Sentences with phrase «new oil paintings on canvas»

Not exact matches

A new animated feature chronicling the life and career of Vincent Van Gogh seeks to emulate its subject's style by being comprised solely of oil paintings on canvas, making it the world's first fully painted production.

Leland Bell, Croquet Party, 1965, oil on canvas, 42 x 60 inches (Collection of the Center for Figurative Painting, New York)

Seascape — Isle of Shoals, 1902, oil on canvas, 29-1/8 x 37-1/2 inches, framed by Gill & Lagodich for the High Museum of Art, Atlanta; c. 1900 Stanford White - style American painting frame, gilded carved wood, attributed to Milch Galleries, New York frame makers.

Peter Hoffman is a New Orleans - based artist who primarily works with oil paint on canvas.

Museum - quality replica painting and frame: Commissioned by the Intercontinental Barclay Hotel, New York, 2016 CUSTOM REPLICA PAINTING by Simeon Lagodich, 2016, oil on canvas, 32 x 50painting and frame: Commissioned by the Intercontinental Barclay Hotel, New York, 2016 CUSTOM REPLICA PAINTING by Simeon Lagodich, 2016, oil on canvas, 32 x 50PAINTING by Simeon Lagodich, 2016, oil on canvas, 32 x 50 inches.

Mt. Kathadin (Maine), Autumn, No. 2, oil on canvas, 30-1/4» x 40-1/4» PERIOD FRAME c. 1930 American Modernist frame, House of Heydenryk, New York makers, hand carved, paint - finished wood.

The show's oil - on - canvas paintings from the late 1940s and 1950s demonstrate the wide reach of the New York School — works by Jack Jefferson, Deborah Remington, Ward Jackson, Louis Ribak, Lilly Fenichel, and Bea Mandelman — reprised here by the recent mythic narratives (2013) of Eugene Newmann.

Since the band split in the mid-1980s, Simonon has focused on oil on canvas paintings inspired by 20th century realism and its documentation of the living conditions of the working classes, in particular the work of the American Ashcan School in turn of the century New York, and the «Kitchen Sink» school of painters of 1950s post-War Britain.

Rupert Eder, ANIMUS, 2008 Oil on canvas 63 x 47 inches March 1 - 22, 2011 Schaltwerk - Kunst, Hamburg, presents the exhibition: About Painting at the Sylvia Wald and Po Kim Art Foundation in New York.

Considering that Velázquez is widely seen as the greatest painter ever to lay oil on canvas, and considering that he only made about 110 paintings in his lifetime, the fact that a new portrait is visiting the Metropolitan Museum of Art this month (April 16 - July 14) is bound to cause a stir.

These works were difficult to categorize: though I thought of myself as a painter, as I had earlier when working with gouache on paper, in defiance of the rules left over from Greenbergian formalism in the New York School that made oil or acrylic on canvas the probative medium, these were not paintings.

Included alongside Hirst's work were a large series of Dominic Denis's oil on canvas paintings, «Directions» (1990), and a new series of Angus Fairhurst photographic works layered with gel.

oil paint and vinyl on stretched raw linen canvas, 62-3/4 x 62-5/8» (159.4 x 159 cm) © 2018 Robert Ryman / Artists Rights Society (ARS), New York.

Many of the newest portraits are based on family photographs she discovered in a box and recreated as oil paintings in sepia tones on canvas, recapturing a sense of past moments and lost memories.

Image: Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection, © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

The show will feature new work by the artist, including five 11 - foot - tall oil on canvas paintings and eight smaller - scale works.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

Wilson's Water Mill Fog, 1966, oil on canvas, described by Strassfield as «an amazing painting,» is in Guild Hall's permanent collection and was exhibited at Sotheby's in New York as part of the March 2014 Academy of the Arts gala.

Developing their careers in the 1960s rather than the 1950s, the New York artists used new water - based acrylic paint on primed canvas to achieve an oil - like richness of color along with crisp lines through acrylic's plastic qualiNew York artists used new water - based acrylic paint on primed canvas to achieve an oil - like richness of color along with crisp lines through acrylic's plastic qualinew water - based acrylic paint on primed canvas to achieve an oil - like richness of color along with crisp lines through acrylic's plastic quality.

For his exhibition at the gallery, Zinsser will present a new set of oil and enamel paintings on stretched canvas, including several ambitious large - format works.

Wood has developed six portfolios of work and adds to them frequently... Found Object Sculpture, Hand - Carved Sculpture, Tapestry With Found Objects, Drawing, Oil Painting on Canvas or Glass, and the newest... Collage.

Long - haired high - heeled budding Asian collectors noted down work by new names such as the charming light - as - air butterfly oil painting at the Grosvenor gallery by Senaka Senanayake and took selfie - souvenirs in front of Love Struck, wrought by D * Face with «enamel and pigment based paint on medium grain cotton duck canvas».

PaceWildenstein is pleased to present a series of new oil on canvas paintings by Tim Eitel in his second solo exhibition at the gallery.

A work table, stacked canvases, the artist at her easel (and laptop): these are all objects and scenes captured using 3D scans in her own studio space in New York, where Rossin makes both her digital works and oil paintings on canvas.

Art Space 98 is proud to present the exhibition: Transformation featuring recent Oil Paintings on canvas by Swiss - born artist Thomas Bühler who lives in New York City and Montauk.

The bulk of her work are oil paintings on canvas, although Tryggvadóttir is also known for her illustrated books for children, works on paper and stained glass and mosaic works, located in such places as in the National Museum of Iceland, Skálholtskirkja, the headquarters of Landsbankinn, the service desk of Loftleiðir (presently, Icelandair) at the John F. Kennedy - airport, New York, and in Hotel Loftleiðir (presently, Hotel Reykjavík Natura).

New York - based artist, Kevin Cyr, recently opened an exhibition entitled In Praise of Rust at Jonathan Levine's gallery, featuring many recognizable names on the artist's oil painted truck canvas

New York - based artist, Kevin Cyr, recently opened an exhibition entitled In Praise of Rust at Jonathan Levine's gallery, featuring many recognizable names on the artist's oil painted truck canvases.

Whilst Ayres's paintings have never been representational, the forms in these new works seem reminiscent of leaf and flower shapes clearly seen in works such as Apadana, Cynthu's Hill, and Helen's Glade, all oil on canvas and executed in 2011.

Image: Henri Matisse La fille aux yeux verts (The Girl with Green Eyes), 1908; painting; oil on canvas; Collection SFMOMA, Bequest of Harriet Lane Levy; © Succession H. Matisse, Paris / Artists Rights Society (ARS), New York

Image: Robert Rauschenberg, White Painting (Three Panel), 1951; oil on canvas; Collection SFMOMA, Purchase through a gift of Phyllis Wattis; © Estate of Robert Rauschenberg / Licensed by VAGA, New York

monochrome painting XI, 1988/1989, eleventh station — the crucifixion brice marden THE DYLAN PAINTING, 1966 oil and wax on canvas bykert gallery, painting XI, 1988/1989, eleventh station — the crucifixion brice marden THE DYLAN PAINTING, 1966 oil and wax on canvas bykert gallery, PAINTING, 1966 oil and wax on canvas bykert gallery, new york

monochrome painting I, 1988/1989 first station — christ condemned to death kasimir malevich SUPREMATISTS COMPOSITION: WHITE ON WHITE, c. 1918 oil on canvas the museum of modern art, new yoON WHITE, c. 1918 oil on canvas the museum of modern art, new yoon canvas the museum of modern art, new york

Judith Linhares, Turkey, Oil on Canvas, 1977, 72 x 68 inches (image: New Museum Digital Archive from the 1978 exhibition «Bad Painting»)

Writing about the Hard Edge Painting show Mattera notes: «While the Washington painters worked largely on unprimed canvas, the Los Angeles group worked in oil, and the New Yorkers in acrylic.

Main image: Jeanne Hébuterne 1919, Medium Oil paint on canvas 914 x 730 mm, The Metropolitan Museum of Art, New York

Ad Reinhardt - Abstract Painting, 1960, oil on canvas, © 2017 Estate of Ad Reinhardt / Artists Rights Society (ARS), New York

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Karen Schifano, «New House,» 2008, oil on canvas, 20 x 30 ″ Karen Schifano, «Gangplank,» 2009, oil on canvas, 84 x 40 ″ Twice in the past few weeks I've picked Karen Schifano «s paintings out of large group shows.

Installation view of Alfred Leslie's «Ten People,» 1992 - 98, oil on canvas, each painting 7 by 5 feet; at the American Academy of Arts and Letters, New York, 2006.

The exhibition will include nine new works, among them two large watercolour diptychs depicting the Swiss psychiatrist and author C.G. Jung's house in Küsnacht, as well as a monumental allegorical oil painting on canvas.

ANASTASIA PELIAS «Nostalgia is, so to speak, an epidemic in New Orleans» - Harry Pelias, December 1971 (lemon yellow, translucent golden green, natural bohemian eart, manganese cerulean, indigo), 2014 oil on canvas, luan, plywood, soundboard, baseboard installation: 177 x 108 x 24 inches each painting: 50 x 40 inches

1948 Oil and enamel paint on canvas, 68» x 8» 8» (172.7 x 264.2 cm) The Museum of Modern Art, New York.

New oil - on - canvas paintings by Alfredo Arreguin.

Featured Image: Jackson Pollock - Number 1, 1948, Oil and enamel paint on canvas, 68 x 8.8 in (172.7 x 264.2 cm), © 2017 Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Oil and enamel paint on canvas.172.7 x 264.2 cm, © 2017 Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

The exhibition is survey of the artist's oil on canvas works from the late 1990s through 2014, including seascapes, landscapes, paintings of oases inside New York City's Central Park and several portraits of family members and friends.

The 17 new paintings are mixed media (acrylic and oil paint, gouache, marble dust, pencil, spray paint and synthetic resin) on wood or canvas.

«Colony Room» presents some of Zak Prekop's new work (Pictured above: Black with Green / Blue, 2014, oil and ink on canvas, 27 x 35 inches) that utilizes a wider range of color than we saw in his 2012 series of white - on - white paintings.