Sentences with phrase «new paint medium»

Rather serendipitously, a new paint medium that offered superior color properties to oil had just recently been developed.

Not exact matches

paint colors for small bedroom medium size of painting a small bedroom wall painting designs new paint colors paint colors small spaces.

I used fabric medium and paint to give it a new look.

New Zealand About Blog Amanda is a New Zealand based contemporary artist working primarily in the medium of painting.

New In Scandinavia / Denmark: DEAR MR. WATTERSON «Calvin and Hobbs» creator Bill Watterson created one of the most iconic comic strips ever made, ended the run at it's peak of success after only a decade (which is relatively short for the medium) and walked away from the business to paint.

After painting a door panel from another car to get a feel for her new medium, she finished her design within the span of a single week.

Formally trained in Illustration at the Rhode Island School of Design, Alexandra's relationship with watercolors started with an odd step when she was forced to choose a new medium after developing an allergic reaction to oil paints.

Within weeks of first painting with watercolors, Alexandra found her medium and her new voice.

New Zealand About Blog Amanda is a New Zealand based contemporary artist working primarily in the medium of painting.

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

In the end he found what he was looking for, which was not so much a new principle as a more comprehensive one: and it lay not in Nature, but in the essence of art itself, its «abstractness» — the qualities of the medium alone — as a principle of consistency makes no difference: it is there, plain to see in the paintings of his old age.

Leading us into the new year, this exhibit features paintings from 17 artists who transcend the restrictions of the present through style, content and medium.

Soutine's thickly painted canvases, which often harness the physical properties of his medium to depict carnage and meat, are currently on view at the Jewish Museum in New York, in a survey aptly titled «Flesh.»

He reinvented the practice of painting for himself by learning to excavate volatile new meanings from the medium's most essential materials: paint and cloth.

New York painting from the late 1960s and early»70s — when the medium supposedly was dead — is one of the biggest elephants in the room of recent art history.

Much has been made of the fact that the young Israeli artist Guy Yanai uses painting — an ancient, laborious technique — as his medium, even as he embraces the digital and new media norms of today (even going so far as to reference pixelation in his technique, with short, deliberate bands of color).

2010 was an exciting year for contemporary painting, from a painting - heavy Whitney Biennial, to stand - out works in MoMA PS1 «s Greater New York, to huge showings at art fairs like NADA and Art Basel Miami Beach, and with each exhibition a new way of thinking about the medium itseNew York, to huge showings at art fairs like NADA and Art Basel Miami Beach, and with each exhibition a new way of thinking about the medium itsenew way of thinking about the medium itself.

The combination of unprimed canvas, synthetic paint mediums and techniques such as staining made it possible for them to paint in new ways, sometimes without a brush, to achieve the desired effects.

This month is not only an extraordinary month for the medium of painting at galleries around the country, it is a particularly strong month for New American Paintings» alumni.

Indeed, Liu, who will open a new solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for working within a variety of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner of materials, letting the concept dictate the form a piece will ultimately take.

Robert Motherwell can truly be called the voice of the New York School of artists, both for his work as a teacher and writer chronicaling the work of colleagues such as Philip Guston, Willem de Kooning, and Mark Rothko, and for his extraordinary achievements in the mediums of collage, printmaking, and painting.

In fact the digital medium will offer many benefits to painting and many new avenues to explore.

The 13 featured artists were each asked to contribute new paintings and drawings; for some artists, the pieces they've contributed are interrelated (works on paper are predecessors to paintings on canvas), while for others the two mediums represent distinct practices.

Painting became almost radical and came to represent a new intersection merging fresh ways of seeing and traditional methods of art making to rediscover, and reinvent, a medium rift with possibility and enlivened with artists actively re-imagining what painting cPainting became almost radical and came to represent a new intersection merging fresh ways of seeing and traditional methods of art making to rediscover, and reinvent, a medium rift with possibility and enlivened with artists actively re-imagining what painting cpainting could be.

Exhibitions at West 19th Street, New York, and 24 Grafton Street, London, balance the program's historical component with presentations of recent painting, photography, sculpture, and video, among other mediums, by boundary - pushing contemporary artists like Kerry James Marshall, Oscar Murillo, Diana Thater, Wolfgang Tillmans, and Jordan Wolfson.

A dozen new paintings that recontextualize the conventional limits of the medium will also be on view.

Using a variety of processes that include painting, sculpture, digital and new media, installation and sound, the works on view in this exhibition highlight language itself as a diverse medium to be explored, dissected and reframed to reflect the nuances of communication in the 21st century.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Union Gallery, 6 - 9 pm private view Rainer Neumeier «Reprimer» REPRIMER establishes a new way of thinking about painting and constitutes an overdue reinvestigation into the medium, creating a new manner of thinking about paint, in reaction to the obsession of looking back to the past.

Including paintings made during the last four years and a new video, the installation extends Bittle's practice of using exhibitions as a medium for storytelling.

From New York City, Liam Everett makes small and medium size paintings that explore the disparate imagery that appears to him as he's in the act of working the oil paint into the canvas.

Language as medium also allowed for new approaches to painting and sculpture, and Lawrence Weiner famously uses works as the medium for his sculptures, which require the participation of the viewer to be realized in thought.

Mike Calvert, ever independent in his attitude to group excursions, takes an almost contrarian approach, choosing painting as his medium for representing a «new style of computer aesthetic» at #ETINTERBRO, while — during an obliviously dangerous first night swim in the buoyant salt water of a pitch black Dead Sea — he describes a Milan gallery's outrage over an exhibition with fellow brotherhood member Miltos Manetas in 2001.

An artist, poet, theoretician, and professor of arts and design at the Bauhaus, Dessau and Berlin; Black Mountain College, Asheville, North Carolina; and Yale University, New Haven, Albers worked across the mediums of painting, printmaking, murals, and architecture.

John Yau offers a tribute to the late painter Michael Mazur, whose early paintings of apes in a zoo were recently exhibited in New York: «This is the kind of challenge that most artists, no matter what the medium, avoid: to confront and stroke difficult subject matter, to be open and sympathetic without trivializing or becoming sentimental.»

Artists working in all mediums (including — but not limited to — video and film, new media, installation, painting, social practice, sculpture and performance), as well as curators, are encouraged to submit exhibition proposals.

Mary Lou Siefker will exhibit her new Celebration series of abstract acrylic paintings and Wilma Bulkin Siegel will display recent portraiture in the watercolor medium addressing social issues.

«Edgar Degas: A Strange New Beauty» is the first solo show at MoMA for French artist Hilaire - Germain - Edgar Degas at MoMA, a studious gathering of 120 monotypes and 60 related works reflecting this medium's influence on his paintings and pastels.

With this new show, «Drawing into Painting,» the AbEx master's paintings and works on paper spanning over three decades offer a glimpse into her mastery of color and gesture, which transcends medium.

The 4th International Biennial of Casablanca welcomes submissions from artists working in the following medium: painting, print, photography, sculpture, installation, performance, sound and new media.

[7] In this perspective, collage was part of a methodical reexamination of the relation between painting and sculpture, and these new works «gave each medium some of the characteristics of the other,» according to the Guggenheim essay.

Through painting, a medium that has traditionally embraced this binary, these artists are pushing the genre in new, unprecedented directions, challenging the ways in which paintings can be used to deconstruct and rewrite conventional notions of personal identity.

[4] In the late 1970s, she embarked on a series of collage works, Eleven Ways to Use the Words to See (1976 - 1977), «this time using the medium to reflect directly upon her past,» [5] by cutting up old drawings that she used as compositional elements in new paintings, in ways similar to what she had done in the 1950s.

«Frank's always willing to try out new materials, new mediums, new paints,» says Ricky Manne, the gallery's director.

Through painting, a medium that has traditionally embraced this binary, these artists are pushing the genre in new, unprecedented directions, challenging the ways in which paintings can be used to deconstruct and rewrite conventional notions of personal identity, engendering a new visual pronoun.

David Castillo Gallery is proud to present José Lerma's Guaynabichean Odyssey, a new series of eccentric paintings that delve into the medium's historical role of commemorating social status, and generating myths for the wealthy and powerful.

JOHN ANDERSON Roslindale, MA REBECCA KUZEMCHAK New York, NY RACHEL BORGMAN Baltimore, MD MICHELLE RAMIN San Francisco, CA JUSTIN GAFFREY Santa Rosa Beach, FL KIM RICE Norman, OK RICHELLE GRIBBLE Idyllwild, CA HERB ROE Lafayette, LA TERI HAVENS Carbondale, CO BETH WALDMAN San Francisco, CA JOO LEE KANG Boston, MA MARGI WEIR Detroit, MI Comprised of painting, sculpture, drawing, photography, conceptual, installation, and cutting - edge, digital mediums, NO DEAD ARTISTS is an exhibition known for a great diversity in media but with a cohesive cross-section of the pulse of Contemporary Art.

To confront oneself to the paintings of Peter Schuyff gives one the opportunity to apprehend under new conditions the present considerations on the medium of painting.

Back in the 1990s, when many in the art world had turned their back on painting as a «dead» medium, Amy Sillman was one of the leaders of an underground revival, combining cartoonish imagery, a draughtsmanlike line, and jazzy color combinations to give new life to the legacy of abstract expressionism.

In Portraits, her first show in Chicago, the New York based artist presents three medium - sized paintings, each one featuring a head - like oval form, all of them technically dazzling with skeins of parallel dribbles that acutely change direction, forming a veritable undercarriage for hazy and more definite shapes.