Sentences with phrase «new objects placed»

To test the long - term spatial memory of mice, the scientists trained the rodents to spot a new object placed in a controlled environment where two objects of similar shape and volume stand.

Not exact matches

The human conglomerate which the sociologists needed for the furtherance of their speculations and formulations now appears scientifically defined, manifesting itself in its proper time and place, like an object entirely new and yet awaited in the sky of life.

For the rest, we can only suggest that thirst must often have been a critical problem in the wilderness years; that names of people and places were subjects of acute interest because the name was deemed to be appropriate in meaning to the object named; that Israel may, therefore, on occasion have renamed a site (or, by a greater or lesser modification in sound, given the old name a new, Hebrew meaning) significant for her own experience there; and that Massah and Meribah represent the merging of two similar stories.

is the only place in the New Testament where homologein has en with its object, and it is hard to resist the conclusion that here, therefore, homologein is being used in a way different from the normal.

Park District of Oak Park officials indicated they will not pursue merging its administrative offices with those of Elementary School District 97 in a new building that would have been placed in the parking of Village Hall, 123 Madison St.. At community forums in September and November, residents had objected to the plan, citing increased traffic and parking overflow at Village Hall, among other concerns.

Week.3: your baby's eyesight is now almost fully developed and you will notice them staring and looking at new objects, people and places.

Hiding in Plain Sight Disney didn't know what these clandestine objects might be like, and he immediately wanted to follow up with new observations, which are now taking place.

With present techniques, teleportation is conceivable only with elementary particles, or theoretically, by encoding information about an object, transmitting the information to another place, such as by radio or electric signal, and creating a copy of the original object in the new location.

The production of heavier and heavier elements by subsequent generations of stars transformed the universe into a place where new and exotic objects could grow, including a rocky planet called Earth, and the life - forms that call it home.

Still mysterious, however, is how grid and place cells obtain the information that every GPS system requires: the angle and speed of an object's movement relative to a known starting point, says Edvard Moser, co-author of the new study along with May - Britt Moser, his spouse and collaborator.

Control mice, for example, spent more time sniffing around a new item placed in their cages than investigating familiar objects — a sign that their ability to react to novelty was intact.

She took time to set meaningful objects in common places where they would be seen and used, refreshed, or replaced for something new.

Whether it's about toys and gender stereotypes, a New Jersey girl who was tired of seeing books only about white boys and dogs, or discussing a new line of dolls with disabilities, you can provide openings for children to see how bias takes place in media and the everyday objects that they uNew Jersey girl who was tired of seeing books only about white boys and dogs, or discussing a new line of dolls with disabilities, you can provide openings for children to see how bias takes place in media and the everyday objects that they unew line of dolls with disabilities, you can provide openings for children to see how bias takes place in media and the everyday objects that they use.

Students who haven't yet discovered their objects of excitement are forming new nodes — people, places, tools, practices — on their learning networks.

Children can make imaginary objects and places, as well as new dramatic scenarios, settings, and games to play.

This bundle includes the following Task Cards: 12 Google Slides Task Cards: • Inserting slides • Changing slide background color • Adding a slide theme / design • Inserting images • Inserting Shapes • Inserting Word Art • Adding slide transition • Adding object animation • Creating Tables • Shading Tables • Downloading files to Microsoft PowerPoint from Google Slides • Uploading Microsoft PowerPoint documents into Google Slides 20 Google Sheets Task Cards: • Inserting columns • Deleting columns • Deleting rows • Inserting rows • Adding currency • Removing currency • Adding decimal places • Removing decimal places • Adding borders • Changing border color • Adding fill color • Sorting data • Merging cells • Unmerging cells • Creating charts • Customizing Pie Charts — A closer look • Moving charts to new sheets • Changing Chart types • Adding New Sheets • Deleting sheets 12 Google Drawings Task Cards: • Creating Tables • Shading tables • Insert Image • Insert Shape • Shape Fill • Line Thickness • Line Style • Line Color • Sending shapes to back • Bringing Shapes to Front • Rotating Shapes • Changing Shapes 12 Google Docs Task Cards: • Creating Tables • Inserting Page Numbers • Inserting images • Formatting Text (Bold, Italic, Underline) • Shading tables • Word count • Line Spacing • Text Alignment • Inserting Bullet Points • Inserting Numbered Lists • Downloading files to Microsoft Word • Uploading Microsoft Word documents into Google Dnew sheets • Changing Chart types • Adding New Sheets • Deleting sheets 12 Google Drawings Task Cards: • Creating Tables • Shading tables • Insert Image • Insert Shape • Shape Fill • Line Thickness • Line Style • Line Color • Sending shapes to back • Bringing Shapes to Front • Rotating Shapes • Changing Shapes 12 Google Docs Task Cards: • Creating Tables • Inserting Page Numbers • Inserting images • Formatting Text (Bold, Italic, Underline) • Shading tables • Word count • Line Spacing • Text Alignment • Inserting Bullet Points • Inserting Numbered Lists • Downloading files to Microsoft Word • Uploading Microsoft Word documents into Google DNew Sheets • Deleting sheets 12 Google Drawings Task Cards: • Creating Tables • Shading tables • Insert Image • Insert Shape • Shape Fill • Line Thickness • Line Style • Line Color • Sending shapes to back • Bringing Shapes to Front • Rotating Shapes • Changing Shapes 12 Google Docs Task Cards: • Creating Tables • Inserting Page Numbers • Inserting images • Formatting Text (Bold, Italic, Underline) • Shading tables • Word count • Line Spacing • Text Alignment • Inserting Bullet Points • Inserting Numbered Lists • Downloading files to Microsoft Word • Uploading Microsoft Word documents into Google Docs

But as it has been put into place, it has faced increasing backlash, both from politicians, who argue that it infringes on states» independence to determine education policy, and from parents and teachers, who object to the more stringent testing that has come with the new guidelines.

A wider exposure to new people, dogs, objects and places will help Fido hone his social and adjustment skills.

Because of border collies I have had friends in the darkest hours companions who became outdoor shadows and learned the meaning of unconditional love Because of border collies I have been taught how to approach the day how to see places and objects with refreshingly new eyes and to appreciate the possibilities of the mundane Because of border collies I have been denied access to pubs had to apologise to picnickers for missing sandwiches and to Sunday walkers for water - sprayed clothes Because of border collies I have possessed hard - working vacuum cleaners had black hair hiding in carpets and clothes and mini-collie clumps under sofas and beds Because of border collies I have had the pain of ending life watch ageing take over willing but incapable bodies and cried so long and so hard in emptiness Because of border collies I have had a life that is full and beautiful that has made me a person who knows how to love and to be loved in an uncomplicated world Ronnie Goodyer, Indigo Dreams Publishing Ltd www.indigodreams.co.uk

However, some cats develop abnormal fear reactions to other animals, people, new situations, places, noises, or objects.

I am usually careful and don't do it a lot but in a new place I might underestimate where objects are.

REMEMBER: Proper Socialization introduces puppies to new people, places, objects and situations ONLY when you can control the experiences.

Give her time to get used to the new place, the new smells, the new objects, the sounds of traffic, meeting other dogs and stuff like that.

Teaching your pooch to use the PetLoo is dead simple and each system comes with an instructional rewards - based video with tips such as «if your dog likes to lift his leg to mark his spot, place a short vertical object like a disposable cup in the middle of the Pet Loo, then remove it once your pooch becomes comfortable with this new method of urination».

Proper Socialization introduces puppies to new people, places, objects and situations ONLY when you can control the experiences.

Dogs can be nervous around new people or places, and sometimes object to having their paws touched.

Once they are comfortable with you handling them, start to introduce them to new people, everyday objects, surfaces, sounds and places.

A good or bad socialization will give the dog's own outlook on life, people, places, objects, other animals, and new situations.

Introduce the pup to new people, places, objects and situations ONLY when you can control the experience.

Introducing and familiarizing a canine to new experiences - including people, places, objects, other animals - in ways that help the dog learn how to respond to and interact with these experiences appropriately and without fear.

- get Public Works tasks from Isabelle - early on you'll have to build a school - choose the outside look from a selection of options then work on the inside - inside includes work on benches, lockers, tables and more - later you'll work on a hospital, cafe, a shop and more - the hospital tasks you with working on multiple rooms - use the stylus to drag and drop items into the playing field - tap the object to change the perspective and move them all easily to somewhere on the grid - drag the characters around as well - tapping on the D - Pad lets you change the camera angle - move around with the Circle Pad and interact with others by pressing the A-button - the plaza is where old and new animals are gathered - a speech bubble above a head denotes requests - once you've wrapped up the development of a property, a scene will play where the animals interact with the property - animals will say specific things when they are in stores / school or comment on things that are placed around the house - throw in your own favorite characters by purchasing amiibo cards - scan them and they will enter the house or scene - cards also give requests from characters before you even meet them in the game - some characters are exclusive to the cards - put data back on the card and give that information to the friend

You can also shape and re-texture the terrain, you can place and expand buildings, you can use more than fifteen hundred different objects (including variations), you can place effects like fire and smoke, and you can use the all - new trigger system to create a simple elevator or a complex skill game logic.

There are 4 gameplay modes; Elf the tiny dog is back to help you get into tight places; there's a new «Gift of Sight» element and I agree with other reviewers that it's a bit clunky but it does provide some answers in a «this is what really happened» way; hidden objects are presented in a variety of ways; puzzles and mini games are pretty good even though it might take a minute to figure out what you're supposed to do.

It's like being stuck between a rock and a hard place, though, because players don't buy new items with currency, but combine them together with objects found in the world.

The objects in question can be used to decorate Kirby's new apartment at the player's leisure (bringing a little taste of Animal Crossing into the mix), and certain objects can be placed in other apartments in the same building to get new tenants to move in, with each new arrival providing their own series of time limit - based mini-games (like trying to find friends hiding within a stage, or defeating a set number of enemies).

, Recession Art Project, Invisible Dog Gallery, New York, NY With / drawn, The Drawing Room, Budapest, Hungary Space / Place, 39th Street Gallery, Washington D.C KY7 Biennale, Lexington Art League, Lexington, KY Eye of the Beholder, Maryland Federation of the Art, Annapolis, MD Art Chicago, With Linda Warren Gallery, Chicago, IL Dis.place.ment, Urban Institute of Contemporary Art, Grand Rapids, MI Selections from the INDA 5, Manifest Gallery, Cincinnati, OH 2009 — 62nd Rochester Finger Lakes Exhibition, Memorial Art Gallery, Rochester, NY Art Chicago, With Linda Warren Gallery, Chicago, IL 2008 — Somewhere Elsewhere, Linda Warren Gallery, Chicago, IL Weekend Fling Series, All Rise Gallery, Chicago, IL Introductions 4, Irvine Contemporary, Washington D.C Paper New England II, The Bushnell, Hartford, CT 2007 — Viewing Registry, The Drawing Center of New York, New York, NY Summer Exhibition, New York Academy of Art, New York, NY CAA Exhibition, Hunter College, New York, NY 2006 — Place as Object Figure and Landscape, Janes Gallery, St. Barths 2004 — Doppelganger, Johnsonese Gallery, Chicago, IL

Armory Show: Wolfgang Laib, small marble object placed on the floor, surrounded by grains of rice; at Sean Kelly Gallery, New York City

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

A selfie serves as a new way of encountering objects, places, and ourselves.

For this exhibition she has selected some of her most significant landscape drawings and collections of found natural objects and has created a body of new work culminating in a major, one hour - long, two - screen 35 mm Cinemascope film, Antigone, which uses multiple exposures to combine places, people and seasons into a single cinematographic frame.

A retrospective of Grenier's work, Language Objects: Letters in Space, 1970 - 2013, took place at Southfirst Gallery, New York, in 2013.

Selected solo exhibitions of Anish Kapoor include: «Objects», Seoul: Leeum, Samsung Museum of Art (2012); «Anish Kapoor: Flashback», Manchester Art Gallery, Manchester (2011); «Monumenta», Grand Palais, Paris (2011); «Anish Kapoor», Fabbrica del Vapore, Milan (2011); «Anish Kapoor: Delhi / Mumbai», National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor», Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao (2010); «Anish Kapoor», Middlesbrough Institute of Modern Art, MIMA, Middlesbrough (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor: Shooting into the Corner», MAK Museum, Vienna (2010); «Drawings», Regen Projects, Los Angeles (2009); «Memory» Guggenheim, New York (2009); «Place / No Place: Anish Kapoor in Architecture», Royal Institute of British Architects, London (2008); «Anish Kapoor», Haus der Kunst, Munich (2007); «Anish Kapoor, Sky Mirror» Rockefeller Centre, New York (2006); «Anish Kapoor Japanese Mirrors», Scai The Bathhouse, Tokyo (2005); «My Red Homeland», KUB, Kunsthaus Bregenz (2003); «Marsyas», Turbine Hall, Tate Modern, London (2002 - 03); Tel Aviv Museum of Art, Tel Aviv (1993); Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (1994); «Anish Kapoor, XLIV Biennale di Venezia», British Pavilion, Venice (1990).

In the early 1980s, Jeff Koons consciously updated Marcel Duchamp's proposition that an artist is a «chooser» who gives once - useful objects new meanings (and later, a new commodity status) by placing them in a fine art context.

IT»S LIKE EISENSTEIN PUTTING ONE THING NEXT TO ANOTHER AND CREATING A LANGUAGE THAT WAY, AND IT IS ALSO RELATED TO SURREALISM AND JUXTAPOSING DISPARATE IDEAS, OBJECTS AND IMAGES JJ: At the same time that I was looking at contemporary work and studying art history I was looking at film — going to Anthology Film Archives [in New York] and a lot of places that don't exist any more that were showing film in the 1960s and 70s.

But whereas Duchamp's readymades, such as his famous urinal, questioned the artwork's privileged status as a handmade object, the new generation places art within the context of capitalist economy.

Showcasing the artist's new Breathing Panels, among other works, this exhibition continues Ward's longstanding interest in the context and history of places in which he works, as well as the materials, objects, and phenomena he finds in those locations.

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

Andre was at the forefront of this crusade, and his sculptures — comprised of systems of regular units placed in grid - like formations and lying flat on the ground — became synonymous with this radical new form of art. 100 Copper Square is an outstanding example of the work he created in the 1960s and rejects the notion of sculpture as an object mounted on a pedestal and viewed from a distance.

Learning from Monet's masterful techniques and somehow using them would need a new structure and organisation within an abstract painting to take the place of objects.

Past group shows and screenings include: Rêve du Pierre, curated by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova Sculpture Park and Museum, Lincoln, MA (2015); A Night of Philosophy, Ukrainian Institute of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower Side in Istanbul, Mixer, Istanbul, Turkey (2014); It Narratives: The Movement of Objects as Information, Franklin Street Works, Stamford, CT, USA (2014); A Tale of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street Works, Stamford, CT, USA (2013); Matter Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012); Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley Gallery — Reed College, Portland, OR and Pomona College Museum of Art (2008, 2009).