Sentences with phrase «new perceptions of color»

The period served to establish new perceptions of color and helped the artist emphasize paint as paint, furthering its materially, and color as color.

Not exact matches

People who study face perception have been arguing that when we meet new people, all we are learning about their faces are so - called static features that don't change, like the shape and size of their face and skin color.

You wouldn't think something as simple as the color would have such a huge effect on perceptions, but look at all of the complaints that have come up about contrast for the new Kindles despite having essentially identical screens when measured carefully.

In his new installation in southern Spain, James Turrell makes the color — and position — of the sky a mere matter of perception.

Painting from an intuitive and open mindset, Scully experiments with new combinations of colors and creating space and form while also challenging ideas about sight and perception.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

In this new work, introduction to his upcoming exhibition in the fall, a discarded umbrella alters our perception of an otherwise abstract color - field painting.

His layering of color and form echoes the abstracting processes of contemporary science and technology, allowing each canvas to open up new avenues of perception and physical experience.

Derrick Adams is a multidisciplinary New York — based artist with practices rooted in Deconstructivist philosophies and the formation and perception of ideals attached to objects, colors, textures, symbols and ideologies.

These new autobiographical works portray the tangled roots of her ancestry and deal with her interpretation and perception of prejudice, often among African - Americans themselves, in reaction to the blending and merging of skin colors and cultures.

My perceptions about my subjects continually change, abstract arrangement of forms make new connections, techniques emerge that can take me new places, I develop new tonal and color arrangements that lead me to even greater challenges.

Peter Schjeldahl on «Matisse: The Cut - Outs» at MoMA, in this week's New Yorker: «When Matisse is at his best, the exquisite frictions of his color, his line, and his pictorial invention — licks of a cat's tongue — overwhelm perception, at which point enjoyment sputters into awe.»

, an ongoing and collaborative public art project that brings color to the streets of New York City; HALSEY MCKAY GALLERY, featuring Chris Duncan's sewn collages and works on paper that explore light and perception as physical metaphors; and international galleries, Antena Estudio of Mexico City, Mexico, showcasing Rocio Infestas; and Temnikova & Kasela Gallery of Tallinn, Estonia, displaying works by native painter, Merike Estna.

Known primarily for his intensive exploration of color, Albers often utilized tones of black, white, and grey while working out new ideas and new techniques, crafting finely tuned studies of light and perception while emphasizing the graphic and rhythmic qualities of his compositions.

A citation read during the ceremony said, «As an abstract artist, he uses «casting,» acrylic paints, and compounds to create new surfaces and textures, challenging our perceptions of shape and color.

Instead the museum used terms like perception to highlight their exploration of the new ways artists were using geometry, color, surface, line and light to examine how people see.

In his three - dimensional works, as in his paintings, Kelly used form, color and light to play with perceptions of surface and depth, inviting viewers to look closely and see the world in a new way.

Emerging from her studies about the time of the Op Art movement and that seminal exhibition, The Responsive Eye, presented at the Museum of Modern Art in New York in 1965 and organized by William C. Seitz, Rector could not help but be influenced by the hard - edge structures, dizzying lines, geometric forms and high key and high contrast colors that created optical and illusory effects challenging visual perception.

In a new show at Canada Gallery, Connors divides the gallery space into four mini white cubes that hold carefully selected groups of paintings that test the visual perception and emotive experience to color and form.

With his new paintings, Nitegeka moves further into abstraction, focusing in particular on the effect that the color black has on both the visual and emotional perceptions of his work.

In the late 1990s Rosenquist began a new series, The Speed of Light, in which he explored themes of space, light and relativity in vibrantly colored, abstract paintings and has continued to explore the perception of time and space in his most recent work.

As an abstract artist, he uses «casting,» acrylic paints, and compounds to create new surfaces and textures, challenging our perceptions of shape and color.

We attribute this perception to our choice to calibrate the Pixel 2 XL for delivering natural, accurate colors, taking advantage of the new color management support in Android 8.0 Oreo.

This paper describes the development of a new measure to assess children's perception of their skin color and their satisfaction with it.