Sentences with phrase «new oil and acrylic»

It encompasses a series of just under twenty new oil and acrylic on canvas and gouache and colored pencil on paper works.

Not exact matches

Jonas Wood, Studio Exterior, 2014, oil and acrylic on canvas, 112 x 114 inches (courtesy of the artist, Shane Campbell Gallery, Chicago; Anton Kern Gallery, New York; David Kordansky Gallery, Los Angeles; and Gagosian Gallery)

During June, Gallery Underground also features a new exhibit of members» work in the Main Gallery, including sculpture, glass, ceramics, watercolor, oil, acrylic and mixed media.

Barkley L. Hendricks, Photo Bloke, 2016, Oil and acrylic on linen, 72 x 48 in., Courtesy of the artist and Jack Shainman Gallery, New York, © Barkley L. Hendricks

Abstractionist artist MM Ciciovan is showing a new White Series, an homage to the great masters Michelangelo and Rodin that addresses the human need for celebration and light, depicted with oil in cast acrylic sheets.

«Afronirvana,» 2002 (oil, acrylic, polyester resin, aluminum foil, glitter, map pins, and elephant dung on canvas) by Chris Ofili Courtesy the artist, David Zwirner, New York / London, and Victoria Miro, London.

Il Lee's recent venture into a different medium, exemplified in the first public unveiling of his large - scale acrylic and oil on canvas work at the Metropolitan Museum of Art in 2010, has opened up a significant and exciting new direction for the artist.

Acrylic, oil and screen - printing ink on canvas, courtesy the artist, Gavin Brown's Enterprise, New York, Rome, Sadie Coles HQ, London, and Galerie Gisela Capitain, Cologne

And as Hendricks is quick to point out, there are experiments in composition and technique in this body of work — including shaped and multi-part paintings and a new focus on acrylics, after decades of working in both acrylic and oil — that also demand scrutiAnd as Hendricks is quick to point out, there are experiments in composition and technique in this body of work — including shaped and multi-part paintings and a new focus on acrylics, after decades of working in both acrylic and oil — that also demand scrutiand technique in this body of work — including shaped and multi-part paintings and a new focus on acrylics, after decades of working in both acrylic and oil — that also demand scrutiand multi-part paintings and a new focus on acrylics, after decades of working in both acrylic and oil — that also demand scrutiand a new focus on acrylics, after decades of working in both acrylic and oil — that also demand scrutiand oil — that also demand scrutiny.

Though new media is not in short supply here, Mr. Lew and Ms. Locks have also sought out acres of oil and acrylic on canvas, primarily by women.

Did oil painting signal a new medium in Marshall McLuhan's sense as well, while acrylics did not, and how can I know?

Frances Stark, Ian F. Svenonius's «Censorship Now» for the 2017 Biennial, Spread 1 of 8 (Sincerly), 2017, gesso, ink, oil and acrylic on canvas, 1.9 x 2.6 m. Courtesy: Gavin Brown's enterprise, New York

In the photos from Associations New, only a handful of them feature the credited work of individual arists, including Charlotte Herzig «s «Landscape, the sun is actually red» (2014) and Henning Strassburger «s «o.T» (2014), that yells «LOOK WHAT I PAINT» in black scrawl through the lurid pink and black noise of oil and acrylic.

He has also changed acrylic paint to oil which has opened up for new challenges and possibilities.

Laura Owens, Untitled, 1997, oil, acrylic, and airbrushed oil on canvas, Whitney Museum of American Art, New York; promised gift of Thea Westreich Wagner and Ethan Wagner P. 2011.274.

Agnes Denes Pyramids of Conscience, 2005 Crude oil, Tap water (City of New York), Polluted water (New York Harbor), the Mirror, in which you see yourself make decisions about Water for Humanity Steel, Wood, Acrylic, Mirror 51» x 51» x 56» Courtesy of the artist and Leslie Tonkonow Artworks + Projects Photography © Benjamin Lozovsky / BFAnyc.

Tamika sur une chaise longue avec Monet, 2012, Mickalene Thomas, rhinestones, acrylic, oil, and enamel on wood panel, 108 x 144 x 2 in., Sydney & Walda Besthoff, Courtesy of the artist and Lehmann Maupin, New York and Hong Kong, © Mickalene Thomas.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

Each group in the exhibition achieves this through their own distinct technique: the Abstract Classicists of Los Angeles worked in oil; the Washington Color School stained acrylic into their unprimed canvases; and the New York Op artists built up their acrylic on primed canvases.

Frankenthaler, who began her career as a second - generation Abstract Expressionist, consistently pushed the boundaries of what painting could be by embracing new materials and techniques, abandoning the gestural drawing of earlier work as she transitioned from oil to acrylic paint.

Strauss Bourque - LaFrance, Open and Ugly, 2016, basswood, stain, acrylic, oil pastel, wax stick, New York Post, 24 x 12 x 2 inches

Her portraits of human - animal hybrids have a stiffness reminiscent of early New England portraiture, and her muted palette is accentuated by the choice of gouache and acrylic in preference to oil.

David Salle, The Old Bars (after MH), 2017 oil, acrylic, flashe, charcoal and archival digital print on linen, 1.7 × 2.3 m. Courtesy: © the artist, VAGA, New York, Skarstedt, New York, and DACS, London

With these he recreates masterpieces ranging from those of Turner and the Impressionists who were pushing the limits of the brilliant new hues available to them (A Disaster at Sea aka The Wreck of the Amphitrite, after William Turner, Flowers, after Vincent van Gogh, Still Life with Begonias, after Paul Cézanne and Flowers, after Odilon Redon II, all 2016) to the immense oil and acrylic expanses of Abstract Expressionist painters (Double Scramble, after Frank Stella and No. 3 / No.

ASHLEY BICKERTON L.W.S. 1, 2000 acrylic, oil, analine dye, pencil collage on wood 66 x 96 inches 167.6 x 243.8 cm LM10509 Courtesy the artist and Lehmann Maupin, New York and Hong Kong.

The forthcoming exhibition will include over 20 new oil paintings, on which she has been working for over 3 years, together with a group of new works on paper, including acrylics and her first series of woodcut prints.

Art Space 98, a new gallery located at 98 Newtown Lane in East Hampton, is proud to present its inaugural exhibition: People and Lost Traces featuring oil paintings and acrylics by Thomas Buehler, and clay assemblages by Rosemarie Schiller.

ASHLEY BICKERTON The Vlaminko's, 1999 acrylic, oil, pencil, and photographs on wood 48 x 144 x 3.25 inches 121.9 x 365.8 x 8.3 cm LM22905 Courtesy the artist and Lehmann Maupin, New York and Hong Kong.

Writing about the Hard Edge Painting show Mattera notes: «While the Washington painters worked largely on unprimed canvas, the Los Angeles group worked in oil, and the New Yorkers in acrylic.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

He paints with both oil and acrylic, while attempting to fuse fine art with graffiti in new and interesting ways.

Jean - Michel Basquiat Untitled, 1981 Acrylic, oil stick, and paper collage on panel Unframed: 32 1/2 x 14 1/8 inches (82.55 x 35.89 cm); Framed: 48 x 28 x 5 inches (121.92 x 71.12 x 12.7 cm) © The Estate of Jean - Michel Basquiat / ADAGP, Paris / ARS, New York 2017; Private Collection, Florida Photo by Stefan Altenburger

«After Dhalgren II», 2015 acrylic and oil on masonite board, collage 210 x 195 cm & «After Dhalgren III», 2015 acrylic and oil on masonite board, collage 210 x 270 cm installation view Galerie Buchholz, New York 2016

«2 moons», 2015 acrylic and oil on masonite board 140 x 215 cm & «After Dhalgren I», 2015 acrylic and oil on masonite board, collage 212 x 168 cm installation view Galerie Buchholz, New York 2016

«After Dhalgren I», 2015 acrylic and oil on masonite board, collage 212 x 168 cm & «After Dhalgren II», 2015 acrylic and oil on masonite board, collage 210 x 195 cm installation view Galerie Buchholz, New York 2016

Wintertime Vienna Woods, Elise Ritter During January, Gallery Underground also features a new exhibit of members» work in the Main Gallery, including sculpture, glass, ceramics, watercolor, oil, acrylic, jewelry and mixed media.

Paul Laffoley, The Visionary Point, 1970, oil, acrylic and hand applied vinyl letters on canvas, 1.9 x 1.9 m. Courtesy: Francis Naumann Fine Art, New York

The exhibition is made up of eight oil and acrylics on canvas completed in 2014 and 2015 in the artist's New York City and East Hampton studios.

Chris Martin, Tree, 2014, Oil, acrylic and collage on canvas, 90 x 75 inches (228.6 x 190.5 cm) © Chris Martin, Courtesy of Anton Kern Gallery, New York

Chris Martin, Untitled, 2014, Acrylic, oil and glitter on canvas, 88 x 77 inches (223.5 x 195.6 cm) © Chris Martin, Courtesy of Anton Kern Gallery, New York

Chris Martin, Garden at 11 Munn Street # 3, 2014, Oil, acrylic and glitter on canvas, 90 x 75 inches (228.6 x 190.5 cm) © Chris Martin, Courtesy of Anton Kern Gallery, New York

Chris Martin, Untitled, 2014, Oil, acrylic and glitter on canvas, 88 x 77 inches (223.5 x 195.6 cm) © Chris Martin, Courtesy of Anton Kern Gallery, New York

Chris Martin, Chameleon, 2014, Oil acrylic and collage on canvas, 88 x 77 inches (223.5 x 195.6 cm) © Chris Martin, Courtesy of Anton Kern Gallery, New York

Predictably Irrational will be showcasing a new body of work created by the artist specifically for the occasion, and that will consist in a series of paintings created using acrylic, oil and ink.

Movements Among the Dead, January 19 — March 6, 1990 / Oil and acrylic on wall / 11» 3» x 42» 6» x 22» 6» / Installation at the Museum of Modern Art: Projects 20, New York

David Salle Carny Mind, 2015 oil, acrylic, silkscreen, charcoal, crayon and archival digital print on linen 96 x 70 inches Image courtesy Skarstedt, New York

For this show, the Bristol - based artist created a whole new body of work using oil for the first time, along with acrylic and spray paint.

Although executed in New York, the work in the exhibition, which includes oil and acrylic paintings as well as a series of prints, addresses issues beyond the borders of time and place, taking up the cultural eruptions of the recent past.

The 17 new paintings are mixed media (acrylic and oil paint, gouache, marble dust, pencil, spray paint and synthetic resin) on wood or canvas.

The exhibition includes eight oil and acrylics on canvas completed during 2014 and 2015 in the artist's New York City and East Hampton studios.