Sentences with phrase «new painting professor»

Having belatedly stumbled upon a notice of a recent exhibition of Professor Remington's work, I was inspired to revisit my former professor's legacy and, in retrospect of over 40 years since my initial contact with her at Cooper in the 1970's — when she was a new painting professor and I was a young, developing painting student — reflected upon her impact as both an artist and a teacher.

Not exact matches

January 5, 2006 Artist immortalizes atrium at University of Chicago Hospitals On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

Talk: Huey Copeland and Michelle Kuo at Artists Space Part of the Artists Space «Dialogues» series, this event brings together Huey Copeland, associate professor of art history at Northwestern University, and Michelle Kuo, a curator of painting and sculpture at the Museum of Modern Art in New York and the former editor of Artforum.

She is an adjunct professor at Columbia University and has recently exhibited her paintings in New York and Los Angeles.

He taught widely as a visiting professor or an artist in residence, including at the Skowhegan School of Painting and Sculpture in Maine, at Syracuse University in New York, and at Boston University.

Teaching 2017 Cooper Union, New York NY Visiting Teacher in the School of Art 2016 - 2017 Massachusetts College of Art and Design, Boston MA Visiting teacher in the Studio Foundation department (Intro to 3D / Form Study) 2016 Tyler School of Art, Philadelphia PA Visiting critic for a graduate Painting and Sculpture seminar in the class of Matthew Sepielli 2015 - 2016 Harvard University, Cambridge, MA Teaching Fellow, working with Professor Stephen Prina to teach two studio art classes per semester for Fall and Spring semesters SVA, New York, NY Visiting artist for the class of Marc Joseph Berg

16 years later, she has assembled a new oeuvre of vibrant paintings, drawings, and cut - outs while living and working in her Brooklyn home with her husband, fellow impassioned artist and professor Bill Jensen.

He is known for the art deco mural - style painting, but most of his career in New York and while he was a professor at Fisk University, he often painted in an impressionist style.

An artist, poet, theoretician, and professor of arts and design at the Bauhaus, Dessau and Berlin; Black Mountain College, Asheville, North Carolina; and Yale University, New Haven, Albers worked across the mediums of painting, printmaking, murals, and architecture.

Pickett has been a Visiting Assistant Professor of Painting at Middlebury College in Middlebury, Vermont, and is the founder and director of Central City Artist Project, a non-profit residency program in New Orleans.

In spring semester, is visiting professor, Queens College, Flushing, New York; solo exhibition: Picker Art Gallery, Colgate University, Hamilton, New York (paintings, prints, drawings, and sculpture); group exhibitions: Michael Mazur and Robert Birmelin, State University of New York, Cortlandt; Segundo Bienal Americana de Artes Graficas, Museo La Tertulia, Cali, Colombia.

Charles Gilman, chair of the MOCA Board of Trustees, and his wife, Marilyn, donated a work by Jason John, a Jacksonville artist and University of North Florida professor whose work was featured in MOCA's Get Real: New American Painting.

He was an artist - in - residence at Duke University in 1996, a past visiting professor at Musashino Art University in Tokyo, Japan and until recently a painting instructor at the Art Students League of New York.

Glantzman is currently a Professor of Painting at the Rhode Island School of Design and a Professor of Drawing at the New York Studio School.

Participants will include John Elderfield, Chief - Curator Emeritus of Painting and Sculpture at The Museum of Modern Art; Distinguished Curator and Lecturer at the Princeton University Art Museum; and Consultant for Special Projects at Gagosian Gallery; Douglas Dreishpoon, Director of the Helen Frankenthaler Catalogue Raisonné and Chief Curator Emeritus at the Albright - Knox Art Gallery; Joachim Pissarro, Bershad Professor of Art History at Hunter College of the City University of New York and Director of the Hunter College Galleries; and artist Pat Steir.

Michael Lobel, Professor of Art History at Hunter College, City University of New York, curator, and author, presents his findings on one of the Modern Art Museum of Fort Worth's most popular paintings.

Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.

Carrie is currently represented by Pop Gallery in Santa Fe, New Mexico, and works as an Assistant Professor of Painting and Drawing at Florida State University.

1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San professor and undergraduate director of International Studies at the University of San Francisco

The new 63rd Street station on the Second Avenue subway line in Manhattan, which opened January 1, 2017, features artwork by Pratt Institute alumna and Adjunct Professor of Fine Arts Jean Shin (B.F.A. Painting» 94; M.S. Art History & Criticism» 96).

The exhibition also includes video and audio interviews with Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University, and Peter J. Chelkowski, Professor of Middle Eastern and Islamic Studies at New York University, that place the two paintings by Mousavi in historical and political perspective.

The initiative has been overseen by New York's Frick Collection, and will make images of paintings, photographs and art - historical documents from institutions including the Courtauld, the Getty Research Institute and the Yale Center For British Art available to students, professors and researchers.

A teacher at the School of Visual Arts in New York in 2007, she has been professor of painting at the University of Applied Arts in Vienna since 2009, and her work has been included in notable solo and group exhibitions.

Ira is a Professor of Drawing and Advanced Painting at the School of Visual Arts, New York.

Dufresne is Associate Professor of painting at Rhode Island School of Design, and lives in Brooklyn, New York.

A renowned art historian and critic, she is Professor of Art History at New York's Cooper Union, and senior critic in painting and printmaking at Yale University.

Video and audio guides will be available of interviews and discussions with Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University and Peter J Chelkowski, Professor of Middle Eastern and Islamic Studies at New York University, taking the two paintings by Mousavi as a point of departure to discuss issues of history, context and politics.

October 7 — November 13, 2010 Opening reception: Thursday, October 7, 6 - 8 pm Curated by Gabriele Evertz with the assistance of Teri Lehner, Jenny Liu, and Rachel Stokoe Visual Sensations: The Paintings of Robert Swain: 1967 — 2010 is the first major New York survey of work by Hunter College Professor of Art Robert Swain.

Stanley Whitney currently lives and works in New York City and Parma, Italy and is a Professor Emeritus of Painting at Tyler School of Art, Temple University, PA..

SCAD Art Sales, the university's full - service art consultancy, introduces new works by SCAD alumni artists Christopher Paul Dean (M.F.A., sculpture, 2016), Cory Imig (B.F.A., fibers, 2008) and Britt Spencer (professor of illustration; M.F.A., painting, 2011; B.F.A., illustration, 2005)-- three artists who, like Cruz - Diez, use vibrant color, pattern and crisp lines as primary elements in their compositions.

The Museum's signature survey of contemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor.

Anderson currently lives and works in La Cienaga, NM and is an Assistant Professor of Painting and Drawing at University of New Mexico College of Fine Arts.

Guest curated by UMass Art History Assistant Professor Karen Kurczynski September 15 — November 20, 2016 Opening Reception: September 14, 6 — 8 p.m. Organized by NSU Art Museum Fort Lauderdale and guest - curated by UMass Amherst assistant professor Karen Kurczynski, a leading scholar of Danish Cobra artist Asger Jorn (1914 — 1973), who represents a new generation of art historians specializing in Cobra, the exhibition presents the history of Cobra through paintings, sculpture, prints, and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant, and CProfessor Karen Kurczynski September 15 — November 20, 2016 Opening Reception: September 14, 6 — 8 p.m. Organized by NSU Art Museum Fort Lauderdale and guest - curated by UMass Amherst assistant professor Karen Kurczynski, a leading scholar of Danish Cobra artist Asger Jorn (1914 — 1973), who represents a new generation of art historians specializing in Cobra, the exhibition presents the history of Cobra through paintings, sculpture, prints, and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant, and Cprofessor Karen Kurczynski, a leading scholar of Danish Cobra artist Asger Jorn (1914 — 1973), who represents a new generation of art historians specializing in Cobra, the exhibition presents the history of Cobra through paintings, sculpture, prints, and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant, and Corneille.

He taught at the Art Students League beginning in 1948, and in 1949 he became a professor of advanced painting at New York University.

Savannah, Georgia - based artist and SCAD alumnus Britt Spencer (SCAD professor of illustration; M.F.A., painting, 2011; B.F.A., illustration, 2005) has been published internationally and earned recognition from the Society of Illustrators, New York, New York; the Society of Illustrators West, Los Angeles, California; and New American Paintings.

The SCAD - Atlanta professor shows new abstract paintings.

A professor of painting at the University of New Orleans (UNO) for the past thirty - six years, Richard played a pivotal role in maintaining the strength of the Fine Arts program.

Assistant Professor of Painting at Tyler, Mark Shetabi, has an upcoming exhibition in New York City.

Participants will include John Elderfield (Chief - Curator Emeritus of Painting and Sculpture at The Museum of Modern Art; Distinguished Curator and Lecturer at the Princeton University Art Museum; and Consultant for Special Projects at Gagosian Gallery), Douglas Dreishpoon (Director of the Helen Frankenthaler Catalogue Raisonné and Chief Curator Emeritus at the Albright - Knox Art Gallery), Joachim Pissarro, Bershad Professor of Art History at Hunter College of the City University of New York and artist Pat Steir.

In 2002 he was named the first Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University, and from 2006 to 2016 he served as Dean of the Yale University School of Art, where he is also a professor of Professor of Modern Art at the Institute of Fine Arts, New York University, and from 2006 to 2016 he served as Dean of the Yale University School of Art, where he is also a professor of professor of painting.

Over nearly thirty years the New York artist, a long - time professor of painting and printmaking at Yale University, has created a body of work that reveals itself as politically caustic yet densely humorous.

Tyler School of Art welcomes Lisi Raskin as a new Associate Professor of Painting, beginning Fall, 2013.

She would run into them at parties over the next three decades, and occasionally at the Cedar Bar on University Place between 8th and 9th Streets where she would imbibe some bourbon with a New York University professor of chemistry and physics who had 5 doctorate degrees and whose family had owned Mouquin's, the great saloon painted by William Glackens.

Arthur K. Wheelock Jr., curator of northern baroque painting, National Gallery of Art, Washington, and Frima Fox Hofrichter, professor of the history of art and design, Pratt Institute, New York.

Lived in Lakewood, New Jersey 1948 - 1961 Teaching position at the Art Students League 1952 - 1961 Active in Provicetown, MA artists» colony 1954 - 1961 Recommenced exhibiting with American Abstract Artists 1959 Position as professor of advanced painting at New York University 1961 Died in New York, December 25

He spent over a decade teaching at the Art Students League, and also held a position as a professor of advanced painting at New York University.

A professor of art at the University of Washington since 1995, Gale has had a solo show of eight paintings at the Portland Museum (October 13, 2007 — February 10, 2008), and the work currently on view in New York was in her recent solo show at Rhode Island College, where she received her BFA in painting in 1988.