Sentences with phrase «new metal and glass»

With the launch of the Galaxy S7 and S7 edge, Samsung has pleased many of the critics who blasted the company's removal of features from last year's flagship Galaxy S6 and S6 edge due to the new metal and glass case.

Samsung took a different direction last year and went from a metal frame and plastic to a new metal and glass design — certainly a step up, but oh that fragile glass can be a disaster if dropped.

With an all new metal and glass design the Galaxy S6 has a pretty exterior with some nice internals as well.

So far rumours are pointing towards an enhanced camera, better battery and a new metal and glass unibody build.

Do we have a good one for you today — The HTC One M9 all - metal smartphone goes up against the new metal and glass Galaxy Note 5.

With an all new metal and glass construction, superb display, the latest and greatest processing package, a fantastic audio experience with both the external speakers and headphones, an impressive camera, and good battery life, the HTC U11 checks all the right boxes.

The new metal and glass design is great too.

Despite offering brand new metal and glass designs, they failed to impress.

Not exact matches

The back of the new iPhones is made of glass instead of metal, and Apple says it is the strongest glass they've ever used.

It has a new design constructed out of metal and glass and is the first Samsung phone to rival the iPhone in build quality.

«(It) is pretty similar to the iPhone 7 but it shoots 4k 60 frames per second and it's got a new glass back instead of the metal which is apparently more durable,» he told Reuters.

The new look Pearl features an embossed, metal closure, beveled inset glass, a neck label that highlights each flavour, and a newly redesigned face and back label.

And other studies of green anoles have shown changes, too: Anoles that moved to a new island with more trees than bushes evolved longer legs, perhaps to travel greater distances, whereas anoles living in cities have apparently evolved stickier feet to cling to metal and glaAnd other studies of green anoles have shown changes, too: Anoles that moved to a new island with more trees than bushes evolved longer legs, perhaps to travel greater distances, whereas anoles living in cities have apparently evolved stickier feet to cling to metal and glaand glass.

It is called metallic glass, or amorphous metal, and it appears to be nothing less than an entirely new class of material that can be used to build lighter, stronger versions of anything.

But this isn't glass as we know it: The new glass is opaque, twice as strong as window glass, and made of metal.

Heart Shaped Sunglasses WOMEN metal Reflective LENES Fashion sun GLASSES men and women Mirror oculos de sol NEW for party gifts

Here is my guess on what it was... the metal part was part of a vase that might have had a glass center to it, it broke and the previous owners decided to make a new vase with tin HAHAHAHA.

Edgy, yet comfortable.We carry modern trends like front back earrings, layered necklaces, geometric designs, and new age materials like rosegold, sea glass and mixed metals.

I am single, have a grown beautiful daughter, I live in north Muskegon, educated, as a Registered nurse, I love music, all types except country, love to dance, I like learning new things, I craft mostly with glass and metal.

More important is the retro look, with a brushed - metal band and wraparound rear glass that make the Targa the prettiest of the new 911s.

ScratchPro by Superabrasive Inc., is a revolutionary new product for removing scratches from automotive paint finishes, chrome wheels, headlamp covers, etched glass and metal trims.

Torque Keith Craft Stroker Engine Tremec TKO 600 5 - Speed Transmission 750 Holley Carb Vacuum Secondaries Edelbrock Intake MSD Distributer Air conditioning PIAA and Hella Fog Lights Suspension: 3.70 Posi Traction Rear End Koni Shocks Maier Racing Rear Suspension Brakes: Power Front - Wilwood Disc Brakes Rear - Wilwood Disc Brakes Wheels and Tires Front Wheels: 17» GT40 Rear Wheels: 17» GT40 Front Tires: 245 / 40ZR17 Rear Tires: 285 / 40R17 Underneath: - Tank is New - 3» Exhaust - Shocks are New - Borla Mufflers - Frame Ties look Good - Ground effects look Good - Parking Brake Hooked Up - Custom Headers - Drilled and Slotted Rotors - After Market Suspension - Rack and Pinion Steering - Sway Bar Links - Tubular Lower Control Arms - Inner Wheel House looks Great - Floor Boards are Solid - Rocker Moldings are Solid Body: - Maier Racing Body Kit - Custom Metal Fabrication - After Market Head Lights - Chrome Bumper looks Great - Hood Pins look Good - Grille Fits Nicely - Rockers are Solid - Fiber Glass in Great Shape - Hood Lines Up Well - Paint is Phenomenal - Doors Operate Nicely - Door Handles are Clean - Shelby Style Tail Lights - Trunk Opens Smoothly - Trunk Finished Nicely - Trunk Floor is Solid - Back of Quarters are Solid - Bottom of Deck Lid looks Great - Rubber in Great Condition Interior: - Door Panel looks Great - Door Lips are Clean - Rubber looks Good - Carpet is Clean - Racecar Pedals - Center Console in Good Shape - 5 Speed Shifter - Eleanor Wood Steering Wheel in Great Shape - Roll Bar - Shoulder Belts - JBL Speakers - Upholstery looks Amazing - Front and Rear Seat Belts - Fold Down Backseat - Head Liner in Good Condition - Rear Window Trim looks Good - Sun Visors look Good - After Market Gauges - Dash Pad in Good Shape - Gauges Work - Gas Gauge Works Don't miss out!

The new Targa uses a fabric roof section and a single - piece glass and metal rear section that cracks opens like a pistachio.

Brand new metal windshield frame, glass windshield, wipers and wiper engine / wiring.

The interior is all - new as well with newly designed seats and more glass to offer a «luxury penthouse» feel as well as a total ban on fake wood and metal, going forward.

New — Kindle Oasis combines our strongest cover glass and a featherweight frame infused with metal using structural electroplating, ensuring it is lightweight while also resilient enough to take anywhere you want to read.

With a glass - and - metal body, sporting IP68 water and dust resistance and a 3,000 mAh non-removable battery, LG's new aesthetic looks pretty -LSB-...]

The powerful metal and glass Z5 Premium squares off against the new all - metal unibody Nexus 6P.

The new Xperia Z5 Premium is the usual Sony recipe of a squared - off metal and glass construction, with good, but not the highest - end specifications.

The new Galaxy S6 and Galaxy S6 Edge have a full metal inside, made from aircraft grade aluminum with Gorilla glass 4 on the front and the back with the metal frame holding it all together.

By revamping its flagship tablet with a new glass - and - metal design, Samsung has sent a clear message that the Tab S3 shares more than just a passing connection with its more mobile siblings.

It has a much better display — the QHD Super AMOLED display is much sharper (577 PPI versus 403 PPI) and more brilliant, the processor is more advanced (20nm versus 14nm) and faster, it uses the new USF 2.0 much faster flash memory, faster DDR4 RAM, the larger FFC with f1.9 (5MP versus 2.1 MP), better placement of the loudspeaker (bottom versus backside), wireless charging and faster charging (4 hours in 10 minutes versus 60 - percent in 30 minutes) and the unique dual curve edged display with an all metal frame made from aircraft quality metals and Gorilla Glass 4 on both the display and the back of the device.

The new décor, most hand - crafted in Arizona, is modern Southwest with neutral desert colors, chevron - printed ottomans, blown - glass, galvanized metals and 55» televisions, plus stone gas fireplaces and Stearns & Foster Signature Airedale plush pillow top mattresses.

These new features don't just include different ball types, either; as the player moves on to more difficult levels, they will encounter metal and glass blocks with different physical properties, as well as pieces of machinery that move blocks around and require that the player use careful timing as well as an accurate aim.

New chandeliers, included in the exhibition, combine black Murano glass with traditional metal and glass elements of Ottoman chandeliers, thus fusing two histories of craftsmanship and symbolizing the complex relationship between the Venetian and Ottoman Empires.

Creating works from synthetic materials such as resin, neon and rubber and reworking ubiquitous matter such as glass, plexiglass, wood, sand and metal, Webb often parodies modernism to wry and poetic results - referencing consumer culture and making use of the solid and the open and the soft and rigid to explore new sculptural possibilities.

Photo: Jonathan Muzikar, © Isa Genzken; Isa Genzken, Rot - gelb - schwarzes Doppelellipsoid «Zwilling» (Red - yellow - black Double Ellipsoid «Twin»), 1982, lacquered wood, two parts, Collection of the artist, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, MLR, 1992, lacquer on canvas, Lonti Ebers, New York, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, Hospital (Ground Zero), 2008, metal tray dolly, plastic flowers in spray - painted vase, ribbon, metal, mirror foil, synthetic polymer paint on fabric, shot glasses, fiberboard, and casters, Collection Charles Asprey, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, New Buildings for Berlin, 2004, glass and silicone on wood pedestal, four parts, Kravis Collection, Courtesy David Zwirner Gallery, New York / London, © Isa Genzken; Isa Genzken, Fuck the Bauhaus # 4, 2000, plywood, Plexiglas, plastic slinky, clipboards, aluminum light shade, flower petals, tape, printed paper, shells, and model tree, Private Collection, Turin, Courtesy AC Project Room, New York, © Isa Genzken

The new building, while incorporating most of the constructional parts of the Hyde Park building, was so completely different in form as to be properly considered a quite different structure — a «Beaux - arts» form in glass and metal.

erwin wurm «untitled», 2011 wood, metal, glass 59.84 x 29.13 x 18.11 inches 152 x 74 x 46 cm image courtesy of the artist and lehmann maupin gallery, new york

MOMENSION Vermont artists Bech Evans, Alissa Faber, and Patrick O'Shea present a sculptural and interactive environment — primarily using clay, glass, and metal, these new works explore materials, process and time, February 3rd

Elsewhere, a perfectly circular «bomb pond», made by an American bomb in a Cambodian rice - field, forms part of the photographic series «Takeo» (2009) by the young Cambodian artist Vandy Rattana, while an antique exhibit from the National Museum in Beirut was transformed into a fusion of metal, ivory, glass and terracotta by the bombs that fell there during the Lebanese civil war (1975 — 90) and thus given a new abstract beauty.

Ibon Aranberri's exhibition is dominated by his work «Floating Garden», an installation (originally developed at P.S. 1, New York) consisting of concrete modules, broken glass, metal and wooden horses, resembling the furniture of a greenhouse.

ASHLEY BICKERTON Catalog: Terra Firma Nineteen Hundred Eight Nine # 2, 1989 anodized aluminum, peppers, copper sulfate, pebbles, urban debris, metal shavings, coral, seaweed / skate eggs, cigarettes, raw pigment, and broken glass 88 x 88 x 10 inches (overall) 223.5 x 223.5 x 25.4 cm LM25332 Courtesy the artist and Lehmann Maupin, New York and Hong Kong.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Japanese bound and beautifully printed in deep, dark, black ink on several kinds of paper, this volume documents New York artist Banks Violette's recent solo exhibition at Galerie Thaddaeus Ropac in Salzburg, where he showed recent sculptures and site - specific installations made of metal, neon, varnish and glass.

Built as a reference to a new railway transport bridge in the suburbs of Athens that was mysteriously sabotaged, the exhibition takes the form of «millions of microscopic fragments of phosphor - coated lamb glass, deformed metal and wood chips are still lying within the tunnel, mixed with the gray crushed stone of the railway».

Using only lines, bands and patterns, flat areas of color, white, gray or black or cleanly cut wood, glass, metal and plastic, perceptual artists establish a new relationship between the observer and a work of art.

The exhibition features new works created specifically for the Wellin, including a site - specific, 70 - foot wall painting installation; a 4 x 10 foot, glass and metal mobile; and a series of large - scale paintings and drawings.

He leaves behind an influential body of work, including Following Piece (1969), a performance in which he trailed strangers throughout New York City; Seedbed (1972), which saw him masturbate under the floor of a gallery; and Murinsel (2003), a manmade island forged from glass and metal.

Creating works from synthetic materials such as resin, neon and rubber and reworking ubiquitous matter such as glass, plexiglass, wood, sand and metal, Webb often parodies modernism to wry and poetic results — referencing consumer culture and making use of the solid and the open and the soft and rigid to explore new sculptural possibilities.