Sentences with phrase «new original score»

Or commission a brand new original score for Final Fantasy VII Remake, a-la Masashi Hamauzu's Dirge of Cerberus... Yeah, Probably the former.

TCM Fest always has a premiere silent film event with a live orchestra, often with a new original score.

Not exact matches

To be sure, original content — and racking up those Emmy awards — is critical to Netflix's future as it looks to convert those high - quality shows (and high Metacritic scores) into new subscribers.

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

If the new scores are higher, then the original ratings could not be used against the educators in firing or tenure decisions.

The visual sensibility of Submarine is kind of Quadrophenia meets French New Wave, which lends a timeless quality - as does Andrew Hewitt's score and, in particular, a handful of original songs written and performed by Arctic Monkeys» Alex Turner.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs composed by Alan Menken.

Original Light Mix Score, New IP Celeste Cuphead — WINNER Pyre To the Moon What Remains of Edith Finch

Original Dramatic Score, New IP Arena of Valor Hellblade: Senua's Sacrifice Horizon Zero Dawn — WINNER Little Nightmares RiME

Directed by Oscar ® winner Bill Condon based on the 1991 animated film, «Beauty and the Beast» is produced by Mandeville Films» David Hoberman and Todd Lieberman with eight - time Oscar - winning composer Alan Menken, who won two Academy Awards ® (Best Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner TOriginal Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Toriginal songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Rice.

Ultimately, however, Bill Condon directs this Stephen Chbosky and Evan Spiliotopoulos script as a celebration of the original, more than doing justice to old favorites with new recordings of the original Alan Menken and Howard Ashman score and including three new songs by Menken and Tim Rice.

Trying to work with the original score over the new scenes just wasn't working for him, so he brought in another musician, Scott Stambler (Rumor Has It, Alex & Emma), to help bridge the scenes in between, only to ditch the original score outright in favor of a brand new score.

After speaking about how the original movie came together and his upcoming tour behind the recently released anthology of his classic scores for his films, Carpenter confirmed that the new movie will ignore all the sequels, including (presumably) Zombie's movies.

Following his recent collaborations with 343 Industries on the re-imagined soundtrack to «Halo 2: Anniversary» and original score for «Halo Spartan: Assault,» award - winning composer and music producer Tom Salta returns to the iconic «Halo» video game series to provide an original score for «Halo: Spartan Strike,» the newest mobile top - down shooter from the «Halo» universe launching today for Windows 8, Windows Phone 8, iPhone, iPad, and Steam.

Eight - time Academy Award ® - winning composer Alan Menken («Beauty and the Beast,» «The Little Mermaid») provides the score, which includes new recordings of the original songs written by Menken and Oscar ® - winning lyricists Howard Ashman («Little Shop of Horrors») and Tim Rice («The Lion King») as well as two new songs written by Menken and Oscar ® and Tony Award ® - winning songwriters Benj Pasek and Justin Paul («La La Land,» «Dear Evan Hansen»).

Ang Lee, «Life of Pi» Year: 2012 Cast: Suraj Sharma, Irrfan Khan, Tabu, Adil Hussain, Rafe Spall, Gérard Depardieu Distributor: 20th Century Fox Premiere history: Sept. 28, 2012 New York Film Festival; wide release Nov. 21, 2012 Other awards won: British Academy Film Awards (BAFTA) Best Cinematography, Special Visual Effects; Golden Globe Award for Best Original Score Other Oscar nominations: Best Picture, Best Adapted Screenplay, Best Cinematography (won), Best Production Design, Best Film Editing, Best Sound Editing, Best Sound Mixing, Best Visual Effects (won), Best Original Score (won), Best Original Song

Directed by Oscar ® winner Bill Condon from a screenplay by TBD based on the 1991 animated film, the film is produced by Mandeville Films» David Hoberman and Todd Lieberman with eight - time Oscar - winning composer Alan Menken, who won two Academy Awards ® (Best Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner TOriginal Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Toriginal songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Rice.

The screenplay will be written by Oscar nominee David Magee based on The Mary Poppins Stories by P.L. Travers, with Oscar nominee and Tony Award winner Marc Shaiman composing an all - new score and Shaiman and Emmy nominee and Tony Award winner Scott Wittman writing original songs.

We have a new leader in the Original Score race: Alexandre Desplat's The Shape of Water.

Official Premise: Climb aboard for a magical carpet ride with nonstop laughs, action - packed adventure and Academy Award (R)- winning music that will make your heart soar (1992: Best Music, Original Song, «A Whole New World,» Original Score).

So says Executive Producer John Ridley in a new featurette that dives into the tone of the ABC anthology series with emphasis on the original score.

As artistic director Peter von Bagh writes, the aim is «to make film screenings shimmer like live performances — through our efforts to guarantee the original format, the best technical care...» (1) And indeed thanks to that care, which includes live accompaniment by great musicians or the use of a large orchestra for new commissioned scores, or again the availability of new and recently restored prints within the walking space of four close venues, the experience of watching a film becomes something unique, a concert - like event.

Another new addition is multiplayer with two - person co-op where they'll have to work together to get the best scores and a Hard Mode for people who want the original difficulty back.

Whether you're completely new to the game or one of the few who still play Red Dead Redemption single or multiplayer, it's worth looking back at the review scores for the original game to see what all the fuss was about.

Special Features New 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom GunnNew 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom GunnNew audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunnnew video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunnnew program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunnnew score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunning

Holmes fans enjoyed the series» faithfulness to Arthur Conan Doyle's original stories, while crisp gothic settings, a creepy, delicate circus - like score, and tastefully utilized technology brought a new freshness to the tales.

Best New Filmmaker (awarded in memory of David Brudnoy)- Robert Eggers for The Witch Best Ensemble Cast - Moonlight Best Original Score - Mica Levi for Jackie

This Twilight Time release features the original commentary recorded by Frankenheimer for the laserdisc release almost 20 years ago plus a new commentary track with Twilight Time founder and historian Nick Redman and film historians Julie Kirgo and Paul Seydor, as well as the usual isolated score track and eight - page booklet.

The New World: The Criterion Collection Rotten Tomatoes Score: 62 % Available on DVD and Blu - ray While the 172 minutes extended cut of Terrence Malick's beautiful vision of the John Smith / Pocahontas story has been available for some time now, Criterion has taken the production to a new level with this set which includes the extended cut as well as the original theatrical 135 minute cut and the 150 minute first cut, all remastered in New World: The Criterion Collection Rotten Tomatoes Score: 62 % Available on DVD and Blu - ray While the 172 minutes extended cut of Terrence Malick's beautiful vision of the John Smith / Pocahontas story has been available for some time now, Criterion has taken the production to a new level with this set which includes the extended cut as well as the original theatrical 135 minute cut and the 150 minute first cut, all remastered in new level with this set which includes the extended cut as well as the original theatrical 135 minute cut and the 150 minute first cut, all remastered in HD.

Best Film — National Board of Review Film of the Year — London Critics Circle Best Picture — Boston Online Film Critics Best Picture — Online Film Critics Society Best Picture — Chicago Film Critics Best Picture — Utah Film Critics Association Best Picture — Florida Film Critics Circle Best Picture — Kansas City Film Critics Best Picture — Austin Film Critics Best Picture — San Diego Film Critics Best Director — Boston Online Film Critics Best Director — Los Angeles Film Critics Best Director — Washington D.C. Area Film Critics Best Director — San Francisco Film Critics Circle Best Director — Online Film Critics Society Best Director — Southeastern Film Critics Best Director — Phoenix Critics Circle Best Director — Chicago Film Critics Best Director — Vancouver Film Critics Circle Best Director — Utah Film Critics Association Best Director — Florida Film Critics Circle Best Director — Kansas City Film Critics Best Director — Austin Film Critics Best Director — San Diego Film Critics Best Director — Indiana Film Journalists Best Director — Oklahoma Film Critics Circle Best Director — Black Film Critics Circle Director of the Year — London Critics Circle Best Director — Critics» Choice Award Best Actress for Charlize Theron — Kansas City Film Critics Best Cinematography — Boston Online Film Critics Best Cinematography — New York Film Critics Online Best Cinematography — Los Angeles Film Critics Best Cinematography — San Francisco Film Critics Circle Best Cinematography — Online Film Critics Society Best Cinematography — Southeastern Film Critics Best Cinematography — Chicago Film Critics Best Cinematography — Utah Film Critics Association Best Cinematography — Florida Film Critics Circle Best Cinematography — Black Film Critics Circle Best Edited Feature Film (Dramatic)-- American Cinema Editors Best Editing — Boston Online Film Critics Best Editing — Boston Society of Film Critics Best Editing — Washington D.C. Area Film Critics Best Editing — San Francisco Film Critics Circle Best Editing — Online Film Critics Society Best Editing — Las Vegas Film Critics Best Editing — Chicago Film Critics Best Editing — San Diego Film Critics Best Editing — Central Ohio Film Critics Best Editing — Alliance of Women Film Journalists Best Editing — Critics» Choice Award Best Editing — BAFTA Awards Best Original Score — Boston Society of Film Critics Best Musical Score — Indiana Film Journalists Best Score — Phoenix Critics Circle Best Production Design — Los Angeles Film Critics Best Production Design — Washington D.C. Area Film Critics Best Production Design — Chicago Film Critics Best Production Design — Critics» Choice Award Best Production Design — BAFTA Awards Best Costume Design — Las Vegas Film Critics Best Costume Design — Critics» Choice Award Best Costume Design — BAFTA Awards Excellence in Fantasy Film — Costume Designers Guild Awards Best Visual Effects — Las Vegas Film Critics Best Visual Effects — Florida Film Critics Circle Best Visual Effects — Critics» Choice Award Visually Striking Film of the Year — Gay and Lesbian Entertainment Critics Outstanding Effects Simulations in a Photoreal Feature — Visual Effects Society Best Hair & Makeup — Critics» Choice Award Best Hair & Makeup — BAFTA Awards Best Action Film — Las Vegas Film Critics Best Fantasy Film — Art Directors Guild Best Action Movie — Critics» Choice Award Best Stunt Ensemble — Screen Actors Guild Best Sound Design — San Diego Film Critics Best Equality of the Sexes — Women Film Critics Circle Best Actor in an Action Movie for Tom Hardy — Critics» Choice Award Best Actress in an Action Movie for Charlize Theron — Critics» Choice Award Best Female Action Star for Charlize Theron — Women Film Critics Circle Best Female Action Star for Charlize Theron — Alliance of Women Film Journalists

Also really cool is Bernard Herrmann's score for the original film, which is adapted by Elmer Bernstein for the new version (with bits of Herrmann's rejected Torn Curtain score thrown in for good measure) and it works just as well in this version as it did in 1962.

YOU MUST REMEMBER THIS TOO presents this film music in an entirely new light, adapting the pieces for two guitars, in arrangements based faithfully on the original scores by internationally acclaimed guitarist Gregg Nestor.

New York - born Beltrami has twice been nominated for Academy Awards: for his work on the Western remake 3:10 to Yuma (2007), and for Best Original Score for his music for The Hurt Locker (2010).

This is yet to be seen, the score heard in the trailer is Johansson's but sounds daringly close to the original score, as an audience, we haven't heard any of the new material just yet.

«A New Score» (10:40) looks at Kevin Kiner's music, which adapts John Williams» themes and adds some original sounds of its own.

• «Beauty and The Beast» Sneak Peek — An exciting first look into the live - action re-telling of «Beauty and the Beast,» which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

Even the new score by John Powell (Jason Bourne) only soars when it samples the original John Williams theme.

THQ triggering Red Faction: Armageddon Obsidian unearthing Dungeon Siege 3 iPhone 4 introduces gyroscope gaming E3 to draw 41,000 + Elemental: War of Magic raging August 24 Marvelous gives up on original titles Dragon Age anime - ting in 2011 Yakuza 4 mobbing North America, Europe, spring 2011 Downloadable Games for Windows to arrive day - and - date Red Dead Redemption sells 5M, GTAIV hits 17M Power Gig signs Eric Clapton, padless drum controller DSi XL feeling midnight blue July 11 DJ Hero 2 spinning Dr. Dre, Metallica, Lady Gaga Mortal Kombat Rebirth teaser touts star power MAG expanding June 22 MTV Games, Gibson resolve patent tussle Neversoft staffing up for «action shooter» Violent games mostly «harmless» - Study Enslaved being freed in October Hulu Xbox 360 - bound - Report Telltale adapting Back to the Future, Jurassic Park Sony launches 3D PS3 games tomorrow XCOM to land in 2011, Mafia II tops 2K E3 lineup Square Enix preps new portable Kingdom Hearts, Parasite Eve Portal 2 closed until 2011 FIFA 11 kicking off this autumn Atlus preps Trine 2, PSP Knights in the Nightmare Mass Effect 2 Overlord DLC landing June 15 NBA Jam drives the lane in October Quick Hit scores NFL license MotorStorm Apocalypse revs up PS3 next year Dreamcast to be reborn on XBL, PSN Mortal Kombat set for 360, PS3 in 2011 «Real» keyboard, guitars debut in Rock Band 3 Space Invaders, Necromachina lead Square Enix digital lineup Bad Company 2 Onslaught begins June 22 Rock Band 3 peripherals priced, bundled Fraction of gamers aware of Move, Natal - Nielsen Living Statue, Obstacle Course revealed for Project Natal - Report Civilization V rises in September

My favorite section is the archival presentations and this year's collection includes Ernst Lubitsch's Technicolor comedy Heaven Can Wait (1943), newly restored by The Film Foundation, the rediscovered and restored Argentine noir The Bitter Stems (1956), King Hu's genre - defining martial arts epic Dragon Inn (1967), and Buster Keaton's The General (1926), presented in a new 4K restoration with an original score by the great Studio Ghibli composer Jo Hisaishi.

Picture: The Hurt Locker Directing: Kathryn Bigelow, The Hurt Locker Actor: Jeff Bridges, Crazy Heart Actress: Sandra Bullock, The Blind Side Actor in a Supporting Role: Christoph Waltz, Inglourious Basterds Actress in a Supporting Role: Mo'Nique, Precious: Based on the Novel Push by Sapphire Original Screenplay: The Hurt Locker Adapted Screenplay: Precious: Based on the Novel Push by Sapphire Foreign Language Film: The Secret in Their Eyes Documentary Feature: The Cove Animated Feature Film: Up Documentary Short: Music by Prudence Animated Short: Logorama Live Action Short: The New Tenants Film Editing: The Hurt Locker Art Direction: Avatar Cinematography: Avatar Costume Design: The Young Victoria Makeup: Star Trek Score: Up Song: «The Weary Kind,» Crazy Heart Sound Editing: The Hurt Locker Sound Mixing: The Hurt Locker Visual Effects: Avatar

Tags 2016 oscar predictions 2016 oscars beasts of no nation best actor best actress best adapted screenplay best animated film best cinematography best costume design best director best documentary best film editing best foreign language film best makeup & hairstyling Best Original Score best original screenplay Best Original Song best picture best production design best sound editing best sound mixing best supporting actor best supporting actress best visual effects bridge of spies brooklyn carol happy new year inside out mad max fury road oscar predictions room spotlight star wars the force awakens the big short the hateful eight the martian the Original Score best original screenplay Best Original Song best picture best production design best sound editing best sound mixing best supporting actor best supporting actress best visual effects bridge of spies brooklyn carol happy new year inside out mad max fury road oscar predictions room spotlight star wars the force awakens the big short the hateful eight the martian the original screenplay Best Original Song best picture best production design best sound editing best sound mixing best supporting actor best supporting actress best visual effects bridge of spies brooklyn carol happy new year inside out mad max fury road oscar predictions room spotlight star wars the force awakens the big short the hateful eight the martian the Original Song best picture best production design best sound editing best sound mixing best supporting actor best supporting actress best visual effects bridge of spies brooklyn carol happy new year inside out mad max fury road oscar predictions room spotlight star wars the force awakens the big short the hateful eight the martian the revenant

- A Brand - New Extensive Documentary Looking Back at a Most «Excellent Adventure,» featuring Stars Keanu Reeves, Alex Winter, and several other members of the cast and crew - Bill & Ted Go To Hell — A Brand - New Extensive Documentary Revisiting a «Bogus Journey,» featuring Stars Keanu Reeves, Alex Winter, and several other members of the cast and crew - The Most Triumphant Making - Of - The Original Bill & Ted: In Conversation with Chris & Ed - The Hysterical Personages of Bill & Ted - Score!

Audio Commentary by Updated 2003 Audio Commentary by Film Historian Bruce Eder, and Herrmann Biographer Steven C. Smith / «Here Is A Man» preview version comparison (4:37) / Reading of «The Devil & Daniel Webster» short story by Alec Baldwin (33:41) / Radio Plays: «The Devil & Daniel Webster» (29:50) from Aug. 6, 1938 + «Daniel Webster & the Sea Serpent» (29:43) from Aug. 1, 1937 / «About the Columbia Workshop» essay / «The Devil In Context»: 6 - part Bernard Herrmann score essay with indexed film clips and 4 stills / Still and Poster Gallery with 12 images / 12 - page colour booklet featuring an essay by author Tom Piazza, and original 1941 New York Times article by Stephen Vincent Benet, and Color Bars / New high - definition transfer with restored image and sound / 12 page colour boooklet

Extras include an isolated score track in 2.0 mono DTS - HD; an audio commentary with film historians Eddy Friedfeld, Paul Scrabo, and Lee Pfeiffer, which is quite good and provides plenty of insight into the making of the film and its status as a New Hollywood film that's been forgotten and worth rediscovery (I concur); the film's original theatrical trailer, presented in HD; a scroll - through of the current Twilight Time catalogue; and as always, an excellent 8 - page insert booklet with an essay by the great Julie Kirgo.

Introduction by Omar Sharif (1:40), Disc 1, Side A (just before film) / Audio Commentary by Actors Omar Sharif, Rod Steiger and Director David Lean's widow Sandra Lean / Isolated Score by Composer Maurice Jarre / 30th - anniversary behind - the - scenes documentary «Doctor Zhivago: The Making of a Russian Epic» (60:23, indexed with 21 chapters with photos), Disc 2 / Vintage «Zhivago: Behind The Camera with David Lean» (10:12), Disc 2 / Vintage «David Lean's Film of Doctor Zhivago» (7:13), Disc 2 / Vintage «Moscow In Madrid» (4:27), Disc 2 / Vintage «Pasternak» (8:46), Disc 2 / New York Press Interviews with Julie Christie (10:07), Disc 2 / New York Press Interviews with Omar Sharif (18:52), Disc 2 / Geraldine Chaplin Screen Test (3:14), Disc 2 / «This Is Julie Christie» (1:06), Disc 2 / «This Is Geraldine Chaplin» (1:08), Disc 2, / «This Is Omar Sharif» (1:38), Disc 2 / «Chaplin In New York» (2:14), Disc 2 / Original release Trailer

States must agree to meet Duncan's requirements in order to free themselves from the original dumb requirements: adopt the Common Core standards, participate in a test - development consortium to create Common Core tests, tie teacher and administrator evaluations to test scores, develop a new way to humiliate schools — that is, a new accountability system to replace the old «failure to meet AYP» label — and use that system to fire teachers and close schools.

One of them, Shavar Jeffries, president of the Democrats for Education Reform, an influential political action committee supported heavily by hedge fund managers favoring charter schools, merit - pay tied to test scores and related reforms, issued a statement that went so far as to say that the original draft on education was «progressive and balanced» but that the new language «threatens to roll back» President Obama's education legacy.

Yet this new report, like the original, fails to acknowledge that achievement scores and dropout rates have steadily improved.

The legislation «evolved» with hard work by AEA from an original mandate that 50 percent of a teacher's evaluation be based upon student test scores, Instead, the key features of the new bill include what AEA called «a statewide uniform system of teacher evaluation (beginning in the 2014 - 15 school year) that emphasizes quality assurance and teacher growth»....