation as the viewer contemplates the words, such as Frenzy or Romance, as they are confronted with their own reflection.

The compositions in her current paintings continue to reference the layering and puzzling together of shapes that defined her collage practice, adding a new attention to materiality.

Bradley's layers of color and abstract fields of paint feel consistent throughout the show but still experimental with each new painting.

Influenced by New York abstract expressionism and abstract colour - field painting, Robert Scott has developed a style of drawing with his fingers through the top layer of paint to expose the underpainted colours.