Sentences with phrase «new objects in space»

Uncovering the true nature of ultra-high-energy cosmic rays, or UHECRs, could reveal weird new objects in space, or even a whole new level of fundamental physics.

Not exact matches

Hololens is Microsoft's new augmented reality device that appears to make objects appear in front of you within the physical space you're inhabiting.

29 More perhaps than do «eternal objects,» these «propositions» show how far Whitehead has come with his new solution to the problem of form: he has provided a free space for the unfolding of creativity in world - process.

The most unloved, drab objects in all of space are fast becoming the new cosmic «it» objects, providing insights into exoplanets and a lot more besides

Japanese engineers have developed a new system of acoustic levitation, using sound waves from four audio speakers to suspend solid objects in three dimensional space.

The most unloved destinations in space are fast becoming the new cosmic «it» objects.

«Finding and publicizing new supernova discoveries is often the weak link in obtaining rapid observations, but once we know about it, Swift frequently can observe a new object within hours,» said Neil Gehrels, the mission's principal investigator at NASA's Goddard Space Flight Center in Greenbelt, Md..

In mice, depending on the strain, the sexes may exhibit different levels of anxiety, detected by how willing the animals are to explore new objects or spaces.

New Horizons, NASA's mission to the outer solar system, has been given a large chunk of time on the Hubble Space Telescope to assist an increasingly desperate search for an icy object the spacecraft can study after it hurtles past Pluto in July 2015, NASA headquarters announced today.

The Biomass radar will still have to be turned off when it is over North America and Europe because it will interfere with systems used by the military to track objects in space, but forests there are relatively well studied; it's the swathes of forest in the tropics, Siberia, and China that will be the new satellite's main concern.

For the first time, scientists working at the National Institute of Standards and Technology (NIST) have demonstrated a new type of lens that bends and focuses ultraviolet (UV) light in such an unusual way that it can create ghostly, 3D images of objects that float in free space.

Accepting space and time as forms of animal sense perception (that is, as biological), rather than as external physical objects, offers a new way of understanding everything from the microworld (for instance, the reason for strange results in the two - slit experiment) to the forces, constants, and laws that shape the universe.

In each of the collisions, most of the mass stuck together to form a new, larger object, with rest blowing off into space — the amount varying with the size and power of each impact.

Stephen Thorsett of Princeton University in New Jersey has been thinking about the implications for life on Earth should a nearby object in space suddenly emit a powerful burst of gamma rays.

The Space Telescope's exquisite resolution will reveal exciting new details in whatever final object is selected.

«Our new observations have greatly improved our knowledge of one of the biggest, Makemake - we will be able to use this information as we explore the intriguing objects in this region of space further.»

The new theme is ok but I much prefer the old theme as I more of an image of objects floating in space when I hear it.

A new NASA - launched citizen science project seeks the public's help in reviewing more than a million animations to identify moving space objects that could be new discoveries.

Black holes in the centers of galaxies could accelerate mergers between objects and produce more ripples in space - time, also known as gravitational waves, a new study suggests.

Give her the time and space to be comfortable in approaching new people, animals or objects, and reward her with treats and praise for each encounter.

They're getting practice at encountering strange or new objects in a safe space, which they can leave at any time.

Two of Jubal Early's cards in Objects in Space, for example, won't strike but will instead force players to take a new flaw card every turn.

You awaken on Object 6 — a retro - futuristic space station set on a 400 - year journey in search of a new home.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

In a modest sized rectangular white walled exhibition space, objects of daily use, artifacts ancient and new, paintings and pots, quilts, and kimonos were arrayed on two tiers, hung from the ceiling, against works hung on wall that were subtly dematerialized by natural light coming from unseen skylights along the edges of the dropped ceiling.

The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and unmaking, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun.

Interstitial seeks to answer this question through the examination of new and recently - created free - standing sculptures by contemporary Los Angeles - based object makers whose work exists in the interstices, the spaces between the historical genres of the decorative arts, still life, and abstraction.

Damiani presents Morandi's Objects Joel Meyerowitz, the first exhibition in the publisher's new gallery space at Bologna.

The first exhibition in its new space will be «Readymades Belong to Everyone,» a survey of artists positioning objects within architectural spaces curated by Fredi Fischli and Niels Olsen.

While in the past, each of White's abstractions referred to a single patterned object (a quilt, a shirt, and so on), his new paintings suggest groupings of things in their relationships to each other, within the spaces they occupy.

Following a protest this past weekend, Omer Fast has responded to criticisms of his show at New York's James Cohan Gallery, which features an installation that attempts to return the Lower East Side space to its pre-gentrified state and includes objects associated with Chinatown in some stereotypes.

Through the process of examining materials and their function, I am interested in bestowing new value and subverting function, while affecting each object / spaces relationship to its surroundings.

A retrospective of Grenier's work, Language Objects: Letters in Space, 1970 - 2013, took place at Southfirst Gallery, New York, in 2013.

In another space, Ms. Holzer, a Conceptual artist, said she would display «some old, some new» works, including her signature electronic light projections of poetry and slogans, and a new piece, still in development, that would allow visitors with smartphones to see augmented reality projections, blending the real with 3 - D virtual objectIn another space, Ms. Holzer, a Conceptual artist, said she would display «some old, some new» works, including her signature electronic light projections of poetry and slogans, and a new piece, still in development, that would allow visitors with smartphones to see augmented reality projections, blending the real with 3 - D virtual objectin development, that would allow visitors with smartphones to see augmented reality projections, blending the real with 3 - D virtual objects.

SELECTED GROUP EXHIBITIONS 2014 — Building Stories — Kohler Arts Center — Sheboygan, Wi 2014 — Fearless — La Esquina Gallery — Kansas City, Mo 2014 — London Art Fair — Beers Contemporary — London, UK 2013 — Imperfect Symmetry — A+D Gallery — Columbia College — Chicago, Il 2013 — CAFKA Biennial 2013 — Waterloo / Kitchener — Ontario, Canada 2012 — Plural Zone — School of the Art Institute of Chicago — Columbus Building — Chicago, Il 2012 — Somewhere Else — Urban Institute of Contemporary Art — Grand Rapids, Mi 2012 — Evanston and Vicinity Biennial — Evanston, Il 2012 — Improbable Objects — What It Is — Chicago, Il 2011 — Experience is Never Unattached: Sullivan Galleries — Chicago, Il 2011 — P.O.D.S. Project: Lexington Art League — Lexington, Ky 2011 — The Value is Present: Inn Gallery — Ox Bow School of Art — Saugatuck, Mi 2011 — Union League Civic and Arts Finalist Exhibition: Union League Club — Chicago, Il 2011 - Weddings / Proms / Corporate Events — Zhou B Art Center — Chicago, Il 2011 — NEXT: The Invitational Exhibition of Emerging Art — Chicago, Il 2011 — MFA Thesis Exhibition: Sullivan Galleries — Chicago, Il 2010 — Alphabetization: Noble and Superior Projects — Chicago, Il 2010 — Uncommon Territories: Heaven Gallery — Chicago, Il 2010 — Usefullness: Sharp Exhibition Space — Chicago, Il 2009 — Learning Modern: Sullivan Galleries - Chicago, Il 2009 — Descours — AIA New Orleans — New Orleans, La 2009 — LeFlash: Castleberry Hill — Atlanta, Ga 2008 — Adventures in Mysticism: Athens Institute for Contemporary Art — Athens, Ga

By manipulating, deconstructing and distorting the architecture and objects as represented in glossy magazine, Rachel Wrigley's collages attempt to invent new forms; providing a distorted version of reality by investigating space as a moveable, impermanent fixture.

In a fourth and final post from New Frontier at Sundance, Nettrice Gaskins investigates «augmented space» — the technologies, objects, or symbols that overlay physical space with information.

Fo Wilson uses constructed space and furniture forms to create experiences that reposition historical objects and / or aesthetics in a contemporary context and offers audiences new ways of thinking about and interacting with history.

All played pivotal if very different roles in turning sculpture away from traditional figuration and toward new relationships with found objects, materials, process, color and the viewer's space.

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Decidedly not a minimalist, he continues to ponder objects and the space they occupy in quite modernist terms that land him somewhere between the historical avant - garde and the post war New York School.

Each artist is working with a collection of objects, and enlist them in the gallery space to construct new narratives.

What / Why: «We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills the space in between with the blue of longing. - Rebecca Solnit GRIN is pleased to announce Pools of Fir, a solo exhibition of new painting and photography by Brooklyn based artist Caitlin MacBride.»

An object of affection at New Shelter Plan in Copenhagen, DK, The eclectic is now at David Dale Gallery in Glasgow and Views on the eclectic as idea and the generous space as ideal at Kunsthallen Brandt Klædefabrik in Odense, DK.

2013 The Age of Collage, Gestalten Space, Berlin, Germany In The Cut, Australian Centre for Contemporary Art, Southbank, Victoria, Australia Designing Modern Women 1890 - 1990, MoMA, New York, NY, USA Europunk: une révolution artistique, Musée de la musique, Paris, France Flowers & Mushrooms, Museum der Moderne Mönchsberg, Salzburg, Germany The System of Objects, Deste Foundation, Athens, Greece Tom Burr & Linder, Stuart Shave / Modern Art, London Coconut Water, White Flag Projects, Saint Louis, MO, USA

The counterpart to the Reflections series is Colour & Space, a new series of decidedly more austere, geometric and subtly coloured photographs in which the artist captures the interaction of light and shadow on mundane interior structures and objects.

Kevin Beasley, who is better known as an object maker and sculptor, will be doing a performance in which he will be rigging a series of objects with contact microphones which will record the space and then he'll remix those sounds and create a new composition out of it live while he's preforming with the object.

In New York City American artists began using industrial objects, making work in large, industrial spaceIn New York City American artists began using industrial objects, making work in large, industrial spacein large, industrial spaces.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France