Sentences with phrase «new lithography»

Over the next 20 years, she created a series of prints that translated her textile innovations and her Bauhaus sensibility into this medium, introducing Mexican colors into her palette and exploring new lithography techniques, offset printing, photographic processes and silkscreen.
Researchers from North Carolina State University have developed a new lithography technique that uses nanoscale spheres to create three - dimensional (3 - D) structures with biomedical, electronic and photonic applications.

Not exact matches

NanoFab X building at Albany NanoTech where a new $ 200 million lithography tool purchased by IBM from ASML is housed Friday, Feb. 14, 2014, in Albany N.Y. (Will Waldron / Times Union)
But because the new DNA objects are on the same size scale of devices that can be patterned using computer chip lithography, it might be possible to integrate the two technologies and design DNA origami to detect cancer biomarkers and other biological targets that could then be read out by electronic devices, Castro says.
In the new process, called Self - Aligned Imprint Lithography, the template is a three - dimensional polymer material (E) that is etched simultaneously with the semiconductor stack to produce the desired circuit features (F).
Dravid contributed his expertise and assisted in designing the nanopatterning and lithography strategy and the associated characterization of the new exotic structures.
The technique combines an old fabrication method — top - down lithography, the same method used to make computer chips — with a new one — programmable self - assembly driven by DNA.
These tools, however, produce nothing close to the angstrom - level (tenth of a nanometer) resolution of a new type of microscope that uses femtosecond pulses of extreme ultraviolet light (EUV)-- the same wavelength light to be used for sub-10 nanometer semiconductor lithography.]
«We fabricated these structures using a new wafer - scale lithography technique capable of breaking the sub-10 nm size barrier for DEP.
Nanocombinatorics: The new analytical method utilizes a technique invented at Northwestern called polymer pen lithography, where basically a rubber stamp having as many as 11 million sharp pyramids is mounted on a transparent glass backing and precisely controlled by an atomic force microscope to generate desired patterns on a surface.
The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.
In 1942, she left Dillard for New York City, where she studied lithography at the Art Students League and sculpture with Ossip Zadkine.
Building on the example of American artists, British artists made use of the possibilities of silkscreen printing and the new developments in lithography that could incorporate photographic imagery and collage.
Founded by artist June Wayne in 1960 as Tamarind Lithography Workshop in Los Angeles, Tamarind Institute (now in Albuquerque, New Mexico) changed the canon of printmaking in 20th century America and continues to set the standard for fine art lithography — an extremely complex and nuanced printmakiLithography Workshop in Los Angeles, Tamarind Institute (now in Albuquerque, New Mexico) changed the canon of printmaking in 20th century America and continues to set the standard for fine art lithography — an extremely complex and nuanced printmakilithography — an extremely complex and nuanced printmaking process.
She also studied lithography at the Art Students League of New York, and received private instruction from Russian sculptor Ossip Zadkine, [3][10][13] who urged her to add abstract elements to her figurative work.
From 1963 to 1967 Gego focused on refining her printing technique with grant - funded trips to print workshops at the Pratt Institute in New York and the Tamarind Lithography Workshop in Los Angeles.
The prints, drawings and book document a history of Gego's involvement with prominent printmaking workshops in North America including Iowa State University; Pratt Institute, New York; and Tamarind Lithography Workshop, Los Angeles.
1979 Lithography, A Sense of Scale, Art Museum, The University of New Mexico, Albuquerque, USA Union Carbide Building, Inner City Scholarship Fund, New York, USA Art from Corporate Collections, Whitney Museum of American Art, New York, USA Decade in Review: Selections from the 1970's Permanent Collection, The New Museum, New York, USA The 1970's: New American Painting; (Traveled to Europe under the auspices of the International Communications Agency, Washington, USA) American Paintings of the 1970's, The Albright — Knox Art Gallery, Buffalo, New York, USA
His prints have been published by Brooke Alexander Gallery in New York, Tamarind Lithography Workshop in California, Pyramid Arts, and Graphicstudio.
Following a BFA in painting in Chicago and graduate study in lithography in Albuquerque, NM, She worked in concrete and ceramic sculpture in San Francisco and then in New Orleans.
Around 1925 Spears studied drawing with Russian sculptor Alexander Archipenko in Woodstock, New York, and in New York City, where she also studied lithography at the Art Students League and printing design at New York University while supporting herself as a switchboard operator.
A new exhibition of the pop artist looks at more than 70 works spanning four decades, many of which are connected to Los Angeles and the artist's collaboration with important print studios here — including Gemini G.E.L. and Tamarind Lithography Workshop.
After his marriage to fellow painter Helen Frankenthaler had dissolved in 1969, he married photographer Renate Ponsold in 1972, hired Lawrence Rubin as his new dealer, and began experimenting with lithography and etching techniques.
New prints by Gerhard Marx and Walter Oltmann find them engaging with etching, lithography and woodblock printing in new and exciting waNew prints by Gerhard Marx and Walter Oltmann find them engaging with etching, lithography and woodblock printing in new and exciting wanew and exciting ways.
The trouble is that, by stopping around the end of the 50s, the British Museum's collection misses out on the remarkable boost in ambition and quality of American printmaking that came from such ventures as June Wayne's Tamarind Lithography Workshop, which started in 1960, followed by the entrepreneurial ambitions of master printmakers such as Tanya Grossman in New York and Gemini G.E.L. in Los Angeles.
color lithography in France, 1890 - 1900, [exhibition, New Brunswick, Rutgers university art gallery, September 10 - Ocotober 29, 1978, Baltimore, Baltimore museum of art, November 10 - December 31, 1978, Boston, the Boston public library, May 2 - July 1, 1979]
New directions in Stella's printmaking also led to an increasingly complex use of print media, variously combining lithography, screenprinting, intaglio, and woodcut on color - stained handmade paper.
In addition to painting, Rosenquist contributed to the renewal of printmaking in the United States when in 1965 he and a number of other young artists explored the process of lithography at Universal Limited Art Editions in West Islip, Long Island, New York.
Ayae Takahashi Ayae Takahashi, Fusama - E: Ugly Ducklings Series, graphite, alkyd, lithography crayon, courtesy LFL Gallery, New York
Later, he too explored new media, like screen - printing, as well as intaglio prints, lithography and giclee prints.
Dine has received numerous awards and honors including, most recently, the inaugural Cincinnati Art Award from the Cincinnati Museum of Art (2010); the inaugural Legacy in Lithography Award from the Tamarind Institute, College of Fine Arts, University of New Mexico (2010); the School of the Museum of Fine Arts, Boston, 10th Annual Medal Award (2005); the prestigious Commandeur dans l'Ordre des Arts et des Lettres, Paris (2003); and the Library Lions Award, New York Public Library (2003).
The print was originally published by the American Lithography Company of New York City and was based on a 1912 oil painting by Thomas Moran.
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