Not exact matches
The necessity of dealing with international institutions, with lawmakers who defend total
national sovereignty, with an American public that is often fixated on its own
context, and with churches preoccupied by their own confessions demands
new steps toward a Christian public theology.
Many in this
context have pointed very strongly to the «growing gap between the rich and the poor that has ensued whether this is experienced locally, nationally or internationally, and how the «open and borderless world of economics» that has emerged has destroyed local and
national economies and created conditions for the untold
new sufferings of people.
The International Code of Marketing of Breast - Milk Substitutes (2008) Frequently asked questions (updated version 2008) The International Code of Marketing of Breast - Milk Substitutes (1998) Summary of action taken by WHO Member States and other interested parties, 1994 - 1998 The International Code of Marketing of Breast - Milk Substitutes (1996) A common review and evaluation framework The International Code of Marketing of Breast - Milk Substitutes (1992) Survey of
national legislation and other measures adopted (1981 - 1991) Review and evaluation of
national action taken to give effect to the International Code of Marketing of Breast - Milk Substitutes (1991) Report of a technical meeting, The Hague, 30 September - 3 October 1991 The International Code of Marketing of Breast - Milk Substitutes (1990) Synthesis of reports on action taken (1981 - 1990) International Code of Marketing of Breast - Milk Substitutes (1981) Infant formula and related trade issues in the
context of the international code [pdf 18kb] The WHO briefing note on «Follow - Up Formula in the Context of the International Code of Marketing of Breast - milk Substitutes» is presently being considered for revision by the World Health Organization pending review of new and emerging information on the s
context of the international code [pdf 18kb] The WHO briefing note on «Follow - Up Formula in the
Context of the International Code of Marketing of Breast - milk Substitutes» is presently being considered for revision by the World Health Organization pending review of new and emerging information on the s
Context of the International Code of Marketing of Breast - milk Substitutes» is presently being considered for revision by the World Health Organization pending review of
new and emerging information on the subject.
It's the politicians with their heads in the 20th century sand who are the threats to our
national interest, not those who are willing to rethink in the
new context.
So the discussion we're having about pensions in
New York is very unusual in the
national context.»
The much - criticized pledge by Ghana's High Commissioner to South Africa, George Ayisi Boateng, to prioritize the welfare of
New Patriotic Party members before considering other Ghanaians, may have been taken out of
context, the Acting
National Chairman of the NPP, Freddy Blay has suggested.
It has been drawn up in the
context of establishing the
new National Institute of Marine Science, but the CSIRO division of the Public Sector Union, which represents CSIRO scientists, is convinced that it will be applied across the board.
Warikoo, who is at work on a
new book on this topic, found significant differences within two
national contexts: the United States and England.
PDK provides more
context when it asks whether the respondent had «heard about the
new national standards for teaching reading, writing, and math in grades K through 12, known as the Common Core State Standards?»
While it is true that some have struggled to recruit and a small number have closed, this needs to be seen in the
context of both the commercial realities of
new start - ups, and the broader educational picture of
national school performance.
She is presently working with colleagues to establish
new partnerships with youth organizing groups that will generate
new knowledge for improved policy and practice within local,
national, and international
contexts.
The pledge gives
context to recent comments by
national schools commissioner David Carter who said last week that 1,000
new multi-academy trusts will be needed by 2020.
She has developed, expanded and sustained this innovation from different organizational spheres: as the first Escuela Nueva
National Coordinator, Director of Distance Education in Javeriana University, ViceMinister of Education of Colombia, UNICEF's Regional Education Adviser for the LAC region and now, from Fundación Escuela Nueva, a nonprofit she founded in 1987 to ensure the quality and sustainability of the Escuela Nueva model in Colombia and abroad, and to further adapt its proven, cutting - edge pedagogy to
new contexts and populations.
If the Washington Post or
New York Times can do a
national story on the inflated salaries of so many top city administrators in the
context of public needs, such as those of K - 12 kids and other library patrons, then so much the better.
New allegations help to put anonymous communication into
context WASHINGTON D.C. ---- Rescuers of lame ducks in the Washington D.C. region are high alert after Washington Post
national labor issues reporter Danielle Paquette on January 29, 2018 revealed alleged details of workplace misconduct claims made by at least three women against Humane Society of the U.S. president Wayne -LSB-...]
Solo exhibitions include Centre Pompidou, Paris (1994), Museum of Contemporary Art, Chicago, The
New Museum of Contemporary Art,
New York (1997), MoMA, Oxford, the Scottish
National Gallery of Modern Art, Edinburgh (1998), Tate Britain, London (2000) Hamburger Kunsthalle, Kunstmuseum Bonn, Magasin 3, Stockholm (2004), Museum of Contemporary Art, Sydney (2005) and Palazzo Querini Stampalia in the
context of the Venice Biennale (2009).
She continues to write critically but in the academic
context, presenting papers at the past three College Art Association conferences with a
new paper, Baby doll: Boys and Their Virtual Toys, scheduled for the
National Women's Studies conference in Denver this November.
Propositions on the Permanent Collection, Studio Museum in Harlem,
New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey,
New York, NY, 2007 Black Alphabet,
conTEXTS of Contemporary African American Art, Zacheta
National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co.,
New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem,
New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip,
New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams,
New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery,
New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel,
New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery,
New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997
Recommended reading The
New York Times today published an impassioned op - ed by Metropolitan Museum of Art director Thomas P. Campbell, in which he argues for the importance of arts and cultural programming in the US in the
context of the current administration's proposed plans to defund the
National Endowment for the Arts.
Collection, Cornell Fine Arts Museum, Orlando, FL Commemorating 30 Years (1976 — 2007): Part Three (1991 — 2007), Rhona Hoffman Gallery, Chicago, IL The Blake Byrne Collection, The Nasher Museum of Contemporary Art, Duke University, Durham, NC 2006 Do Not Stack, Roberts & Tilton, Los Angeles, CA Black Alphabet:
ConTEXTS of Contemporary African - American Art, Zacheta,
National Gallery of Art, Warsaw, Poland Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum,
New York, NY Hangar — 7 Edition 4, Salzburg Airport, Salzburg, Austria Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, D.C. Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY 2005 Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, GA Neo-Baroque, Tema Celeste, Verona, Italy Neovernacular, Turner Gallery, Los Angeles, CA Kehinde Wiley / Sabeen Raja:
New Paintings, Conner Contemporary Art, Washington, D.C. 2004 Eye of the Needle, Roberts & Tilton, Los Angeles, CA Glory, Glamour & Gold, The Proposition,
New York, NY She's Come Undone, Greenberg Van Doren,
New York, NY The
New York Mets and Our
National Pastime, Queens Museum of Art, Queens, NY Beauty, Kravets + Wehby,
New York, NY African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic Superreal, Marella, Milan, Italy
New Wave, Kravets Wehby Gallery,
New York, NY Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 Painting as Paradox, Artists Space,
New York, NY Mass Appeal, Gallery 101, Ottawa, Canada Ironic / Iconic, The Studio Museum of Harlem,
New York, NY Black Romantic, The Studio Museum of Harlem,
New York, NY 2001 It's Bigger Than Hip Hop, Rush Arts,
New York, NY
2016 SP - Arte / Videobrasil award solo exhibition, Galpão VB, São Paulo, Brazil 2016 In
Context: Where We Are, Goodman Gallery, Cape Town, South Africa 2016 The Art of Disruptions, Iziko South African
National Gallery, Cape Town, South Africa 2016
New Revolutions: Goodman Gallery at 50, Goodman Gallery, Cape Town, South Africa 2016 Making Africa: A Continent of Contemporary Design, Centre de Cultura Contemporania de Barcelona, Barcelona, Spain
Her work has been included in a range of
national and international
contexts including Documnt (
New York / Berlin), BB15 (Linz), Exeter Phoenix (U.K), Casa de Pova (São Paulo), Upominki (Rotterdam).
Group exhibitions include: Languages and Experimentations, Mart, Rovereto (2010), Richard Prince and the Revolution (curated by Jonathan Monk), ProjecteSD, Barcelona, The Associates, Dundee Contemporary Arts, Dundee (both 2009), Contemporary Scottish Art:
New Acquistitions & Loans, Scottish
National Gallery of Modern Art, Edinburgh, On Interchange / Interludes of a Collection, Museum Kurhaus Kleve, Kleve (both 2008), Tate Triennial:
New British Art, Tate Britain, London (2006), The Last Generation, Apex Art,
New York, Solo Show Solo Soul, FRAC Haute - Normandie, Rouen, Herald Street & The Modern Institute present, GBE,
New York, Theorema, Collection Lambert: Musèe d'art d'Avignon, Avignon (all 2005), Genesis Sculpture, Domaine Pommery, Reims (2004),
Context, Form, Troy (Young Scene 03), Secession, Vienna (2003).
His work has been featured in Recognize,
National Portrait Gallery, Smithsonian Institution, Washington, DC (2008); Black Alphabet —
contexts of contemporary African - American art, Zacheta
National Gallery of Art, Warsaw, Poland (2006); Down By Law, Wrong Gallery at the Sondra Gilman Gallery, part of the Whitney Biennial,
New York, NY (2006); and Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, DC (2006).
Presented in the
context of our Collections exhibition Coast - Lines, this solo exhibition includes a number of works by Brian O'Doherty / Patrick Ireland from IMMA's
National Collection, in addition to drawings from the 1960s, Structural Plays and
new works recently published by Stoney Road Press as limited editioned prints.
A half century later, as
new generations gather with elders at the Lincoln Memorial on the
National Mall to mark the 50th anniversary of the March on Washington, Spiral's tenure — its purpose, actions and discussions — offers insight about the experiences of 20th century artists that inform and provide
context for the opportunities and challenges of black contemporary artists today.
SJMA's permanent collection of more than 2,000 twentieth - and twenty - first - century works of art, including paintings, sculpture, installation,
new media, photography, drawings, prints, and artist books, has a special focus on West Coast art, seen in an
national and international
context.
«AIDS, A Community in Crisis,» Jamaica Arts Center, Jamaica, NY, 1991 «Language: Body and Dream,» PS 122,
New York, NY, 1991 «1991 Biennial Exhibition,» Whitney Museum of American Art,
New York, NY, 1991; catalogue «We Interrupt Your Regularly Scheduled Programming,» White Columns,
New York, NY, 1991 «Interrogating Identity, Grey Art Gallery and Study Center,»
New York, NY 1991; traveled to the Museum of Fine Arts, Boston, MA; Walker Art Center, Minneapolis, MN; Madison Art Center, WI; Center for the Fine Arts, Miami, FL; Allen Memorial Art Museum, Oberlin College, Oberlin, OH; catalogue «Positions of Authority,» Art in General,
New York, NY, 1991 «Color Theory,» Amelie A Wallace Gallery, State University of
New York at Old Westbury, Old Westbury, NY, 1991 «Text Out of
Context,» SoHo Center,
New York, NY, 1991 «
New Work,» PS 122,
New York, NY, 1991 «Spent: Currency, Security and Art on Deposit,» The
New Museum of Contemporary Art at Marine Midland Bank,
New York, NY, 1991 «Works on Paper,» Selena Art Gallery,» Long Island University, Brooklyn, NY, 1991 «Rutgers
National «90: Works on Paper, Stedman Art Gallery,» Camden, NJ, 1991; brochure «Art of Resistance,» El Bohio,
New York Public Mirror, Art against Racism, The Clocktower Gallery,
New York, NY, 1991
«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art,
New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters,
New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,»
New - York Historical Society,
New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet:
conTEXTS of contemporary african - american art,» Zacheta
National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City,
New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth,
New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart,
New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum,
New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters,
New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art,
New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine,
New York, NY, January 7 — February 11, 2006
The museum simultaneously gained a
new mission, not just as a permanent exhibition and exhibition space, but as an experimental, informational and social hub for young contemporary artists, providing a regional,
national and international
context, the latter through the International Contemporary Art Network.
In this
new work, Dardot will amplify the voices and experiences of San Jose's varied immigrant communities, and honor the challenges of their experience in the
context of a divisive
national conversation about immigrants and American identity.
Shown in the
context of the Commonwealth Games, her
new film A Whole New World is a black comedy, which examines what it means to be British and the ways in which national identity is constructed and deconstructed in the age of globalisation and digital connectedne
new film A Whole
New World is a black comedy, which examines what it means to be British and the ways in which national identity is constructed and deconstructed in the age of globalisation and digital connectedne
New World is a black comedy, which examines what it means to be British and the ways in which
national identity is constructed and deconstructed in the age of globalisation and digital connectedness.
But as preparations are made to begin construction, the Studio Museum will be ramping up its work throughout 2018 to continue to bring the Museum's mission to life in
new local,
national and international
contexts, as it prepares to celebrate in September the 50th anniversary of the Museum's opening.
2006 Black Alphabet (
Contexts In Contemporary African American Art), Zacheta
National Gallery Of Art, Warsaw, Poland Peekskil Project, Hudson Valley Center For Contemporary Art, Peekskill, NY E7, Aljira Center for Art, Newark, NJ Harlem Art Project, Saatchi and Saatchi,
New York, Curators Choice, Scope Art Fair, curated by Franklin Sirmans, NY Performance Art Fair, curated by Dean Dedirko First Open, Christies,
New York, NY When Artists Say We, Artist Space,
New York, NY This Strangest Of Theatres, Roebling Hall,
New York, NY Artificial Afrika, Gigantic Art Space,
New York, NY From The Living Room, curated by Franklin Sirmans, Art Basel, Miami
In this
context, it is refreshing to see a
new paper at the
National Bureau of Economic Research by Alan Barreca et al., titled, «Adapting to Climate Change: The Remarkable Decline in the U.S. Temperature - Mortality Relationship over the 20th Century.»
Warmist Claim: «Derek Arndt, who heads the climate monitoring branch at NOAA's
National Climatic Data Center in Asheville, N.C., said the
new data should be viewed in the
context of the record retreat of snow cover in the Northern Hemisphere at the end of the melt season...»
The possible components of such an approach that would be relevant in the
context of climate change include: a
national renewable electricity standard; Federal financing for clean energy projects: energy efficiency measures (building, appliance, and industrial efficiency standards; home retrofit subsidies; and smart grid standards, subsidies, and dynamic pricing policies); and
new Federal electricity ‑ transmission siting authority.
Local governments can not fund climate change responses on public funding sources only, especially in regional and
national contexts where fiscal decentralization and transfers are far from being adequately designed to answer the needs imposed by the
new demands in urban area.
To put it in
context, the
new Seamounts Marine Management Area is larger than Yellowstone
National Park in the United States, and second only to Galapagos
National Park in terms of marine protected areas in the Eastern Tropical Pacific.
On Nissenbaum's account, that presumption may be rebutted if the
new technology can be shown more effectively to serve both general social values such as social welfare and
national security, and also the particular purposes and goals of the original information
context.
The
context of these commitments was a
National Reform Agenda, agreed to by Australian Governments in part to enable the
new Australian Government's election platform to be implemented.