Sentences with phrase «new paint brush»

A new paint brush of course — or a set of brushes!
A new paint brush of course — or a set of brushes!
The gold can easily be applied by using a new paint brush and lightly brushing the gold food coloring over the chocolate.
«I see this as a natural evolution — it's as though we've been given the opportunity to use new palettes of colours and new paint brushes have just become available for everyone.»

Not exact matches

I hired some people who had never picked up a paint brush — basically folks who were motivated to try a new job.
The flowering branches of Mulan magnolia that grace the cover of Joan Lok's new book on Chinese brush painting appear more brightly colored than in her original work, probably to catch the eye of someone browsing in a bookstore, guesses the author.
Instead of hating my body, I brushed in some new layers of paint
We tend to take an all - or - nothing approach when it comes to sexuality, painting with broad brushes across complex people, ignoring nuance and making up a new law, one that — let's be honest — usually puts women at risk of abuse or shame - based rhetoric.
Ron Lieber, finance columnist for The New York Times and author of The Opposite of Spoiled: Raising Kids Who Are Grounded, Generous, and Smart About Money says no: «Allowance ought to be a tool for learning — the same way that you learn to use a paint brush, a guitar, or a clarinet.
Plastic Make and decorate your very own clay pots New and improved air dry clay No batteries are required, AC adapter included Includes pottery wheel, foot pedal, carving tools, centering tool, clay, paint, palette, brushes, sponge, cutting cord, tiles, gems, glue, AC adaptor Recommended for children 8 years of age...
Chipmunks and other rodents» light stripes are painted with a recycled brush, a new study suggests.
What if taking your home off the grid required only a trip to the shops, a bucket of paint, an afternoon on the roof with a brush and a couple of beers, and an electrician to hook your new roof up to your power supply?
I've recently purchased new stamping plates, nail vinyls, acrylic paint for nail art and new nail art brushes.
All the paint is new and I use Annie Solans Paints and brushes and rollers.
today my new doors were painted a beautiful navy and with the brushed nickle knobs, i must say it's stunning!
I was extremely exicted to use my new wax brush since I had received that as a free gift from the Haven Conference from Amy Howard paint company.
The defining characteristic of Okami is using the brush techniques to pause and paint the screen in various ways to solve puzzles, open new pathways, and combat enemies.
The film uses a new oil painting for each shot, with movement added from one frame to the next by a painter's brush.
There are, of course, SEMA - ready modifications on the rest of the van: a Rockford Fosgate sound system, 18 - inch wheels, an Eibach suspension that lowers the van by one inch, a new engine intake and exhaust, two - tone paint with air - brushed logos, and a new leather - and - suede interior treatment.
Factory options include but are not limited to 21 - inch Cayenne Sport Edition wheel painted black with wheel arch extensions, Porsche Dynamic Chassis Control (PDCC), Panoramic roof system, Extended monochrome black exterior package high - gloss, Porsche Torque Vectoring Plus (PTV Plus), Roof rails / drip rails in black finish, Tow bar system with electrically deployable tow ball, Air cooled seat ventilation, Porsche Entry & Drive, Stainless steel skid plates front and rear, Automatic tailgate, Reversing camera with Park Assist front and rear, Heated 3 - spoke multi function steering wheel, Privacy glass, Porsche logo and model designation painted, Side airbags (rear), Servotronic, Monochrome black exterior package high - gloss, Universal audio interface, Brushed aluminium interior package, Non-smoker package, One owner from new, Over one hundred thousand pounds new with this specification.
For Sale is 2007 Silverado LTZ 2wd, 5.3 engine, heated leather, power seats, pw, pl, 116000 miles, lowered, new tires, new bedsides and wheelhouses, new rocker panels, sides have been painted, factory wheels that were painted black and brushed aluminum, very sharp truck, the bedsides were coated with bedliner before installation to prevent rust, very clean inside and out, runs and drives great!!!
- * Sharper exterior style takes after new A7 - * Wider Singleframe grille - * Reshaped headlight housings - * Larger exterior dimensions - * Brushed metal details everywhere - * Aero - efficient design - * Dynamic turn signals - * 14 paint options
The audio panels of the Civic Coupe and Sedan have been upgraded with premium finishes: the LX trim gets a new painted panel, while the EX and EX-L receive an advanced brushed metallic treatment.
Ruchira holds this new, trembling knowledge like a too - heavy blob of paint at the end of a brush, threatening to ruin the entire painting unless she finds the right spot to apply it.
Add in the Surface Pen (for an additional cost of course), and you've got a powerful note - taking machine for those who may not type during a meeting or class as fast as they can write (not forgetting you can also use it to sketch a quick diagram, add notes to the margins of your PDF files, and paint with it on - screen as if were a brush on canvas... heck, you can even handwrite musical scores or do your crossword puzzles easily using the pen as long as you are willing to pay for the requisite titles like the New York Times Crossword app in the Windows store).
Finally, some new minor additions and fixes have been rolled out, resolving issues with insurance bugs, adding a new window tint and vehicle horn, the pure gold and brushed gold paint colors, a buff to tear gas, and a few other minor UI tweaks.
• Unprecedented Visual Realism — A new graphics engine recreates thousands of physically - based materials at a level of precision never before possible; the play of light on a perfect coat of paint, the texture of hand - stitched leather and brushed metal, the history written onto scratched rotors and worn concrete.
If you're relatively new to acrylics, or indeed painting, this is a really good exercise to get you familiar with different brush strokes and with creating a good range of values (lights and darks).
The combination of unprimed canvas, synthetic paint mediums and techniques such as staining made it possible for them to paint in new ways, sometimes without a brush, to achieve the desired effects.
In the 1940s and 1950s the main groups within the Abstract expressionism were the «Gesture Painters» and the «Color - Field Painters», who experimented with new techniques for applying paint: dripping, pouring, throwing, squirting, squeegeeing, and spattering, and with the use of unconventional tools, such as wall paper brushes, sticks, and trowels.
At that time, she was painting small scale works, painted in Maine and New York City, landscapes combined with still lifes and goldfish using tiny triple 000 sable brushes.
Between 1968 and 1972 the New York Realist painter — known for his nude studies and the public murals he produced for the U.S. Department of Labor building — departed from his thick - brushed signature strokes to paint in blinding neon, flat foregrounds, and sharp geometric compositions.
The New York Studio School and Alexandre Gallery present John Walker: The Sea and The Brush, an exhibition featuring new paintings and works on paper that capture the power, rhythms and raw beauty of the Northern New England sea coaNew York Studio School and Alexandre Gallery present John Walker: The Sea and The Brush, an exhibition featuring new paintings and works on paper that capture the power, rhythms and raw beauty of the Northern New England sea coanew paintings and works on paper that capture the power, rhythms and raw beauty of the Northern New England sea coaNew England sea coast.
When he moved to New York, Stella was still painting houses to pay rent, and continued to use the house painter's brush and enamel when making his Black Paintings (1958 - 60).
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
Phases of New Realism Lowe Art Museum University of Miami Miami, FL Air Brush Painting Brockton Art Center Brockton, MA Painting and Sculpture Today Indianapolis Museum of Art Indianapolis, IN
The variety with which paint is brushed, scraped, layered, piled up and dug into fills these works with markedly distinct passages of paint - handling, in the old - fashioned sense, even while they seem to push paint to new physical limits.
1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)
Her working environment, documented for the first time in a number of new photographs by the artist, will be recreated as installations in the gallery, down to the paint pots, brushes, books and discarded scraps of newspaper that are similarly covered in the spatters, splashes and drips that result from her obsessive painterly method.
With more than 30 major paintings, the exhibition follows Aho on his artistic journey from dramatic images of the New England landscape to energetic, freely brushed abstract compositions inspired by his responses to nature.
But since the Big Daddy exhibition, «A New Spirit in Painting,» at the Royal Academy in 1981, none has been as ambitious and broad - brushed as «Examining Pictures,» curated by Judith Nesbitt of the Whitechapel and Francesco Bonami of Chicago's Museum of Contemporary Art, promises to be.
This one, from his new «Landlord Painting» series, was inspired by the way that landlords use roller brushes to hastily repaint an apartment's walls between tenants, and, done in candy - colored layers that hypnotically bleed into one another, it's completely beautiful.
The Brooklyn artist writes a new chapter in the history of painting as performance — a powerful update of Yves Klein's infamous use of naked women as blue - dipped brushes.
Manny Farber's monumental color field paintings created in New York and California during the years 1967 through 1975 were cut, stained, saturated, sliced, wet, glued, painted, folded, collaged, pleated, pasted, layered, dripped, brushed, glazed, bled, marked, colored, tinted, textured, smeared, pierced, trimmed, slit, creased, buffed, wiped, varnished, washed, graphed, drawn, scraped, burnished, rubbed, scoured, soaked, coated, veiled, and wrapped.
The Korean Cultural Center Washington, D.C. and Friends of Korea are proud to present â $ œSketches of Korean Rural Life in the»70s, â $ an evocative new exhibition of original ink brush paintings by U.S. Peace Corps Korea veteran Neil Landreville and photos from the Corpsâ $ ™ years of service in Korea during a bygone era, on display September 5 - 30.
Such a marked departure from Warhol's usual operating procedures is present in the surface style of the works as well, where the noticeable brush work, laid down before the screening of the image, is deliberately referential to New York School painting, in particular to the style of painters such as Franz Kline and Willem de Kooning, a painter whom Warhol himself has referred to as a model.
In 1936, Pollock joined the Siqueiros Experimental Workshop in New York, where he was encouraged to use industrial paints and the commercial lacquers used to spray cars (you don't use a wooden brush in the age of steel, Siqueiros insisted).
Although her work results from deep observations of the history of painting — from Velasquez, Rembrandt, Caravaggio and Cezanne among others — her personal vision transcends classical notions of genre and narrative as she invites viewers into a delicious domain of confident brush strokes with a new aesthetic.
In the new paintings, these constraints are loosened to include new tools: brushes and rollers, and new movements of paint on surface: short and long brush - strokes, swirls, twists, and turns.
Her numerous honors include four Allied Artists of America awards in the categories of Creative Painting and Landscape in their national exhibitions, one First Place and Medal of Honor Award in the Audubon Artists Annual exhibition, the Grumbacher Award by the American Association of Women Artists, several awards of the Catharine Lorillard Wolfe Art Club National Exhibitions and numerous awards including two Solo Award Exhibitions at the Pen and Brush Club, New York, NY, most recently in 2000.
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