Sentences with phrase «new permanent gallery»

In July 2017 the hall will open a new permanent gallery celebrating the life and work of David Hockney.

Victoria Miro has announced the Venice location for their new permanent gallery space launching over the period of the 57th Venice Biennale.

Untitled — Firth of Forth Series will go on display for the first time on 26 April at A-Z: An Alphabetical Tour of Scottish Art, a free exhibition to mark the opening of City Art Centre's newest permanent gallery space.

It also features new permanent galleries devoted to poet and artist William Blake and sculptor Henry Moore.

Not exact matches

They will then go on permanent display in a new Human Evolution gallery, set to open at the museum during the end of November.

His work is in the permanent collection of New York's Museum of Modern Art and the British Museum and has been exhibited at the Tate, Centre Pompidou, MoMA, Whitney Museum of American Art, Berlin Kunsthalle, PS1, Whitechapel Gallery, and London's Institute of Contemporary Arts.

In spring of 2016, these young sea lions will find a permanent home in Georgia Aquarium's new sea lion gallery presented by SunTrust, where they will help to inspire and educate the public about issues facing animals in the wild.

Humphries» work is in the permanent collections of the Museum of Modern Art, New York; The Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; the Albright - Knox Gallery, Buffalo; the Carnegie Museum of Art, Pittsburgh; the Dallas Museum of Art, Dallas; the San Francisco Museum of Modern Art, San Francisco; the Tate Modern, London; Foundation Louis Vuitton, Paris; and Museum Brandhorst, Munich.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

2004 Reuniting an Era: Abstract Expressionists of the 1950s, Rockford Art Museum, Rockford, Illinois (November 12, 2004 — January 23, 2005) This Land is Your Land: American Landscape Prints, Detroit Institute of Art, Detroit (October 27, 2004 — January 30, 2005) Twelve from Cheim & Read, Fay Gold Gallery, Atlanta (June 11 — July 12) Abstractions, Cook Fine Art, New York (March 15 — April 24) James Bishop, Jean Paul Riopelle, Joan Mitchell, Shirley Jaffe, Norman Bluhm, Shirley Goldfarb, Conrad Marca - Relli, Gregory Masurovsky, Zuka Mitelberg, Milton Resnick, Hugh Weiss, Ceux du G.I. Bill, Galerie Jean Fournier, Paris (April 2 — May 15) New Visions: Works From the Permanent Collection, Minnesota Museum of American Art, Saint Paul (March)

Her work is in the permanent collections of many leading museums, including the National Gallery of Art, Washington, D.C.; The Metropolitan Museum of Art; the Whitney Museum of Art; and The Museum of Modern Art, New York.

In 1968, Judd bought a five - story building in New York that allowed him to start placing his work in a more permanent manner than was possible in gallery or museum shows.

Danh's work is held in a number of permanent institutional collections, including the National Gallery of Art, Washington, D.C.; New York Public Library, NY; the de Young Museum, San Francisco, CA; Museum of Contemporary Photography, Chicago, IL; Peabody Essex Museum, Salem, MA; Philadelphia Museum of Art, PA; George Eastman House, Rochester, NY; and San Jose Museum of Art, CA.

The works span four floors of Spring Studios in New York and extend across the Atlantic; a permanent extension space opened in Brussels last year, and provides a connective platform to show work from galleries participating in New York.

Now he is represented by the Friedrich Petzel Gallery in Chelsea, and has well - known collectors avidly buying his art, examples of which are already in the permanent collections of the Museum of Modern Art in New York, the San Francisco Museum of Modern Art and the Museum of Contemporary Art in Los Angeles, to name a few.

His work is also included in the permanent collections of the Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; Centre Pompidou, Paris; Deutsche Guggenheim, Berlin; The Detroit Institute of Art; San Francisco Museum of Modern Art; Dallas Museum of Art; Guggenheim Bilbao; Iwaki City Art Museum, Japan; The Los Angeles Museum of Contemporary Art; National Gallery of Canada, Ottawa and The Tate Modern, London.

«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.

Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)

The artist, represented by Pace Gallery since 1966, has also been developing a major new work for the Chinati Foundation's permanent collection, which will be unveiled later this year.

Biomorphic Forms in Sculpture,» Kunsthaus Graz, September 27, 2008 — January 11, 2009 «AURUM Gold in Contemporary Art,» curated by Dolores Denaro, CentrePasquArt, Biel, Switzerland, September 13 — November 30, 2008 «Red Wind,» Blum & Poe, Los Angeles, CA, June 28 — August 23, 2008 «Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 9 — May 19 2007 «Celebrating the Lucelia Artist Award, 2001 - 2006,» Smithsonian American Art Museum, Washington, D.C., September 21, 2007 — June 22, 2008 «Makers and Modelers: Works in Ceramic,» Gladstone Gallery, New York, NY, September 8 — October 13, 2007 «Blood Meridan,» curated by David Hunt, Galerie Michael Janssen, Berlin, Germany, April 27 — May 26, 2007 «From Close to Home: Recent Acquisitions of Los Angeles Art,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, April 1 — July 2 «eight sculptors from los angeles,» sabine knust, Münich, Germany, March 22 — April 17, 2007 «Multiple Vantage Points: Southern California Women Artists, 1980 - 2006,» curated by Dextra Frankel, Los Angeles Municipal Gallery at Barnsdall, Los Angeles, CA, February 25 — April 15, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; cat.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

2008 Learning by Doing, curated by Alison de Lima Greene, Museum of Fine Arts Houston, TX (catalogue) Works from the Permanent Collection, Milwaukee Art Museum, WI En Sus Marcas, curated by Rebeca Noriega, Universidad del Sagrado Corazón, PR (catalogue) NY Motion 1.0, curated by Elvis Fuentes and Paco Cano, Instituto Cervantes, New York, NY (catalogue) Alogon, Alogon Gallery, curated by Gaylen Gerber, Chicago, IL Ice Cream Show, Loyal Gallery, Stockholm, Sweden Selected Works, Southfirst Gallery, Brooklyn, NY It's Not What You Know, It's Who You Know, (Neutral Capital Collection) Samson Projects, Boston, MA

In 1947, Hofmann found a permanent home at Kootz Gallery, New York, which held exhibitions of his work almost yearly until his death.

1989 Abstract Expressionism: Paintings, Drawings and Watercolors, Manny Silverman Gallery, Los Angeles (December 2, 1989 — January 13, 1990) The Gestural Impulse, 1945 — 60: Paintings from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art / Downtown at Federal Reserve Plaza, New York (September 29 — December 1) Barnard Collects: The Educated Eye, Salander - O'Reilly Galleries, New York (September 28 — October 31) A Decade of American Drawings: 1980 — 1989, Daniel Weinberg Gallery, Los Angeles (July 15 — August 26) Art in Place: 15 Years of Acquisitions, Whitney Museum of American Art, New York (July 7 — October 15) Works on Paper, Lennon, Weinberg, Inc., New York (June 13 — August 11) Lines of Vision: Drawings by Contemporary Women, Hillwood Art Gallery, Long Island University, Brookville, New York (May 24 — June 28).

2000 Eureka Fellowship Awards Show, San Jose Museum of Art, San Jose, CA travelling to the San Diego Museum of Contemporary Art, La Jolla, CA (2001), catalogue New Work: Drawings, James Harris Gallery, Seattle, WA Fact / Fiction: Works from the Permanent Collection, San Francisco Museum of Modern Art, San Francisco, CA Beyond Boundaries: Contemporary Photography in California, Ansel Adams Center, Friends of Photography, Travelling to California State University, Long Beach, CA Santa Barbara Contemporary Arts Forum, Santa Barbara, CA (catalogue)

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So AppealiNew York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So AppealiNew York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So AppealiNew York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealinew,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?

Her work can be found in the permanent collections of many prestigious institutions worldwide, including the Art Gallery of New South Wales, Australia; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; MAXXI Museo nazionale delle arti del XXI secolo, Rome; the Metropolitan Museum of Art, New York; the Museum of Fine Arts Boston; the Museum of Contemporary Art, Tokyo; the Museum of Contemporary Art, Los Angeles; the Museum of Modern Art, New York; the Philadelphia Museum of Art; the Solomon R. Guggenheim Museum, New York; the Royal Ontario Museum, Canada; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, amongst others.

Meets the artist Mary Frank and begins a long friendship that often includes joint work sessions; is appointed to the board of the Artists» Foundation in Boston; joins the Terry Dintenfass Gallery, New York, and has regular solo exhibitions there; group exhibition: Selections from the Permanent Collection, Museum of Fine Arts, Boston.

Hans Hofmann's works are in the permanent collections of many major museums in the United States and throughout the world, including the UC Berkeley Art Museum, New York's Metropolitan Museum of Art, the Solomon R. Guggenheim Museum, the Whitney Museum, the Museum of Modern Art (New York), the San Francisco Museum of Modern Art, Boston's Museum of Fine Arts, the Provincetown Art Association and Museum, the Art Institute of Chicago, the Seattle Art Museum, the Scottsdale Museum of Contemporary Art, the Dayton Art Institute, the Indianapolis Museum of Art, the Baltimore Museum of Art, the Museum of Fine Arts Houston, the Cleveland Museum of Art, the Delaware Art Museum, the Philadelphia Museum of Art, the Honolulu Museum of Art, the Städtische Galerie im Lenbachhaus (Munich), the Museu d'Art Contemporani, (Barcelona), the Tate Gallery (London), and the Art Gallery of Ontario (Toronto).

Roiter's work are in the permanent collections of Centraal Museum, Utrecht, Netherlands; Gemeente Museum, Helmond, Netherlands; Goetz Collection, Munich, Germany; The Gori Collection, Pistoia, Italy; Lembachhaus Museum, Munich, Germany; Ludwig Forum, Aachen, Germany; Malmö Kunsthall, Malmö, Sweden; The Nasher Museum of Art at Duke University, Durham, NC; Siemens Photo Collection, Munich, Germany; Teilers Museum, Haarlem, Netherlands; Tretyakov State Gallery, Moscow, Russia, and the Zimmerli Art Museum, New Brunswick, NJ.

New York's Pace Gallery, which specialises in modern and contemporary art, will open a temporary base in Soho early next year while it finalises plans for a permanent space.

His work is in the permanent collections of institutions including the Solomon R. Guggenheim Museum, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; and the Tate Gallery, London.

Her works in several media are in the permanent collections of numerous museums, including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Guggenheim Museum in New York; the Art Institute of Chicago; the San Francisco Museum of Modern Art and the Long Beach Museum of Art in California; the Contemporary Arts Museum, Houston; the Stedelijk Museum, Amsterdam; Moderna Museet, Stockholm; the Tate and Victoria & Albert in London; Museu d'Art Contemporani de Barcelona; Museo Centro de Arte Reina Sofía, Madrid; and the Australian National Gallery, Canberra.

Figural Sculpture: Selections from the Permanent Collection, SArt 16, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3 - October 23, 1994.

Images of the West: Selections from the Permanent Collection, MALS 190, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 15 - August 28, 1994.

His work is in many permanent collections including Buffalo, New York's Albright - Knox Art Gallery, New York's Museum of Modern Art, Kagawa, Japan's Naoshima Contemporary Art Museum, Overland Park, Kansas's Nerman Museum of Contemporary Art, and Washington's National Gallery of Art.

Ray Germann's work has been exhibited extensively in galleries and is part of several other permanent museum collections including The Heckscher Museum of Art and The Museum of the City of New York.

The New Britain Museum of American Art's construction of a new wing has given the Museum a unique opportunity to reassess the layout of our galleries and significantly increase the artworks from our permanent collection on viNew Britain Museum of American Art's construction of a new wing has given the Museum a unique opportunity to reassess the layout of our galleries and significantly increase the artworks from our permanent collection on vinew wing has given the Museum a unique opportunity to reassess the layout of our galleries and significantly increase the artworks from our permanent collection on view.

2011 Parallel Perceptions, NYC Opera, New York, New York, USA Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, USA Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, USA Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, USA Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, USA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, USA For a Long Time, Roberts & Tilton, Culver City, USA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, USA

Opening December 1, 2017, ICA Miami's new, permanent home features more than 20,000 square feet of exhibition galleries and a public sculpture garden, enabling the museum to expand its reach and programs.

The weekend in January that saw two big art fairs and a spate of new exhibitions across the Bay Area also left us with something more permanent: Three new gallery spaces opened in San Francisco over three days, Jan. 12 - 14.

Her work is in the permanent collections of the Museum of Modern Art, New York; The Whitney Museum of American Art; the San Francisco Museum of Modern Art; the Tate Modern, London; Albright - Knox Art Gallery; Museum of Fine Arts, Boston; and the Smithsonian Institution, D.C.

American Art of the 80's, curated by Gabriella Belli and Jerry Saltz, Palazzo delle Albere, Trento, Italy A Passion for Art: Watercolours and Works on Paper, Tony Shafrazi Gallery, New York, NY Closet No. 9, Queens Museum of Art, Flushing, NY Just What Is It That Makes Today's Home So Different, So Appealing, The Hyde Collection, Glen Falls, NY The 1980's; A Selected View From the Permanent Collection, Whitney Museum of Fine Art, New York, NY Metropolitan Home Showhouse 2, New York, NY To Benefit Fashion Moda, Brooke Museum of Art, New York, NY Children in Crisis, A Benefit Exhibition, Lorence Monk Gallery, New York, NY

Extended Family Long Term Installation from Permanent Collection, Brooklyn Museum, NY, August 4, 2009 — September 5, 2010 The Edible Woman, Kravets / Wehby Gallery, New York, NY, October 22 - November 25, 2009 The Glamour Project., curated by Suzanne Donaldson in conjunction with Glamour Magazine, Lehmann Maupin, New York, NY, February 24 - March 21, 2009 Winter Escape, Kravets / Wehby Gallery, New York, NY, January 22 - February 21, 2009

This exhibition features a variety of the artist's works from the formative years 1956 - 1978 in the UB Art Galleries permanent collection along with significant loans from Michael Rosenfeld Gallery LLC, New York, NY.

His work is included in many permanent collections including Art Institute of Chicago, National Gallery of Canada, Canadian Museum of Contemporary Photography and George Eastman Museum, New York.

Bourgeois's work appears in the permanent collections of significant museums worldwide, including the British Museum, London; the Metropolitan Museum of Art, New York; Musée d'Art moderne de la Ville de Paris; Museo Nacional Centro de Arte / Reina Sofia, Madrid; the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; The State Hermitage Museum, St. Petersburg; Tate Modern, London; and the Uffizi Gallery Museum, Florence.

His work is in the permanent collections of The Museum of Modern Art, New York, The Whitney Museum of American Art, The Indianapolis Museum of Art, The San Fransisco Museum of Modern Art, The Smithsonian American Art Museum, The Art Institute of Chicago, The Albright Knox Gallery, The National Gallery of Art in Canberra, Australia, The Denver Museum of Art, and The Maslow Collection in Scranton, PA. - Lisa Jaye Young

His works are exhibited in the two Nitsch Museums in Mistelbach and Naples as well as in the Nitsch Foundation in Vienna and can be found in the permanent collections of preeminent international museums and galleries, including: MoMA, Guggenheim, The Metropolitan Museum New York, Tate Gallery London, The Centre Pompidou Paris, Pinakothek der Moderne in Munich and many more.