My own biases point me toward the coming surge of inexpensive, ubiquitous, accessible human enhancements — from prosthetics that enhance our motor outputs to sensory input devices that will give us entirely
new perceptual experiences.
Not exact matches
For example, when a parent structures his
perceptual field by being attuned to a possible cry from a
new - born child, the infant is the source of the physical, causally efficacious feelings of the parent's
experience.
A
new study by Irene Senna from Bielefeld University's Center of Excellence CITEC and her colleagues reports a surprising bodily illusion demonstrating how we can rapidly update our assumptions about the material qualities of our bodies based on recent multisensory
perceptual experience.
As we carefully expose our puppies with positive
experiences to
new things during this time period their brains actually grow, creating
new links to their cerebral cortex, the portion of the brain that creates learning, memory, and
perceptual awareness.
With their sensuous and reflective surfaces created with multiple layers of sprayed - on acrylic pigment and glazed with Murano (a powdered pigment which is suspended in clear lacquer), Novros» paintings provide the viewer with
new types of
perceptual and emotional
experiences.
In a contemporary context, the
new «lenses» provided by digital technologies — from screens to optical devices and mediating surfaces — enable us to undertake
perceptual journeys on which we explore spaces beyond our imagination, travel through time,
experience time conjunction, and mediated representations of place.
New lenses of mediated screens and surfaces have challenged our
perceptual experience in contemporary society, as we must constantly navigate between real and virtual dimensions, or accept that these are increasingly one and the same.»
The third exhibition will feature artwork by contemporary artists who continue to push art into the
perceptual realm with
new materials and technologies that create visual sensations, immersive
experiences, and viewer - active engagement.
For his first solo exhibition with Lisson Gallery
New York and to launch a second space in the city, British artist Haroon Mirza presents an installation highlighting his recent exploration of the
perceptual distinctions between noise, sound and light as
experienced through the transformative use of psychotropic plants.
Rudolf Stingel (b. 1956, Merano, Italy) is a
New York based artist whose work challenges the viewer to critically consider their own
perceptual experience in viewing art.
Thus the specific location of Guttenberg is such a place that facilitates
new works that attempt to internalize understandings formed by
experiences, a kind of reconciliation of
perceptual issues of consciousness.