Sentences with phrase «new lithographs»

1931 Stanley Rose Bookshop & Gallery, Los Angeles, CA 1945 * Philip Guston, Midtown Galleries, New York 1947 Philip Guston, School of the Museum of Fine Arts, Boston, MA 1952 * Paintings 1948 - 1951 by Philip Guston, Peridot Gallery, New York 1953 Philip Guston: Paintings and Drawings, Egan Gallery, New York 1956 Recent Paintings by Philip Guston, Sidney Janis Gallery, New York 1958 Philip Guston, Sidney Janis Gallery, New York 1959 - 1960 * Recent Paintings by Philip Guston, Sidney Janis Gallery, New York 1961 New Paintings by Philip Guston, Sidney Janis Gallery, New York Philip Guston, Franz Kline, Dwan Gallery, Los Angeles 1969 * Philip Guston, Paintings and Drawings, Gertrude Kasle Gallery, Detroit, MI 1970 * Philip Guston, Recent Paintings, Marlborough Gallery, New York 1973 * Philip Guston, Major Paintings of the Sixties, Gertrude Kasle Gallery, Detroit 1974 Philip Guston, Gertude Kasle Gallery, Detroit * Philip Guston, David McKee Gallery, New York 1975 Philip Guston, Makler Gallery, Philadelphia Philip Guston: Drawings for Bill Berkson's «Enigma Variations,» Galerie Paule Anglim, San Francisco 1976 * Philip Guston: Paintings, 1975, David McKee Gallery, New York 1977 * Philip Guston: Paintings, 1976, (Part I: March 18 — April 8; Part II: April 9 — 30) David McKee Gallery, New York A Selection of Recent Works by Philip Guston, Achim Moeller Gallery, London 1978 * Philip Guston: Drawings, 1947 — 1977, David McKee Gallery, New York * Philip Guston: Major Paintings, 1975 — 76, Alan Frumkin Gallery, Chicago 1979 * Philip Guston: Paintings, 1978 — 1979, David McKee Gallery, New York 1980 A Tribute to Philip Guston: Paintings and Drawings from 1950 to 1980, David McKee Gallery, New York Philip Guston: Recent Paintings, John Berggruen Gallery, San Francisco 1981 * Philip Guston: New Lithographs, Gemini G.E.L., Los Angeles Paintings by Philip Guston, Asher - Faure Gallery, Los Angeles Philip Guston: Lithographs, Yellowstone Art Center, Billings, MT 1983 Philip Guston: Paintings, David McKee Gallery, New York Philip Guston, Riva Yares Gallery, Scottsdale, Arizona Philip Guston: Eight Lithographs, Gemini G.E.L., Los Angeles 1985 Philip Guston: Drawings, Reconnaissance Gallery, Fitzroy, Victoria, Australia: traveled to Art Gallery of New South Wales, Sydney Philip Guston: Small Works 1968 - 69, David McKee Gallery, New York 1986 Philip Guston: Works on Paper, Cava Gallery, Philadelphia 1987 * Roma 1971, David McKee Gallery, New York 1988 Philip Guston: The Late Prints, Cava Gallery, Philadelphia 1990 * Drawings from the Philip Guston and Clark Coolidge Exchange, The Berkshire Museum, MA: traveled to Galerie Lelong, New York * Philip Guston: Paintings 1961 - 65, McKee Gallery, New York 1991 Philip Guston: Drawings 1968 - 71 Hoods, McKee Gallery, New York 1995 Philip Guston, Virginia Museum of Fine Arts, Richmond, VA * Philip Guston: The Fifties, McKee Gallery, New York 1996 Philip Guston: Major Paintings from the Seventies, McKee Gallery, New York 1997 Philip Guston, Brave New World: 1943, The Woodstock Artists» Association, Woodstock, NY: traveled to McKee Gallery, New York 1998 * Philip Guston: Works on Paper, 1968 - 1980, John Berggruen Gallery, San Francisco * Philip Guston: The Last Works, Lafayette College, Easton, PA * Philip Guston: Selected Works on Paper and Canvas 1951 - 1978, Manny Silverman Gallery, Los Angeles 1999 Philip Guston: Works on Paper, Timothy Taylor Gallery, London 2000 * Philip Guston: Small Paintings and Drawings 1968 - 1980, McKee Gallery, New York 2001 - 2002 Philip Guston: The Last Prints, Timothy Taylor Gallery, London * Philip Guston, BQ Gallery, Köln, Germany 2002 Philip Guston Prints, Susan Sheehan Gallery, New York 2003 Philip Guston: Mind and Matter, McKee Gallery, New York 2004 * Philip Guston, Timothy Taylor Gallery, London 2005 Philip Guston: Abstract + Figurative, McKee Gallery, New York 2006 Philip Guston: Objects, Timothy Taylor Gallery, London * Philip Guston: Drawings, McKee Gallery, New York 2007 Guston in Grasmere: Poem - Pictures, 3W Gallery, The Wordsworth Trust, Grasmere, England Philip Guston, Aurel Scheibler, Berlin 2008 The Private Eye of Philip Guston: The Gemini Editions, Gemini G.E.L. at Joni Moisant Weyl, New York 2009 Philip Guston: 1954 - 1958, L&M Arts, New York Philip Guston: Small Oils on Panel, 1969 - 1973, McKee Gallery, New York 2010 Philip Guston: Works on Paper, Timothy Taylor Gallery, London, England 2012 * Philip Guston: Inevitable Finality, The Gemini Prints, Haggerty Museum of Art, Milwaukee, WI Philip Guston: The Late Paintings, Inverleith House, Royal Botanic Garden, Edinburgh, Scotland 2013 Philip Guston: A Centennial Exhibition, McKee Gallery, NY 2014 * Philip Guston, Aurel Scheibler Gallery, Berlin, Germany Philip Guston: Late Paintings, Peder Lund, Oslo, Norway

1999 Minimal / Emotional: Glen Goldberg, Wes Mills, Xiaobai Su, Galerie Albrecht, Munich, Germany Wes Mills: 8 Drawings, Rhona Hoffman Gallery, Chicago, IL The drawing show, Kohn Turner Gallery, Los Angeles, CA Group exhibition, H. Frankenthaler, D. Smith, D. Sultan, M. di Servio, W. Mills, M. Heizer, Hill Gallery, Birmingham, MI Wes Mills: Drawings, John Berggruen Gallery, San Francisco, CA Gallery artists, Joseph Helman Gallery, New York Blue on White: Wes Mills Drawings, James Kelly Contemporary, Santa Fe, NM Wes Mills: New lithographs, Tamarind Institute, Albuquerque, NM Group drawing show, Rhona Hoffman Gallery, Chicago, IL The Art of Drawing, G.Baselitz, James Lee Byars, B. Hunt, P. Kerkaby, A. Martin, W. Mills, S. Polka, S. Rothenberg, E. Ruscha, D. Smith, C. Twombly, J. Westwater, T. Winters, James Kelly, Contemporary, Santa Fe, NM

Finally, I am very pleased to feature a suite of four new lithographs by Dianna Frid that were just published by Sharks, Ink.

This Week In Elder Scrolls Online Ep 21: Spell Crafting This week we talk about: Spell Crafting, Guar Pets, New Lithographs, PvP and PvE tournament winners.

Philip Hoare, author of The Whale and The Sea Inside creates a narrative about Ellen Gallagher's newest lithograph, Lips Sink.

An entirely new lithograph print, it continues the theme of Elizabeth Magill's Blue Hold series, using imagery from natural landscape as a point of departure.

For the 1987 50th Anniversary Portfolio two of the original participants Ibram Lassaw and Esphyr Slobodinka, each contributed a new lithograph.

Also on view will be a film made in 2011, especially for this exhibition, showing Chris Orr at work on a new lithograph and talking about his art.

Not exact matches

Why wait for fandom to steadily build for a while when a new upcoming game like Dead Space can emerge into the market fully synergized with animated prequels and comic books and lithographs and a book of concept art all for the low price of $ 150?

Art © Jasper Johns / Licensed by VAGA, New York, NY Madonna, 1895/1902, Edvard Munch (Norwegian, 1863 - 1944), lithograph.

1992 Joan Mitchell: New Prints, Bobbie Greenfield Fine Art, Venice, California (September 11 — October 10) Joan Mitchell, Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan, France (July 16 — August 31) Joan Mitchell, Galerie Jean Fournier, Paris (June 3 — July 14) Joan Mitchell: Trees & Other Paintings, 1960 to 1990, Laura Carpenter Fine Art, Santa Fe, New Mexico (May 2 — June 6) Joan Mitchell: Pastel, Whitney Museum of American Art, New York (March 19 — June 21) Joan Mitchell: Recent Lithographs, Susan Sheehan Gallery, New York (March 17 — March 28) Joan Mitchell: Sunflowers and Trees Series, Tyler Graphics, Mt. Kisco, New York (opened March 7)

Armed with a European esteem for the role of the lithograph as a tool of expression, Tanya (who by all accounts was the driving force behind ULAE) doggedly pursued important artists of the New York School until they relented to try their hand in the medium; she then went to extremes both to help realize the artist's vision as well as ensure that their experience was pleasant and expansive.

1993 83rd Annual Exhibition: Joan Mitchell, Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg, Virginia (September 12 — November 14) Joan Mitchell, Galerie Ulrike Barthel, Bremen (opens August 13) Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989, Galerie Daniel Blau, Munich (June 3 — July 3) Joan Mitchell 1992, Robert Miller Gallery, New York (March 30 — May 1) Joan Mitchell Prints and Illustrated Books: A Retrospective, Susan Sheehan Gallery, New York (March 29 — April 30) Joan Mitchell: Etchings and Lithographs, Pace Prints, New York (February 13 — March 13)

, Galerie Jean Fournier, Paris (June 20 — August 22) Paintings by Joan Mitchell, Lithographs by Willem de Kooning, Sculpture by Raoul Hague, Lennon, Weinberg, New York (June 10 — August 4) The Collection of Sue and Eugene Mercy, Jr.: Paintings, Drawings, and Sculpture, Richmond Art Center, Loomis Chaffee School, Windsor, Connecticut (May 18 — June 11) New York Action and Edge: 1950s and 1960s: John Ferren, Balcomb Greene, Stephen Pace, Esteban Vicente, Jimmy Ernst, Al Held, Joan Mitchell, Milton Resnick, Katharina Rich Perlow Gallery, New York (April — May 3) Papel papel, Galerie Jean Fournier, Paris (March 11 — April 15) Seven from the Seventies: Diebenkorn, Frankenthaler, Krasner, Martin, Mitchell, Scully and Stella, Knoedler and Company, New York (February 8 — March 4) XXV Years: An Exhibition Celebrating the 25th Anniversary of John Berggruen Gallery and Saluting the Opening of the New San Francisco Museum of Modern Art, John Berggruen Gallery, San Francisco (January 13 — February 25)

Printed and published in 1992 by Tyler Graphics, Ltd. in Mt. Kisco, New York, this unbound portfolio contains six color lithographs alongside poems by Kernan, including the folio depicted here.

New Yorkers visiting The Modern Life of the Soul must settle for two lithographs of The Scream, one augmented with watercolor, along with the aforementioned rebus - like re-creation from three disparate canvases.

In the 1930s, the Works Projects Administration, one of the New Deal agencies, donated 200 lithographs and prints created by artists that it supported.

This 1974 stone lithograph on paper in red and blue is by New York / San Francisco artist Gary L. Shaffer (1936 - 2001).

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

The selection includes Ritual and Desire, 2009, a rarely - available lithograph by Chris Ofili, and Suicide Sunday, a new letterpress print by Hernan Bas, which draws on the Cambridge rites and traditions that have inspired his most recent body of work.

Featuring a series of etchings and lithographs produced at Mark Attwood's Artists» Press studio in White River as well as mixed media collage drawings and paintings all the size of vinyl record covers; Nhlengethwa's new works are stark, mostly monochromatic and affectingly vivid, echoing the emotion of Davis's melody.

The show, which is presented at the New York location of Arario Gallery, is entitled «Smile - isms» and is comprised of lithographs, several statues and one large - scale painting, all featuring the grinning self - portraits for which Minjun is known.

Creates an untitled lithograph with embossing, printed in an edition of two hundred by Styria Studio, New York, and published by the Democratic Congressional Campaign Committee for the benefit of Artists Rights Today, New York.

Goodman Gallery is pleased to host Transcend, an exhibition of new drawings, lithographs, and etchings by Diane Victor.

Hirshhorn Museum and Sculpture Garden, Washington, DCWashington, DC Brand New: Art and Commodity in the 1980s Feb 14 - May 13, 2018 Jeff Koons Art Ad Portfolio, 1988 - 1989 lithograph, Edition of 50 plus 10 AP Each: 45 x 37 1/4 in.

Quint Gallery is pleased to announce the opening of RYAN MCGINNESS: COMMUNITY IDENTITY STABILITY, which will feature ten new paintings and ten monoprint lithographs from stone, published by Edition Copenhagen.

This 1995 lithograph, collograph and chine colle on paper is by New York / San Francisco artist Gary L. Shaffer (1936 - 2001).

Vera Schuhmacher Fine Art will be exhibiting at the AAF, Battersea (11 - 15 March) showing work by a selection of gallery artists including Elvira Bach, whose lithograph Zauber (Magic) appears above and new artist Rafael Koster whose oil painting Fleur is shown below (both works shown here courtesy of Vera Schuhmacher).

Junk consists of a portfolio of nine new prints, five etchings and four lithographs.

Kara Walker, Alabama Loyalists Greeting the Federal Gun - Boats, from Harper's Pictorial History of the Civil War (Annotated), 2005, offset lithograph and silkscreen, published by LeRoy Neiman Center for Print Studies at Columbia University, New York.

Portfolio: Les Indes Galantes Medium: The complete suite of five offset lithographs Sheet size: 16 x 22 inches, each Printer: Petersburg Press, London and New York Publisher: Pet...

This 1966 original stone lithograph on paper abstract with red, blue, and black is by New York / San Francisco Abstract Expressionist artist Gary Lee Shaffer (1936 - 2001).

Calder: Aubusson Tapestries and Selected Lithographs, Brewster Gallery, New York, October 13 — November 13, 1976.

This 1994 - 1995 abstract collograph and lithograph on paper in shades of brown and red is by New York / San Francisco artist Gary L. Shaffer (1936 - 2001).

This 1994 abstract etching, lithograph, and chine colle print on paper is by New York / San Francisco Abstract Expressionist artist Gary Lee Shaffer (1936 - 2001).

Philip Guston (American, 1913 - 1980) The Street, 1970, from the portfolio Ten Lithographs by Ten Artists, edition of 120, published in 1971 by Shorewood - Bank Street Atelier, New York, for the Skowhegan School, Skowhegan, Maine, printed by Bank Street Atelier, New York.

Calder Gouaches and Important Lithographs, Rolly - Michaux Gallery, New York, October 14 — November 13, 1976, and Boston, November 11 — December 24, 1976.

Alexander Calder: Selected Lithographs, Rolly - Michaux Galleries, New York, April 30 — May 18.

1992 Lithograph published by Olive Press, Cornell University, Ithaca, New York, [edition of 48].

New monotypes and lithographs by John Lysak.

2017 Secrets and Stories, Casa das Histórias, Cascais Depression Pictures, Marlborough Fine Art, London 2016 Old Meets New, Casa das Histórias, Cascais Dancing Ostriches, Marlborough Fine Art, London Paintings and Etchings from the 1980s, Frieze Masters, London 2015 Cousin Bazilio and Other Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lisbon

Frank Stella Ahab, 1985 — 88, from the series The Waves screen print, lithograph, linocut with hand - coloring, marbeling, collage on T. H. Saunders wove paper 73 5/8 x 54 5/8 inches Gift of J. Peter and Barbara J. Gattermeir, 2002.32.1 © Frank Stella / Artists Rights Society (ARS), New York

George Wesley Bellows was a highly acclaimed American artist, known for his bold, realist paintings and lithographs of New York City life.

To help raise the funds necessary to build the collection, E.A.T. asked each of the selected artists to create a print as part of a portfolio of lithographs and silkscreens — The New York Collection for Stockholm — which was sold in an edition of 300.

In Jennifer Long's most recent solo exhibition On the Edge at the Percolator Gallery, Paddington (23 Sept - 6 Oct 2014) she presented a series of hybrid mixed media works - collage and oil on ply, rice paper bowls, etchings, lithographs, woodcuts and solvent transfers, where graphic and painterly styles combined in a new and contemporary manner.

Transforming the subject into the medium of lithograph gives the artist the chance to vary colour composition and texture to create new effects of mood and atmosphere.

Josef Albers abstract lithograph from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972.

Mihály Biró, Magyarország népköztársaság (People's Voice: People's Republic of Hungary), 1918 Lithograph and newsprint 37 x 25 inches In the wake of the First World War many artists and writers were seized by a new sense of political purpose.

Quint Gallery is pleased to announce the opening of RYAN MCGINNESS: COMMUNITY IDENTITY STABILITY, which will feature ten new paintings and ten monoprint lithographs from stone, published by Edition

Elizabeth Murray: Lithographs 1980 — 1984, University Art Museum, The University of New Mexico, Albuquerque, October 26 — December 15, 1985.