Sentences with phrase «new mystical arts»

Not exact matches

Playing as art thief Charles Deckard, who accidentally opens Pandora's Box under a New York museum, players are assigned the tasks of discovering why mythical creatures are being released after he receives a mystical curse on his hand for opening the mysterious box and eliminating them, with the ultimate goal of resealing the box.

This new team of Shinobi fighters — Sayuri, Ryōki, Renka, Hanabi, and Kafuru, who each possess a unique Shinobi Transformation and utilize powerful Ninja Arts — resides in a strange, sunny island paradise dimension that the heroines of SENRAN KAGURA are whisked away to, and operate the mystical Kagura Millennium Festival that beckons new guests to the island.

Titled Visionary New England, this contemporary art exhibition is inspired by the impact and legacy of utopian, spiritualist, and mystical practices in the region.

«blooming, efflorescent» Brooklyn Rail «the natural setting refreshes» The New York Times «a mystical visual journey» City Arts «a heady show conceptually» Artezine

In the last two decades, work by Graves has been featured in a number of solo and group exhibitions, most notably Klange des Inneren Auges: John Cage, Mark Tobey, Morris Graves (Sounds of the Inner Eye: John Cage, Mark Tobey, Morris Graves) at the Kunsthalle Bremen, Germany and the Museum of Glass: International Center for Contemporary Art, Tacoma, WA (2002); Immeasurable Spaces, Incalculable Energies: Tobey, Graves, Callahan, Anderson at the Tacoma Art Museum, Tacoma, WA (2003); The Third Mind: American Artists Contemplate Asia, 1860 - 1989 at the Solomon R. Guggenheim Museum, New York, NY (2009); John Cage with Morris Graves and Mark Tobey at The Phillips Collection, Washington, DC (2012); and Modernism in the Pacific Northwest: The Mythic and the Mystical at the Seattle Art Museum (2014).

6 Art - World Lessons From the Unorthodox Classroom of Akademie X Chris Kraus on the Ambiguous Virtues of Art School Go On a New York City Scavenger Hunt With Artist Mark Dion Words to Live By: Marina Abramović's Mystical Maxims for Artists Venice Biennale Representative Joan Jonas's Workout Regimen for Artists

New Yorker Rachel Rose's 2015 video work «Everything and More,» about astronauts and the cosmos, was shown at the Whitney Museum of American Art; Wakefield felt she'd take a mystical approach to Desert X. Images of Smith's LED - illuminated, mirrored shack in Joshua Tree, «Lucid Stead,» went viral in 2013, he'd likely create another colorful, Light and Space Movement - inspired work for Desert X. Aitken's immersive video installation «Diamond Sea,» which was presented at the Whitney Biennial in 1997, explores southwestern Africa's Namib Desert.

1998 W. Januszczak, «Magical, Mystical, Magnificent», The Sunday Times (London) 26 April, section 11 M. Duncan, «Bill Viola: Altered Perceptions», Art in America (New York) 86, no. 3 March p.62 - 69 R. Albertini, «Bill Viola: L» oeil de la séparation (The Dividing Eye)», Art Press (Paris) no. 233 March V. Rutledge, «Art at the End of the Optical Age», Art in America (New York) 86, no. 3 March, p.70 - 77 A. Solomon, «Bill Viola» s Video Arcade», New York Times Magazine, 8 February, p.34 - 37

Earlier this year P.S. 1 in Queens and the New Museum of Contemporary Art in SoHo organized exhibitions that revealed mystical and occult pockets within contemporary aArt in SoHo organized exhibitions that revealed mystical and occult pockets within contemporary artart.

Friedrich's mystical approach was a precursor to several American art groups, such as the Hudson River School of New England - exemplified by the works of Thomas Cole (1801 - 48) and Frederic Edwin Church (1826 - 1900)- and the mini-movements of Luminism and the Rocky Mountain School.

She explores (and generates) feminist narratives and counter-narratives that cast the role of the art object in new light, introducing utilitarian, symbolic, and even mystical possibilities in contexts that are often limited to formalist readings.

He possessed a sensibility that was rooted more firmly in fine art, and while stylistically his work was closer to the «New York School» painters, his lyrical treatment of subject matter had much in common with the gentler compositions of an earlier epoch: that of the Impressionists, and with the paintings of French symbolist artist Pierre Bonnard (1867 > 1947), who endeavoured to evoke mystical ideas, emotions, and states of mind via the medium of scenes from everyday life.