Not exact matches
But, don't forget that
narrative thread: When you have spent years devoting energy to creating, developing and finally launching a
new product or service, you may find it difficult to turn past your company's «page» and look at its
story as a whole.
He calls the
story of massive switching by iPhone fans every year a «false
narrative,» noting that the fourth quarter — when Apple's
new phones typically are on sale — accounted for just 26 % of customer defections the past few years.
«And if there is no comparable development and celebration of the English
story in which creative effort is made to weave
new strands into the national
narrative and national rituals then the field will be left empty for the xenophobic and the terminally nostalgic.»
According to a 2004
New Yorker article, Madeleine L'Engle's
stories, particularly her
narrative memoirs, were not exactly truthful.
Burnett and Downey's project tackles the
narrative of the Bible, a
story woven through 66 books of the Old Testament and
New Testament.
Some attention to the
story form in apocalyptic can show us some of the reasons why the
narrative form is in trouble, while process theology has some fundamentally useful hints about how we may re-imagine the
story, or grasp a
new narrative vision of the world, which will enable us to set the
new into a meaningful framework and respond to it with hope.
Quite to the contrary, as Mircea Eliade has so skillfully shown us, a major effort of the archaic
narrative vision was precisely to exclude the
new from the
story.
Thuesen's
narrative explores more than these two versions, covering English Bible translations from William Tyndale to the
New International, but the heart of his
story is the effort by American Protestants to arrive at a definitive version.
It is not without significance that in the
New Testament
narratives of the resurrection of Christ, it is said (as in the
story of the walk to Emmaus in St. Luke's Gospel) that «he was known to them in the breaking of the bread».
Although no more Easter
narratives were accepted into the authoritative canon of the
New Testament which eventuated, such
stories continued to appear in the next century, and probably far outnumbered the canonical ones, even though most of them have not survived except in fragments.
(In the context of a pedagogical endeavor I recently argued the plausibility of John Howard Yoder's account of the
New Testament
narrative of Jesus» life and teachings, but my
narrative - sensitive audience contended that Yoder got the
story all wrong.)
But Christian discrimination ought to operate on another level here; it ought to applaud the metaphorical adroitness in giving a
new context for the passion
story, a context which provides for disbelieving contemporary human beings a genuinely «secular» experience of the
narrative, and one which is in continuity with the parabolic way of hiddenness and mystery.
The averted sacrifice of Isaac; the prophets» condemnation of scapegoating the widow, the weak or the foreigner; the
story of Job; the Psalms» obsession with the innocent victim of collective violence; the passion
narratives» transparent account of Jesus» death; the confessions of a
new community that grew up in solidarity around the risen crucified victim: all these follow a constant thread.
That is to say, a great deal of
new material is introduced into the
narrative by both Matthew and Luke, but at the end of a lengthy section of
new material the
story usually is taken up again where it was left off, and follows the Marcan order.
It's a cliché that every picture tells a
story, but the forensic details that mark the slide mounts of classic SI photos take the
narratives in
new directions
Despite the national media's
narrative of a political «blue wave» in this year's elections, Republicans have their own
story to tell in
New York.
Bear in mind that
New Scientist features are
stories, and follow a
narrative structure.
«I also hope that this paper and video encourage more scientists to take an artistic approach when they start a
new project, not necessarily to create a
narrative - based
story, but to explore their idea the way an artist explores a canvas, because that makes the mind open to a different form of serendipity that can lead to unexpected results.»
But she's especially looking forward to a publication forthcoming later this year in the Yale Journal of Law & Feminism titled «Telling
Stories in the Supreme Court: Voices Briefs and the Role of Democracy in Constitutional Deliberation,» which will analyze a new, controversial form of appellate narrative argument: briefs that share stories of individuals not parties to the case a
Stories in the Supreme Court: Voices Briefs and the Role of Democracy in Constitutional Deliberation,» which will analyze a
new, controversial form of appellate
narrative argument: briefs that share
stories of individuals not parties to the case a
stories of individuals not parties to the case at hand.
His
stories regularly appear in
Narrative, where he was named to their list of «Best
New Writers» in 2011.
Recent years have seen a
new level of black art that's intertwined sociopolitical commentary with high - caliber artistry: from Beyoncé's Lemonade and Kendrick Lamar's DAMN to Atlanta and Queen Sugar, there's been a renewed focus on telling
stories that broaden and sharpen the range of black
narratives.
Furman sacrifices a
new narrative style for character focus, making each film into an underdog
story with a clearly defined hero.
There is no
new footage, as director Kapadia collects terrific clips from a variety of sources (including behind - the - scenes meetings and home movies) and assembles them into a
narrative structure that tells Senna's
story chronologically, accompanied by Antonio Pinto's moody score.
Sarah Polley's
new film,
Stories We Tell, is an exploration of the functions of narrative as they relate to the telling of our life s
Stories We Tell, is an exploration of the functions of
narrative as they relate to the telling of our life
storiesstories.
While sitting down with the developers, I learned that their intent with
narrative in Black Ops 4 is to continue the Treyarch tradition of telling
stories in
new ways.
Bandai Namco has announced a brand
new narrative - driven
story adventure that they are currently developing in collaboration with the Aardman Studios, who are known for...
EA is also promising
new modes and experiences, changes to the core gameplay, and a campaign that once again focuses on multiple «War
Stories» rather than a single longer
narrative.
Though the film's
narrative never fully develops and fails to explore the deepest parts of this cautionary tale, the full commitment from the directing style and its performers transform a seemingly A-typical
story to something
new and dynamic.
Black Ops 4 is telling
stories differently than in past games, incorporating
narrative gameplay experiences directly into Multiplayer, and introducing a
new Zombies universe.
It did bring a few
new elements into the mix, bu those were individual american
narrative flourishes that were not in the original
story.
However what is clear from playing the past two games is that the developers need to have a much stronger focus on the
story and
narrative, and this is unfortunately one of the area which is still lacking in their
new game.
2017
NEW YORK FILM FESTIVAL: With a conventional
story of friendship and racial inequality, «Mudbound» is a visually poetic experience and reaffirms the genius that was shown in Dee Rees «inaugural
narrative «Pariah» six years ago.
The
new patch for Horizon Zero Dawn adds «
Story» difficulty which allows you to immerse yourself in the deep
narrative of the game by making the combat less challenging.
More difficult is the tedium that often accompanies the addiction / recovery / relapse
narrative — a problem currently up for deconstruction in Leslie Jamison's
new memoir, «The Recovering,» in which the author frets that
stories of sobriety get the literary equivalent of short shrift, unable to compel us the same way that
stories of addiction do, with their manic highs and grand tales of misbehavior.
DontNod, the team behind Life is Strange, has partnered with Bandai Namco in development on a
new story driven,
narrative IP.
Wonderstruck's
narrative and thematic elements coalesce towards the end, when Ben and Rose's
stories merge in revelations about his father's identity and his connection to a particular exhibit in
New York's Museum of Natural History.
In the middle of shooting his third feature, Soft in the Head, he decided to steer the improvised film's
narrative arc in a
new direction, retreating to the roof of the apartment building where he was shooting to scrawl out
story beats on a napkin alongside his producer and Cody Stokes, his director of photography and frequent collaborator.
It's a fun little spin on the usual RPG
narrative, where we tend to meet
new party members in the middle of their own personal
story and get to know them after the fact.
(We're using the term «original
story» loosely: Emmet's adventures include encounters with comic book characters like Batman and Superman, but the central
story of Emmet and Wyldstyle's battles with the evil Lord Business is a
new narrative for the movie.)
The
story eventually shifts back to Los Angeles, with J.B.'s neighbor, Brenda (Lake Bell) emerging as an agreeable force in the
narrative — as a potential love interest for J.B. and as part of an unusual family unit with J.B.'s
new houseguests.
The true
story of Solomon Northup (Chiwetel Ejiofor), a free black man from Saratoga,
New York who was sold into slavery, is less of a
narrative and more of a backdrop.
The
story is based on the
narrative of Solomon Northrup (Chiwetel Ejiofor), a free black citizen from
New York who is kidnapped while on a trip to Washington, D.C. and sold into slavery.
Besides its
new setting, Fantastic Beasts marks another first for Rowling — it's her first screenplay for one of her
stories, and as such the movie suffers from issues any first - time screenwriter might encounter, namely pacing and
narrative structure.
I don't mean the fantasy of the museums coming alive: I mean the
narrative contortions they painfully attempt in order to get Stiller's Larry Daley back into the
story, and in order to get some of the more beloved exhibits — such as Owen Wilson (Marley & Me, The Darjeeling Limited) and Steve Coogan's (Tropic Thunder, Hamlet 2) miniature warriors — from
New York to DC so they can be part of the new acti
New York to DC so they can be part of the
new acti
new action.
It treads familiar waters and doesn't offer anything
new in
story, but the characters are well - drawn, the
narrative full of humor and depth, and the themes handled with a maturity that is absent in other films of this nature.
None of the
new characters are very memorable (save for Alison Sudol's delightful Queenie), while the dueling
narratives cause some minor identity problems, especially because Rowling seems more interested in the «B»
story than her main protagonist's journey.
Yar's Revenge brings the legendary title to
new artistic heights with an anime - inspired art style and
narrative that expands upon the original
story.
Whereas suspense was previously achieved through a simple but nonetheless effective
narrative that hid enough cards to maintain interest through the end, this
new story is instantly and thoroughly predictable.
The film presents that journey as a series of false starts (An episode with three very talkative and very, very dense trolls is a highlight and offers the first instance of a few dei ex machina within the
story; Tolkien, obviously aware of his proclivity for using the device, invented a
new word — eucatastrophe — as a substitute), and it's not until the company leaves Rivendell that the
narrative finds its footing and emotional center.
Early Man The
new stop - motion animated caveman / soccer comedy by «Wallace and Gromit» creator Nick Park is filled with disarmingly funny moments and lacking in
narrative sweep, as if the
story team came out of a long brainstorming session — and then just decided to use all of their ideas.